Mel-Bay - Guitar notes and tablatures

Suitable for beginning guitarists the Mel Bay: Guitar Primer serves as a precursor to the Modern Guitar Method Grade 1. This easy carefully graduated note-reading method provides an introduction tothe rudiments of music through enjoyable single-note exercises and solos. This book includes diagrams and photographs showing the location of the notes in first position for increased clarity. The Mel Bay: GuitarPrimer is written for the plectrum style player in standard notation only and includes access to online audio.

Par MARTIN JUAN. Four exciting concert solos for flamenco guitar from Juan Martín's best-selling album 'The Andalucian Suites'. This is the first of the four suites on the album. These suites are transcribed into standard notation and flamenco tablature (cifra), with introductory playing notes by Juan Martín. The four solos on the accompanying CD are performed by Juan. The complementary and contrasting variety of styles and rhythms of the four solos provide a brilliant display of Juan's artistry and the expressive capabilities of the flamenco guitar. Each solo is complete in itself. A powerfully evocative Zambra Mora is followed by the much-requested rumba 'La Feria', then a gently melancholic Milonga and finally a thrilling Bulerías, which combines modern elements with pure gypsy falsetas from Moron del la Frontera. These solos provide an exceptional opportunity to learn and enjoy the music of a master flamenco guitarist, whose two volumes of graded 'Solos Flamencos' are already Mel Bay best-sellers. / Niveau : Intermédiaire / Flamenco - Solos / Tablatures / Guitare Tablatures Classique

Mel Bay's own method for the Classic Guitar featuring a thorough grounding in the fundamentals of music and reading Guitar notation plus graded studies and pieces. This book presents Classic Guitar techniquein a manner that anyone can easily follow. Musical and technical concepts are introduced gradually as needed throughout the text and driven home with ample musical illustrations. Information is provided on: basic right andleft-hand techniques reading standard notation harmonics and playing in various keys and positions. In addition to the many classical etudes included here by Aguado Bach Carcassi Carulli Diabelli Giuliani Sor and others Mel Bay has made a significant contribution to the student Guitar repertoire by transcribing works by Bach Brahms Chopin Mozart Pleyel Rubenstein and others in the classical style. The pieces and exercises are arranged toprogress systematically through various keys and playing positions. Written entirely in standard notation only. Includes access to online audio.

This book contains all 60 of William Bay?s guitar solos found in his three Christmas solo collections: Guitar Picking Tunes ? Beautiful Carols of Christmas, Guitar Picking Tunes ? Christmas in the British Isles, and Guitar Picking Tunes ? An Early American Christmas. In this volume, all solos are presented in notation only. Includes access to an online recording of the author performing each piece.
A Boy is Born in Bethlehem
A Virgin Unspotted
Angels We Have Heard on High (Gloria)
As with Gladness Men of Old (Dix)
Away in a Manger
Away in a Manger (Cradle Song)
Baloo, Lammy
Beautiful Star
Blessed Be That Maid Marie
Carol of the Birds
Comfort, Comfort Now My People (Freu Dich Sehr)
Coventry Carol
Ding Dong, Merrily on High
Down in Yon Forest
Exultation
French Noel
Go Tell It on the Mountain
God Rest Ye Merry, Gentlemen
Great Creator
Hark! The Herald Angels Sing
He is Born, the Divine Christ Child (Il est Né)
Hush My Babe, Lie Still and Slumber
I Saw Three Ships
In the Bleak Midwinter
Infant Holy, Infant Lowly
It Came Upon the Midnight Clear
Lancaster (As I Sat on a Sunny Bank)
Let All Mortal Flesh Keep Silence (Picardy)
Lo, How a Rose E?er Blooming (Es ist ein Ros)
Mary Gave Birth to the Son of God
Mary Had a Baby/What Yo? Gonna Call Your Pretty Little Baby?
My Dancing Day
O Come, All Ye Faithful (Adeste Fideles)
O Come, O Come Emmanuel (Veni Emmanuel)
O Little Town of Bethlehem (St. Louis)
Of the Father?s Love Begotten (Divinum Mysterium)
On Christmas Night (Sussex Carol)
Once in Royal David?s City
Remember
Rise Up, Shepherd, and Follow
Saw You Never (Chartres)
See Amid the Winter?s Snow
Silent Night (Stille Nacht)
Sing We Now of Christmas (Noël Nouvelet)
Star in the East
Star in the Night
Still, Still, Still
The Angel Gabriel from Heave Came (Gabriel?s Message)
The Babe of Bethlehem
The Bagpiper?s Carol
The Cherry Tree Carol
The Devonshire Carol/The Moon Shines Bright (Medley)
The First Noel
The Huron Indian Carol
The Nativity (Rorate)
The Rocking Carol
The Shepherds? Star
The Snow Lay on the Ground (Venite Adoremus)
Wexford Carol
What Child is This?
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY

Par MARTIN JUAN / CAMPBELL PATRICK. The acclaimed first volume of this exciting series gave extensive insights into basic techniques of flamenco Guitar playing and the two important rhythmic forms (palos) of Solea and Alegrias. This second volume continues on with an exploration of further essential rhythmic palos. The first of these, occupying the whole of the first DVD, is the Bulerias. Juan Martin brings his many years of experience as an internationally renowned flamenco soloist and accompanist for singers and dancers to unravelling its mysteries, explaining and demonstrating very clearly the different elements of its rhythmic structure and the various ways it may be accented and counted. He uses traditional and more modern examples of the different kinds of rhythm and melodic passages (falsetas) to provide an invaluable understanding of this wonderful palo. The second DVD is devoted to the popular flamenco Rumba, then Tangos, Tientos and that most profound of all the palos, the deeply moving Seguiriyas. Martin's solo playing is complemented by demonstrations of the Guitar's role in accompanying the flamenco dance (baile) and song (cante) with the help of outstanding dancers Raquel de Luna and Miguel Infante and singers Amparo Heredia (La Repompilla) and Carlos Brias. The music for solo Guitar is transcribed in standard notation and tablature (cifra) and the two DVDs contain nearly three hours of explanation and demonstrations. The series is complemented by two other best-selling Juan Martin volumes published by Mel Bay, shown below. These provide progressively graded solo material to extend the repertoire, from beginner to concert level./ Tablatures / Guitare Tablatures

Par BAY WILLIAM. Dernière série de Mel Bay, revues de guitare, est le guide de référence ultime des exercices et des solos dans des genres différents. Cette collection complète des études et des solos présente un éventail varié et éclectique de musique. En plus de faire chauffer le moteur grand sondage et d'études de la cueillette, les solos sont présentés dans les catégories suivantes : Fiddle Tunes, ballades et valses, celtique, chiffons et Swing, Gospel, Classics, jouant sur place le touche, jouant dans des Positions mixtes, des Solos de l'avance et pour les Solos étrange vraiment aventureux. Toute la musique dans la notation et de tablature. Couverture rigide, couvert de reliure spirale et papier stock premium en font un volume si joliment imprimés et lié et contenant de la musique tellement précieuse qui vous chériront pour les années à venir. -Etudier et solo de collections complets de flatpicking matériels - échauffement et Picking Studies, Fiddle Tunes, ballades et valses, celtique, chiffons et Swing, Gospel, Classics, jouant sur l'Up The touche, jouant en mixte Positions, avance Sol... / Niveau : Débutant à Intermédiaire / Bluegrass and Country - Solos / Tablatures / Guitare Tablatures Flatpick et Plectre

The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY

Guitar Picking Tunes-Classical Gems. Guitar Picking Tunes - Classical Gems contains guitar arrangements by Mel Bay, Ray Bell, Mike Christiansen, and William Bay of 36 of the most beautiful melodies ever written. Featured are composers such as J. S. Bach, Beethoven, Schubert, Schumann, Tárrega, Sor, Tchaikovsky, Vivaldi, Debussy and more. The works span the musical eras from the Renaissance through late Impressionism. All the pieces are presented in notation and tablature. Includes access to online audio.

Beautiful Airs and Ballads of the British Isles. This fingerstyle guitar collection features 20 engaging lyrical tunes from England, Ireland, Scotland, and Wales plus three original pieces by accomplished guitarist, trumpeter and composer William A. Bay, president, and editor-in-chief at Mel Bay Publications. Tasked with writing intermediate-level arrangements in either standard or dropped-D tuning, guitarist/arranger Raymond Gonzalez displays uncommon music rethinking skills while preserving the plaintive and lilting nature of these enduring melodies. Unique to these settings, you will find sparse, open-chord harmonies accentuated by double hammer-ons and pull-offs, and the odd harmonic mixed with normal tones within a melodic line? all reminiscent of gentle waves washing up against a rocky island shore. Conceived to be played on either steel or nylon-string guitar, these pieces are written in both standard notation and tablature. Includes online access to the author?s own audio recordings.

Par SAUNDERS BRUCE. Le classeur diminuée est une étude approfondie et l'explication des accords diminuées et échelles. Il est conçu pour les guitaristes, mais il peut être utilisé avec n'importe quel instrument clé de concert. Le livre emploie des exercices, etudes et exemples pour illustrer les nombreux accords de différentes façons diminuée peut être utilisé et est accompagné d'un CD mettant en vedette une section rythmique de calibre mondial musiciens de New York. Auteur Bruce Saunders est professeur au département de guitare de renommée mondiale Berklee College of Music à Boston, est un membre respecté de la communauté jazz de la ville de New York et a de nombreux crédits d'enregistrement à son nom, y compris sa libération le Mel Bay Records intitulé 8 x 5. Il s'agit de son quatrième livre de Mel Bay Publications. Notation standard et tablature. / Niveau : Intermédiaire / Jazz - Solos / Tablatures / Guitare Tablatures

This is Mel Bay's 'landmark' system for playing guitar solos in chord style using popular sheet music. This method is accessible to the intermediate level student and is applicable for pick or fingerstyle performance. In notationand tablature.

Master anthologie de Mel Bay de Jazz Guitar Solos Volume trois présente neuf morceaux difficiles et solos improvisés par certains des joueurs de guitare jazz haut d'aujourd'hui pour le guitariste de jazz intermédiaire à avancé. Collaborateurs incluent : Ron Afiff, Peter Bernstein, Joe Diorio, Fred Hamilton, Ken Hatfield, Hank Mackie, Steve Masakowski, Joe Negri et Rick Stone. Toutes les pièces sont en notation standard et en tablature avec une Notice biographique de chaque artiste. Un CD stéréo compagnon est inclus, ce qui en fait un sourcebook idéal pour les étudiants sérieux et professionnels. / Niveau : Intermédiaire à Avancé / Jazz - Solos / Tablatures / Guitare Tablatures

Media Type : Book/CD Set Level : Multiple Levels Musical Genre : Bluegrass & Country Series : Complete Number of pages : 200 Fingerstyle guitar is extremely popular today. This is because it lends itself to very personal and lyrical solo and accompaniment styles. This method is one of the very best at teaching the basics of fingerpicking. Written by Nashville's fine guitarist, Tommy Flint, you will learn chording, Travis picking, soloing, scales and accompaniment patterns, playing over the entire fingerboard, barre-chords, two-string harmony, combining hammer and slide, three-against four roll, contrary motion, crosspicking, harmonics, right and left hand agility studies, and much more. A bonus is the inclusion of over 50 great, original Tommy Flint fingerpicking guitar solos which reflect a rich diversity of styles. This volume includes material previously published in two volumes as Mel Bay's Deluxe Fingerstyle Guitar Method. Written in notation and tablature. This package includes a split-track CD which provides play-along demonstrations of many of the exercises and solos in the book, starting with page 41. The solo guitar is on the right with accompaniment guitar on the left, so you can eliminate the solo part or accompaniment by adjusting the balance control of your player.