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1,111 sheet music found Miss You
Miss You # Gen Hoshino # Popnroll 1976 # Miss You # Popnroll 1976 # SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1295560 By Gen Hoshino. By Gen Hoshino. Arranged by Popnroll 1976. 21st Century,Multicultural,Pop,World. Chor...(+)
Guitar - Level 3 - Digital Download SKU: A0.1295560 By Gen Hoshino. By Gen Hoshino. Arranged by Popnroll 1976. 21st Century,Multicultural,Pop,World. Chords/Lyrics. 5 pages. Popnroll 1976 #885856. Published by Popnroll 1976 (A0.1295560). Miss You - Gen Hoshino (with melody sheet music, guitar chords, diagrams and lyrics card)Lead sheet (with melody notation, guitar chords, diagrams, and lyric card) for Miss You, a song about casual nostalgia from Japanese singer-songwriter Gen Hoshino's 2015 album YELLOW DANCER.Vocal melody is shown in blue to separate it from the chorus and other parts for easy reading.PDF format. 5 pages. Contents: 2 pages of lead sheet melody notation, 2 pages of melody notation with guitar chord diagrams, 1 page of lyric cards.Song title: Miss You Lyrics and music: Gen Hoshino ■Song: Gen Hoshino. Blinding Lights
Blinding Lights # The Weeknd # Steven Pope # Blinding Lights # Steven Pope # SheetMusicPlus
Guitar - Level 1 - Digital Download SKU: A0.1467795 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Martin, and Oscar Holter. Arrang...(+)
Guitar - Level 1 - Digital Download SKU: A0.1467795 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Martin, and Oscar Holter. Arranged by Steven Pope. 21st Century,Contemporary,Pop. Guitar Tab. 4 pages. Steven Pope #1046093. Published by Steven Pope (A0.1467795). Easy fingerstyle guitar arrangement of Blinding Lights by The Weeknd.Use a capo in the 1st fret to play in the original key.Starting wth an incredibly catchy opening hook, this song is great fun to play and should provide a nice challenge for guitarists starting to explore the world of fingerstyle. The bass line played with thumb increases in activity through the different sections and the various legato techniques present in this arrangement give some additional interest and challenge for newer players.This arrangement will help you to practise: quavers(8th notes), fast tempos, ties, hammer-ons/pull-offs, slides, root-5th bass lines, fingerstyle technique. Stay With Me
Stay With Me # Sam Smith # Steven Pope # Stay With Me # Steven Pope # SheetMusicPlus
Guitar - Level 1 - Digital Download SKU: A0.1449349 By Sam Smith. By James Napier, Jeff Lynne, Sam Smith, Tom Petty, and William Edward Phillips. Arrange...(+)
Guitar - Level 1 - Digital Download SKU: A0.1449349 By Sam Smith. By James Napier, Jeff Lynne, Sam Smith, Tom Petty, and William Edward Phillips. Arranged by Steven Pope. 21st Century,Contemporary,Pop. Guitar Tab. 2 pages. Steven Pope #1029121. Published by Steven Pope (A0.1449349). Easy fingerstyle guitar arrangement of Stay With Me by Sam Smith.The melodies in this ballad from Sam Smith sound wonderful played solo on guitar. The harmony of the arrangement expands in the chorus, providing a bit more challenge as you play some chords to accompany the melody.This arrangement will help you to practise: open chords, semiquavers, tied notes, accompanying a melody, moving up and down the fretboard, right hand picking technique. Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá # Francisco Braga # Luciano Lima # Madrigal Pavane / Timburibá # Les Productions d'OZ - Digital # SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...(+)
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées. Travis Picking for the Acoustic, Rock, and Jazz Guitarist
Travis Picking for the Acoustic, Rock, and Jazz Guitarist # Sacred music # Dennis McCorkle # Travis Picking for the Acousti # DF McCorkle Music and eBook Publications # SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1352721 Composed by Dennis McCorkle. Folk,Instructional,Jazz,Pop,Praise & Worship. Educational Method. 70 pag...(+)
Guitar - Level 3 - Digital Download SKU: A0.1352721 Composed by Dennis McCorkle. Folk,Instructional,Jazz,Pop,Praise & Worship. Educational Method. 70 pages. DF McCorkle Music and eBook Publications #937507. Published by DF McCorkle Music and eBook Publications (A0.1352721). Travis Picking is a versatile and widely used fingerstyle guitar accompaniment for pop, rock, and folk music. Sometimes referred to as Cotton Picking, this accompaniment style was initially attributed to the woman who first popularized this sound in the early part of the 20th Century, Elizabeth Cotton.From Bob Dylan, Fleetwood Mac, Peter, Paul, and Mary, Joan Baez, to Kansas, Miley Cyrus, Pearl Jam, Paul Simon and Art Garfunkel, Dan Fogelberg, Jim Croce, Paul McCartney, the Plain White T’s, the list goes on and on of artists using many variations of this technique.As a teacher, the focus of my musical journey in the past years has been the instruction of guitar, music theory, harmony, and their application in primarily chord melody arranging for solo jazz guitar. My second love are the various fingerstyle accompaniment styles and techniques of which Travis Picking is the king.This book is broken down into the following modules and sections: Fingerstyle Guitar Notation and TAB The Right Hand Travis Picking Reverse Travis Picking Song Book Printable Resources such as blank staff paper, tablature, and chord grids