Opera Aria
SKU: HL.49020155
Ferdinand Leeke.
Ferdinand Leeke (1859-1923) was the creator of a serial of paintings showing scenes from the operas of Richard Wagner.These images provide much more than a simple illustration of Wagner's music dramas. Like no other artist Leeke managed to create the exact atmosphere that Wagner had established by his compositions.The works by Leeke are exhibited in several well-established art-museums, as for example the Neue Pinakothek in Munich and the Richard Wagner Museum in Bayreuth.In 1899 the prominent Bavarian printer Franz Hanfstaengl made copper plates from the original pictures. In a highly complicated procedure Franz Hanfstaengl produced the printing plates to transform Leeke's images into photogravures.These photogravures printed from the original plates are assorted in an exclusive folder that is produced only in a limited edition of 970 pieces worldwide.Every handpulled picture an originalThe art of etching and handcopper prints is regarded as one of the oldest and finestprinting techniques.In case of etching the motif is etched by the artist directly into the copperplate, with heliogravure the image has been engraved by using a complicated and extremly difficult photographic and handicraft procedure.Printing is done on heavy handmade-paper. Today, as 500 years ago, the copperplate is still carefully re-inked by hand and then cleaned with wide-meshed gauze balls, for only when the ink lies deep in the impressions the print will possess the velvety tones and fragile lines so characteristic of old, valuable engravings.The print is produced by pressing the plate under the pressroller with a pressure of around 16 tons. For every single print the entire procedure has to be repeated.To a greater extent than with wooden engravings, the artistic quality of etchings and copper engravings / heliogravures is dependent on the handicraft skills and the aesthetic sensitivity of the printer.This special way of printing has been done by Hanfstaengl publishers since 1833. Through the precise application and remova! of ink, the carefully-considered choice of paper and the use of the hand press, the printing specialists create a precious original with every page.
SKU: HL.49007911
ISBN 9783795702847. German.
Vorwort - Einleitung und Problemstellung: - a) Definition: Was ist eine deutsche Oper - b) Problemstellugn und Ziel dieser Arbeit - I. Voraussetzungen: - Der Kulturnationalismus in Deutschland - Nation und Volk - Theater und Oper zur Zeit Webers - Die deutsche Oper zur Zeit Webers. Ein Uberblick - Zu Webers Kunst- und Musikanschauung - II. Der Freischutz. Eine deutsche Oper: - Der Freischutz. Ein deutsches Libretto - Die Musik des Freischutz. Deutsche Musik - III. Die Rezeption des Freischutz in der ersten Halfte des 19. Jahrhunderts: - Die Voraussetzungen der Urauffuhrung in Berlin - Die Rezeption der Urauffuhrung - Erstauffuhrung des Freischutz in anderen deutschen Stadten und deren Rezeption - Zeugnisse fur die Beliebtheit des Freischutz in den 1820er Jahren - IV. Euryanthe und das Problem einer deutschen Opera seria: - Das Libretto - Die Musik - V. Die Weber-Rezeption bis zur Jahrhundertwende: - Zur Entwicklung des Kulturnationalismus in der zweiten Halfte des 19. Jahrhunderts - Der Freischutz im Opernrepertoire des 19. Jahrhunderts - Die Freischutz-Rezeption ausserhalb des Theaters - Richard Wagners Weber-Rezeption - Das Weber-Denkmal in Dresden - Das Weber-Bild in der Musikschriftstellerei des 19. Jahrhunderts - VI. Anhang: Auffuhrungsstatistiken - Quellen- und Literaturverzeichnis - Personenregister.
SKU: HL.49041606
ISBN 9783795794842. German.
The Richard Wagner Complete Edition presents the composer's entire output for the first time in a reliable form. The conductor Michael Balling, in the early years of the 20th century, attempted to make Wagner's work more accessible for research and performance, but the edition only reached 10 volumes - some with grave shortcomings - and was discontinued after Balling's death in 1925. A further attempt at a complete edition by Otto Strobel was abandoned at the preliminary stages.This third attempt at a complete edition will be the first scholarly, critical edition, based on an evaluation of all the accessible source materials and the latest findings of serious Wagner research. As the edition is also intended for practical performance, the musical text has been kept free of philological insertions; these are listed in the appendices of each volume in the Critical Commentary. Numerous, partly unpublished works - some relatively unknown - and variant versions are published here for the first time. The edition presents authentic texts for Wagner specialists and researchers and critically based performing materials. Contrary to widely held opinions, even the well-known works of Wagner are not necessarily available in reliable editions. The genesis, history and performances directed by Wagner himself are extensively documented so as to present as complete an image as possible of Wagner's compositional intentions.
SKU: HL.49041605
ISBN 9783795794859.
SKU: HL.50602117
ISBN 9781540064448. UPC: 888680966508. 9.0x12.0x0.76 inches.
GEORGES BIZET Carmen C'est des contrebandiers le refuge ordinaire - Je dis que rien ne m'épouvante • Les pêcheurs de perles Me voilà seule - Comme autrefois • ALFREDO CATALANI La Wally Ebben?... Ne andrò lontana • GUSTAVE CHARPENTIER Louise Depuis le jour • FRANCESCO CILEA Adriana Lecouvreur Ecco: respiro appena... Io son l'umile ancella • Poveri fiori GAETANO DONIZETTI Maria Stuarda Sì, vuol di Francia il rege - Ah quando all'ara scorgemi - Ah! dal Ciel discenda un raggio • ANTONÍN DVORÁK Rusalka Mesícku na nebi hlubokém (Song to the Moon) • JULES MASSENET Hérodiade Celui dont la parole efface toutes peines - Il est doux, il est bon • Thaïs Ah ! je suis seule, seule, enfin ! - Dis-moi que je suis belle • GIAN CARLO MENOTTI Amelia al ballo Vola intanto l'ora insonne • WOLFGANG AMADEUS MOZART Così fan tutte Temerari, sortite - Come scoglio • Don Giovanni Ah, fuggi il traditor! • Alfine il duol - Or sai chi l'onore • In quali eccessi, o Numi - Mi tradì quell'alma ingrata • Crudele? Ah no, Dio! mio bene! - Non mi dir, bell'idol mio • Le nozze di Figaro Porgi, amor • E Susanna non vien! - Dove sono i bei momenti • GIACOMO PUCCINI La bohème Sì. Mi chiamano Mimì • Donde lieta uscì • Madama Butterfly Un bel dì, vedremo • Suor Angelica Senza mamma • Tosca Vissi d'arte, vissi d'amore • Turandot Signore, ascolta! • Tanto amore, segreto • Tu che di gel sei cinta • Le Villi Se come voi piccina • GIOACHINO ROSSINI Guillaume Tell Sombre forêt (Selva opaca) • GIUSEPPE VERDI Un ballo in maschera Morrò, ma prima in grazia • Don Carlo Tu che le vanità conoscesti del mondo • Ernani Sorta è la notte - Ernani!... Ernani, involami - Tutto sprezzo, che d'Ernani • La forza del destino Pace, pace, mio Dio! • Il trovatore Tacea la notte placida - Di tale amor, che dirsi • Timor di me?...- D'amor sull'ali rosee • RICHARD WAGNER Lohengrin Einsamin trüben Tagen • Tannhäuser Dich, teure Halle.
SKU: HL.50602120
ISBN 9781540064479. UPC: 888680966539. 9x12 inches.
VINCENZO BELLINI I puritani Or dove fuggo io mai? - Ah! per sempre io ti perdei • GEORGES BIZET Carmen Votre toast, je peux vous le rendre - Toréador, en garde • GAETANO DONIZETTI Don Pasquale Bella siccome un angelo • L'elisir d'amore Come Paride vezzoso • La favorita Sì, de' malvagi invan - Vien, Leonora, a' piedi tuoi • Lucia di Lammermoor Cruda, funesta smania • UMBERTO GIORDANO Andrea Chénier Nemico della patria?! • CHARLES GOUNOD Faust Ô sainte médaille - Avant de quitter ces lieux • Roméo et Juliette Mab, la reine des mensonges • GEORGE FRIDERIC HANDEL Rinaldo Sibilar gli angui d'Aletto • RUGGERO LEONCAVALLO Pagliacci Si può?... o Zazà Zazà, piccola zingara • JULES MASSENET Hérodiade Ce breuvage - Vision fugitive • Thaïs Voilà donc la terrible cité • CLAUDIO MONTEVERDI Orfeo Tu se' morta • WOLFGANG AMADEUS MOZART Così fan tutte Rivolgete a lui lo sguardo • Donne mie, la fate a tanti • Don Giovanni Fin ch'han dal vino • Deh, vieni alla finestra • Le nozze di Figaro Hai già vinta la causa! - Vedrò, mentr'io sospiro • Die Zauberflöte Der Vogelfänger bin ich ja • Ein Mädchen oder Weibchen • GIACOMO PUCCINI Edgar Questo amor, vergogna mia • La fanciulla del West Minnie, dalla mia casa son partito • Gianni Schicchi Si corre dal notaio • Il tabarro Nulla!...Silenzio!... • Le Villi No! possibil non è - Anima santa • GIOACHINO ROSSINI Il barbiere di Siviglia Largo al factotum della città • La Cenerentola Come un'ape ne' giorni d'aprile • PYOTR IL'YICH TCHAIKOVSKY Eugene Onegin Vy mnje pisáli - Kogdá by zhiz'n' • AMBROISE THOMAS Hamlet Ô vin, dissipe la tristesse • GIUSEPPE VERDI Un ballo in maschera Alzati! - Eri tu che macchiavi quell'anima • Don Carlo Son io, mio Carlo - Per me giunto è il dì supremo • I due Foscari Eccomi solo alfin- O vecchio cor, che batti • Falstaff È sogno? o realtà?... Rigoletto Pari siamo! o Cortigiani, vil razza dannata • La traviata Di Provenza il mar, il suol • Il trovatore Tutto è deserto - Il balen del suo sorriso • RICHARD WAGNER Tannhäuser Wie Todesahnung - O! du mein holder Abendstern.
SKU: CY.CC2742
Liebestod (German for Love Death) is the title of the final, dramatic music from the 1859 opera Tristan and Isolde by Richard Wagner. The music is actually an aria that Isolde sings over Tristan's dead body before she herself is consumed in death. The music is lush, with rich harmonies and undulating rhythms as the agony of death is also meshed with the passion of love.Randall Malmstrom has scored this 7-minute work for Trombone octet of advanced performers.
SKU: BR.EB-8915
The splendid music is worth it. What a work!, writes Claus Ambrosius in the Rhein-Zeitung. p>
After the premiere of Marschner's Vampyr on 7 May at the Theater Koblenz, the early romantic opera repertoire is once again a work the richer. <. Opera; Romantic. Piano/Vocal Score. 344 pages. Duration 180'. Breitkopf and Haertel #EB 8915. Published by Breitkopf and Haertel (BR.EB-8915).
ISBN 9790004185810. 7.5 x 10.5 inches.
The original version finally availableHeinrich Marschner is considered the most significant German opera composer between Carl Maria von Weber and Richard Wagner. Among his most important works is his opera Der Vampyr (The Vampire) premiered in 1828, with which he celebrated his breakthrough. The composer's autograph is regarded as lost, and a score was not published in Marschner's lifetime. It was only in 1925 that Hans Pfitzner produced an edition that must be described as flawed. Breitkopf & Hartel has prepared the complete, practical performance material based on the score published in the Das Erbe deutscher Musik (German Music Heritage) in the version authorized by Marschner and tops it off with a new piano reduction [or piano score?] that is very playable.The splendid music is worth it. What a work!, writes Claus Ambrosius in the Rhein-Zeitung. After the premiere of Marschner's Vampyr on 7 May at the Theater Koblenz, the early romantic opera repertoire is once again a work the richer.
SKU: BT.EMBZ12401A
English-German.
The volume includes the famous Weinen, Klagen variations, based on Bach's similarly-titled cantata and motifs from the Crucifixus of his B minor Mass a paraphrase of Gounod's Hymne a Ste Cécile, appearing here for the first time in print, A la Chapelle Sixtine, based on Allegri's Miserere and Mozart's Ave verum Corpus (the part based on a chorus from the Ave verum Corpus can also be performed separately), the Rapsodie espagnole, a fantasia on themes from the incidental music to Beethoven's Die Ruinen von Athen, Liszt's transcription of the Pilgrims' Chorus from Richard Wagner's opera Tannhäuser, and Les adieux. Reverie sur un motif de l'opéra Roméo et Juliette. The volume isavailable linen-bound (Z.12401A, with critical notes) and also in a cheaper, hard paperbound version that is adequate for practical purposes.