SKU: BR.CHB-5345-00
The choice of the Psalms was determined by the traditional liturgical use in the synagogue. Thanks to their German language texts, these easily singable settings can also be performed by all church choirs during religious services or at concerts. In ma. Psalm; Romantic. Choral score. 76 pages. Breitkopf and Haertel #ChB 5345-00. Published by Breitkopf and Haertel (BR.CHB-5345-00).
ISBN 9790004412756. 9 x 12 inches. German.
The choice of the Psalms was determined by the traditional liturgical use in the synagogue. Thanks to their German language texts, these easily singable settings can also be performed by all church choirs during religious services or at concerts. In many of his works, Louis Lewandowski combined the practice of traditional Jewish synagogue music with romantic choral composition. World premiere recording with the Hungarian Radio Choir conducted by Andor Izsak.
SKU: CA.210300
ISBN 9790007244668.
The Choral Collection Psalms contains over 50 settings for mixed unaccompanied choir from six centuries. It is a true treasure-trove of compositions in various styles and levels of difficulty: with some unknown new discoveries and some classics of the choral literature, the selection will enrich both worship and concerts. The 150 psalms of the Old Testament express rejoicing, joy, confidence, but also lament, grief, anger, and even doubt. The psalms are present throughout Christianity and Judaism to this day, and are sung worldwide in countless settings. The Choral Collection Psalms displays the whole stylistic and linguistic variety ranging from contemplative, simple Anglican chant through Russian Orthodox homophony to virtuoso motets with jazzy echoes. The linguistic spectrum is equally broad: English, French, German (some with added singable English translation), Estonian, Icelandic and, of course, Latin psalm settings are represented, as well as works in Church Slavonic and Hebrew (both accompanied by transliterations and a singable German text). The foreword (German / English) offers many hints regarding the performance of the psalm settings, and a detailed index will help with choosing appropriate pieces for the liturgical occasion according to the Anglican, Protestant, or Catholic calendar. Over the last ten years editor Stefan Schuck has performed two psalm compositions every week in his NoonSong series in Berlin. From the resulting 800 works, he has selected the most interesting compositions arranged according to level of difficulty. The choral director's volume includes a CD with recordings of selected works, sung by sirventes and conducted by the editor, which will help with learning and rehearsing the repertoire. over 50 psalm settings from six centuries for worship and concert use stylistic variety and mixed levels of difficulty: from Anglican Chant to virtuoso motets for four-part mixed choir, some with organ/piano accompaniment transliterations and German singing texts help with practising cross-cultural repertoire liturgical classification of all settings for Catholic, Protestant, and Anglican lectionary includes many unknown jewels such as Boze, Boze moj (Cesar Cui), Jauschew be seser eljaun (David Rubin), and Schubert's setting of Psalm 23 in the first Hebrew version CD recording (sirventes berlin, cond. Stefan Schuck) with a selection of settings helps with getting to know the pieces economical choral edition (editionchor) available.
SKU: GI.G-8153
ISBN 9781622770724. English, Spanish. Text Source: English refs.: Lectionary for Mass, English vv.: The Revised Grail Psalms or NAB, Spanish: Leccionario Edición Hispanoamericana
SKU: MN.80-506
UPC: 688670805066. English. Psalms 23, 25, 27, 42, 43, 63, 103, 116, 122, 130, 143.
Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of these psalms appointed for use at funerals. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar. Includes Psalms 23, 25, 27, 42, 43, 63, 103, 116, 122, 130, and 143.
SKU: MN.80-406
UPC: 688670804069. Scripture: Psalms 16:8, 9-10, 11; Psalms 19:8-11; Psalms 30:2, 4, 5-6, 11, 12a, 13b; Psalms 31:2, 6, 12-13, 15-16, 17, 25; Psalms 33:4-5, 6-7, 12-13, 20, 22; Psalms 42:3, 5; Psalms 43:34; Psalms 51:12-15, 18-19; Psalms 104:1-2a, 5-6, 10, 12, 13-14, 24, 35.
This collection of responsorial psalms for Palm Sunday through the Easter Vigil is a welcome and worthy addition to the repertoire for this high point in the church year. Luke Mayernik has composed memorable settings infused with harmonic freshness and melodic appeal. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar.
SKU: GI.G-7984A
UPC: 785147798446. English. Text Source: The Revised Grail Psalms Scripture: psalms.
The Conception Abbey Psalm Tones melody card contains nine sets of psalm tones that compliment the Singing Version of the Revised Grail Psalms. Composed by The Right Reverand Gregory J. Polan, OSB, these simple, melodic psalm tones are accessible to anyone who would like to chant the psalm texts and are perfect for those who regularly chant the liturgical hours. This convenient card offers detailed instructions for intoning the psalms and tucks securely inside your book for easy access. .
SKU: GI.G-8471
UPC: 785147847106. English. Text Source: Psalms 24, 67, 95, 100, adapt. RR. Scripture: Psalm 24, Psalm 67, Psalm 95, Psalm 100.
This edition comprises four sets of brief liturgical moments (Introit, Call to Prayer, Benediction, Amen), each set based on one of four psalms: Psalms 24, 67, 95, and 100. The individual pieces for SATB choir have their own reverent character and may be sung a cappella or with organ.
SKU: GI.G-CD-343
These settings are almost all written for cantor(s), keyboard (with congregation on the refrain), and optional guitar. Instead of adopting a single style for the settings, the words here suggest the countour, pace, harmonies, and melody for the setting. This gives the liturgical planner the freedom to select music according to the prayerful shape of the liturgy. A welcome resource from none other than John Foley. .
SKU: GI.G-006298
Father Chrysogonus has compsed music for the responsorial psalms of the Lenten season for all three years of the liturgical cycle. These highly useful, eloquent settings may be sung by cantor with keyboard accompaniment or as four-part choral settings, the verses are quite beautiful a cappella. You'll find these to be very practical and not at all difficult to learn and perform. If you are not familiar with the scope of Father Chrysogonus' work, you must listen to the World Library Publications recording of his compositions and arrangements for the Easter season on Christ is Risen, Truly Risen!.
SKU: GI.G-017326
An exciting compilation of over 20 psalm settings for use throughout the liturgical year. Songs are arranged for advanced cantors providing a range of melodies and a unique variety of four-part harmonies. Choral refrains are included throughout the book and a topical and ritual use reference guide is provided for each setting. Reproducible assembly editions are also included so the entire parish can sing along!
SKU: ST.EC38
ISBN 9790220211232.
Thom as Morley wrote verse and full anthems, preces and responses, a setting of the Burial Service (though of disputed authenticity), festal psalms and metrical psalm-tune harmonisations. This substantial and varied corpus of church music is a fascinating record of a most influential composer of the Elizabethan period.
SKU: GI.G-7400
ISBN 9781579999698.
Inte nded especially for the growing number of multicultural, bilingual (Latino/Anglo) parishes and communities in the United States, Oramos Cantando / We Pray in Song is a hymnal and service book that is comprehensive enough to satisfy the liturgical needs of such communities, when they are worshipping in Spanish, in English, or bilingually. Bilingual from the first page to the last. Organized to reflect the liturgical life of the Church: morning, evening and night prayer from the Liturgy of the Hours, the sacramental rites of Christian initiation of adults, baptism of children, holy communion outside Mass, eucharistic exposition and benediction, reconciliation of penitents, anointing of the sick, marriage, and funerals, the Order of Mass, service music, hymns and songs, lectionary responsorial psalms. All ritual texts are from the English- and Spanish-language liturgical books approved for use in the dioceses of the United States of America Seventy settings of psalms and biblical canticles in a variety of styles, for use in the Liturgy of the Hours, at Mass, and in other liturgical rites. Many employ Gelineau, Guimont, or Conception Abbey tones. Standards from the “Celebration-style” repertoire by Haugen, Joncas, Haas, and others. All with Spanish and English texts ICEL chants for the Order of Mass, accompanied by the complementary plainsong chants in Spanish. Five bilingual settings of the ordinary of the Mass, along with one Latin and two English-only Mass settings, plus a number of additional service music items to serve the liturgical needs of Anglo/Latino parishes for many years to come A broad and stylistically diverse collection of nearly 550 hymns, psalms, and inspired songs, containing the best and most beloved traditional and contemporary music of Latino and Anglo communities, with more than 300 items newly translated according to guidelines for preserving meaning, rhyme, and meter Music from around the world, encompassing plainsong chants, classical hymnody, contemporary scripture-based songs, Taizé chants, and world music from Asia and Africa. Settings originally with Spanish texts are from the United States, Spain, Mexico, Central and South America, and the Caribbean Lectionary psalms with USCCB-approved refrains in both English and Spanish and verses from The Revised Grail Psalms and the salterio of Spain’s Conferencia Episcopal Española (CEE). These bilingual lectionary psalms have been included in the Sacred Song missalette program of The Liturgical Press since 2005 Eleven indexes: liturgical, topical, psalms and canticles, service music, scripture references in hymns, hymn tunes, tune meters, musical settings using languages other than Spanish and English, psalm refrains set to music, common titles and first lines, and hymnal contributors (composers, authors, translators, sources) A hymnal which not only addresses the liturgical experience of today, but also opens the door to new possibilities in the future. Fulfilling the statement of the American bishops: Liturgical music today must reflect the multicultural diversity and intercultural relationships of the members of the gathered liturgical assembly. The varied use of musical forms such as ostinato refrains, call and response, song translations, and bilingual or multilingual repertoire can assist in weaving the diverse languages and ethnicities of the liturgical assembly into a tapestry of sung praise. Sing to the Lord, 60 Destinado especialmente para el creciente número de parroquias y comunidades multiculturales, bilingües (Latinas/Anglas) en los Estados Unidos, Oramos Cantando / We Pray in Song es un himnario y ceremonial lo suficientemente completo para satisfacer las necesidades litúrgicas de tales comunidades, cuando oran en español, en inglés, o de una manera bilingüe. Bilingüe desde la primera página hasta la última. Organizado para reflejar la vida litúrgica de la Iglesia: oración matutina, vespertina y nocturna tomada de la Liturgia de las Horas, los ritos sacramentales de la iniciación cristiana de adultos, del bautismo de niños, para la sagrada comunión fuera de la Misa, para la exposición y bendición eucarística, para la reconciliación de varios penitentes, para la unción de los enfermos, el matrimonio, y las exequias, el Ordinario de la Misa, música para las ceremonias, himnos y cantos, salmos responsoriales del leccionario. Todos los textos de los ritos están tomados de los libros litúrgicos en inglés y en español aprobados para su uso en las diócesis de los Estados Unidos de América. Setenta arreglos de salmos y cánticos en una variedad de estilos, para usarlos en la Liturgia de las Horas, en la Misa, y en otros ritos litúrgicos. Muchos emplean los tonos de Gelineau, Guimont, o Conception Abbey. Normas del repertorio del “estilo-de-celebración ” por Haugen, Joncas, Haas, y otros. Todos con el texto en español y en inglés. Cantos de ICEL para el Ordinario de la Misa, acompañados por los cantos llanos complementarios en español. Cinco arreglos bilingües para el ordinario de la Misa, junto con uno en latín y dos arreglos para la Misa sólo en inglés, además de un número de cantos adicionales para responder a las necesidades litúrgicas de las parroquias anglas/latinas por muchos años en el futuro Una colección amplia y de diversos estilos de casi 550 himnos, salmos y cantos inspirados, que contienen lo mejor y lo más apreciado de la música tradicional y contemporánea de las comunidades latinas y anglas, con más de 300 composiciones recientemente traducidas según las normas para la preservación del significado, del ritmo, y del metro Música de todo el mundo, incluyendo cantos llanos, himnos clásicos, cantos contemporáneos basados en la biblia, cantos de Taizé, y música mundial de Asia y África. Arreglos originales con textos en español que vienen de los Estados Unidos, de España, de México, de Centro y Sud América, y del Caribe. Salmos del Leccionario con estribillos aprobados por la Conferencia Episcopal de Estados Unidos (USCCB) tanto en inglés como en español y versos del salterio: The Revised Grail Psalms y del salterio de la Conferencia Episcopal Española (CEE) de España. Estos salmos bilingües del leccionario se han incluido en el programa del misalito Sacred Song de la editorial: The Liturgical Press desde 2005 Once índices: litúrgico, temático, salmos y cánticos, música para celebraciones, referencias bíblicas en himnos, tonadas de himnos, metros de himnos, arreglos con idiomas además de español e inglés, antífonas musicalizadas para los salmos, títulos comunes y primeras frases, y contribuyentes al himnario (compositores, autores, traductores, fuentes) Un himnario que no sólo responde a la experiencia litúrgica de hoy, sino también abre la puerta a nuevas posibilidades en el futuro. Cumple la declaración de los obispos americanos: “La música litúrgica de hoy debe reflejar la diversidad multicultural y las relaciones interculturales de los miembros de la asamblea litúrgica reunida. El uso variado de formas musicales como estribillos en ostinato, llamado y respuesta, traducción de cantos, y el repertorio bilingüe o multilingüe puede ayudar a entretejer los diferentes idiomas y etnias de la asamblea litúrgica en un tapiz de alabanza cantada.” Cantemos al Señor, 60 There is no doubt that the goal of singing each other's liturgical music as an expression of the catholicity of our faith embodied in this volume, does in fact allow bilingual and multicultural parishes through the United States—and beyond—to respond to the liturgical needs of today while opening the door to new possibilities. — Becca Whitla The Hymn Society Journal. Volume 66, No. 4.
SKU: GI.G-9088
ISBN 9781622771691. English.
In 2010 the Congregation for Divine Worship and the Discipline of the Sacraments granted a recognitio to The Revised Grail Psalms. This translation was prepared as a liturgical translation intended for use in the Roman Catholic Liturgy. Within a year of its publication, Christian leaders from groups beyond the Roman Catholic Communion expressed appreciation for certain aspects of The Revised Grail Psalms, particularly the poetic quality of the text and the sprung rhythm which facilitates recitation, chant, and musical settings of the texts. They further inquired if we might consider publishing another edition of The Revised Grail Psalms, focusing more directly on the original Hebrew while yet seeking a more inclusive final text of the sort preferred in the current worship of their respective communions. Thus The Ecumenical Grail Psalter came to be. Extracted from the Introduction to The Ecumenical Grail Psalter Endorsements for The Ecumenical Grail Psalter “A lovely translation! The Ecumenical Grail Psalter retains the elegant simplicity, beauty, and rhythmic flow of earlier Grail Psalms. This makes it ideal for public reading and singing, as well as for individual devotional use. I applaud the inclusive language, and I hope it will be widely read and sung. It is a wonderful gift to the Church!” —J. Clinton McCann, Jr. Evangelical Professor of Biblical Interpretation Eden Theological Seminary “Lyrical in language with an ear for the musicality of words, this fresh revision of the Grail Psalter voices the longing, lament, and lavish praise contained in the Psalms. I especially appreciate the attentiveness to inclusive language, which invites women readers and prayers of these texts to feel more at home in this richly hued rhetorical landscape. The monks of Conception Abbey have offered a gift to the larger ecclesial family, further shaping our liturgical life through engagement with the Psalter. As a Baptist theologian and seminary president, I am deeply grateful.” —Molly T. Marshall President and Professor of Theology and Spiritual Formation Central Baptist Theological Seminary “A translation of the Psalms marked by noble simplicity, accessibility, freshness, and candor. These texts are beautifully singable—well poised for chanting and singing in a variety of cultural contexts. They are also well suited for devotional and liturgical reading, inviting worshipers into the world of the Psalms with vivid, uncluttered language. May this volume be widely received across Christian traditions.” —John D. Witvliet Calvin Institute of Christian Worship Calvin College and Calvin Theological Seminary.
SKU: GI.G-006517
Missal Parroquial is a subscription-based resource. For information on quantity pricing, contact Suzanne Orland, Sales and Customer Relationship Manager at 708.552.9815 or email hymnalsandmissals@giamusi c.com. The excellent quality of a WLP Missalette combined with culturally rich hymns, songs, psalms, acclamations, and Mass settings—all in Spanish! This annual missal is issued each year starting with the first Sunday of Advent and spanning the liturgical year. It contains the Sunday readings and feast days celebrated in the United States, plus selected texts for weekday Masses. The psalms were selected by the USCCB and were carefully chosen for Sunday Mass and weekdays. Features: 6 x 9 size Issued annually Complete Order of Mass with six Eucharistic Prayers Readings and prayers for Sundays and Holy Days from Leccionario para Estados Unidos Responsorial Psalms from Leccionario Hispanoamérica Seasonal blessings and prayers Table of Contents segmented into liturgical seasons Songs for worship presented as text-only Mass settings with musical notation provided INCLUDES A WIDE SELECTION OF SONG CHOICES AND SERVICE MUSIC. For more information, to request a sample copy, or to place an order, contact our Sales and Customer Relationship Manager, Suzanne Orland at suzanneo@giamusic.com.
SKU: GI.G-9575
UPC: 785147957539. English.
Here in Christ we Gather, is a collection of 14 pieces of of liturgical music by Irish composer Ephrem Feeley The collection was released in Ireland in 2013, and is now available in the US through GIA Publications. The 14-piece collection includes entrance and communion processionals, psalms, reflective pieces, and more. The book carries the complete music score for the compositions, with full choir parts, instrumental lines, and accompaniments. The accompanying CD features a recording of the collection with chamber choir, instrumentalists, soloists, and organ/piano accompaniment. Many of the pieces are suitable for smaller music groups and communities, from the unison gathering hymn Here in Christ we Gather, appropriate for all occasions, to the simple, haunting, Holy Thursday hymn My New Commandment. A number of responsorial psalms are found in the collection: settings of Psalm 34: Taste and See, Psalm122: I Rejoiced, and others. Three hymns are settings of texts by Fr James Quinn, one of the best-known hymnwriters of the 20th century. Larger choirs, too, will find useful material in this collection, with the anthems Communion with Christ and God is Love providing plenty of musical material to learn and perform. This collection will be a valuable addition to the liturgical life of parishes, schools and religious communities, and all who wish to enrich their life of prayer through music. CONTENTS: Here in Christ We Gather • In the Presence of Your Holy Angels • What Marvels the Lord Has Worked for Us • Guard Us, Lord • Taste and See • Called to Be One • I Rejoiced • You Open Wide Your Hand • My New Commandment • I Am the Bread of Life That Feeds All the World • Communion with Christ • Fill Us with Your Love • God Is Love.
SKU: CA.2780200
ISBN 9790007167783.
Toda y Monteverdi's Selva morale et spirituale (1641) stands entirely in the shadow of his famous Vespers 1610. The editions from 1610 and 1641 both include music for the Mass and Vespers, but each of these collections was composed under much different circumstances during Monteverdi's lifetime. If the works of 1610 are a bold combination of traditional compositional techniques and avant garde music, which were intended by this weary Court Composer at Mantua as an application portfolio for a new job, the 1641 collection is the only church music by the mature Monteverdi which was published after almost thirty years in his position as Music Director of St. Mark's Cathedral: the latter, a kind of best of collection from his many years of experience as a church musician. In Venice the composer had not only a fabulous, but a large ensemble at his disposal (finally, about 35 singers, alone)! The big effect in this music is the combination of soloistic and weighty tutti sections, it makes the music, with its clearly defined sections and, for the most part homophonic choral passages more easily performable than the Vespers for today's choirs. The new edition, comprised initially of three volumes, also includes those works from the Selva Morale (a Mass and two Magnificats) which have already been published by Carus, as well as all further liturgical compositions for use in the church. The present volume, Salmi I, contains each of the first of the multiple settings of the psalms, as well as the Credidi. The edition is based on the methods employed in the much acclaimed Carus edition of the Vespers: * It contains a detailed foreword with suggestions for notation, scoring and for the liturgical use of individual compositions. * For the present edition four of the five surviving printed copies, as well as contemporary manuscript were consulted. Facsimiles illustrate special characteristics of the edtion of 1641. A Critical Report makes clear all of the editorial decisions made in the edition. * All of the pieces are printed untransposed and using the original note values. * All of the pieces are available in single editions with complete performance material. * Vocal scores of all works with obbligato instruments facilitate rehearsal. * Instrumental parts for collaparte accompaniment of tutti-sections (including text underlay).
SKU: CA.2780400
ISBN 9790007167790.
Toda y Monteverdi's Selva morale et spirituale (1641) stands entirely in the shadow of his famous Vespers 1610. The editions from 1610 and 1641 both include music for the Mass and Vespers, but each of these collections was composed under much different circumstances during Monteverdi's lifetime. If the works of 1610 are a bold combination of traditional compositional techniques and avant garde music, which were intended by this weary Court Composer at Mantua as an application portfolio for a new job, the 1641 collection is the only church music by the mature Monteverdi which was published after almost thirty years in his position as Music Director of St. Mark's Cathedral: the latter, a kind of best of collection from his many years of experience as a church musician. In Venice the composer had not only a fabulous, but a large ensemble at his disposal (finally, about 35 singers, alone)! The combination of soloistic and weighty tutti sections makes a big effect in this music, it makes the music, with its clearly defined sections and, for the most part homophonic choral passages more easily performable than the Vespers for today's choirs. The new edition, comprised initially of three volumes, also includes those works from the Selva Morale (a Mass and two Magnificats) which have already been published by Carus, as well as all further liturgical compositions for use in the church. Volume III, Motetti, Salve Regina, Himini, contains compositions for 1 to 3 voices and basso continuo, some with two violins (the psalms are included in both the Salmi I and Salmi II volumes). The edition is based on the methods employed in the much acclaimed Carus edition of the Vespers: * It contains a detailed foreword with suggestions for notation, scoring and for the liturgical use of individual compositions. * For the present edition four of the five surviving printed copies, as well as contemporary manuscript were consulted. Facsimiles illustrate special characteristics of the edtion of 1641. A Critical Report makes clear all of the editorial decisions made in the edition. * All of the pieces are printed untransposed and using the original note values. * All of the pieces are available in single editions with complete performance material. * Vocal scores of all works with obbligato instruments facilitate rehearsal. * Instrumental parts for collaparte accompaniment of tutti-sections (including text underlay).
SKU: CA.2780300
ISBN 9790007171698.
Toda y Monteverdi's Selva morale et spirituale (1641) stands entirely in the shadow of his famous Vespers 1610. The editions from 1610 and 1641 both include music for the Mass and Vespers, but each of these collections was composed under much different circumstances during Monteverdi's lifetime. If the works of 1610 are a bold combination of traditional compositional techniques and avant garde music, which were intended by this weary Court Composer at Mantua as an application portfolio for a new job, the 1641 collection is the only church music by the mature Monteverdi which was published after almost thirty years in his position as Music Director of St. Mark's Cathedral: the latter, a kind of best of collection from his many years of experience as a church musician. In Venice the composer had not only a fabulous, but a large ensemble at his disposal (finally, about 35 singers, alone)! The big effect in this music is the combination of soloistic and weighty tutti sections, it makes the music, with its clearly defined sections and, for the most part homophonic choral passages more easily performable than the Vespers for today's choirs. The new edition, comprised initially of three volumes, also includes those works from the Selva Morale (a Mass and two Magnificats) which have already been published by Carus, as well as all further liturgical compositions for use in the church. Salmi II contains the additional settings of the multiple settings of the psalms and also the psalm Memento (each of the first of the multiple settings of the psalms are to be found in the Salmi I volume). The edition is based on the methods employed in the much acclaimed Carus edition of the Vespers: - It contains a detailed foreword with suggestions for notation, scoring and for the liturgical use of individual compositions. - For the present edition four of the five surviving printed copies, as well as contemporary manuscript were consulted. Facsimiles illustrate special characteristics of the edition of 1641. A Critical Report makes clear all of the editorial decisions made in the edition. - All of the pieces are printed untransposed and using the original note values. - All of the pieces are available in single editions with complete performance material. - Vocal scores of all works with obbligato instruments facilitate rehearsal. - Instrumental parts for collaparte accompaniment of tutti-sections (including text underlay).
SKU: GI.G-CD-892
The Lyric Psalter is a comprehensive resource from Tony Alonso and Marty Haugen that includes lyrical settings of the complete three-year cycle of Psalms from the Lectionary for Mass. It uses texts from The Revised Grail Psalms, now the official English-language liturgical psalter for the United States. These psalms are designed to be a complete resource that will provide lyrical settings of the Lectionary psalms for use in worship for the entire Lectionary cycle. Haugen and Alonso’s melodies, both familiar and new, beautifully express the outpouring of deep personal emotion communicated through these most ancient poems, songs, and prayers. This comprehensive musical resource with which to cry out will add variety and beauty to your repertoire of responsorial psalms. Download Reprints for Year B.
SKU: GI.G-012637
UPC: 641151126371. English or Spanish Bilingual.
Este recurso musical aporta más de 50 salmos bilingües, entre estos se incluyen los salmos de Adviento, Navidad, Cuaresma, Semana Santa, Vigilia Pascual, Pascua, y Tiempo Ordinario, junto con otros salmos para celebraciones especiales de la vida de la comunidad parroquial como Todos los Santos, Día de Acción de Gracias, quinceañeras, bodas, funerals y otras celebraciones. Además de ser salmos responsoriales, estas composiciones musicales pueden usarse en cualquier parte de las celebraciones litúrgicas, y sean los cantos de entrada, de ofertorio, de Comunión, de las procesiones, etc. This musical resource provides more than 50 bilingual psalms, among these are the psalms of Advent, Christmas, Lent, Easter, Easter Vigil, Easter, and Ordinary Time, along with other psalms for special celebrations of the life of the parish community such as All Saints, Thanksgiving, quinceañeras, weddings, funerals and other celebrations. In addition to being responsorial psalms, these musical compositions can be used in any part of liturgical celebrations, whether they be entrance songs, offertory songs, Communion songs, processionals, etc.
