Johann Sebastian Bach: Two-Part Inventions for Two Trumpets: Trumpet Duet

A new approach to Bach drawn from his compositions! With this collection that was conceived adapted and performed by Bob Zottola on the provided CD you can play first or second parts for: Two-Part Invention 4 in D minor · Minuet in F major · Minuet 3 in D minor · Little Prelude in C major · Gavotte in G minor · Minuet in A minor · Minuet in D minor · Gavotte in E-flat major · Minuet in E major · Minuet in C minor · Two-Part Invention 1 in C Major.

with Sheep May Safely Graze-(with Sheep May Safely Graze). A creative pairing of J.S. Bach's Sheep May Safely Graze and the familiar carol While Shepherds Watched Their Flocks. The optional two flutes will enhance the performance; or add a string quartet for a beautifully baroque moment this Christmas! Available: SAB 2-Part Instrumental Pak ChoirTrax Cassette.

When The Cross's Bitter-A wonderfully stirring piece for two equal voices contrapuntal lines well within the reach of most high school or adult choirs. This moderately advanced choral work is from our Jean Ashworth_x000D_Bartle Choral Series. _x000D_'The duet from cantata 99 (by J.S. Bach) has become a permanent fixture in the repertoire of the Toronto Children's Chorus'.- Jean Ashworth Bartle.

In response to numerous requests from customers we are now publishing a single-volume Wiener Urtext Edition of the established two-volume edition of Johann Sebastian Bach?s Six Partitas (Klavierübung Part I) edited by Klaus Engler and Edith Picht-Axenfeld. In this context we have revised our edition of this masterpiece of Bach?s art of the Suite putting even more of the page turns in convenient places and adding a preface in French.

3 duos et 5 solos de pièces de Johann Sebastian Bach arrangés pour guitare basse. / Guitare Basse / Partition

Two fantastic pieces; J.S. Bach's Jesu Joy Of Man's Desiring and Vivaldi's Allegro from Double Trumpet Concerto. In both of these Baroque Gems it is essential that an appropriate tempo is set immediately and maintained without effort. The arranger suggests metronome values around 84 for the Bach piece and 116 for the Vivaldi.In the Bach always have awareness of where the melody lies and give careful consideration to whether the dotted quaver - semiquaver rhythm is played with a triplet feel or in strict time. In the Vivaldi the solo parts could be played on just about any pitch of Trumpet though it would be best if the twosoloists could use the same pitch of Trumpet whatever that may be. Players that own natural Trumpets and never play them might see this as an ideal opportunity to let them off!The Latin section needs to be played with good rhythm and a sense of fun. The shock notes is Trumpets Horn and Trombone bars 73-74 are best omitted unless absolutely tight.