Motion

SKU: BT.DHP-1115043-010

9x12 inches.

The Loco-motion was the hippest dance routine to hit the clubs in the 1960s. In contrast to many songwriters who write songs after a trend has taken off , singer/songwriter partners and couple Gerry Goffi n and Carole King wrote the song that kicked off the entire dancesong craze. Little Eva was the fi rst of several artists to reach the top of the US charts with this hit in 1962. Let your band rise to new heights with Hideaki Miura�??s funky arrangement!

The Loco-motion was een bijzonder geliefde manier van dansen in de jaren zestig. Gerry Goffin en Carole King waren met hun gelijknamige hit de trendsetter van deze muziek- en dansstijl. Dit in tegenstelling tot wat veel songwritersdoen: pas bepaalde muziek schrijven als het al een trend is. De eerste die het nummer vertolkte was Little Eva en zij scoorde er een nummer één hit mee. Hierna werd de song nog vaak en succesvol gecoverd. En nu is er dusook een lekker vlotte versie voor harmonieorkest van Hideaki Miura.

The Loco-motion war ein Modetanz in den 1960er-Jahren. Entgegen der weit verbreiteten Annahme sprang aber nicht das Songwriter-Ehepaar Gerry Goffin und Carole King mit ihrem gleichnamigen Hit auf diesen Zug auf, sondern sie waren tatsächlich diejenigen, die mit dem Titel den Trend erst auslösten. Nach dem Nr. 1-Erfolg der ersten Interpretin Little Eva wurde der Song oft und erfolgreich gecovert und liegt nun in einer flotten Blasorchesterbearbeitung von Hideaki Miura vor.

Au début des années 1960, le couple d�??auteurs succès, Gerry Goffin et Carole King, compose la chanson, The Loco-motion, qui sera l�??origine d�??un phénomène qui va balayer tous les pays, le locomotion, un twist en ligne avec des mouvements de bras imitant le va-etvient des bielles de locomotives vapeur. Immortalisée aux �?tats-Unis par Little Eva, la chanson sera reprise en France par Henri Salvador, puis par Sylvie Vartan, l�??égérie des années yé-yé. Hideaki Miura en a réalisé un arrangement pour Orchestre d�??Harmonie, aussi twistant que la version originale.

The Loco-motion è stato un ballo di moda negli anni �??60. Al contrario di molti autori che scrivono canzoni utilizzando trend gi esistenti, la coppia Gerry Goffin e Carol King fu l�??artefi ce di questo ballo di successo. La prima interprete della canzone fu Little Eva che nell�??ormai lontano 1962 raggiunse la vetta delle canzoni più vendute. Un tuff o nel passato con questo arrangiamento molto riuscito fi rmato Hideaki Miura.

SKU: GI.G-8250

ISBN 9781579999018. English.

What is the secret language between a performing artist and an audience? How does a performing artist’s product differ from the product of nonperformance art? How is a performer’s artwork shaped, changed, and elevated by captivated observers? Motion, Emotion, and Love is a book that will transform the experience of performers and audiences alike, by infusing performance art with a new vocabulary. For performers, the book is a practical guide to building intentional and inspirational practice time, bringing true artistry to every element of a performance, and developing strong personal communication with the audience. For audiences, the book explains the vital role of the audience in a performance, revealing to them a new level of involvement and collaboration with the performer and with other members of the audience. Performers, whether musicians, actors, or dancers, communicate emotion by means of bodily movement. But it is love that unites performers with the audience and with each other. Motion, Emotion and Love helps performing artists return to the soul of their craft, and imbues their physical mastery with human vulnerability. Musician, teacher, and author Thomas Mark’s profound, yet clear and practical exploration is eye-opening in its connections, a compelling blueprint for deeper understanding and appreciation of artistic performance.   Decorated with 24 etchings, Balli di Sfessania, by Jacques Callot (1592–1635).   Thomas Carson Mark studied piano in New York with David Bar-Illan and Jeannette Haien, and philosophy at Columbia University, where he earned his PhD. He taught philosophy for several years at various colleges and universities, then returned to the piano. From 1992 to 2001 he organized and performed in the Newport Coffee Concerts, a chamber music series in Newport, Oregon. He is the author of What Every Pianist Needs to Know about the Body, some philosophical articles on performance, and a book and several papers on the philosophy of Spinoza. Thomas Mark writes and teaches in Portland, Oregon.

SKU: BT.DHP-1115043-140

9x12 inches.

The Loco-motion was the hippest dance routine to hit the clubs in the 1960s. In contrast to many songwriters who write songs after a trend has taken off , singer/songwriter partners and couple Gerry Goffi n and Carole King wrote the song that kicked off the entire dancesong craze. Little Eva was the fi rst of several artists to reach the top of the US charts with this hit in 1962. Let your band rise to new heights with Hideaki Miura’s funky arrangement!

The Loco-motion was een bijzonder geliefde manier van dansen in de jaren zestig. Gerry Goffin en Carole King waren met hun gelijknamige hit de trendsetter van deze muziek- en dansstijl. Dit in tegenstelling tot wat veel songwritersdoen: pas bepaalde muziek schrijven als het al een trend is. De eerste die het nummer vertolkte was Little Eva en zij scoorde er een nummer één hit mee. Hierna werd de song nog vaak en succesvol gecoverd. En nu is er dusook een lekker vlotte versie voor harmonieorkest van Hideaki Miura.

The Loco-motion war ein Modetanz in den 1960er-Jahren. Entgegen der weit verbreiteten Annahme sprang aber nicht das Songwriter-Ehepaar Gerry Goffin und Carole King mit ihrem gleichnamigen Hit auf diesen Zug auf, sondern sie waren tatsächlich diejenigen, die mit dem Titel den Trend erst auslösten. Nach dem Nr. 1-Erfolg der ersten Interpretin Little Eva wurde der Song oft und erfolgreich gecovert und liegt nun in einer flotten Blasorchesterbearbeitung von Hideaki Miura vor.

Au début des années 1960, le couple d’auteurs succès, Gerry Goffin et Carole King, compose la chanson, The Loco-motion, qui sera l’origine d’un phénomène qui va balayer tous les pays, le locomotion, un twist en ligne avec des mouvements de bras imitant le va-etvient des bielles de locomotives vapeur. Immortalisée aux États-Unis par Little Eva, la chanson sera reprise en France par Henri Salvador, puis par Sylvie Vartan, l’égérie des années yé-yé. Hideaki Miura en a réalisé un arrangement pour Orchestre d’Harmonie, aussi twistant que la version originale.

The Loco-motion è stato un ballo di moda negli anni ’60. Al contrario di molti autori che scrivono canzoni utilizzando trend gi esistenti, la coppia Gerry Goffin e Carol King fu l’artefi ce di questo ballo di successo. La prima interprete della canzone fu Little Eva che nell’ormai lontano 1962 raggiunse la vetta delle canzoni più vendute. Un tuff o nel passato con questo arrangiamento molto riuscito fi rmato Hideaki Miura.

SKU: BT.DHP-1145608-010

English-German-French- Dutch.

Heart in Motion compares the development of an ensemble to a tree, which-with careful nurturing-grows branches, twigs, leaves and fruit. As a fertilizer, you need to add an extra helping of positive attitude, enthusiasm and passion to it.Inspired by these images and concepts, Satoshi Yagisawa has composed Heart in Motionwhich, with a magnificent fanfare followed by a warm-sounding chorale, certainly lives up to its name.

De opdracht voor dit werk luidde om de totstandkoming van een blaasorkest te verklanken. Afgezien van concrete zaken komen bij de ontwikkeling van een succesvol muziekgezelschap natuurlijk ook een positieve instelling, enthousiasme en passie kijken.Deze beelden en begrippen inspireerden Satoshi Yagisawa tot het componeren van Heart in Motion, dat met een schitterende fanfare, gevolgd door een warm klinkende koraal, zijn titel eer aandoet.

Die Entwicklung eines Blasorchesters ist wie ein Baum, dessen Stamm Äste, Blätter und Früchte hervorbringen kann. Neben diesen sichtbaren Merkmalen gehören zum Wachstum eines Ensembles auch Hingabe, Begeisterung und Leidenschaft. Von diesen Metapherninspiriert komponierte Satoshi Yagisawa ein Werk, das mit einer strahlenden Fanfare, gefolgt von einem warm klingenden Choral, seinem Namen alle Ehre macht.

Heart in Motion (Cœur en mouvement) est une œuvre qui porte bien son nom car elle évoque l’arbrisseau de la forêt, qui, petit petit, pousse et grandit pour produire des brindilles, des branches, des feuilles et des fruits. Satoshi Yagisawavous invite développer vitalité, dynamisme, énergie et puissance. Quoi de plus naturel que d’associer cette extraordinaire production l’épanouissement de votre orchestre !

Quando gli è stato affidato l’incarico di comporre Heart in Motion, è stato chiesto a Satoshi Yagisawa di descrivere “la vita” di una banda, ma metaforicamente di paragonarla ad un albero con il tronco, i rami, le foglie e i frutti. Nellamusica non potevano mancare accenni ad un approccio positivo, all’entusiasmo e alla passione. Il risultato non poteva che essere un brano coinvolgente, che inizia con una luminosa fanfara seguita da un caldo corale.

SKU: HL.14042382

ISBN 9788759823415.

S et of parts for Motion/Emotion for Wind Quintet (2010/11) by Faroese composer Sunleif Rasmussen.

SKU: HL.14042381

ISBN 9788759823408.

< strong>Motion/Emotion for Wind Quintet (2010/11).

Commissioned by John Storgårds and The Chamber Orchestra
of Lapland.

Parts: WH31397A

SKU: HL.14041540

ISBN 9781847729620. 9.0x12.0x0.14 inches.

Contents: 1+1, Music In Contrary Motion, Music In Fifths, Music In Similar Motion, Two Pages.

SKU: GI.G-10366

This bundle includes all the essential Social Emotional Learning resources from Scott Edgar at a discounted price. All must-have materials for music educators! Scott Edgar's best-selling book Music Education and Social Emotional Learning addresses the critical role music educators play in developing the social and emotional skills of their students. It offers numerous strategies and practical examples that music teachers in all areas will find beneficial. The companion Student Workbook contains thirty engaging activities that allow students to reflect musically, socially, and emotionally, while also enhancing individual social emotional competence and musicianship. Portraits of Music Education and Social Emotional Learning showcases the inspiring stories and innovative ideas of music educators who are implementing Social Emotional Learning (SEL) instruction with intentionality in their classrooms at the elementary, middle, and high school levels. These teachers—representing all areas of music education— share their real-world challenges and triumphs with SEL instruction, along with many tips, activities, lesson plans, and suggestions for embedding SEL in a way that is musical, intentional, and meaningful. Social Emotional Learning for the Pre-Service and In-Service Music Teacher takes current and future music teachers through thirteen sequential units designed to hone important self-care and SEL skills. Each unit offers connections for both pre-service and in-service music teachers that guide them through exercises to strengthen their skills, as well as space to discover, reflect, journal, draw, and commit to growth. The ABCs of My Feelings and Music is a children's picture book that explores the powerful link between art, music, and emotion. Each page offers an emotion word in a piece of colorful artwork, one for each letter of the alphabet. And below each illustration are three classical music suggestions to listen to while observing the art.

SKU: AP.18287

UPC: 038081167879. English.

The title of this piece refers both to the often hectic activity of the holiday season and the perpetual motion rhythms (played in eighth notes) that appear throughout the arrangement. Familiar carols are presented, accompanied by the perpetual motion which is passed between different sections of the orchestra. You'd better slow down-you don't want to miss this one!