Duet No. 3 in B flat major, Op. 125

Piano Duets edited by Michael Aston-Piano Duets: Classical Composers presents varied and accessible repertoire for every duet player. The collection includes attractive new arrangements of orchestral and chamber gems alongside new editions of original works written specifically for Piano duet.You'll find sonata movements by less well-known composers of the period Clementi and J.C.F. Bach as well as Beethoven's complete Sonata in D major one of the few original duet sonatas written by the composer. The volume is concluded with a light and attractive Minuet and Trio by Haydn a colourful Theme and Variations by Mozart and a graceful and flowing arrangement of Schubert'sEntr'acte Music from Rosamunde. Ranging from the intimate to the virtuosic these pieces are ideal for duettists looking for new recital material as well as those beginning to explore the medium.Contents:J. C. F. Bach: Allegro con spirito from Sonata in A majorL. van Beethoven: Sonata in D major Op. 6Muzio Clementi: Allegro maestoso from Sonata in E flat major Op. 3 No. 2Joseph Haydn: Minuet and Trio from Symphony No. 100 'Military'W. A. Mozart: Allegro from Serenade K388Franz Schubert: Entr'acte No. 3 from Rosamunde

A new approach to Bach drawn from his compositions! With this collection that was conceived adapted and performed by Bob Zottola on the provided CD you can play first or second parts for: Two-Part Invention 4 in D minor · Minuet in F major · Minuet 3 in D minor · Little Prelude in C major · Gavotte in G minor · Minuet in A minor · Minuet in D minor · Gavotte in E-flat major · Minuet in E major · Minuet in C minor · Two-Part Invention 1 in C Major.

This edition of Mozart's Sonata in B flat major K292, is edited and arranged for bassoon and piano by William Waterhouse. This work was thought to have been written in 1775, and remains one of the best classical sonatas composed for bassoon. / [W.A. Mozart Sonata In B Flat For Bassoon And Piano K.292] / Classique / Partition /

Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was composed and first performed during the last decade of Haydn's life in September 1801 at the Bergkirche at the Esterhazy estate in Eisenstadt on the occasion of the nameday of Princess Maria Hermenegild. The nickname 'Creation' stems from Haydn's incorporating into the Gloria movement (at the words 'Qui tollis peccata mundi') a quotation from Adam and Eve's duet in his oratorio The Creation.- Full score (BA4656-01) performance material (BA4656) and vocal score (BA4656-90) available for sale- Urtext from Joseph Haydn Werke G. Henle Verlag

Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was composed and first performed during the last decade of Haydn's life in September 1801 at the Bergkirche at the Esterhazy estate in Eisenstadt on the occasion of the nameday of Princess Maria Hermenegild. The nickname 'Creation' stems from Haydn's incorporating into the Gloria movement (at the words 'Qui tollis peccata mundi') a quotation from Adam and Eve's duet in his oratorio The Creation.- Full score (BA4656-01) performance material (BA4656) and vocal score (BA4656-90) available for sale- Urtext from Joseph Haydn Werke G. Henle Verlag

Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was composed and first performed during the last decade of Haydn's life in September 1801 at the Bergkirche at the Esterhazy estate in Eisenstadt on the occasion of the nameday of Princess Maria Hermenegild. The nickname 'Creation' stems from Haydn's incorporating into the Gloria movement (at the words 'Qui tollis peccata mundi') a quotation from Adam and Eve's duet in his oratorio The Creation.- Full score (BA4656-01) performance material (BA4656) and vocal score (BA4656-90) available for sale- Urtext from Joseph Haydn Werke G. Henle Verlag

Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was composed and first performed during the last decade of Haydn's life in September 1801 at the Bergkirche at the Esterhazy estate in Eisenstadt on the occasion of the nameday of Princess Maria Hermenegild. The nickname 'Creation' stems from Haydn's incorporating into the Gloria movement (at the words 'Qui tollis peccata mundi') a quotation from Adam and Eve's duet in his oratorio The Creation.- Full score (BA4656-01) performance material (BA4656) and vocal score (BA4656-90) available for sale- Urtext from Joseph Haydn Werke G. Henle Verlag

Cantata for soloists choir and orchestra-Lobe den Herrn meine Seele (Praise thou the Lord o my spirit) BWV 143Little is known about the genesis of “Lobe den Herrn meine Seele” (Praise thou the Lord o my spirit BWV 143.A transcription from the 19th century was for a long time considered the only source; the musical text of the “New Bach Edition” was based on this material.  Recently however a copy of the score from 1762 has become available.  It offers a more reliable musical text rendering a complete revision of the cantata necessary.On the basis of this new source the work is presented here as part of the“New Bach Edition – Revised” in what is presumably its original form in C major with three trumpets.  This orchestration is more typical of Bach’s writing than the version for three horns in the surviving B-flat major version. Revised Urtext edition of the Weimar Cantata Urtext of the New Bach Edition Performance material (BA10143) vocal score (BA10143-90) & study score format 22.5 x 16.5cm (TP1143) available for sale

An Introduction to Major and Minor 5-Finger Patterns-The books in Alfred's Lesson Enhancement Series introduce students to all major and minor five finger patterns in all 12 keys. The pentascales are divided into similar groups to promote ease in learning.In each book technical exercises are provided in each key with an interesting teacher accompaniment. A short solo is included for each key in addition to an optional teacher duet accompaniment. Two or three of thesesolos can be grouped together for variety in performance.Book 2 includes the Group 3 Keys (D-flat A-flat E-flat major and minor) and the Group 4 Keys (B-flat B G-flat or F-sharp major and minor). Click here to go to the listing for book 1.

Description Presents scales, chords etudes, and solo and duet arrangements in the keys of B major/G# minor, D# (E-Flat) minor, F# (G-flat) major. Includes in-depth theory notes and studies incorporating minor seventh, major seventh, dominant seventh flat-5, and dominant seventh #5 chords. Chords are presented as four-note groupings on the three sets of adjacent strings as well as in ?Orchestral Forms? incorporating all six strings with some strings muted. Throughout, the author integrates theory with technique and performance. Grade 6 is an advanced text designed to develop well-rounded musician/guitarists. Written in standard notation only.

Juvenilia Et Addenda - The Carl Nielsen Edition Vol. IV/1 Carl Nielsen was a Danish musician conductor and violinist widely recognized as his country's greatest composer. Nielsen is especially noted for his six symphonies his Wind Quintet and his concertos for Violin Flute and Clarinet. In Denmark his opera ‘Maskarade’ and many of his songs have become an integral part of the national heritage. Contents: Chamber MusicPolka for Violin; Duet for Violins; Romance for Violin and Piano in G Major; Romance for Violin and Piano in D Major; Sonata for Violin andPiano; Fantasy for Clarinet and Piano; Trio for Violin Cello and Piano; Quartet for Two Violins Viola and Cello in D Minor; Movement for Two Violins Viola and Cello in F Major (Add. 9); Movement for Two Violins Viola and Cello in F Major (Add. 10); Movement for Two Violins Viola and Cello in F Major (Add. 11); Movement for Two Violins Viola and Cello in G Minor; Movement for Two Violins Viola and Cello in F Sharp Minor; Movement for Two Violins Viola and Cello in B Flat Major; Trauermarsch for Two Violins Viola and Cello'Piano PiecesTwo Character Pieces; Norwegian Folk Dance; Andante; Piano Piece; Peasant Dance; Allegretto; Add. 22; Minuet; Add. 24; Andantino; Add. 26; A Little Piano Piece'CantataCantata for The Commemoration Of P.S. KrøyerArrangementsPrelude to 'Snefrid' for Piano; 'Snefrid' for Recitation and Piano Quintet; 'Elves' Dance' From 'Sir Oluf He Rides -'; 'Dance of the Handmaidens' from 'Hagbarth and Signe' for Piano; 'Canto Serioso' for Cello and Piano; Dances from 'Aladdin' for Piano; Excerpts from 'The Mother' for Piano; 'A Fair And Lovely Land' for Brass; Cantata for The Centenary of The Polytechnic College for Reciter Male Choir Strings and Piano; Counterpoint Exercises; Two Part Fugue (Add. 38); Two Part Fugue (Add. 39);

Six Trio Sonatas
Clavierübung Part III
Prelude in E-Flat Major ( St. Anne )
Seventeen Chorale Preludes ( German Organ Mass )
Four Duets
Fugue in E-Flat Major ( St. Anne )
Das Orgelbüchlein
Six Schübler Chorales
Eighteen Chorale Preludes
Supplement to Das Orgelbüchlein and Eighteen Chorale Preludes

This collection presents 195 carefully graded sight-reading pieces and exercises in a range of musical styles, for solo Double Bass. Taking an approach based on self-learning, the 11 sections of the book focus on developing different key technical skills as well as introducing the student to a plethora of musical terms.Each section of the book contains solos, as well as Double Bass duets, and pieces with piano accompaniment for practising ensemble sight-reading. Suitable for preliminary, to advanced level students. Part of the comprehensive Sight-Reading series published by Schott and edited by John Kember. / Contrebasse