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PIANO & KEYBOARDS
1 Piano, 4 hands
65
1 Piano, 6 hands
1
2 Pianos, 3 hands
1
2 Pianos, 4 hands
71
3 Pianos
2
Flute, Harp en Piano
1
Harpsichord
86
Harpsichord and Strings
8
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56
Organ
938
Organ and Orchestra
35
Organ, Percussion
2
Organ, Piano (duet)
6
Piano Accompaniment
2
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253
Piano Quartet: piano, violin, viola, cello
13
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1
Piano Quintet: piano, 2 violins, viola, cello
14
Piano Quintet: piano, violin, viola, cello, double bass
2
Piano solo
1037
Piano Trio: mixed chamber instrumentation
2
Piano Trio: piano, violin, cello
51
Piano Trio: Violin, Viola, Piano
1
Piano, Vocal and Guitar
2
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161
Solo instrument and Organ
12
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26
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13
4 Guitars (Quartet)
9
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1
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12
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139
Guitar Ensemble
3
Guitar, String Quartet
1
Mandolin, Guitar (duet)
1
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2
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2
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1
Voice, Guitar
2
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Baritone voice
2
Baritone voice, Piano
17
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1
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2
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235
Choral 2-part
7
Choral 3-part
53
Choral SATB
757
Choral SATTBB A Cappella
1
Choral Soprano solo, SATB, Keyboard
2
Choral SSAA
17
Choral SSAATB A Cappella
1
Choral SSAATBB, Organ
2
Choral SSAATTBB
23
Choral SSAB a cappella
1
Choral SSATB
48
Choral SSATBB
8
Choral SSATTB
2
Choral SSATTBB
2
Choral TTBB
108
Choral, Orchestra
60
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4
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16
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54
Libretto
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23
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8
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49
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5
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77
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3
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3
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161
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3
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1
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27
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21
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1
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2
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2
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15
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31
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6
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1
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1
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1
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1
2 Recorders (duet)
30
2 Recorders, Basso continuo (trio)
7
2 Recorders, Piano
1
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1
3 Clarinets (trio)
6
3 Recorders (trio)
5
4 Oboes
2
5 Recorders
1
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6
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4
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3
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13
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9
Clarinet
23
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33
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2
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1
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1
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2
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3
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12
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1
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11
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4
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7
English Horn
4
Flute
103
Flute and Guitar
12
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68
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1
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8
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7
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9
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24
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2
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7
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1
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1
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1
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1
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25
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1
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1
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2
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4
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10
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2
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1
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4
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2
Oboe
44
Oboe and Orchestra
8
Oboe, Basso continuo
6
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1
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1
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1
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2
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11
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2
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2
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16
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4
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23
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2
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8
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7
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2
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2
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1
Soli, Mixted choir and accompaniment
623
Tenor Recorder
1
Treble (Alto) Recorder
14
Treble (Alto) Recorder, Basso continuo
9
Treble (Alto) Recorder, Piano
4
Violin, Clarinet, Piano (trio)
1
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3
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2
Woodwind Quintet
2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
20
BRASS
2 French horns (duet)
1
3 French horns (trio)
1
Brass ensemble, Organ
2
Brass Quartet: 4 trombones
1
Brass Quintet: 2 trumpets, horn, trombone, tuba
5
French horn
10
French Horn and Piano
10
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25
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1
Organ and Brass Quartet
1
Organ, Trumpet (duet)
6
Trombone
8
Trombone and Orchestra
2
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2
Trumpet
12
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3
Trumpet, Piano
10
Tuba
4
PERCUSSIONS
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1
Drums
7
Percussion
6
Percussion Ensemble
2
Vibraphone, Marimba and Cello
1
STRINGS
2 Cellos (duet)
21
2 Cellos, Piano
3
2 Violas (duet)
1
2 Violas, Piano
1
2 Violins (duet)
24
2 Violins and Basso
24
2 Violins, Piano
6
4 Cellos
2
Accordion, String(s)
1
Cello
184
Cello (band part)
1
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1
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1
Cello, Orchestra
58
Cello, Organ
2
Cello, Piano
116
Cello, String Bass (duet)
14
Chamber Orchestra
23
Clarinet and Strings
2
Clarinet Quintet: Clarinet, String Quartet
2
Clarinet, Cello, Piano (trio)
3
Clarinette, Viola and Piano (trio)
1
Double Bass
72
Double bass, Piano (duet)
8
Doublebass (band part)
1
Flute and Strings Trio
1
Flute Quartet: Flute, Violin, Viola, Cello
7
Flute, Cello, Piano (trio)
2
Flute, Oboe, Violin, Violoncello, Basso continuo (Quartet)
1
Flute, Viola and Cello
1
Flute, Violin
2
Flute, Violin and Violoncello
4
Flute, Violin, Keyboard (basso continuo)
10
Flute, Violin, Piano
2
Flute, Violin, Viola
1
Flute, Violin, Violoncello and Piano
4
Flute, Violoncello
2
Guitar, String Quartet
1
Harp
24
Harp and Piano
1
Harp, Cello (duet)
1
Harp, Orchestra
5
Harpsichord and Strings
8
Horn, Violin, 2 Violas and Cello
1
Oboe, Violin, Piano
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Piano Quartet: piano, violin, viola, cello
13
Piano Quintet: piano, 2 violins, viola, cello
14
Piano Quintet: piano, violin, viola, cello, double bass
2
Piano Trio: piano, violin, cello
51
Piano Trio: Violin, Viola, Piano
1
String Orchestra
58
String Quartet: 2 violins, viola, cello
338
String quartet: 4 violins
1
String quintet
5
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
String Quintet: 2 violins, 2 violas, cello
4
String Quintet: 2 violins, viola, 2 cellos
1
String Quintet: 2 violins, viola, cello, bass
8
String trio
4
String Trio: 2 violins, cello
6
String Trio: 2 violins, viola
4
String Trio: 3 violins
5
String Trio: violin, viola, cello
20
Vibraphone, Marimba and Cello
1
Viola
268
Viola (band part)
1
Viola and orchestra
4
Viola da Gamba
3
Viola da Gamba, Basso continuo
2
Viola da Gamba, Harpsichord
1
Viola, Cello (duet)
2
Viola, Guitar (duet)
2
Viola, Organ
3
Viola, Piano
55
Violin
387
Violin (band part)
4
Violin and Piano
280
Violin, Basso continuo
19
Violin, Cello (duet)
15
Violin, Cello, Organ
1
Violin, Clarinet, Piano (trio)
1
Violin, Guitar (duet)
1
Violin, Horn and Piano
3
Violin, Organ
6
Violin, Viola (duet)
10
Violin, Viola and Orchestra
2
Violin, Violoncello and Doublebass
1
Violoncello, Basso continuo
14
FOLK
2 Accordions
1
Accordion
21
Accordion, String(s)
1
Guitar, Orchestra
2
Lute
4
Mandolin
3
Mandolin, Guitar (duet)
1
ENSEMBLE
2 Oboes, 2 Horns and 2 Bassoons
1
Bassoon, Orchestra
7
Brass ensemble, Organ
2
Cello (band part)
1
Cello, Orchestra
58
Chamber Orchestra
23
Choral, Orchestra
60
Clarinet, Orchestra
12
Concert band
5
Concert band, Choral
16
Doublebass (band part)
1
Flexible Instrumentation
2
Flute, Orchestra
25
Guitar Ensemble
3
Guitar, Orchestra
2
Harp, Orchestra
5
Horn and Orchestra
25
Jazz Ensemble
1
Oboe and Orchestra
8
Oboe, Clarinet, Bassoon and Piano
1
Orchestra
1393
Orchestra, Violin
126
Organ and Orchestra
35
Organ, Mixed Choir and Orchestra
3
Piano and Orchestra
253
Piano Quintet: mixed chamber instrumentation
1
Piano Trio: mixed chamber instrumentation
2
Pocket, Study conductor
66
Recorder Ensemble
4
Saxophone and Orchestra
2
School Ensemble
1
Soli and Orchestra
22
Soli, Mixted choir and accompaniment
623
Soprano voice, Orchestra
1
String Orchestra
58
String quintet
5
Symphonic Band
99
Trombone and Orchestra
2
Viola (band part)
1
Viola and orchestra
4
Violin (band part)
4
Voice and Orchestra
14
Wind ensemble
12
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Pavane - Op.50 (FAURE GABRIEL)
Piano solo
[Sheet music]
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Par FAURE GABRIEL. Fauré?s ?Pavane? was composed for orchestra in 1887, followe...
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Par FAURE GABRIEL. Fauré?s ?Pavane? was composed for orchestra in 1887, followed by a version for chorus and orchestra in that same year. Three decades later Serge Diaghilev had it choreographed for his Ballets russes ? a sign of its great popularity. ?Pavane? exudes the spirit of Paris?s fêtes galantes at the turn of the century. A version for solo piano appeared in 1889; it was most likely prepared by Fauré himself, who performed it several times and even recorded it for player piano. Our Urtext edition is based on the musical text from ?Gabriel Fauré ?uvres complètes?. The editor has drawn in particular on the original solo piano print while also consulting the autograph of the orchestral version and Fauré?s second recording of the piano version. Elegant engraving and practical page-turns invite players to study this popular piece. - Urtext edition based on the ?Gabriel Fauré ?uvres complètes? - Musical text at the cutting edge of scholarship incorporating all the sources, including Fauré?s recordings - Informative introduction, notes on performance (Fr/Eng/Ger) and Critical Commentary (Eng) / Date parution : 2022-07-30/ Répertoire / Piano
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Streichquartett in F - Op. 135 (BEETHOVEN LUDWIG VAN)
String Quartet: 2 violins, viola, cello
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Par BEETHOVEN LUDWIG VAN. Beethoven completed his String Quartet Op.135 at Wasse...
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Par BEETHOVEN LUDWIG VAN. Beethoven completed his String Quartet Op.135 at Wasserdorf Castle in Gneixenhof, where he sought to recuperate with his nephew Karl after the latter?s failed suicide attempt in summer 1826. It stands out among his late quartets owing to the often cheerful, almost pastoral character of its four movements. Since Beethoven?s death it has often been interpreted as an attempt to take wise and positive stock of the mishaps that had befallen him in the preceding years regarding his life situation, family and health. This interpretation is strongly suggested by the final movement, ?Der schwer gefasste Entschluss? (The Difficult Decision), with its motto ?Must it be? It must be! It must be!? The editing of this quartet proved especially complex, for the authentic sources were reworked at various stages by the composer. By judiciously assessing them, editor Jonathan Del Mar has managed to clarify many anomalies found in previous editions. - Beethoven?s final string quartet with many new readings - Introduction by Misha Donat (Eng/Ger), editor?s foreword by Jonathan Del Mar (Eng/Ger) and a scrupulous, separately published Critical Commentary (Eng) / Date parution : 2022-07-30/ Répertoire / Quatuor à Cordes
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Tänze, Band 2 (MOZART WOLFGANG AMADEUS)
Commentaire Critique
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Par MOZART WOLFGANG AMADEUS. This separately published Critical Commentary offer...
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Par MOZART WOLFGANG AMADEUS. This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume. KV 363, 461(448a), 462(448b), 463(448c), 509, 534-536, 567, 568, 571, 585-587, 599, 601, 604, 600, 602, 603, 609, 610 / Date parution : 2022-11-12/ Livre / Commentaire Critique
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Legende for Organ and Brass Quartet Op. 55a (BUNK GERARD)
Organ and Brass Quartet
[Score and Parts]
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Par BUNK GERARD. As a 20th century composer, Gerard Bunk developed a distinctive...
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Par BUNK GERARD. As a 20th century composer, Gerard Bunk developed a distinctive musical style comparable perhaps to that of Max Reger or Sigfrid Karg-Elert. In addition to Bunk?s large-scale organ work ?Legende? Op.29 and its symphonic version Op.29II, there is a further well-known ?Legende? Op.55b written for organ and string orchestra (or string quartet) which was composed in 1945. This edition offers the earlier version of this work, dating from 1914, in its original instrumentation for organ and brass quartet. In order to facilitate performance, the sketchily notated score is carefully supplemented by performance markings from the string version. What Albert Schweitzer praised in the earlier ?Legende?, ?the calm and vivid layout of the complete work?, is also recognisable in Bunk?s later composition: the catchy, modestly beautiful theme alongside the clear musical form of this ?Legende? for organ and brass quartet. - Scored for 2 Flugelhorns, French horn, Trombone - Attractive chamber music for brass with organ - Edited by the composer?s grandson - Also suitable for amateur ensembles / Date parution : 2022-07-30/ Répertoire / Orgue et Quatuor de Cuivres
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Streichquartett in F - Op. 135 (BEETHOVEN LUDWIG VAN)
String Quartet: 2 violins, viola, cello
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Par BEETHOVEN LUDWIG VAN. Beethoven completed his String Quartet Op.135 at Wasse...
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Par BEETHOVEN LUDWIG VAN. Beethoven completed his String Quartet Op.135 at Wasserdorf Castle in Gneixenhof, where he sought to recuperate with his nephew Karl after the latter?s failed suicide attempt in summer 1826. It stands out among his late quartets owing to the often cheerful, almost pastoral character of its four movements. Since Beethoven?s death it has often been interpreted as an attempt to take wise and positive stock of the mishaps that had befallen him in the preceding years regarding his life situation, family and health. This interpretation is strongly suggested by the final movement, ?Der schwer gefasste Entschluss? (The Difficult Decision), with its motto ?Must it be? It must be! It must be!? The editing of this quartet proved especially complex, for the authentic sources were reworked at various stages by the composer. By judiciously assessing them, editor Jonathan Del Mar has managed to clarify many anomalies found in previous editions. - Beethoven?s final string quartet with many new readings - Introduction by Misha Donat (Eng/Ger), editor?s foreword by Jonathan Del Mar (Eng/Ger) and a scrupulous, separately published Critical Commentary (Eng) / Date parution : 2022-07-30/ Répertoire / Quatuor à Cordes
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Aus Holbergs Zeit Op. 40 (GRIEG EDVARD)
String Orchestra
[Score]
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Par GRIEG EDVARD. Grieg Holberg Suite (From Holberg\'s Time) Op.40 (Full Score) ...
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Par GRIEG EDVARD. Grieg Holberg Suite (From Holberg\'s Time) Op.40 (Full Score) Suite in the Olden Style for String Orchestra To celebrate the 200th birthday of the playwright Ludvig Holberg (1684-1754), a statue was erected in his honour in 1884. Edvard Grieg, who, like Holberg, was born in Bergen, was commissioned to write an open-air cantata for the ceremony. But he also refers to Holberg in his instrumental music. The result was a ?powdered wig piece? (as Grieg wrote to his publisher) that hearkens back to Holberg?s era ? a historicising suite of baroque dances for piano, ranging from an exhilarating prelude and several dance numbers to a Bachian ?air? and an impetuous ?rigaudon?. Later Grieg arranged his ?Suite in the Olden Style? for string orchestra. This version became one of his most popular compositions. For our new scholarly-critical edition Christoph Rinne-Schroeder has meticulously examined the original print and compared it with previously neglected performance material annotated by Grieg himself. - New Urtext edition of this popular work for string orchestra - Based on previously neglected sources by Grieg himself - String parts in a practical large format (25.5 cm x 32.5 cm) / Date parution : 2022-07-30/ Répertoire / Orchestre à Cordes
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Sonata No 2 for Violin and Piano (SAINT-SAENS CAMILLE)
Violin and Piano
[Sheet music]
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In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th cen...
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In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.2 was written in 1896 during a stay of several months by the composer in Egypt: he began the main themes of all four movements as well as the canonic trio in Luxor and Aswan. The sonata was then completed on the Nile journey back to Cairo. That same year the sonata was premiered by Saint-Saëns and Pablo Sarasate in a concert celebrating the composer?s fiftieth stage anniversary. Astoundingly, he had first appeared on stage when he was only ten years old. This performing edition edited by Fabien Guilloux and François de Médicis is based on ?Saint-Saëns ? ?uvres instrumentales complètes?, volume III/4. It reflects the most up-to-date state of research on this work which the edition presents in a spacious engraving. - With a detailed Foreword (Fr/Eng/Ger) on the genesis and performance history - Performing edition based on the Urtext of the ?Saint-Saëns ? ?uvres instrumentales complètes? - Optimum layout in the violin part and piano score / Date parution : 2022-11-08/ Répertoire / Violon et Piano
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MASSES, VOLUME 3 (MOZART WOLFGANG AMADEUS)
Commentaire Critique
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Par MOZART WOLFGANG AMADEUS. This separately published Critical Commentary offer...
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Par MOZART WOLFGANG AMADEUS. This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume. / Date parution : 2022-11-12/ Livre / Commentaire Critique
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Zoroastre rct 62B (RAMEAU JEAN-PHILIPPE)
Opera
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Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Ra...
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Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau?s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime ?Hymne à la Lumière?, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with ?Zoroastre? the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck?s opera reform by many years. - One of Rameau?s main works for the stage, now available with all its versions - With a straight-forward piano reduction in the vocal score by François Saint-Yves - Available on sale full score (B0A8867-01) and vocal score (BA08867-90) - Performance material available for hire BA08867-72 - Jean-Philippe Rameau - Opera Omnia (OOR) IV/26 / Date parution : 2022-07-30/ Répertoire / Chant et Piano
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PIANO SONATAS I (SCHUBERT FRANZ)
Piano solo
[Sheet music]
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The early sonatas. Par SCHUBERT FRANZ. Schubert was visibly adventurous in his e...
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The early sonatas. Par SCHUBERT FRANZ. Schubert was visibly adventurous in his early piano sonatas, as is apparent in their wide-ranging key schemes, diverging versions of many movements or entire sonatas, and numerous works left incomplete. This revised Urtext edition contains the sonatas he composed between 1815 and 1817. An updated preface and valuable notes on central questions of performance practice (e.g. articulation, pedalling and embellishments), with a special emphasis on his idiosyncratic treatment of accent-like diminuendo hairpins, form a useful introduction to the sonatas. Schubert?s drafts and fragments can be accessed on the Bärenreiter website. - Urtext edition based on the ?New Schubert Edition?, with drafts and fragments accessible on the Bärenreiter website (see BA 9642: Extras) - Reader-friendly engraving with practical page-turns and running titles to facilitate the location of sonatas and movements - Valuable notes on performance practice in Schubert?s day (Ger/Eng) - Critical Commentary with readings relevant to performance, especially regarding Schubert?s notation of accents (Eng) / Date parution : 2022-07-30/ Recueil / Piano
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Zoroastre rct 62B (RAMEAU JEAN-PHILIPPE)
Piano, Voice
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Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Ra...
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Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau?s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime ?Hymne à la Lumière?, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with ?Zoroastre? the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck?s opera reform by many years. - One of Rameau?s main works for the stage, now available with all its versions - With a straight-forward piano reduction in the vocal score by François Saint-Yves - Available on sale full score (B0A8867-01) and vocal score (BA08867-90) - Performance material available for hire BA08867-72 - Jean-Philippe Rameau - Opera Omnia (OOR) IV/26 / Date parution : 2022-07-30/ Répertoire / Chant et Piano
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BUNK GERARD - BUNK - SONATE EN FA MINEUR OP.32
Orchestra
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/ Partitions classique / Ensemble et orchestre / Ensemble mixte / BARENREITER
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POSCHADEL WILLY - POSCHADEL - SONATE EN SIBM
Ensemble mixte
BARENREITER
/ Partitions classique / Ensemble et orchestre / Ensemble mixte / BARENREITER
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INCONNU - CLAUSSNITER - PIECES D\'ORGUE OP.22 ET 23
Organ
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/ Partitions classique / Piano - instruments à clavier / Orgue / BARENREITER
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Requiem (MOZART WOLFGANG AMADEUS)
Choeur Mixte SATB et Piano
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Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Vocal...
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Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Vocal Score) This publication offers a source-critical edition of Mozarts fragmentary Requiem as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozarts idiom taking into account historical additions by Süssmayr and Eybler. When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozarts church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the Requiem fragment, is taken into account in those sections requiring completion or fresh composition. At two points readers may choose between alternative movements (or sections), since proceeding from Süssmayrs historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozarts intentions: the Lacrimosa may end with or without Amen fugue, and the Sanctus may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major Hosanna from Süssmayrs autograph, a movement which, until now, has not been appreciated as compositionally flawless. - Scholarly-critical edition of the Requiem fragment - With performance material for presentation of 1) the fragment, 2) a version with completions of the authentic Mozart sections or 3) a full completion consistent with Mozarts musical idiom - Missing sections were completed by drawing from other fragmentary sacred works by Mozart - Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment - Alternative performance options for the Lacrimosa, Sanctus and Benedictus - Straight-forward piano reduction - Extensive foreword (Ger/Eng) on the works history, reception and modern completions, with analytical stylistic critique - Detailed Critical Commentary (Eng), partly available on the Bärenreiter website - Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (Le Disque classique du jour from francemusique.fr and three nominations for Opus Klassik 2021 in the categories Ensemble, Choral Recording and Editorial Achievement) - Full Score (BA11310), Vocal Score (BA11310-90) and performance material (BA11310) available for sale / Date parution : 2022-07-20/ Répertoire / Choeur Mixte SATB et Piano
17.34 EUR - Sold by LMI-partitions
(Seller in french langage)
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Ighigenie auf Tauris (GLUCK CHRISTOPH WILLIBALD)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
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Vienna version 1781. Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigenie auf Tauris (...
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Vienna version 1781. Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigenie auf Tauris (Vienna version 1781) (Vocal Score) Music drama in four acts Following upon the great success of Iphigénie en Tauride, Gluck arranged the popular drama of human passions, guilt and unconditional friendship once again for Viennas Burgtheater, where it was premièred in 1781. Especially remarkable is the masterly orchestration, which, among other things, turns the forces of Nature into a character in the drama and projects a striking contrast between civilization and savagery. Now Bärenreiter is issuing the carefully revised and corrected vocal score in a new engraving adapted to meet current standards. - Revised and newly engraved - Detailed foreword (Ger/Eng) on the works genesis and reception history, together with a summary of the plot - Practical, easy-to-play piano reduction - Performance material available for hire BA05843-72 - Full Score, hardback, available for sale BA02281 / Date parution : 2022-07-20/ Répertoire / Solistes, Choeur et Orchestre
57.94 EUR - Sold by LMI-partitions
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Requiem (MOZART WOLFGANG AMADEUS)
[Score]
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Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Full ...
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Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Full Score) This publication offers a source-critical edition of Mozarts fragmentary Requiem as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozarts idiom taking into account historical additions by Süssmayr and Eybler. When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozarts church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the Requiem fragment, is taken into account in those sections requiring completion or fresh composition. At two points readers may choose between alternative movements (or sections), since proceeding from Süssmayrs historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozarts intentions: the Lacrimosa may end with or without Amen fugue, and the Sanctus may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major Hosanna from Süssmayrs autograph, a movement which, until now, has not been appreciated as compositionally flawless. - Scholarly-critical edition of the Requiem fragment - With performance material for presentation of 1) the fragment, 2) a version with completions of the authentic Mozart sections or 3) a full completion consistent with Mozarts musical idiom - Missing sections were completed by drawing from other fragmentary sacred works by Mozart - Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment - Alternative performance options for the Lacrimosa, Sanctus and Benedictus - Straight-forward piano reduction - Extensive foreword (Ger/Eng) on the works history, reception and modern completions, with analytical stylistic critique - Detailed Critical Commentary (Eng), partly available on the Bärenreiter website - Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (Le Disque classique du jour from francemusique.fr and three nominations for Opus Klassik 2021 in the categories Ensemble, Choral Recording and Editorial Achievement) - Full Score (BA11310), Vocal Score (BA11310-90) and performance material (BA11310) available for sale / Date parution : 2022-07-20/ Répertoire / Chur Mixte SATB et Orchestre
80.04 EUR - Sold by LMI-partitions
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Ighigénie en Aulide (GLUCK CHRISTOPH WILLIBALD)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
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Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigénie en Aulide (Vocal Score) Tragedy ...
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Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigénie en Aulide (Vocal Score) Tragedy - Opera in three acts Iphigénie en Aulide is the first of six operas that Gluck composed for the Académie Royale de Musique. In keeping with his plans for operatic reform, he sought to create noble, expressive and natural melodies that did justice to every language and every national spirit while eliminating the ridiculous distinction between national styles of music. Although the première was coolly received at first by the contemporary press, Iphigénie developed into a tremendous success. The onrush of listeners was said to have been so great that the management of the Paris Opéra considered placing guards in front of the theatre. Now Bärenreiter is issuing the carefully revised and corrected vocal score in a new engraving adapted to meet their current standards. - Revised and newly engraved - Detailed foreword (Ger/Fr/Eng) on the works genesis and reception history, together with a summary of the plot - Practical, straight-forward piano reduction - Performance material available for hire (BA5849-72) / Date parution : 2022-07-20/ Répertoire / Solistes, Choeur et Orchestre
90.48 EUR - Sold by LMI-partitions
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Five Moravian Duets (DVORAK ANTONIN)
Choeur SSAA a Cappella
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Par DVORAK ANTONIN. / Date parution : 2022-06-08/ Répertoire / Choeur SSAA a C...
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Par DVORAK ANTONIN. / Date parution : 2022-06-08/ Répertoire / Choeur SSAA a Cappella
13.86 EUR - Sold by LMI-partitions
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Song For St. Cecilia?s Day (HAENDEL GEORG FRIEDRICH)
Soli, Mixted choir and accompaniment
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Par HAENDEL GEORG FRIEDRICH. Handel Song for St Cecilia´s Day (HWV 76) (Vocal S...
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Par HAENDEL GEORG FRIEDRICH. Handel Song for St Cecilia´s Day (HWV 76) (Vocal Score) Following ?Alexander?s Feast? (1736), in 1739 Handel produced a second setting of the ?Ode to St Cecilia? (?Song for St Cecilia?s Day?). At its première it was combined with ?Alexander?s Feast?. Rather than a dramatic plot presentable in the theatre, the Ode, in its seven sections, offers a general hymn of praise to music and its impact. Accordingly, it largely consists of emotion-laden arias and festive orchestration. This edition, based on the Urtext from the ?Halle Handel Edition?, offers the version heard at the first performance ? the version preferred in today?s concert life. The foreword (Ger/Eng) provides many detailed notes on performance practice with regard to orchestration. - Urtext from the ?Halle Handel Edition? - Detailed notes on performance practice in the text section (Ger/Eng) - Straightforward piano reduction - Full Score (BA10722), vocal score (BA10722-90) and parts (BA10722) available for sale / Date parution : 2022-07-20/ Répertoire / Solistes, SATB et Orchestre
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THE TECHNIQUES OF PERCUSSION PLAYING (DIERSTEIN / ROTH / RULAND)
Percussion
[Sheet music]
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Par DIERSTEIN / ROTH / RULAND. / Date parution : 2022-11-08/ Méthode / Percuss...
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Par DIERSTEIN / ROTH / RULAND. / Date parution : 2022-11-08/ Méthode / Percussions
77.72 EUR - Sold by LMI-partitions
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