Mel-Bay

Par VOSS RICHARD. Turlough O'Carolan est né dans le comté de Meath en Irlande en 1670. Il a été formé comme un jeune à jouer de la harpe et tout au long de sa vie composé un grand nombre de chansons. O'Carolan a développé un style personnel, contenant les éléments mélodiques de musique irlandaise de folk, la musique de harpe courtois et la musique baroque italienne. Musique de O'Carolan n'a été publiée au cours de sa vie - donc, diverses versions de ses mélodies ont été prononcées par le biais de la tradition aural. On ne sait pas aussi comment il accompagne ses mélodies. Cette collection présente 39 mélodies préférées de O'Carolan facilement jouables, animés d'accords pour enregistreur alto (treble), avec les accords de guitare ci-dessus les douves. Quatre mélodies originales par Richard Voss inspiré par et dans le style du maître précoce sont inclus. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Solos / Recueil / Flûte à Bec Alto

Par WEISS WILLIAM. enregistreur fine 58 solo arrangements sur international folk songs, classiques et musique d'opéra et de light opera. Un excellent ajout à la bibliothèque musicale de n'importe quel étudiant de l'enregistreur. / Niveau : Débutant à Intermédiaire / Folk - Solos / Recueil / Flûte à Bec Soprano

William Bay and Mike Buerk teach you in a step-by-step manner how to play the Soprano or Descant Recorder.Time signatures sharps and flats and all of the basic notes are taught. In addition you will be able to playalong with many great recorder songs ranging in style from classic to Irish ballads to ragtime to jazz to blues. Learn over 70 Recorder solos.

William Bay teaches you in a step-by-step manner how to play the soprano or descant Recorder. Time signatures sharps and flats and all of the basic notes are taught.In addition you will be able to play alongwith many great recorder songs ranging in style from classic to Irish ballads to ragtime to jazz to blues! Learn over 70 recorder solos! This book is a complete guide to learning to play the Recorder.The online audiorecording features Mike Buerk performing the selections found in the book. Includes access to online audio and video.

Lively Fife Tunes is a collection of 57 spirited fife solos. The selections include reels hornpipes jigs sea chanteys dance tunes and more. These fife solos are ideal for performance or just enjoyment whileplaying the instrument.

Beautifully and colorfully displayed here on durable coated paper in 35 X 24 format is a handy chart for the recorder. Shows two octaves of baroque fingerings beginning at middle-C utilizing a handy key which vividlyrepresents the: Covered Finger Hole; Open Finger Hole Free Finger; and Partially Covered Thumb Hole. A great reference tool for teachers and students alike and a perfect guide for the studio or classroom.

This beginner's method for the alto ('F') recorder presents carefully written examples studies and a wealth of songs to teach important concepts. This method is suited for either individual or classroom instruction. It may beused in class with the companion for the soprano recorder Fun with the Recorder.

This book was conceived to provide the player with tunes well within the comfort range of the recorder and written in manageable keys. The beautiful melodies and spirited dance tunes in this book was carefully selected from theO'Neill and Roche volumes both for their playability and to reflect the spirit of the people of Celtic lands. Guitar chords included.

Christmas Carols-A total of 35 solos for soprano recorder (advanced) or flute (intermediate). Introduction includes hints for performance in school or church use with a sound system fingering chart for recorder high notes and notes regardingspecial techniques such as double tonguing vibrato and recorder glissando. Final pages are a unique section of carol-specific historical notes including Internet addresses. Includes all favorite Christmas carols as well as gemsfrom The Oxford Book of Carols. Ideal for use in church services and Christmas-season concerts or with carolers. These instrumental solos give new meanings to age-old expressions of the Christmas spirit.

The solos in this book are all based on melodies composed by women. They are especially well suited to performance on the soprano recorder and they provide excellent material for developing skills in rapid tonguing extendedbreath-control phrasing and the playing of high notes. Although arranged primarily for soprano recorder most of these solos can be played on tenor or alto recorder. (On the alto use ?C? fingerings.) Three of the world?s mostfamous melodies are here: Mildred Hill?s ?Happy Birthday? (originally ?Good Morning to You?) Euphemia Allens? ?Chopsticks? (originally ?The Celebrated Chop Waltz?) and Effie Corckett?s ?Rock-a-Bye Baby.? Less well knowndelights include Faustina Hodges? ?Because I?m Twenty-Five? and Florence Percy?s ?Fly Away ? as well as Amanda Aldridge?s ?Dance of the Warriors?-and the list goes on and on. A separate flute edition is available.

Americana 1865-These American melodies sound great on a soprano recorder. They also provide excellent material for developing skills in rapid tonguing extended breath-control and the playing of high notes. This collection covers many kinds ofmusic. Millions of Americans grew up singing 'Attisket Atasket' 'Put Your Little Foot' and 'Paddywhack'. Immigrants brought delights like 'First Night in America' and 'My Love Is in America'. John Philip Sousa captured theAmericana of his time in marches for all time such as 'The Fairest of the Fair' 'King Cotton' and 'Boy Scouts of America'. All across the country Americans sang and whistled 'Nine Hundred Miles' 'Gypsy Dave' and 'Pie in theSky'. Although arranged primarily for soprano recorder most of these solos can be played on tenor or alto recorder. (On the alto use 'C' fingerings.) A separate flute edition is available.

for Recorders-The Artistic Directors of the award-winning Terra Nova Consort have been in residence at the Oregon Shakespeare Festival for over ten years. This their first publication contains over 40 arrangements for recorders of RenaissanceEnglish and Scottish Country-Dance music as early as Playford and up to the present. The arrangements in this book were written and performed by Patricia O'Scannell herself an accomplished recorder player in the context of musicbeing set for dances balls and workshops and are an excellent tool for aspiring players. The settings are for two to four recorders allowing for numerous combinations of voicing depending on what the players have at hand andinclude O'Scannell's insightful comments about style and technique. The music may also be played on a variety of other instruments common to the genre and used by aficionados seeking arrangements for Scottish and Englishrepertoire to play with dancers. Written for intermediate through advanced players with some parts appropriate for beginners this collection will appeal to all serious recorder players.

Turlough O'Carolan was born in County Meath Ireland in 1670. He was trained as a youth to play the harp and throughout his life composed a large number of songs. O'Carolan developed a personal style containing melodic elementsof Irish folk music courtly harp music and Italian baroque music. O'Carolan's music was not published during his lifetime; therefore various versions of his melodies have been handed down through the aural tradition. It is alsonot known how he accompanied his melodies. This collection presents 39 favorite O'Carolan melodies in easily playable lively arrangements for alto (treble) recorder with guitar chords above the staves. Included are four originalmelodies by Richard Voss inspired by and in the style of the early master.

American Melodies-These 45 early-American melodies work especially well on the soprano recorder. They provide excellent material for developing skills in rapid tonguing extended breath-control and the playing of high notes. Many of these melodieshave roots in the Old World. For example La Cachucha La Cracovienne and La Smolenska were brought to America by the amazing ballerina Fanny Elssler. (For her White House performance Congress adjourned early!) Although arrangedprimarily for soprano recorder most of the solos can be played on tenor or alto recorder. (On the alto use C fingerings.) A separate flute edition is available.