This short cantata set in a jazz idiom makes an ideal end-of-term concert which should be performed strictly for fun! Scored for unison voices with up to four short solos piano accompaniment plus guitar chords. The chorus gives enthusiastic youngsters the opportunity to growl as the lions in the den and click fingers to the blues! The now famous series of Novello pop cantatas originated from this well-known work. Words by Vachel Lindsay.

A selection of 5 Jazz classics skilfully arranged for SSA Choir with Piano accompaniment by Berty Rice as part of The Novello Youth Chorals series. Suitable for Secondary School choirs. Includes Fever and Lullaby Of Birdland.

The feel-good classic What a Wonderful World was first recorded by Louis Armstrong in 1968. His version was later inducted into the Grammy Hall of Fame. This arrangement includes that original sentimental vibe but also adds a re-harmonized section for a unique jazz feel. This fine twist on a beautiful classic will not disappoint.

A free-and-easy style of performance is appropriate for this extremely popular cantata-musical about Jonah and the whale. The score is for unison voices narrator and piano (with chord symbols). There are opportunities for a suitable group of jazz instrumentalists to use the piano score as the basis for improvisation and there's even hand clapping and finger clicking for the singers!

for SATB, piano, and optional bass and drum kit ad lib. A highly original and effective concert setting of the Latin Missa brevis in which the various movements embrace a variety of jazz styles. The characterful piano accompaniment can be played as written or serve as a guide, and bass and drums can join in ad lib. / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / OXFORD UNIVERSITY PRESS

High Voice with Recorded Piano Accompaniments Online. The Singer's Jazz Anthology is an exciting series that provides aspiring jazz vocalists and pianists with staples of the jazz repertoire. The singer's portion, matching the original sheet music, is paired with fresh, unique accompaniments arranged in an authentic jazz style and designed to enable the singer to sound like they're being backed by an accomplished jazz pianist. The accompaniments can be performed as written but include chord labels for pianists who are comfortable playing their own chord voicings. The included audio ' recordings of the printed accompaniments, performed by the series arranger, Brent Edstrom ' can be used by the vocalist in rehearsal or in performance./ Recueil / Voix Haute et Accompagnement de Piano en ligne

17 Jazz Classics. Listen to a demo of Jamey Aebersold playing "Body and Soul". All Levels. NOTE: This play-a-long no longer includes CDs. They have been replaced by downloadable online tracks. A large selection of famous standards that will have every musician rushing home from work to play. This set of 17 familiar classics will inspire you to play your best, increase your song list, and equip yourself for any musical situation. Rhythm Section: Dan Haerle (p), John Goldsby (b), Ed Soph (d).

Three jazz hymns. These jazz arrangements of well-known hymns were written for Andrew Earis and choirs of St Martin-in-the-Fields, London for various services and BBC broadcasts from that church. The setting of Come down, O Love divine supplies some new harmonic moves to Vaughan Williams? lovely tune Down Ampney, gradually adding vocal harmony through the verses, with a short descant section in the final verse. The compound-time arrangement of God is Love, which can also be sung to the supplied words of Charles Wesley?s hymn Love Divine, again adds more of Todd?s iconic jazz harmonies and textures in the vocal parts with each successive verse. The setting of Let all mortal flesh keep silence is structured to gradually build layers over the moody piano chords and the pedal harmony. At the end the music builds to a large climax for ?Lord most high?. The hymns can be performed using the supplied piano part or using the chord symbols above. Double bass may also be used in addition to piano, again following the supplied chord symbols, and parts for optional jazz ensemble are available. Performers of these hymns should feel free to include the congregation or audience in imaginative ways.