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| BACH J.S. -
BRANDENBURGISCHES KONZERT
NR. 1 - WINDS PART
Orchestre
BARENREITER
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| HÄNDEL G. F. - CONC.
GROSSO OP.6/5 D/DUR -
CLAVECIN
Orchestre
BARENREITER
/ Partitions classique / Ensemble et orchestre / Orchestre / BARENREITER
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| HANDEL G.F. - DIXIT
DOMINUS HWV 232 - BASSES
Musique de chambre
BARENREITER
/ Partitions classique / Ensemble et orchestre / Musique de chambre / BARENREIT...(+)
/ Partitions classique / Ensemble et orchestre / Musique de chambre / BARENREITER
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| HÄNDEL G. F. - CONC.
GROSSO OP.6/7 B-DUR -
CLAVECIN
Orchestre
BARENREITER
/ Partitions classique / Ensemble et orchestre / Orchestre / BARENREITER
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| HÄNDEL G. F. - CONC.
GROSSO OP.6/1 G-DUR -
CLAVECIN
Orchestre
BARENREITER
/ Partitions classique / Ensemble et orchestre / Orchestre / BARENREITER
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| SCHUMANN R. -
DICHTERLIEBE - VOIX ET
PIANO
Piano, Voice
Barenreiter
Komponist / Autor:Schumann, RobertTitel:Dichterliebe op. 48Besetzung Detail:Sing...(+)
Komponist / Autor:Schumann, RobertTitel:Dichterliebe op. 48Besetzung Detail:Singstimme, KlavierTextdichter:Heine, HeinrichHerausgeber:Ewert, HansjörgVor- / Grußwort:Ewert, HansjörgProduktart:Singpartitur, UrtextausgabeEnthaltene Einzelstimme / Tous instruments / Barenreiter
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| BACH J.S. - CONCERTO EN
DO MINEUR POUR HAUTBOIS
BWV 1060 - ALTO
Orchestre
BARENREITER
Partie séparée d'alto / Partitions classique / Ensemble et orchestre / Orchest...(+)
Partie séparée d'alto / Partitions classique / Ensemble et orchestre / Orchestre / BARENREITER
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| HANDEL G.F. - DIXIT
DOMINUS HWV 232 - ALTO 2
Musique de chambre
BARENREITER
/ Partitions classique / Ensemble et orchestre / Musique de chambre / BARENREIT...(+)
/ Partitions classique / Ensemble et orchestre / Musique de chambre / BARENREITER
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| HÄNDEL G. F. - CONC.
GROSSO OP.6/12 H-MOLL -
CLAVECIN
Orchestre
BARENREITER
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| FROM JEWISH LIFE - ALTO &
ORGUE
Alto
BARENREITER
From Jewish Life
Arrangements for Viola (Violoncello) and Organ
- Work...(+)
From Jewish Life
Arrangements for Viola (Violoncello) and Organ
- Works from the late-romantic Jewish tradition for use in worship, private devotions and concerts
- Variable instrumentation for viola and organ or violoncello and organ
- Separate parts for viola and violoncello enclosed
- Moderate level of difficulty
This volume contains works inspired by the Jewish musical tradition, arranged for viola (or alternatively for violoncello) and organ. The music takes its bearings on the inimitable and highly emotional melodies of synagogue chant and Jewish folk music. The pieces are suitable for worship, private devotions as well as concert performance and can easily be tackled by amateur musicians.
The arrangements shed light on a little-known but valuable repertoire. The Foreword (Ger/Eng) provides an historical overview of organ music in the synagogue, where the instrument has found use in solo performance and accompaniment since the 19th century, especially in the wake of the Jewish Reform movement.
- Zeitlin, Leo
Eli Zion
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- Ravel, Maurice
Kaddisch
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- Alman, Samuel
Haftara
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- Bloch, Ernest
Prayer (From Jewish Life, No. 1)
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- Stutschewsky, Joachim
Sechs israelische Melodien:
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1. Legend
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2. Raindrops
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3. You, the Earth
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4. Oriental Melody
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5. Prayer
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6. Wanderer´s Song
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- Halphen, Fernand Gustav
Andante religioso d´après un thème hébraique
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- Mendelsshon, Ludwig
Kol Nidre op. 99 / Partitions classique / Cordes / Alto / BARENREITER
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| ST JOHN PASSION BWV 245 -
CONDUCTEUR
Conducteur
BARENREITER
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Zur Edition
•
Composer / Author: Bach, Johann Sebas...(+)
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Zur Edition
•
Composer / Author: Bach, Johann Sebastian
6 Faksimiles
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Composer / Author: Bach, Johann Sebastian
Passio secundum Johannem, Teil I und II
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Composer / Author: Bach, Johann Sebastian
Nebeneinander werden die abweichenden Satzzählungen im Band der Neuen Bach-Ausgabe und im Bach-Werkeverzeiuchnis (BWV) geboten
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Composer / Author: Bach, Johann Sebastian
Anhang 1: Satz 1-10 (NBA) ältere Fassungen
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Composer / Author: Bach, Johann Sebastian
Anhang 2: Die zur Fassung II gehörenden Sätze (5)
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Composer / Author: Bach, Johann Sebastian
Anhang 3: Die Textänderungen in den Sätzen 19,20 und 39 (NBA)
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Composer / Author: Bach, Johann Sebastian
Beilage: Faksimile Wiedergabe der ersten 21 Seiten der teilautographen Originalpartitur / Partitions classique / Ensemble et orchestre / Conducteur / BARENREITER
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| HÄNDEL G. F. - CONC.
GROSSO OP.6/2 F-DUR -
CONDUCTEUR
Conducteur
BARENREITER
/ Partitions classique / Ensemble et orchestre / Conducteur / BARENREITER
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| BACH J.S. - CONCERTO EN
MI MAJEUR BWV 1042 -
VIOLON 1
Orchestre
BARENREITER
/ Partitions classique / Ensemble et orchestre / Orchestre / BARENREITER
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| BEETHOVEN L.V. -
SYMPHONIE N°7 OP.92 -
CONTREBASSE
Double Bass
Barenreiter
/ Partitions classique / Ensemble et orchestre / Conducteur / BARENREITER
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| SCARLATTI A. - SINFONIA
N° 4 A-MOLL - VIOLON 1
Orchestre
BARENREITER
Partie séparée de violon 1 / Partitions classique / Ensemble et orchestre / Or...(+)
Partie séparée de violon 1 / Partitions classique / Ensemble et orchestre / Orchestre / BARENREITER
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| HÄNDEL G. F. - CONC.
GROSSO OP.6/9 F-DUR -
CLAVECIN
Orchestre
BARENREITER
/ Partitions classique / Ensemble et orchestre / Orchestre / BARENREITER
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| SKRJABIN A. - COMPLETE
PIANO SONATAS VOL.3
Piano solo
Barenreiter
No genre reflects Skrjabin?s artistic evolution more vividly than his piano sona...(+)
No genre reflects Skrjabin?s artistic evolution more vividly than his piano sonatas. Sonatas Nos. 6, 7 and 8 which are presented in this edition were written between 1911 and 1913, at times contemporaneously with the late Sonatas Nos. 9 and 10. All autographs and printed sources including Skrjabin?s sketches and drafts have been thoroughly evaluated. The edition presents a meticulously edited musical text offering new readings and is supplemented by an informative Preface on the sonatas? genesis and significance (Ger/Eng). The Critical Commentary (Eng) provides information on alternative readings and editorial decisions. An elegant well-presented engraving with practical page-turns rounds off this edition at the cutting edge of musical scholarship.
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Sonate Nr. 6 op. 62
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Sonate Nr. 7 op. 64 (?Weiße Messe? / ?White Mass?)
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Sonate Nr. 8 op. 66 / Partitions classique / Piano - instruments à clavier / Piano / BARENREITER
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| HÄNDEL G. F. - CONC.
GROSSO OP.6/5 D/ -
CONDUCTEUR
Conducteur
BARENREITER
/ Partitions classique / Ensemble et orchestre / Conducteur / BARENREITER
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| RAVEL M. - PAVANE POUR
UNE INFANTE DEFUNTE -
CELLO PART
Cello
BARENREITER
/ Partitions classique / Cordes / Violoncelle / BARENREITER
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| BACH J.S. -
BRANDENBURGISCHES KONZERT
NR. 2 - HARPSICHORD
Orchestre
BARENREITER
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| BACH J.S. - CONCERTO EN
RE MINEUR BWV 1043 -
CONTINUO
Orchestre
BARENREITER
Edition : Score; Urtext Edition
Editor : Kilian, Dietrich
Binding : st...(+)
Edition : Score; Urtext Edition
Editor : Kilian, Dietrich
Binding : stapled
Instrumentation : 2 Violin-solo, Strings, Basso continuo / Partitions classique / Ensemble et orchestre / Orchestre / BARENREITER
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Clavecin
BARENREITER
Das Wohltemperierte Klavier I
Klavierwerke, Band 6/1
Bach, Johann Seba...(+)
Das Wohltemperierte Klavier I
Klavierwerke, Band 6/1
Bach, Johann Sebastian
BWV 846, Variante Fuga 1 im Stadium A 1-2
Bach, Johann Sebastian
BWV 847-869
Bach, Johann Sebastian
Anhang I: Früheste erhaltene Fassung BWV 846a-869a
Bach, Johann Sebastian
Anhang II:Präludium c-moll BWV 847/1 in dem vom Anonymus 5 überlieferten Entwicklungsstadium
Bach, Johann Sebastian
Anhang III: Reicher bezeichnete Version der Fuge d-moll BWV 851/2 / Partitions classique / Piano - instruments à clavier / Clavecin / BARENREITER
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| BERLIOZ HECTOR - ROMEO ET
JULIETTE - FULL SCORE
Conducteur
BARENREITER
Roméo et Juliette Op.17 Hol.73: Symphonie dramatique
For his third symphon...(+)
Roméo et Juliette Op.17 Hol.73: Symphonie dramatique
For his third symphony “Roméo et Juliette” (1839) Berlioz turned to his greatest literary passion, Shakespeare, drawing once again on his ownmost fervent experiences.
Berlioz’s discovery of Shakespeare in 1827 had been overwhelming not only for the dramatic force of the poetry and drama, but also because the leading actress of the company, Harriet Smithson,immediately won his heart. She later became his wife.
He began to think seriously about composing some kind of musical “Romeo and Juliet” but it was not realised until 1839. The symphony is scored fordoublechorus (to represent the two warring families), solo voices as secondary characters, with the lovers themselves represented by the orchestra.
Urtext of the New Berlioz Edition / Partitions classique / Ensemble et orchestre / Conducteur / BARENREITER
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| HÄNDEL G. F. - CONC.
GROSSO OP.6/12 H-MOLL -
CONDUCTEUR
Conducteur
BARENREITER
/ Partitions classique / Ensemble et orchestre / Conducteur / BARENREITER
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| BACH J.S. -
JOHANNES-PASSION BWV245 -
VIOLON I
Choeur et ensemble vocal
BARENREITER
/ Partitions classique / Vocale - chorale / Choeur et ensemble vocal / BARENREI...(+)
/ Partitions classique / Vocale - chorale / Choeur et ensemble vocal / BARENREITER
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| HÄNDEL G. F. - CONC.
GROSSO OP.6/11A-DUR -
CONDUCTEUR
Conducteur
BARENREITER
/ Partitions classique / Ensemble et orchestre / Conducteur / BARENREITER
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| BEETHOVEN L.V. -
SYMPHONIE N°7 OP.92 -
VIOLON 1
Conducteur
BARENREITER
/ Partitions classique / Ensemble et orchestre / Conducteur / BARENREITER
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| DVORAK A. - SLAWISCHE
TÄNZE Nr 1-4 OP.46 -
VIOLON ET PIANO
Violin
BARENREITER
/ Partitions classique / Cordes / Violon / BARENREITER
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| BACH J.S. - LOBE DEN
HERRN, ALLE HEIDEN -
SCORE
Conducteur
BARENREITER
Lobet den Herrn, alle Heiden BWV 230 - Motet for four-part mixed choir.(+)
Lobet den Herrn, alle Heiden BWV 230 - Motet for four-part mixed choir.
In Bach’s voluminous output of music the motets form a small group of modest proportions, particularly as compared to the200 or so surviving cantatas. In historical perspective, however, the corpus of motets is especially distinguished, being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the presentday.
- Urtext of the New Bach Edition
/ Partitions classique / Ensemble et orchestre / Conducteur / BARENREITER
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