Lauren-Keiser-Music-Publishing Publisher

for Piano and Orchestra Full Score. Par LECUONA ERNESTO. Rapsodia Argentina is based on traditional older Argentinian tangos, the most famous being_x001A_Buenos Aires,_x001A_which is heard at the outset. The whole piece is a kind of huge rondo and is divided into several sections, most of which recur during the course of the composition. One of them is a milonga, a native peasant dance of Argentina (and Bolivia) that is a variation of the tango. Rapsodia Argentina is probably the least known of the three rapsodias for piano and orchestra by Lecuona. For sale is the solo piano part. It is not a 2-piano version or a piano reduction. The solo part matches the available orchestration as arranged and recorded by Thomas Tirino. / Date parution : 2023-06-01/ Répertoire / Piano et Orchestre

for Orchestra. Par OTT DAVID. Dedicated to the people of Ukraine. / Date parution : 2023-06-01/ Répertoire / Orchestre

Violin and Piano-Einstein was a violinist all his life. In the motion picture Einstein's Light filmmaker Nickolas Barris and composer Bruce Adolphe set out to communicate Einstein's dedication to the Violin and his particular love for the music of Mozart and Bach. This collection of music composed for the soundtrack is based on phrases from those two great masters that spin off into physics-inspired dreams and thoughts. It contains a poignant solo Violin piece based on music by Bach and four pieces for Violin and Piano that are based on phrases from Mozart's music. The composer includes one work in particular the Mozart Violin Sonata No. 34 notable because the only extant recording of Einsteinplaying the Violin contains the slow movement from this sonata. The soundtrack to Einstein's Light was recorded by Joshua Bell and Marija Stroke on Sony Classical Records. This edition contains bowings and fingerings by Joshua Bell. Movement Titles: 1. Einstein's Light: Theme (1:44 ) 2. Struggle and Breakthrough (4:34) 3. Einstein's Sarabande: The Loneliness of Genius (4:03) 4. Bending of Space-Time (3:03) 5. Einstein's Harmonic Mind (6:45)

Full Score-Commissioned by Christina Jennings and Bright Music of OK. Performed at over 50 different venues and ensembles. Notable performances include The Left Bank at the Kennedy Center for the Arts and Contemporary Music Forum at the Corcoran Gallery of Art Wash. D.C Florida State University New Music Festival The Empyrean Ensemble and Left Coast Ensemble in SanFrancisco The American Modern Ensemble at the Times Center The New Millennium Ensemble at the Princeton Center for Advanced Study Eighth Blackbird at Contempo Series in Chicago Orion Ensemble (arranged for clarinet violin cello and piano) Chicago Ganz Hall Chicago Delfians Project Cal State Fresno New MusicFestival Juventus New Music Aspen Ensemble at University of Baltimore Talis Festival in Switzerland. And many more. On Centaur CD: High Wire Acts CRC 3098

for Oboe and String Quartet-Frederick Fox (1931-2011) acquired both his master's degree in music (1957) and doctoral degree in music composition (1959) from Indiana University then began an odyssey that carried him to various teaching and foundation posts around the United States. Fox notes that his music continued to break down the diatonic structure to make it more chromatic but that he doesn't consider tonality when composing. Upon the Reedy Stream is a perfect example of his style incorporating chromatic lines and other non-diatonic tonal languages.

Wind Ensemble Full Score-Five Elizabethan Dances is drawn from the music that sets the scene and provides the accompaniment for the Ballroom Scene from Don Freund's Romeo and Juliet: A Shakespearean Music Drama for singing actors and piano. The style ofthe dances is freely drawn from dances found in the Fitzwilliam Virginal Book (music from ca. 1562 to 1612) spiced up with changing meters and chromatic twists of melody and harmony reflecting a more recent musical language. Eachof the dances represents a pivotal scene-within-a-scene.

Critical Edition Violin Solo Part-This new edition of the violin solo part to the Korngold Violin Concerto in D Major is the first-ever to include Jascha Heifetz's performance notations edited by Endre Granat one of his star proteges. Born in Austria Korngold was forced into US exile by the annexation of Austria by the Nazis. He vowed to give up composing anything other than film music until Hitler was defeated. With the end of World War II he retired from films to concentrate on music for the concert hall. The violin concerto was the first such work that Korngold wrote following some initial persuasion from violinist and fellow émigré Bronislaw Huberman. Korngold was hurt by the assumption that he hadsold his integrity to Hollywood. He was thus determined to prove himself with a work that combined vitality and superb craftsmanship. Korngold composed his Violin Concerto in D major Op.35 in 1945 dedicating it to Alma Mahler the widow of his childhood mentor Gustav Mahler. The work was premiered on February 15 1947 by Jascha Heifetz and the St. Louis Symphony under conductor Vladimir Golschmann. It received the most enthusiastic ovation in St. Louis concert history at the time. On March 30 1947 Heifetz played the concerto in Carnegie Hall with the New York Philharmonic conducted by Efrem Kurtz: the broadcast performance was recorded on transcription discs. Heifetz's performance launched the work into the standard repertoire and it quickly became Korngold's most popular piece. Concerning Heifetz's performance of the work the composer wrote In spite of the demand for virtuosity in the finale the work with its many melodic and lyric episodes was contemplated more for a Caruso than for a Paganini. It is needless to say how delighted I am to have my concerto performed by Caruso and Paganini in one person: Jascha Heifetz.

A Chamber Music America Commission for Lincoln Trio premiered on WFMT radio and at Chamber Music America at Bryant Park's summer concert series.

LKM-Commissioned by the Museum of Mathematics in New York for its grand opening gala benefit the music is based on a Native American story. The violin portrays Coyote and the piano represents everything else especially the stars themselves. It is recommended that the story which is included with the music be told to the audience before the work is performed to enhance the enjoyment and comprehension of the piece.

For piano and string quartet. Commissioned by The Chamber Music Society of Lincoln Center and the Virginia International Arts Festival. Premiered by Andre Michel Schub and the Miami String Quartet in 2001 at the Virginia International Arts Festival. West Coast premiere Chamber Music Northwest 2002. New York premiere at Lincoln Center April 2003.

This string quartet is a reflection on emperors and kings their works their passions and the inevitable passge of time. Specifically it follows the career of Artashes who ruled Armenia about twenty-two hundred years ago (190-160 BC) founded theArmenian capital Artashat and abducted his beautiful bride Satenik. The composer was struck by a 19th century painting of Artashes funeral with its grand and seemingly endless cortege the wailing throng lining the road the deceased king borne instate on a royal carriage all led by regal horsemen and a colorful phalanx of musicians. The music is divided into five short scenes played without pause: I. Cortege II. Theft III. Build IV. Cortege V. Farewell. Commissioned by the DilijanChamber Music Seriesfor the Lark Musical Society. Duration: c. 14 minutes