The Fall of Lucifer was commissioned for the Silver Jubilee of the Tilford Bach Festival with funds provided by the Arts Council of Great Britain. The first performance was given on 13 May 1977. This work is a setting of thefirst play of the Chester Mystery Cycle a cycle of 25 plays dating from the late 14th century. Arranged for Solo Bass (Baritone) Countertenor Tenor and mixed voice choir SATB. Includes piano accompanimnet. Duration 26minutes.

For unaccompanied SATB double choir Written in 2000 this piece was joint winner of the New College Oxford Millennium Competition. It is a complex and technically brilliant composition and has been deservedly broadcast several times on BBC Radio 3.

Luminosity is commissioned by the conductor James Jordan of Westminster Choir College for the Westminster Williamson Voices the women of the Westminster Schola Cantorum the Blair AcademySingers (conductor William Hammer) and the black-light dance company Archedream for performance in Philadelphia Cathedral during April 2008. The text compiled and edited by the composer centres on the transcendentbeauty of creation expressed by luminaries down the ages. Texts are taken from the writings of St. John; St. Teresa of Avila; Ryonen; St. Augustine; Julian of Norwich and St. Isaac of Nineveh.

The Missa Brevis B-Flat Major K. 275 (272b) was composed in Salzburg probably sometime before 23 September 1777.It is scored for Soprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Trombone (3) Violin (2) Basses (Double bass Bassoon) Organ.Full score vocal score & performance material (BA5344) are available for sale.

B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 1990-03-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 1990-03-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

2 Solo Sopranos 2 Solo Altos 3 Solo Tenors 2 Solo Basses Mixed Choir and Orchestra-Scholarly-critical Urtext edition orientated towards performance practice.Detailed critical commentary (Eng) in the full score.Movements 10 13 and 14 are included in their original high clef in the appendix of the full score.These movements are also available with Piano reduction as print-on-demand.Claudio Monteverdi?s ?Vespro della Beata Vergine? is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings it is frequently performed in its entirety or in parts. The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas under thedirection of the Monteverdi specialist Hendrik Schulze.The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has led for instance to a divergent evaluation of the ?Lauda Jerusalem? oriented towards performance practice with numerous additional accidentals and a new interpretation of the melodic variants from the different part books.These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible.Full score & performance material available for sale.

Lobet Gott in seinen Reichen-Piano Reduction for Soloists: SATB – Choir: SATB.Piano Reduction for Bach BWV 11 Ascension Day Oratorio 'Praise our God in all His spelndour' for SATB solo and chorus

B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2005-06-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

nach Worten der Heiligen Schrift-Since its first complete performance in 1868 in the Cathedral of Bremen Brahms's Ein deutsches Requiem is without question one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther’s translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir the voice of the community in the center of this interdenominational celebration of the dead.

Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The first edition of a Missa in F by Giovanni Platti [ca. 1690–1763] is a rarity. Platti served at the Court of the Counts of Schönborn-Wiesentheid, and during his more than 40 years of service at the Court he worked for more than five masters and each of them knew how to make use of his musical abilities. Thus, in addition to his position as a virtuoso oboist, singer and violinist, he was also entrusted with the musical education of musicians. The Missa in F major is primarily a composition for choir; it is very singable, its construction is transparent and it is accompanied by only four strings and an organ. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas

Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The first edition of a Missa in F by Giovanni Platti [ca. 1690–1763] is a rarity. Platti served at the Court of the Counts of Schönborn-Wiesentheid, and during his more than 40 years of service at the Court he worked for more than five masters and each of them knew how to make use of his musical abilities. Thus, in addition to his position as a virtuoso oboist, singer and violinist, he was also entrusted with the musical education of musicians. The Missa in F major is primarily a composition for choir; it is very singable, its construction is transparent and it is accompanied by only four strings and an organ. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas

Schmücke Dich O Liebe Seele-Piano score for Cantata 180 'Soul array thyself with gladness' BWV 180 for SATB solo SATB choir and Orchestra.

Schubert's Mass No.2 in G D167 for SATB choir and Piano accompaniment.Franz Schubert composed his ?Mass No. 2 in G major? in less than a week (March 2 to 7 1815). Schubert was an Austrian composer who was extremely prolific during his lifetime ? despite dying at 31 his output consists of over six hundred secular Vocal works (mainly Lieder) seven complete symphonies sacred music operas incidental music and a large body of chamber and Piano music. Schubert is ranked among the greatest composers of the late Classical era and early Romantic era and is one of the mostfrequently performed composers of the early nineteenth century.

Julian Marshall's The Angel In The Forest for solo Tenor ATB choir and six cellos.The Angel in the Forest was premiered in St James's Church Piccadily in January 2010 by James Gilchrist (tenor) a cello sextet led by Sophie Harris and the Schoolhouse 6 Ensemble conducted by Ian Belton.