The Te Deum H 148 is the last of the six settings of this text by Marc-Antoine Charpentier (1643–1704) whose death is now being commemorated three centuries later.Unlike the better known and relatively lavish Te Deum of the “Eurovision Fanfare” (H 146) this version reduces the ensemble to four-voice chorus and basso continuo. Thanks to its relatively simple fabric it is thus ideally suited for church choirs and small amateur ensembles.Despite its reduced forces this Te Deum proves to be an impressive work of great effect in performance.- Urtext based on the latest scholarly research-Straightforward continuo- Four-voice chorus (SATB) without vocal soloists- Duration: approx. 6 minutes- Separate organ part available (BA7591-67)

From Psalm 28-Light and celebratory this joyous anthem uses rhythmic ostinato-like vocal lines to support the melodic theme. A sustained middle section provides contrast capturing the majesty and mystery of God. The time signature changes and interesting harmonic writing make this a good challenge for more advanced choirs.

Following on the success of her two operatic works for children and teens - Douce et Barbe Bleue, Les Fables Enchantées, Little Thummie and Cendrillon (based on Perrault), as well as the adaptation of Maupassant's short story The Dumpling (2014) - Isabelle Aboulker once again hits the bull's eye with Myla And The Boat-Tree, a commission from the Villecroze Music Academy. In 2015, this musical tale for Narrator, Children's Choir and Instrumental Accompaniment, was awarded the 'Music for Young Performers Prize? by the French Music Publishers Association. Both in the French version and Marci Meth's excellent English translation, it provides the material for an enthralling educational adventure in which children between the ages of five and eight are invited into their first experience of opera and choir singing.With her trademark finesse and sensitivity, the composer tells the story of a little girl dealing with the death of a person she'd cherished above all: her grandfather. Written for choir in unison, this tale wafts shimmering melodies over an instrumental accompaniment suffused in turn with gentle melancholy and light humour. An art that speaks from an open heart.The work was written in three versions:for Narrator, Children's Choir and Piano (AL30732)for Narrator, Children's Choir and Trio (Clarinet in Bb, Cello and Piano: AL30733)for Narrator, Children's Choir and instrumental ensemble (Flute, Oboe, Clarinet in Bb, Bassoon, Horn, Trumpet in C, Trombone, Percussion, 2 Violins, Alto, Cello, Bass: AL30734)Choral score: AL30743 / Choeur A L'Unison Et Trio

CANTIONES PROFANAE INSTRUMENTATION : SOLO PARTS (STBAR), MIXED CHOIR (SATB), CHILDREN'S CHOIR, 2 PIANOS AND PERCUSSION VERSION : SEPARATE PART DATE DE PARUTION : 01/01/1986 NOMBRE DE PAGES : 43 LANGUE : LATIN - MIDDLE HIGH GERMAN - OLD FRENCH

Spring CarolInstrument : children's choir (women's choir) (SS) and harp (piano)Type : choral scoreNombre de Pages : 4

Piano score for mixed choir solo voice and piano. Soli: SATB – Choir: SATB

Piano scores for mixed choir solo voice and piano. Soli: STB – Choir: SATB

For SSAA Choir with Soloists Vibraphone and Electric Bass Guitar-Written for SSAA choir with soloists vibraphone and bass guitar.

Composed for the Reykjavik Cathedral Choir's Solo Dei Gloria festival in 2004 Advent Antiphous is an exquisite concert setting of the Great O Antiphons. Traditionally chanted or sung between 17th and 23rd December the Antiphons comprise seven brief prayers which proceed in sequence charting events from before Creation through to the birth of Christ.For SATB double choir a capella.

Piano scores for mixed choir solo voice and piano. Soli: ATB – Choir: SATB

Piano score for mixed choir solo voice and piano. Soli: SATB – Choir: SATB

Mozart's Vesperae solennes de Confessore for SATB.contents: Dixit Dominus (Ps 109) in C major. Confitebor (Ps 110) in E flat major Beatus vir (Ps 111) in G major Laudate pueri (Ps 112) in D minor Laudate Dominum (Ps 116) in F major Magnificat in C major The present new critical editon of the 'Vesperae solennes de Confessore' KV 339 edited by Wolfgang Horn is the first edition since the publication of the ?old? Complete Edition from 1880 to be based on Mozart?s autograph score. It was thought to have been lost after the second world war but for the past several years it is again accessible through the Biblioteka Jagiellonska in Kraków. This work is now availablein carus music the choir app!