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Tom Anderson: Whacked on Classics (Collection): Ensemble: Vocal Score
32.50
Tom Anderson: Whacked on Classics (Collection): Ensemble: Vocal Score
Piano, Voix
[Partition + Accès audio]
Hal Leonard
Music of the Masters for Boomwhackers® and Other Instruments. Here is a fun and...
(+)
Music of the Masters for Boomwhackers® and Other Instruments. Here is a fun and creative way to introduce your students to some of the greatest classical hits of all time! Using Boomwhackers xylophones and other classroom instruments students will experience some of the best known pieces from music history! These reproducible instrument parts are easy and user-friendly. The classical melodies can be performed by using the piano arrangements or the enclosed professionally-produced CD for added play-along excitement! All of the arrangements in Whacked on Classics use the C Major Diatonic Scale set of Boomwhackers. Easy-to-follow teaching procedures are also included alongwith reproducible information sheets about each composition and composer.Featured Songs and Composers: Canon (Pachelbel) The Four Seasons/Autumn: Third Movement (Vivaldi) Rondeau (Mouret) Symphony No. 94 (Surprise): Second Movement (Haydn) Fur Elise (Beethoven) William Tell Overture (Rossini) Symphony No. 9 (From the New World): Second Movement (Dvorák) Also Sprach Zarathustra (Strauss). Available: Book/CD Pak. For Gr. 4-8. (Strauss).
32.50 GBP - vendu par Musicroom GB
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Aaron Jay Kernis: Choral Movements from Garden of Light: SATB: Vocal Score
1.99
Aaron Jay Kernis: Choral Movements from Garden of Light: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
-
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Associated
No. 4 - In Search of Hope-In Search Of Hope from Garden of Light (A Millennium S...
(+)
No. 4 - In Search of Hope-In Search Of Hope from Garden of Light (A Millennium Symphony) for soprano mezzo-soprano tenor baritone chorus and orchestra was commissioned for the Third Millennium Celebration by Walt Disney Pictures premiered in October 1999 by the New York Philharmonic conducted by Kurt Masur with the New York Choral Artists and The American Boychoir. Arranged for Soprano Mezzo Soprano Tenor Baritone SATB Choir and Piano accompaniment.Named one of 75 ‘American Masterpieces of Choral Music’ by the National Endowment for the Arts.
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M Gould: Serenade Of Carols: Mixed Choir: Vocal Score
11.50
M Gould: Serenade Of Carols: Mixed Choir: Vocal Score
SATB/PF DUET::SATB, Piano Duet
[Vocal Score]
Schirmer
Morton Gould's Serenade Of Carols for SATB choir with SATB soloists and Orchestr...
(+)
Morton Gould's Serenade Of Carols for SATB choir with SATB soloists and Orchestra. Reduction for Piano 4 hands.Contents:I. We Three Kings The Babe Of Bethlehem Rocking Greensleeves(3:00)II. Boar's Head Carol Patapan Carol of Service (3:00)III. Come Love We God! Coventry Carol The Holly And The Ivy (4:00)IV. Irish Carol God Rest Ye Merry Gentlemen Wassail Song My Dancing Day(3:30)Born in Richmond Hill New York on 10 December 1913 Morton Gould was recognised early on as a child prodigy with the ability to improvise and compose. At the age of six he had his first compositionpublished. He studied at the Institute of Musical Art (now the Juilliard School) but his most important teachers were Abby Whiteside (Piano) and Vincent Jones (composition).Gould enjoyed an illustrious career. Inaddition to gaining a Pulitzer Prize for 'Stringmusic' he was Musical America's 1994 Composer-of-the-Year and recieved a Kennedy Center Honor in recognition of lifetime contributions to American culture.A long-time memberof the American Society of Composers Authors and Publishers Gould was elected president of ASCAP in 1986 a post he held until 1994. In 1986 he was elected to the American Academy and Institute of Arts and Letters. Healso served on the board of the American Symphony Orchestra League and on the National Endowment for the Arts music panel.
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Symphony No. 3: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Wilhelm Hansen
Symphony No. 3 (1972-1975) by Per Nørgård. Per Nørgård's third symphony co...
(+)
Symphony No. 3 (1972-1975) by Per Nørgård. Per Nørgård's third symphony commissioned by The Danish Radio Symphony Orchestra (conductor Herbert Blomstedt) was premiered in Copenhagen in 1976 and received wide attention. The work gives comprehensive expression to a new realm of musical experience which the composer began to explore toward the end of the 1960s. While the first period in Nørgårds production in the 1050s represents his personal interpretation of the Nordic music tradition – evidenced for example in his “Piano Sonata No. 2” (1957) and“Constellations” for chamber orchestra (1958) – and the second period in the 1960s saw him working with serial techniques musical collage and a new sound-palette - especially in the orchestral works “Iris” (196-67) and “Luna” (1967) – with “Voyage into the Golden Screen” (1968) Nørgård arrived at a new compositional technique based on the use of a special form of a so-called “infinity series” a principle of musical motion to be applied to all kinds of scales (chromatic diatonic et cetera). It is characteristic that that Nørgård in the 1970s chose to cultivate diatonic infinity series already evident in the mythological opera “Gilgamesh” (1971-72). Thus the Symphony No. 3 begun directly after the opera combines the infinity series major and minor scales the partial series of natural harmonics and “sub-harmonics” (Nørgårds terminology) with rhythmic patterns based on the Golden Section (the Golden Mean) in a nexus of synchronous yet disparate elements which serve the composers vision of musical coherence.. The works which followed the symphony – the operas “Siddharta” (1975-79) and “The Divine Circus” (1981-82) and Symphony No. 4 (1981) – usher a new
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James MacMillan: Little Mass: Children's Choir: Vocal Score
[Vocal Score]
Boosey and Hawkes
Non-liturgical setting of the Kyrie Sanctus and Agnus Dei from the Latin Mass ...
(+)
Non-liturgical setting of the Kyrie Sanctus and Agnus Dei from the Latin Mass scored for 4-part children?s choir and full orchestra. The composer states that ?each movement is reasonably substantial with much space for the orchestral music to grow and develop [?] a lot of the vocal writing was imagined as an extension and enhancement of the orchestral palette where the young voices are ?smudged? into the orchestral sound in an impressionistic manner.?Little Mass (2014) was commissioned by the Royal Liverpool Philharmonic Society for its 175th Anniversary the Royal Scottish National Orchestra and the Bournemouth Symphony Orchestra. Supported by Sally Mary andJonathan Groves to mark the centenary of Sir Charles Groves in the month he would have celebrated his 100th birthday.Suitable for intermediate standard voices and advanced standard orchestra.
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Charles-Marie Widor: Mass Op. 36: Baritone Voice: Vocal Score
[Vocal Score]
Hamelle
Charles-Marie Widor (1844-1937) composed this Mass Op. 36 in 1878 for the St Su...
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Charles-Marie Widor (1844-1937) composed this Mass Op. 36 in 1878 for the St Sulpice church in Paris. The initial two choirs for which it was composed were comprised of around 200 and 40 voices while the score for this version is for a choir of baritones and an SATB choir. The Organ part requires an advanced-level of ability as it contains some difficult parts. Divided into five sections the entire work has been transposed one half step lower ‘to avoid the awkward key of F sharp major’. These sections are: 1. Kyrie (Moderato – F# minor) 2. Gloria (Vivace – Lento D major 3.Sanctus (Con brio A major) 4. Benedictus ( Piú lento A major) 5. Agnus Dei (Moderato F# major) This really delicate and emotive Mass Op. 36 is a piece that stands out by its majesty. Charles-Marie Widor was a great organist who did not only focus on Organ composition. From orchestra pieces to chamber music he wrote various different compositions including 10 symphonies for Organ some Operas and some Piano Concerti.
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Rachel Portman: Magnificat And Nunc Dimittis: SATB: Vocal Score
4.50
Rachel Portman: Magnificat And Nunc Dimittis: SATB: Vocal Score
Chorale SATB
[Vocal Score]
St Rose Music Publishing
Rachel Portman's Magnificat And Nunc Dimittis for SATB choir and Organ accompan...
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Rachel Portman's Magnificat And Nunc Dimittis for SATB choir and Organ accompaniment. Born in west Sussex England Rachel Portman began composing at age 14 and read music at Oxford University. She gained experience writing music for drama in BBC and Channel 4 films including Mike Leigh's Four Days In July and Jim Henson's Storyteller series.Her extensive film work includes scores for Never Let me Go The Joy Luck Club Benny and June and the Manchurian Candidate. She won an Academy award for her score for Emma and Academy nominations for Chocolat and The Cider House Rules.She has written a musical of LittleHouse on the Prairie as well as an opera of Saint Exupery's The Little Prince for Houston Grand Opera and The Water Diviner a dramatic choral symphony commissioned for the BBC Proms concerts. She was appointed Officer of the Order of the British Empire (OBE) in the 2010 New Year Honours.
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Jouni Kaipainen: Terve Maria: TTBB: Vocal Score
Chorale TTBB
[Vocal Score]
Wilhelm Hansen
Terve Maria for Male Choir (TTBB) by Jouni Kaipainen. From 'Commedia' - Symphony...
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Terve Maria for Male Choir (TTBB) by Jouni Kaipainen. From 'Commedia' - Symphony No.4 Op.93. Text by Dante.
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Per Nørgård Adolph Wolfli: D'Monstrantz Vöögeli: SATB: Vocal Score
Chorale SATB
SATB
[Vocal Score]
Wilhelm Hansen
The Disturbing Duckling-D'Monstrantz Vöögeli (The Disturbing Duckling) by Per ...
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The Disturbing Duckling-D'Monstrantz Vöögeli (The Disturbing Duckling) by Per Nørgård. Work for bird voices (CD) and human voices (12 SATB soloists) with text (sung in German) by Adolf Wölfli (1864-1930). A CD of Bird Song is available separately - use product code KP00830. Text (sung in German): Adolf Wölfli (1864-1930).Programme note:'D´Monstrantz Vöögeli' is the main (and middle) movement of my three-movement choir suite 'The Alarming Duckling' the title of which is borrowed from a painting from 1959 by the Danish artist Asger Jorn apainting which - as this choral piece - is partly based on 'found objects': Asger Jorn painted on top of an idyllic old fashioned landscape painting with a house and trees - and he painted a very disturbing alarming duckling. It may be ugly the duckling but in any case it is most peculiar in its surroundings with spontaneous colorful wide painted feathers standing and looking dreamy beyond a birch in the golden light of the afternoon (a very big duckling indeed!) In 'D´Monstrantz Vöögeli' the dark nightly visions are unfolding with texts by the Swiss schizophrenic artist Adolf Wölfli (1864-1930). His transcending poems prose paintings and ideas inspired me for many compositions in the 1980s i.e. Symphony nr. 4 ('Indischer Roosen-Gaarten und Chinesischer Hexensee' - Hommage a Wölfli') The opera The Divine Circus and a series of choral works. The piece is written for 12 vocal soloists - singing whistling screaming and whispering. In 'D´Monstrantz Vöögeli' - for a choir of humans and birds - many 'found objects' are used: The tape/cd only contributes with unmanufactured birdsong - even though using full half and fourth speed so it is easier to understand and learn from the brilliant birds (especially the fantastic American Musician Wren
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Missa In Angustiis (HAYDN FRANZ JOSEF)
81.90
Missa In Angustiis (HAYDN FRANZ JOSEF)
Chorale SATB
[Partition]
Barenreiter
Hob Xxii 11 Nelson Mass Soft-Cover Score. Par HAYDN FRANZ JOSEF. Haydn's Missa i...
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Hob Xxii 11 Nelson Mass Soft-Cover Score. Par HAYDN FRANZ JOSEF. Haydn's Missa in Angustiis, also known as the 'Nelson Mass', was composed in 1798. It is one of the six great Mass settings that forms the crowning glory of his vocal music along with 'The Creation' and 'The Seasons'. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn./ Répertoire / SATB, Choeur Mixte à 4 Voix et Orchestre
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