42 Etudes for Violin Solo

Par WIDMANN JORG. Solo Widmann Etudes Violine für sont dans la tradition de Capricen Paganini ou études pour piano de Chopin, Liszt et Ligeti: artistiquement pièces de concert autonome sur un problème technique spécifique chacune, à être réalisées individuellement ou dans une séquence cyclique. Le compositeur a écrit sur le présent volume 1: 'Etude est prise à la lettre ici comme un exercice de composition, comme un terrain expérimental restreint, mais aussi comme une étude sur une technique violonistique en jouant à certains: par exemple, I. est une sorte de 'sonder 'des possibilités de résonance de l'instrument, II. va sur un voyage à partir d'un choral à trois volets esprit, virtuosité débridée, et III. est principalement un survey de gauche. ' / Niveau : Très Difficile / Etude / Violon

2010/14. Par COULT TOM. This set of inventive and hugely contrasting Etudes for solo violin were written between 2010 and 2014, the last two as commissions from the London Sinfonietta. The final piece in this 8-minute collection is the most unusual: serene and meditative, it utilises a novel technique by which the player sustains hushed three-note chords. / Etudes et exercices / Etude / Violon

This intermediate course of violin study based on the works of Kayser Mazas De Beriot and other masters of the violin repertoire is published in two volumes and is an introductory course for the famous 42 Etudes orCaprices of Rodolphe Kreutzer.Preparing for Kreutzer Volume 2 – HL0447258042 Studies or Caprices (ed. Singer) – HL5025362042 Studies for Violin (ed. Borciani) –HL5048087842 Studi (ed. Principe) – HL50093760

Irvine Arditti who is an extraordinary violinist a specialist for contemporary music and the leader of the phenomenal Arditti Quartet worked together with the composer and conductor Robert HP Platz to produce this book on contemporary violin technique. It presents detailed explanations of the technical possibilities of the violin for performers and composers. This publication takes into account the virtuosity of a new generation of soloists. These are soloists who with their exceptional ability have succeeded in paving the way for a greater understanding of classical and contemporary music. The chapters on bowing techniques vibrato pizzicato glissando flageolet tablatures rhythm and electronic sound production are illustrated with numerous musical examples and diagrams. Particularly helpful is the accompanying DVD where Arditti demonstrates and explains the described techniques. Chapters on the basics of violin technique and on Irvine Arditti’s personal experience with notable composers make the book equally interesting for non-violinists.The authorsIrvine Arditti born in London in 1953 became the Principal Concert Master of the London Symphony Orchestra at the age of 25. He left the orchestra in 1980 to devote his time to his quartet. In recent decades Irvine Arditti has premiered a large number of important works many of which were written for him. Amongst them are the violin concertos by Xenakis Hosokawa and Ligeti Ferneyhough’s Terrain and Sciarrino’s Le Stagioni Artificiali. As well as having recorded over 180 CDs with the Arditti Quartet Arditti has built an impressive catalogue of solo recordings. His recording of Cage’s Freeman Etudes for Solo Violin has made musical history.Robert HP Platz born in Baden-Baden Germany in 1951 has conducted premieres of over 300 works with renowned orchestras such as the Orchestre Philharmonique de Luxembourg and worked with composers such as Hosokawa Huber Scelsi Stockhausen and Xenakis. Platz is also a composer. Since 1989 his compositions comprise associative connected parts of a diary-like continuous complete work. Since 1990 he teaches composition as well as performance practice regarding contemporary music at the University of Maastricht.

Par DONT JACOB. with original fingering and bowing by the composer -additional markings and practical comments by Antje Weithaas / Rahmer, Dominik / Etude / Violon Solo

Par SAURET EMILE. Émile Sauret, violin virtuoso, teacher and composer, was admired by some of the greatest composers of his time, including Brahms, Tchaikovsky, Bruch, Wagner, Grieg and Mahler. He gave numerous concerts with Liszt, Rubinstein, and Moszkowski, and often played duets with Sarasate. He is predominantly remembered for the fiendishly difficult cadenza he composed to Paganini?s first violin concerto. Sauret?s 24 Etudes Caprices for solo violin are a substantial virtuoso journey through every major and minor key. Written while he was a professor of violin at the Royal Academy of Music in London, they are notable for the exceptional variety of filigree detail and variation in nuance, dynamic, fingering, bowing and phrasing, creating etudes far more substantial than is typical in this genre. Unavailable since their first publication early in the 20th century, the Etudes Caprices are edited by leading violinist and Sauret specialist, Nazrin Rashidova, who has made the first complete recording of the Etudes Caprices, performing them on Sauret?s own Stradivarius. Using the original Simrock edition as a basis, this edition supplements Sauret?s original bowings and fingerings with Rashidova?s own suggestions. An extensive preface gives further insights into performance and contextualizes the life of the composer. / Date parution : 2022-11-29/ Répertoire / Violon

Etudes and Ideas for the Modern Fiddler-Improvise with more expression and freedom in bluegrass and related styles. These ideas exercises and etudes will help you expand your palette of improvisational techniques and sounds. Develop your fingerboard versatility andmaster harmonic and rhythmic ideas on the Violin.The CD has demonstration and play-along tracks performed by an all-star bluegrass band. You will learn to build solos using techniques such as: uncovering a melody's mostdefining notes and using them in a new context; reharmonizing chords and changing modes; breaking down rearranging and varying melodic and rhythmic cells; using position shifts string crossings and double stops; drawing fromtetrachords guide-tone lines and other constructs.

An Intermediate Course of Study for the Development of Technical Proficiency in the First PositionAn appropriate follow-up method to Rubank's Intermediate Method for Viola. Includes:•Dailyexercises for bowing finger strength and independence trills and double stops•A full-page etude in each key up to 4 flats/sharps•Specialized etudes for practice in bowing legato playing rhythm cross-fingering spiccato string crossing string skipping chromatics arpeggios syncopation staccato and trills•Nine double stop etudes

Par KREUTZER RODOLPHE. with original fingering and bowing by the composer -additional markings and practical comments by Ingolf Turban / Gertsch, Norbert / Répertoire / Violon Solo

42 melodic studies that address a huge variety of techniques including doublestops motivic repetition glissadi and much more. Ideal and impressive competition pieces suitable for festivals auditions or as showpieces for a solo recital.

Sir Edward Elgar was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for Violin and Cello, and two symphonies. He was appointed Master of the King's Musick in 1924.Composed in 1892, Etudes Caracteristiques For Violin Op.24 is dedicated to the preeminent Hungarian Jewish Violin virtuoso, and Elgar's former Violin teacher between 1877-1878, Adolphe Pollitzer. Pollitzer believed that, as a violinist, Elgar had the potential to be one of the leading soloists in the country, but Elgar himself, having heard leading virtuosi at London concerts, felt his own Violin playing lacked a full enough tone, and he abandoned his ambitions to be a soloist. / Piano

In Forme Of Etudes, In All 24 Keys. Par RODE PIERRE. Caprices pour violon solo ont une longue tradition - la liste des collections dans les témoignages de compositeurs-violoniste virtuose archivées de leurs violon virtuose art va Locatelli de Paganini, de Gaviniès à ne pas. Parmi eux est le violoniste français Pierre Rode (1774-1839), qui a ajouté son Capricen 24 en forme einer Etüde für Violine allein de ce genre. Encore aujourd'hui, ils font toujours partie du répertoire indispensable d'étudiants de violon, surtout depuis que, nonobstant l'aspect purement technique, ils sont aussi attrayant morceaux de musique. Comme professeur au Conservatoire de Paris célèbre, Rode, avec Pierre Baillot et Rodolphe Kreutzer, a jeté les bases pour violon complet didactique et de la méthodologie : les 24 Caprices sont d'importantes contributions à ce travail d'éducation à la musique. La présente édition nouvelle est basée sur la première édition de Paris de 1820, fournissant la partition originale, notamment deux variantes de doigté, une version normale et une version spécialement conçue f.../ Etude / Violon

Nos 1-13-The modern method of 'cello playing dates only from about the last third of the eighteenth century. While the great Italian masters had developed the art of the violin before the end of the seventeenth it remained for the Frenchman Jean-Louis Duport to bring order and system into the method of the 'cello. These etudes are written to improve finger agility and bowing technique for the intermediate to advanced cellist.This edition of Duport’s Etudes has been edited and fingered by Leo Schulz.

Il n'y a guère un violoniste qui n'a pas traité avec certains ou même tous les 42 ' Kreutzer etudes ' quelque temps ou autre : caprices ou de Etudes font partie du répertoire standard. Rodolphe Kreutzer (1766-1831) est resté unforgotten pas moins en raison de la Sonate pour violon de Beethoven du même nom - un travail qui n'avait jamais été joué par le violoniste virtuose lui-même et même pas été appréciée par lui. Sa carrière de foudre comme violoniste amené en orchestre privé de Napoléon et virtuose à travers l'Europe avant un accident mettre un terme à sa carrière solo. Comme un professeur de violon, il enseigne dans certains cercles aristocratiques privés, puis au Conservatoire de plus tard et jeté les bases d'une méthodologie complète et didactique. Pour ses activités d'enseignement, Kreutzer a écrit ses 40 caprices d'ou des Etudes (deux ont été ajoutés plus tard par un autre) en 1796. La présente édition urtext est basée sur la première édition et contient le texte musical original, parfois étonnamment différent avec le doigté original, avec un... / Violon