Description J.S. Bach: The Goldberg Variations Edited for the harpsichord or piano by Ralph Kirkpatrick. Songlist Goldberg Variations

Par GUERINEL LUCIEN. / Musique Instrumentale / Date parution : 2023-03-21/ Répertoire / Clavecin

Edited by Thurston Dart. A transcription of the ms. Panmure 9 in the National Library of Scotland, with keyboard pieces by Byrd, Bull and Wilbye in the hand of Matchett c.1612.CONTENTSBULL, John (My Choice I willnot change; Pegge Ramsye)BYRD, William (Farwell delighte: Fortune my Foe; Ghoste; Mounsiers Allmayne; Whislinge Carman)MATCHETT, Clement (Grownde; My Ladyes left hande; Nans Thinge; Preludium; Tille Valle MonyeGrowe)WILBYE, John (Frogge (Galliard)) / Clavecin / Stainer And Bell

Tre partite per clavicembalo op. IV. Par KAYSER ISFRID. / Date parution : 2022-07-30/ Recueil / Clavecin

per clavicembalo e archi, IP 53. Par PLATTI GIOVANNI BENEDETTO. / Date parution : 2022-07-30/ Répertoire / Clavecin et Orchestre à Cordes

for Harpsichord, Clavichord or Piano. Par MESSORI MATTEO. / Date parution : 2022-06-08/ Répertoire / Clavecin

Par BACH JOHANN SEBASTIAN. / Date parution : 2022-06-08/ Répertoire / Clavecin

Par PIETILA ESA. The title of Esa Pietilä?s solo harpsichord work Fata morgana (2019) refers to a special weather con-dition, which creates illusory effect of mirage-like fairy castle-like monuments in the horizon of the sea. The piece brings forth the frightening bass sonority on double manual, full size harpsichord and the brightness on the treble and makes a dialogue out of them. ?I got fasci-nated by the sonority, character and power of the low register sound on the instrument, es-pecially when used in non-traditional way and found some kind of especially delightful and outlandish cluster-mud and airy glimmering things which seem to play together?, the com-poser describes. The challenges of the piece lie in rhythmical ideas, which are surprisingly multi-faceted and in the short, improvised section. Duration: c. 6? / Date parution : 2022-05-31/ Répertoire / Clavecin

JOHANN GOTTLIEB NICOLAÏ (1744-1801)
A. B. C. POUR LE CLAVECIN OU FORTE PIANO
Comprend 32 leçons et des suppléments classés par tonalité. Fac-similé de l?exemplaire conservé à Paris, Bibliothèque nationale de France, cote Vmb. 4738 (1). Introduction, illustrations et coloriages. Méthode tout public, élèves

Essercizi per gravicembalo - A cura di M. Moiraghi (supervisione E. Fadini). The 10th volume of Domenico Scarlatti?s Sonate per clavicembalo represents a crucial landmark of this series, i.e. the thirty Essercizi per gravicembalo (London, 1738-39) at the heart of the composer?s production. For a long time, the style of these sonatas and their role in the history of keyboard music has been debated. But nobody had ever examined thoroughly the key aspects of textual criticism, intended not only as a detailed reconstruction of the text, but as a philological study with a full scope. This volume is the first step in such direction. The musical text of this edition is the result of a systematic comparison of all the eighteenth century printed and manuscript sources preserving Scarlatti?s treasured Essercizi. In some cases, the edition presents an alternative version of the same sonata, based on the sources? examination and sometimes showing an intricate web of authorial variants. The detailed Critical Notes take into account all the variants handed down by the sources. Many topics are discussed in the rich Introduction, first and foremost the historical context and the genesis of Scarlatti?s sonatas. Furthermore, other important topics are investigated, such as: the relationship between the Essercizi and the rival Londonese edition by Roseingrave: the role and chronology of the contemporary French editions, known under the name of Boivin: the early interventions of anonymous performers.

France 1-This brand-new series is intended as a guide to the keyboard music of the 16th to 19th centuries for pupils of the piano and the harpsichord as well as of other early keyboard instruments. Each volume contains pieces by well-known and lesser-known composers from one country or region. The main purpose of the series is to extend the repertoire and stylistic knowledge of both pianists and harpsichordists while also presenting fine pieces and typical genres based on original sources. Our edition retains the performance indications of the composers' manuscripts and contemporary editions. Each volume includes:- suggestions for stylistically appropriate performance bothon the piano and on period instruments- suggested elaborated versions of some pieces and excerpts- a fold-out list of ornamentation signs and the composers' own tables of ornamentation signs- biographies of the composers and the sources of the pieces- translations of foreign-language performance indications. The two volumes devoted to French keyboard music includes close to 50 showy and relatively easy works - preludes dances suites rondeaux and character pieces - from the early 16th until the late 18th century (ordered chronologically).This publication is printed on high-quality age-resistant paper that is produced in an environmentally-friendly climate-neutral manner using renewable raw materials.