Johann Sebastian Bach: Come Let Us To The Bagpipe's Sound: Unison Voices: Vocal

Easier Piano Pieces 18-This is a delightful collection of 18 short preludes composed by J.S. Bach and edited here for Piano by Hedwig McEwen and Kethleen Long.The preludes are here grouped in three sets of six each. The first group comes from the Wilhelm Friedemann Bach Notebook compiled by J.S. Bach for the instruction of his eldest son. However Nos. 3 and 6 may have been composed by the son under the guidance of his father. The second group which has been preserved in copies made by his pupils was probably composed by Bach himself. The third group comes from the collection of Johann Peter Kellner - Nos. 1-4 were probably the work of Bach's pupils but no.5 and no.6 wereundoubtedly written by Bach. Prelude in E minor is included as an alternative piece for ABRSM Piano Grade 5 2017-2018 Selected for the ABRSM Harpsichord Grade 4.

Eight Little Three-part Pieces. Par BACH JOHANN SEBASTIAN. Johann Sebastian Bach wrote the present short, three-voice pieces for cembalo. Minuet BWV 929 comes from the collection entitled Small Preludes and Fughettas and was probably written as teaching material. The Minuet and the Polonaise from the Notebook for Anna Magdalena Bach are examples of the Bach family's domestic music. Gavotte II (ou la Musette) and Gavottes I and II come from the English Suites, while a further gavotte was sourced from the French Suite No. 5. The Recorder Trio à la Carte series presents attractive pieces for recorder trio that cover a wide stylistic spectrum encompassing arrangements and original compositions from the classical and entertainment repertoire. It also combines the instruments of the recorder family in various ways. Recorder Trio à la carte opens up new paths that feature high quality, professional-standard recorder literature which motivates young players, sounds good and appeals to listeners. • Spirited dances by J. S. Bach in stylish arrangements for an enjoyable venture into the world of Baroque music • Suitable for students of all ages at intermediate-level and beyond • A beautiful addition to the J.S. Bach recorder repertory/ Recueil / 3 Flûtes à Bec SAB/STB

Masterful composer David Schwoebel sets the great master J.S. Bach's Jesu Joy Of Man's Desiring to text by master hymnodist Charles Wesley (the traditional text is included as well) transcribed for male chorus and keyboard.

Arranged for Choir and Organ-Festive Choral Settings From Cantatas Arranged For Choir & Organ is ideal for church services and concerts and has easy-to-play Organ reductions.The six choral settings of this edition come from cantatas by Johann Sebastian Bach offering richly sounding ensemble forces for festive occasions of the ecclesiastical year (New Year Easter Ascension Day Whitsuntide Trinity Sunday). These arrangements for Choir and Organ by the church musician and organist of the Stiftskirche Tübingen Ingo Bredenbach will allow choirs unable to call on large orchestral forces with wind instruments and strings to perform these choral settings.Concertante cantata movements giving prominence to the choir have been selected; at the same time their texts do not restrict them to the particular religious holiday they were meant for in the Church year. These arrangements follow the score of the ?New Bach Edition?. They are playable on every two-manual instrument with pedal. The arrangements available here however require no imitation of the orchestral sound but stand as independent versions.

Kantaten. Urtext Der Neuen Bach-Ausgabe. Par BACH JOHANN SEBASTIAN. The cantata ' Ich hatte viel Bekümmernis ” dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle . Its assigning to the third Sunday after Trinity probably only occurred the following year. With its large-scale structure and strong emphasis on biblical texts, it was extremely popular in the 19th century and remains one of Bach's best-known cantatas today. The cantata is published here in a vocal score based on the New Bach Edition with an idiomatic, straightforward piano reduction by Martin Focke . - One of Bach's best-known cantatas - Urtext based on the ' New Bach Edition” - Clear straightforward piano reduction/ Répertoire / Solistes (SATB), Choeur Mixte (SATB) et Orchestre

BWV997-The purpose of the series if Bach was a cellist is to live the fantasy that everything Bach wrote he wrote for the cello. It may also serve as a way for cellists to get close to Bach through works other than the six solo suites and the three gamba sonatas.I first came across the Partita by Johann Sebastian Bach in a version for flute and strings beautifully recorded by Kurt Redel. Since my early teens it has been on my list of special pieces.The four movements show extraordinary variation. In the hands of Bach the key of C minor becomes particularly powerful of limitless weight sometimes even stern. Is there an opening of a movement from the baroqueera which compares with power of the first movement here? It is a magni-ficent example of musical temperament.Three 18th century manuscripts survive. One found among the papers of C.Ph.E.Bach and two by Johann Philipp Kirnberger a student of J.S.Bach. All three are in the form of a keyboard sonata. Because of the choice of register however one may ask whether they are in turn arrangements of an original composition for solo flute or solo violin. The Double is very pianistic and may therefore have been added later. For all movements except the Fugue I have supplied a piano part for the right hand.

J.S. Bach?s four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suites now presents the Urtext as found in the ?New BachEdition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.Urtext editions of these important works.Newly engraved parts and fully realized continuo.For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ? Violino concertato ? is included.Full scores study scores & performance material available for sale