In 2004 the number one album Come Away with Me established Norah Jones as one of the year's top performers her smooth jazz stylings and velvet voice topping the charts and winning admirers. Her former choir director Paris Rutherford has tastefully arranged this top single in a vocal jazz setting for SATB mixed choir. Ideal to add some delicate contemporary swing to any choral performance!

Par CHILCOTT BOB. for SATB and piano, with optional bass and drum kit This dynamic collection presents four jazzy settings of favourite madrigals by Thomas Morley, John Bennet, and Orlando Gibbons. The stylistic piano part may be played as written or serve as a guide, and a bass and drum kit part is available separately for trio accompaniment. / Date parution : 2022-07-23/ Répertoire / Ch?ur Mixte SATB et Piano, avec Basse et Batterie

Three jazz hymns. These jazz arrangements of well-known hymns were written for Andrew Earis and choirs of St Martin-in-the-Fields, London for various services and BBC broadcasts from that church. The setting of Come down, O Love divine supplies some new harmonic moves to Vaughan Williams? lovely tune Down Ampney, gradually adding vocal harmony through the verses, with a short descant section in the final verse. The compound-time arrangement of God is Love, which can also be sung to the supplied words of Charles Wesley?s hymn Love Divine, again adds more of Todd?s iconic jazz harmonies and textures in the vocal parts with each successive verse. The setting of Let all mortal flesh keep silence is structured to gradually build layers over the moody piano chords and the pedal harmony. At the end the music builds to a large climax for ?Lord most high?. The hymns can be performed using the supplied piano part or using the chord symbols above. Double bass may also be used in addition to piano, again following the supplied chord symbols, and parts for optional jazz ensemble are available. Performers of these hymns should feel free to include the congregation or audience in imaginative ways.

De nombreuses chorales, ' Classic répond Jazz ', c'est un thème bienvenu, surtout si un choeur veut apprendre et répéter un répertoire stylistique de grande envergure. Ces arrangements qui reposent sur les oeuvres de Schubert (sérénade ' Leise flehen meine Lieder '), Brahms / Choeur Mixte (SATB) Avec Piano

Here is the quintessential jazz classic by Josef Zawinul with lyrics by the incomparable Jon Hendricks in a funky fusion setting by noted arranger Paris Rutherford. A perfect showcase for vocal jazz groups!

Will Todd’s Jazz Missa Brevis gives new life to the sung Latin Mass texts in an accessible short setting which embraces a variety of jazz styles from the swinging jazz waltz Kyrie to the up-beat Latin-groove Gloria. The smooth jazz ballad Sanctus 7/8 Benedictus and soulful Agnus Dei complete this inspiring Mass setting. Underpinned by Todd’s characteristic jazz harmonies and melodic craftsmanship it is suitable for performance both liturgically and as part of a concert by Mixed Choirs of all abilities. The work can be accompanied by Piano alone (as written or extemporised) Jazz Trio (Piano Bass and Drums)or jazz ensemble (Alto Saxophone 2 Trumpets and jazz trio – parts available separately).

Jazz classics for SATB choir with piano accompaniment. Suitable for Secondary School choirs. Includes Satin Doll and Dream A Little Dream. Arranged by Berty Rice.

Bart Howard's Fly Me To The Moon (In Other Words) is a great jazz standard and has been recorded by Tony Bennett and many others. The Latin groove setting is great for developing style diction and ensemble skills making this superb arrangement one not to miss!Available here is the great jazz standard for SATB Choir with Piano accompaniment as arranged by Kirby Shaw.

From the pen of one of the founding fathers of bebop comes this fun medium swing tune. A challenging arrangement but well worth the effort! Available for SATB IPak(R) and ShowTrax CD. Performance Time: Approx. 4:00.

Beyond The Sea is a swingin' pop standard by Charles Trenet and Jack Lawrence that starts quietly with unison vocals and a walking bass line then builds to a sensational finish! Arranged for SATB by Kirby Shaw.

Show off your vocal jazz technique with this vintage jazz ballad that shimmers with style! Earle Hagen's Harlem Nocturne is perfect for showing off a special soloist. Arranged here for SATB choir by Michele Weir. Performance Time: Approx. 5:15.

The rich piano accompaniment beautifully supports the warm vocal harmonies in this setting reminiscent of the classic Frank Sinatra version. Arranged for SATB by Mac Huff.

The chart-topping hit by singing sensation Michael Bublé has been arranged as a silky-smooth jazz ballad for SATB chorus by Mac Huff with full Piano accompaniment.

Slow Down. for SATB and piano Slow Down has a relaxed swing feel, with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The vocal lines explore a swung quaver style, along with scat syllables and jazzy harmonies, all underpinned by a supportive yet characterful piano part.