Centerstream - Mandolin

A Collection of Cakewalks, Rags, Slow Drags, and Foxtrots from the Gilded Age. Par . The popularity of the mandolin in the United States between 1885-1915 led to the formation of many regional mandolin orchestras and mandolin clubs across the country, particularly in the urban areas of the Northeast and Midwest, but also as far west as San Francisco and as far south as New Orleans, e.g., the Tulane University Mandolin Club. In fact, Scott Joplin dedicated one of his early rags, The Entertainer, to his local mandolin club in Sedalia, Missouri, i.e., to Mr. James Brown and his mandolin club. So tune up your mandolin and enjoy playing the music that would have been heard in the neighborhood dance halls and feel like you're back in the Gilded Age! Each song in this collection is arranged for mandolin in staff notation and mandolin tablature with chord symbols. / Date parution : 2023-06-01/ Recueil / Mandoline

Learn How to Play the Irish Way-Designed for Mandolin players who want to improve their technique quickly Doc Rossi's ASAP Irish Mandolin contains a series of tunes that will help you to master the style whilst expanding your repertoire.Starting with the basics of ornamentation in traditional Irish music Rossi then goes directly into the tunes in tablature and standard notation. Right-hand and left-hand techniques ornamentation and other topics are taught through the songs themselves.ASAP Irish Mandolin comes complete with a CD containing audio of all of the featured tunes and ornaments.This book is also suitable for TenorBanjo Octave Mandolin or any other instrument tuned in fifths.

Mandolin Chords Plus is a helpful booklet compiled by Ron Middlebrook with chords scales and tuning information essential to all mandolin players. This comprehensive reference also includes a selection of 'hot licks' useful for endings intros and tunrarounds as well as two fantastic tunes to play.

Examine the development of country mandolin performance during the 1930s with this book by Joseph Weidlich. During that decade the mandolin became a featured solo instrument requiring players to quickly develop a new style of playing in order to give vocalists a break from singing particularly in the popular brother act format. As the decade progressed numerous idiomatic techniques were tested discarded and refined leading to instrumental solos that were eventually based more on playing over chord changes than on the actual melody itself. The techniques outlined here based on period recoridngs clearly establish the roots of that new solo approach which blossomed in thelooser ensemble format of early 1940s bluegrass music.

Eighteen favourites each presented in two versions: a simple lead sheet arrangment with melody lyrics and chords; and an advanced solo arrangement that combines the melody and accompaniment. Arranged by Eric Cutshall.