Southern-Music-Ltd - Concert band

for Concert Band-Italian Wedding Song is a lyrical very romantic song in G minor reminiscent in some ways of the music of Puccini and Verdi. Like Barnes' Yorkshire Ballad it is a brief solemn work perfect for teaching students to play in an emotional legato style. If you have a good Euphonium player this work is a must; it is an excellent choice for a moment of touching repose on your next concert. Italian Wedding Song is carefully scored and cross-cued and the ranges are very reasonable for all instruments.

I Left My Heart in San Francisco is a popular song which has become a timeless favorite spanning across generations. With music by George Cory and lyric by Douglass Cross it became most well-known as the signature song of Tony Bennett. This band arrangement by Alfred Reed displays the wistful melody in a lush sonic canvas rich with the instrumental colors unique to a symphonic band. This edition includes a full score and newly engraved parts carefully edited and adapted for modern concert bands by Mark Rogers. (Grade 3.5)

A magnum opus for concert band by composer Lauren Keiser. Victory is large in scope and introduces different harmonic and melodic perspectives to the concert band world. Something different but musically on par with symphonies by some of the master composers. (Grade 5)

for Concert Band-Citadel was composed to commemorate the 150th anniversary of The University of Kansas (1865 to 2015.) It begins with optional offstage chimes (one or two sets [opt.]) to depict the daily ringing of the bells in KU's World War II Memorial Campanile. Trumpets introduce a fanfare-like figure that quickly evolves into the opening theme of the work. As the music settles and becomes softer a saxophone choir introduces a slower more pensive middle theme intended to describe the university's academic nature. A quiet moment at the end of this section hints at the famous Rock Chalk Chant in solo horn before the chimes and fanfare return to end the work in a final dramatic outburstof sound and color.

for Concert Band-In three movements: 1. Coronation March 2. Kingsfold and 3. Variations on a Green Theme. Coronation March is in ABA form with just a tip of the hat to William Walton's famous coronation marches written for British monarchs of the 20th century. Kingsfold is a lovely setting of the modal English traditional tune set to the text O Sing a Song of Bethlehem featuring solos for flute and trumpet with chamber music textures. Variations on a 'Green' Theme begins with a jig in the percussion and reeds before slowly revealing the identity of the theme being varied - Greensleeves. A tour de force for advanced middle school bands or small high school bands.

POD-David Lean's epic film ?Lawrence of Arabia? was nominated for ten Academy Awards and won seven including Best Original Score for Maurice Jarre's masterful musical depiction of the exotic world through which T.H. Lawrence passed. Alfred Reed's setting of the music for concert band available here for the first time in full score with newly edited parts is built on two of the main themes: the Arabian motif with its blazing color and almost-barbaric effects; and the Lawrence theme a haunting poignant melody that reflects both his love of the desert and his internal psychological conflicts.

The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on “I Call to Thee Lord Jesus Christ”; Final Chorus from St. Matthew Passion; Chorale Prelude on “We All Believe in One God(Giant Fugue)”

The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on “I Call to Thee Lord Jesus Christ”; Final Chorus from St. Matthew Passion; Chorale Prelude on “We All Believe in One God(Giant Fugue)”

Condensed Score-The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on “I Call to Thee Lord Jesus Christ”; Final Chorus from St. Matthew Passion; Chorale Prelude on “We All Believe in One God(Giant Fugue)”

When the Second World War began the British March King Kenneth J. Alford (pseudonym for Major F. J. Ricketts R.M.) was increasingly in bad health and had composed relatively little music recently. As Hitler's armies marched victoriously across Europe Britain was soon alone facing the Nazi peril. Alford's great contribution to the war effort was the composition of two of his great masterpieces ARMY OF THE NILE celebrating the first Allied victories over the Germans in North Africa and EAGLE SQUADRON. The latter of these marches celebrates American airmen who travelled to England during the early years of the war (before the entry of the United States into the conflict) tovolunteer for service with the Royal Air Force serving with great distinction during the Battle of Britain. Alford skillfully weaves a number of well-known tunes into the fabric of the music including the Royal Air Force March and The Star-Spangled Banner while also including a reference to the Siegfried motive from Wagner's Ring of the Nibelung. Mark Rogers' edition of this classic march includes a handsome full score and concert size set of parts.