Neue Aspekte Der Regerforschung. A publication of the Max Reger Institute. Since the study of Reger is still in its infancy, there is much new territory to discover in Reger-Studien 2 – Neue Aspekte der Regerforschung. Biographical and analytic contributions to various aspects of his works are mixed with a programmatic view of future research, which is in part still incomplete. 'The volume, edited by Susanne Shigihara … presents a highly stimulating cross-section, which is sufficient for studies that are biographical to analytical, historical-philosophical to iconographical. ' [Klaus Ebbeke in the Neue Zeitschrift für Musik, November 1987]/ Répertoire / Divers

Reger, Max (Trad.). a publication of the Max Reger Institute/ Répertoire / Livre

Reger, Max (Trad.). a publication of the Max Reger Institute/ Répertoire / Livre

Reger, Max / Zimmermann, Petra (Trad.). A publication of the Max Reger Institute/ Répertoire / Livre

Beiträge Zur Regerforschung. A publication of the Max Reger Institute/ Répertoire / Divers

Studien An Den Kopfsätzen Der Kammermusikwerke. A publication of the Max Reger Institute/ Répertoire / Divers

2016 marks the first centenary of the death of Max Reger. In addition to his best-known field of creativity - organ music - his choral compositions form another major part of his oeuvre.This edition contains a selection of his sacred a cappella choral works. Their scoring, level of difficulty and length make them ideal for choirs who are wary of tackling the large-scale op. 110 motets. For the first time, the selection of works includes the previously unpublished 'Acht Grabgesänge? (1900). The pieces are arranged in chronological order, culminating in the well-known cycle of 'Acht geistliche Gesänge? op. 138 (1914).Contents- 'Tantum ergo Sacramentum? (1895)- 'Maria Himmelsfreud!? (1899-1900)- 'Acht Grabgesänge? (ca. 1900)- 'Acht Marienlieder? op. 61d (1901)- 'Sechs Trauergesänge? op. 61g (1901)- 'Palmsonntagmorgen? (1902)- 'Vier Kirchengesänge? (1904)- 'Easter motet: Lasset uns den Herren preisen? (1911)- 'Abschiedslied? (1914)- 'Acht geistliche Gesänge? op. 138 (1914)The EditorMichael Chizzali has been a scholarly assistant at the Institute of Musicology in Weimar-Jena (Germany) since 2014. His dissertation on Reger's contemporary, the Tyrolean composer Josef Gasser (1873-1957), was published in Innsbruck in 2014.- All extant sources consulted- Edition for the first centenary of Reger's death- Cross-section of Reger's music for a cappella choir- Foreword (Ger/Eng) and Critical Commentary (Eng) / Choeur Mixte (SATB) A Cappella

Reger, Max (Trad.). a publication of the Max Reger Institute/ Répertoire / Livre

It is little known that alongside his three great sonatas for clarinet and piano, Reger also wrote two charming miniatures for the same instrumentation. At the same time, it was the composer's express desire to reach a wider public with smaller works such as these that were to be published in music journals. Our single edition (taken from the volume of all of Reger's sonatas and pieces HN 909, also edited by Michael Kube) meets this wish today: its effervescent Tarantella and the Albumblatt that is full of nuances provide clarinettists and pianists with an easy introduction to Max Reger's magical world of sound. / Clarinette Et Piano

Reger, Max (Trad.). a publication of the Max Reger Institute/ Répertoire / Livre

Reger, Max (Trad.). a publication of the Max Reger Institute/ Répertoire / Livre

Reger, Max / Wilske, Hermann (Trad.). A publication of the Max Reger Institute/ Répertoire / Divers

Reger, Max (Trad.). a publication of the Max Reger Institute/ Répertoire / Livre

Reger, Max / Wünsch, Christoph (Trad.). A publication of the Max Reger Institute/ Répertoire / Livre

Reger, Max (Trad.). a publication of the Max Reger Institute/ Répertoire / Livre

Reger, Max (Trad.). a publication of the Max Reger Institute/ Répertoire / Livre

Reger, Max (Trad.). a publication of the Max Reger Institute/ Répertoire / Livre

Das Internationale Schriftum Über Max Reger. a publication of the Max Reger Institute/ Répertoire / Livre

Reger, Max (Trad.). a publication of the Max Reger Institute/ Répertoire / Livre

Max Reger composed his Three Suites for Violoncello solo in 1914/15 for three important cellists and teachers of the time: Julius Klengel, Hugo Becker and Paul Grümmer. Klengel was also friends with the composer. Reger humorously told him of his Opus 131c in summer 1915, calling them 'strapping triplets?. He asked the cellist to 'use these three things as often as possible in your lessons?, although they presuppose a great degree of skill on the students' part. For all those who wish to conquer these works in theory, we are now also offering our Urtext edition of the Suites (HN 478) as a study score. / Violoncelle

Reger, Max / Haselböck, Lukas (Trad.). A publication of the Max Reger Institute/ Répertoire / Livre

Reger, Max (Trad.). Reger-Studien - Langue : Allemand/ Répertoire / Divers

Né dans le village de marque dans le Haut-Palatinat, Max Reger (1873 1916) a été enseigné par le célèbre théoricien de la musique Hugo Riemann. Après avoir terminé ses études et travaille en tant qu'interprète et compositeur indépendant à Wiesbaden, il a déménagé à Weiden, en proie à des crises personnelles et, éventuellement, à Munich. Pour mieux se faire connaître sur la scène musicale, il avait certaines de ses oeuvres plus petites insérées dans le magazine d'Musikzeitung Neue. C'est comment son Romanze G-Dur pour violon et piano a été publiée en Novembre 1901, un beau travail occasionnel, idéal pour des leçons de musique ou comme un rappel tranquille après un concert, également dans un arrangement pour alto et piano. / Violon Et Piano / 6 pages / niveau : Intermédiaire / Partition

Né dans le village de feu dans le Haut-Palatinat, Max Reger (1873 1916) a été enseigné par le célèbre théoricien de la musique Hugo Riemann. Après avoir terminé ses études et travaille en tant qu'interprète et compositeur indépendant à Wiesbaden, il a déménagé au pâturage, en proie à des crises personnelles et, éventuellement, à Munich. Pour mieux se faire connaître sur la scène musicale, il avait certaines de ses oeuvres plus petites insérées dans le magazine New Musical Journal. C'est comment son Romance en sol majeur pour violon et piano a été publiée en Novembre 1901, un beau travail occasionnel, idéal pour des leçons de musique ou comme un rappel tranquille après un concert à etc arrangement pour clarinette et piano . / Clarinette En Si Bémol Ou A Et Piano / 6 pages / niveau : Intermédiaire / Partition

Born in the village of Brand in the Upper Palatinate, Max Reger (1873 1916) was taught by the renowned music theoretician Hugo Riemann. After finishing his studies and working as a freelance performer and composer in Wiesbaden, he moved to Weiden, beset by personal crises, and eventually to Munich. To make himself better known in the musical scene, he had some of his smaller works inserted in the magazine Neue Musikzeitung. This is how his Romanze G-Dur for violin and piano was published in November 1901, a beautiful occasional work, ideal for music lessons or as a tranquil encore after a concert, also in an arrangement for viola and piano. / Alto Et Piano / 6 pages / niveau : Intermédiaire / Partition

Né à Brand dans le Haut-Palatinat, Max Reger (1873-1916) fit son apprentissage auprès du théoricien renommé Hugo Riemann. Après la fin de ses études, il travailla quelque temps comme musicien interprète indépendant et compositeur à Wiesbaden - puis il a / Violoncelle Et Piano / 6 pages / niveau : Intermédiaire / Partition

Quellenverzeichnis Und Inhaltsübersichten. series of the Max Reger Institute/ Répertoire / Divers

Fünf Diskurse. A publication of the Max Reger Institute/ Répertoire / Divers

Deutsch-Französiches Kolloquium. A publication of the Max Reger Institute/ Répertoire / Divers