Ludwig van Beethoven: Mass In C

SKU: AP.36-A258195

ISBN 9798892701884. UPC: 659359625268. English.

Anton Bruckner (1824-1896) completed the 1st version of his Mass No. 3 in F minor in 1863, as Otto Kitzler was introducing him to the music of Richard Wagner, the composer he would emulate for the rest of his life. John Herbeck, who conducted the initial rehearsals for its premiere at the Augustinerkirch on June 16, 1872, warmly declared that it stood beside Beethoven's Missa Solemnis in greatness. Bruckner, often self-critical as a composer, went on to revise the work no less than four times until it was finally published it in 1894. More often heard today in the concert hall than in the church, the sprawling, hour-long work is admired today for its powerful directness. This critical edition was created in 1944 for the Bruckner Gesamtausgabe by Robert Maria Haas.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: AP.36-A258193

ISBN 9798892701860. UPC: 659359564956. English.

Anton Bruckner (1824-1896) completed the 1st version of his Mass No. 3 in F minor in 1863, as Otto Kitzler was introducing him to the music of Richard Wagner, the composer he would emulate for the rest of his life. John Herbeck, who conducted the initial rehearsals for its premiere at the Augustinerkirch on June 16, 1872, warmly declared that it stood beside Beethoven's Missa Solemnis in greatness. Bruckner, often self-critical as a composer, went on to revise the work no less than four times until it was finally published it in 1894. More often heard today in the concert hall than in the church, the sprawling, hour-long work is admired today for its powerful directness. This critical edition was created in 1944 for the Bruckner Gesamtausgabe by Robert Maria Haas.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: AP.36-A258196

ISBN 9798892701891. UPC: 659359762505. English.

Anton Bruckner (1824-1896) completed the 1st version of his Mass No. 3 in F minor in 1863, as Otto Kitzler was introducing him to the music of Richard Wagner, the composer he would emulate for the rest of his life. John Herbeck, who conducted the initial rehearsals for its premiere at the Augustinerkirch on June 16, 1872, warmly declared that it stood beside Beethoven's Missa Solemnis in greatness. Bruckner, often self-critical as a composer, went on to revise the work no less than four times until it was finally published it in 1894. More often heard today in the concert hall than in the church, the sprawling, hour-long work is admired today for its powerful directness. This critical edition was created in 1944 for the Bruckner Gesamtausgabe by Robert Maria Haas.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: AP.36-A258194

ISBN 9798892701877. UPC: 659359823619. English.

Anton Bruckner (1824-1896) completed the 1st version of his Mass No. 3 in F minor in 1863, as Otto Kitzler was introducing him to the music of Richard Wagner, the composer he would emulate for the rest of his life. John Herbeck, who conducted the initial rehearsals for its premiere at the Augustinerkirch on June 16, 1872, warmly declared that it stood beside Beethoven's Missa Solemnis in greatness. Bruckner, often self-critical as a composer, went on to revise the work no less than four times until it was finally published it in 1894. More often heard today in the concert hall than in the church, the sprawling, hour-long work is admired today for its powerful directness. This critical edition was created in 1944 for the Bruckner Gesamtausgabe by Robert Maria Haas.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: AP.36-A258102

UPC: 659359527715. English.

Anton Bruckner (1824-1896) completed the 1st version of his Mass No. 3 in F minor in 1863, as Otto Kitzler was introducing him to the music of Richard Wagner, the composer he would emulate for the rest of his life. John Herbeck, who conducted the initial rehearsals for its premiere at the Augustinerkirch on June 16, 1872, warmly declared that it stood beside Beethoven's Missa Solemnis in greatness. Bruckner, often self-critical as a composer, went on to revise the work no less than four times until it was finally published it in 1894. More often heard today in the concert hall than in the church, the sprawling, hour-long work is admired today for its powerful directness. This critical edition was created in 1944 for the Bruckner Gesamtausgabe by Robert Maria Haas. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum): Str (4-4-3-3-3 in set): Solo SATB: Mix Chor. The organ ad libitum is absent from the Haas edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: CA.4068814

ISBN 9790007220365. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and part available separately - see item CA.4068800.

SKU: CA.4068813

ISBN 9790007220358. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and part available separately - see item CA.4068800.

SKU: CA.4068809

ISBN 9790007220327. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and parts available separately - see item CA.4068800.

SKU: CA.4068815

ISBN 9790007220372. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and part available separately - see item CA.4068800.

SKU: CA.4068804

ISBN 9790007183547. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score available separately - see item CA.4068800.

SKU: CA.4068819

ISBN 9790007097219. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and parts available separately - see item CA.4068800.

SKU: CA.4068805

ISBN 9790007131012. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score available separately - see item CA.4068800.

SKU: CA.2390100

ISBN M-007-24680-8.

Beet hoven's choral works in a practical study package! Urtext reflecting the latest state of musicological research As well as study scores of the two masses, the box set contains Urtext scores of Beethoven's only oratorio Christus am Olberge (The Mount of Olives), together with three secular works with orchestral accompaniment (the Choral Fantasy, Meeres Stille und Gluckliche Fahrt (Calm Sea and Prosperous Voyage), and Elegischer Gesang (Elegiac Song). As a bonus volume and a real rarity, the Kyrie based on the Adagio from the Moonlight Sonata for choir and orchestra (arr. Bierey) is also included.

SKU: CA.402500

ISBN 9790007187941.

The anniversary edition for all choirs! With their extensive forces and complex parts, the performance of Beethoven's choral-symphonic works is hugely demanding for many choirs. For the major Beethoven anniversary in 2020 Carus is therefore expanding the repertoire of works available for mixed choirs. The Choral Collection Beethoven (ed. Jan Schumacher) contains especially attractive arrangements of Beethoven's music from three centuries. Contents include the choral-symphonic repertoire in versions with piano accompaniment, some lesser-known unaccompanied works, and some seldom-performed works, such as pieces from his incidental music. During his lifetime Beethoven was so admired that contemporaries arranged his music - mainly the well-known instrumental works - for chorus. Some of these choral works were even performed at Beethoven's own funeral. Subsequent generations of composers have also immersed themselves in Beethoven's output. In addition, for the anniversary Carus has commissioned choral arrangements of Beethoven's works from several contemporary composers. The Choral Collection Beethoven contains around 40 secular and sacred choral movements in a wide range of styles. Editor Jan Schumacher has created an indispensable resource with the Beethoven Choral Collection, particularly for amateur choirs, but the edition is also suitable for vocal ensembles and chamber choirs. Guaranteed enjoyment of Beethoven's music well beyond the anniversary year. * 41 choral settings for SATB, some with piano accompaniment * well within the capabilities of amateur choirs * suitable for concerts, church services, and many social occasions * also contains arrangements of Beethoven's vocal and instrumental works from three centuries, by composers including Gottlieb Benedict Bierey, Heribert Breuer, Peter Cornelius, Gunnar Eriksson, Gunther Martin Gottsche, Clytus Gottwald, John Hoybye, Hans Georg Nageli, Peter Schindler, Ignaz Ritter von Seyfried, Friedrich Silcher, and many others * CD with selected works included with the conductor's score (Deutscher Jugendkammerchor, conducted by Florian Benfer) * economical choral edition (editionchor) available Contents (selection) * Choruses and canons: Auld Lang Syne, Gluck zum neuen Jahr, and Das Reden / Schweigen and many more. * Historic arrangements for chorus, including from the Moonlight Sonata, the Appassionata, the 7th Symphony, and many other works. * New arrangements for chorus, including the songs Bitten, Ich liebe dich, Marmotte, and many others. * Arrangements for chorus and piano, including the choral movements from the Choral Fantasia, the oratorio Christus am Olberge and the incidental music Die Ruinen von Athen, and the finale of the 9th Symphony.

SKU: CA.2800907

ISBN M-007-24883-3. Latin.

A sacrilege or a stroke of genius? The composer and music director Gottlob Benedict Bierey (1772-1840) orchestrated the first movement of the famous Moonlight Sonata' by Beethoven (transposed to C minor) and added a four-part choral movement to it, which he underlaid with the text of the Kyrie from the Latin mass. The result is as astounding as it is harmonious! Versions for choir and organ, and choir and piano (both like the original version in C sharp minor) are also available (Carus 28.009/45 and in 28.009/03). Score available separately - see item CA.2800900.

SKU: BR.CHB-14676-02

The study score (,,Studien-Edition) is available at G. Henle Verlag.

ISBN 9790004412398. 7.5 x 10.5 inches.

As is often the case with Beethoven's orchestral works, there are several often contradictory sources arising from the material used at the first performance and from the first edition, which call for the knowledgeable assessment of a specialist. Editor Jeremiah W. McGrann takes Breitkopf's original edition as the main source, in spite of the shortcomings caused by a lack of time, and places particular emphasis on the aspect of the organ's figured bass. Two authentic readings have been transmitted, and are thus both printed in the score. The newly revised orchestral material contains a new organ part that has been realized by Siegfried Petrenz and fulfills every requirement for a stylistically authentic performance.

SKU: CA.402505

ISBN 9790007187958.

Scor e available separately - see item CA.402500.