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| Violin - Concerto Orchestra, Violin SATB, Orchestra Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340). ISBN 9788480207591. English comments: My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author
Comentarios del Espanol: A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor. $42.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Celtic Classics Orchestra, Violin - Intermediate Amstel Music
For Wind Orchestra and opt. Solo Fiddle. Composed by Johan De Meij. Amste...(+)
For Wind Orchestra and opt. Solo Fiddle. Composed by Johan De Meij. Amstel Music. Irish, Folk. Softcover. 46 pages. Amstel Music #AM143-140. Published by Amstel Music (HL.4005098).
$35.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Vittorio Monti : Czardas Orchestra, Violin [Score and Parts] - Intermediate Baton Music
By Vittorio Monti (1868-1922). Arranged by Marco Tamanini. For violin and concer...(+)
By Vittorio Monti (1868-1922). Arranged by Marco Tamanini. For violin and concert band. Baton Music Instrumental Series. For Violin and Orchestra. Grade 3. Full score and parts. Duration 5:00. Published by Baton Music
$156.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| A Musical Buffet Of All-Time Favorites - Violin Orchestra, Violin [Sheet music] - Intermediate Kjos Music Company
By James McLeod. Orchestra Method/Study. Musical Buffet of All Time Favorites. L...(+)
By James McLeod. Orchestra Method/Study. Musical Buffet of All Time Favorites. Level: Grade 3. Music Book. Published by Neil A. Kjos Music Company.
$5.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Zigeunerweisen Orchestra, Violin [Score and Parts] - Intermediate Baton Music
Composed by Pablo de Sarasate (1844-1908). Arranged by Andreas van Zoelen. For V...(+)
Composed by Pablo de Sarasate (1844-1908). Arranged by Andreas van Zoelen. For Violin and Concert Band. Grade 3. Full score and set of parts. Duration 9:00. Published by Baton Music
$189.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Bolero y Tres piezas de concierto para violin y orquesta Orchestra, Violin SATB, Orchestra Editorial de Musica Boileau
Violin and orchestra SKU: BO.ICCMU329 Composed by Enrique Fdez. Arbos. Ot...(+)
Violin and orchestra SKU: BO.ICCMU329 Composed by Enrique Fdez. Arbos. Other Materials. ICCMU. Published by Editorial de Musica Boileau (BO.ICCMU329). $40.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Philip Glass: Violin Concerto Orchestra, Violin Dunvagen Music Publishers
Composed by Philip Glass (1937-). Music Sales America. Contemporary Music. Score...(+)
Composed by Philip Glass (1937-). Music Sales America. Contemporary Music. Score Only. 156 pages. Dunvagen Music Publishers #MUSDU10032. Published by Dunvagen Music Publishers
$75.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Gyorgy Kurtag : ...concertante...Op. 42 (2003) Orchestra, Violin [Score] EMB (Editio Musica Budapest)
Full Score. By Gyorgy Kurtag. EMB. Size 11.5x16.5 inches. 54 pages. Published by...(+)
Full Score. By Gyorgy Kurtag. EMB. Size 11.5x16.5 inches. 54 pages. Published by Editio Musica Budapest.
$111.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Meditation Orchestra, Violin [Score] - Intermediate Baton Music
By Jules Massenet (1842-1912). Arranged by Marco Tamanini. For violin and concer...(+)
By Jules Massenet (1842-1912). Arranged by Marco Tamanini. For violin and concert band. Baton Music Instrumental Series. From the Opera Thais. Grade 3. Score. Duration 4:30. Published by Baton Music
$29.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Primo Encores-violin Orchestra, Violin [Sheet music] - Easy Kjos Music Company
By Robert Frost. Orchestra Method/Study. Primo Encores. Individual Methods and S...(+)
By Robert Frost. Orchestra Method/Study. Primo Encores. Individual Methods and Studies. Level: Grade 2.5. Music Book. Published by Neil A. Kjos Music Company.
$5.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Introduction and Rondo Capriccioso Orchestra, Violin Baton Music
(for Violin). Composed by Camille Saint-Saens (1835-1921). Arranged by Jos van d...(+)
(for Violin). Composed by Camille Saint-Saens (1835-1921). Arranged by Jos van de Braak. For Violin and Concert Band. Grade 4. Full score and set of parts. Duration 9:00. Published by Baton Music
$189.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| String Orchestra Classics Book I - Violin II |orchestra|violin| [Part] Fatrock Ink Music Publishers
By Francois Couperin / Peter Ilyich Tchaikovsky. Arranged by Diana Steiner. For ...(+)
By Francois Couperin / Peter Ilyich Tchaikovsky. Arranged by Diana Steiner. For Violin 2. Bowed String Students, Solo & Orchestra. Simplified classics. Classical. Level: 1st position. Part. Published by Fatrock Ink Music Publishers.
$1.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Orchestra Classics Book I - Violin I |orchestra|violin| [Part] Fatrock Ink Music Publishers
By Francois Couperin / Peter Ilyich Tchaikovsky. Arranged by Diana Steiner. For ...(+)
By Francois Couperin / Peter Ilyich Tchaikovsky. Arranged by Diana Steiner. For Violin 1. Bowed String Students, Solo & Orchestra. Simplified classics. Classical. Level: 1st position. Part. Published by Fatrock Ink Music Publishers.
$1.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Violin Concerto in E minor Op. 64 MWV O 14 Orchestra, Violin Breitkopf & Härtel
Violin, orchestra Urtext based on the Leipzig Mendelssohn Complete Edition. Co...(+)
Violin, orchestra
Urtext based on the Leipzig
Mendelssohn Complete Edition.
Composed by Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Birgit Muller.
Breitkopf and Haertel #OB
5645-27. Published by
Breitkopf and Haertel
$10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violin Concerto in E minor Op. 64 MWV O 14 Orchestra, Violin Breitkopf & Härtel
Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Ba...(+)
Urtext based on the Leipzig
Mendelssohn Complete Edition.
Composed by Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Birgit Muller.
Score. Breitkopf and Haertel
#PB 5645. Published by
Breitkopf and Haerte
$74.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violin Concerto Orchestra, Violin [Study Score / Miniature] Schott
Orchestra; Violin (Study Score) SKU: HL.49045166 Study Score. Comp...(+)
Orchestra; Violin (Study Score) SKU: HL.49045166 Study Score. Composed by Ryan Wigglesworth. This edition: Saddle stitching. Sheet music. String. Classical. Softcover. Composed 2011. 72 pages. Duration 16'. Schott Music #ED13695. Published by Schott Music (HL.49045166). ISBN 9790220135002. UPC: 888680724214. 8.25x11.75x0.276 inches. Violin Concerto is scored for a Classical-sized orchestra, with the addition of a harp and celeste, and lasts around 17 minutes. Although the work sets out to explore the lyrical characteristics of the solo instrument, it is only gradually that the violin finds its full, lyric voice, and thence, as the work progresses, a more dominant role. This, in one sense, is the 'journey' of the piece. The work's straightforward formal scheme consists of three movements (roughly fast-slow-fast) framed by a reflective introduction and epilogue. However, these formal divisions exist within a single, unbroken arc. Such an overall symmetrical shape places the slow Arioso (itself divided into three subsections) at the midpoint, sandwiched between the two Allegro movements. The dramaturgy of the piece centers on a twofold search. First there is the ongoing pursuit to recapture the simple melodic material stated by the solo violin - accompanied by thar harp's bass register - during the opening bars. Whilst aspects of this melody are invoked frequently throughout (especially in the violin cadenza which closes the Arioso movement), it is only with the final and most important climax of the work that the melody appears again in its complete form, now accompanied by violent, orchestral stabs. The second search is for a tonal resting place, the arrival of which is delayed until the close of the epilogue. The original version of the Violin Concerto, commissioned by the Netherlands Chamber Orchestra, was premiered in Amsterdam in February 2012 with Gordan Nikolic as soloist. The present, revised version was created for Barnabas Kelemen and the Halle. $43.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Violin Concerto Orchestra, Violin [Study Score / Miniature] Oxford University Press
Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For violin ...(+)
Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For violin and orchestra (solo violin, 2 flutes, 2 oboes, 2 clarinets in A, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, percussion, harp, strings). William Walton Edition. Pieces and Studies. Level D (difficult). Study score. 184 pages. Duration 30'. Published by Oxford University Press
$37.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto For Violin And Orchestra In D Major Op61 Score Orchestra, Violin SATB, Orchestra EMB (Editio Musica Budapest)
Violin and Orchestra SKU: HL.50485236 Composed by Ludwig van Beethoven. C...(+)
Violin and Orchestra SKU: HL.50485236 Composed by Ludwig van Beethoven. Classic. EMB. Solo & Concerto. Book [Softcover]. Op. 61. Editio Musica Budapest #Z40060. Published by Editio Musica Budapest (HL.50485236). ISBN 9790080400609. A/5 (14,2x20) inches. Gabor Darvas. Though some themes of the D major Violin Concerto appear fragmentarily among Beethoven's earlier drafts, the score received its final shape - according to the autograph manuscript - in 1806 only. The first performance took place on December 23 of the same year in Vienna, the violon solo was played by Franz Clement. The concerto met with a rather cold reception: this critic of the Wiener Theaterzeitung admitted 'some beauty' in it but for the rest he found that '...the coherence often seems totally broken and the endless repetitions of some commonplace sections can easily become tedious.' The performance may have not been totally satisfying, it is certainly surprising that the setof parts published in 1808 is dedicated to Stephan von Breuning instead of Clement. It is not impossible that Beethoven lost faith in the value and future of his work, too, - his later attempt to change it into a piano concerto can be interpreted in this way. $10.45 - See more - Buy online | | |
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| Philip Glass: Violin
Concerto: Violin: Score Orchestra, Violin [Sheet music] - Intermediate/advanced Dunvagen Music Publishers
This concerto is dedicated to Dennis Russell Davies and Paul Zukofzky who prese...(+)
This concerto is dedicated to Dennis Russell Davies and Paul Zukofzky who presented the first performance. The orchestral accompaniment consists of two flutes (one doubling as piccolo) two oboes E-flat clarinet two clarinetsand bass clarinet two bassoons four horns three trumpets three trombones tuba timpani percussion (snare drum bass drum triangle cymbal woodblock) harp and strings.Presented here in full score.
54.99 GBP - Sold by Musicroom UK | |
| Joachim Joseph - Fantasy
On Hungarian Themes
(1850) / Fantasy On Irish
(scottish) Themes (1852)
- Vi Orchestra, Violin Barenreiter
Joachim, Joseph Fantasy on Hungarian Themes (1850), Fantasy on Irish [Scottish] ...(+)
Joachim, Joseph Fantasy on Hungarian Themes (1850), Fantasy on Irish [Scottish] Themes (1852) for Violin and Orchestra Edition no. BA 7898-90 ISMN 9790006566020 Joseph Joachim?s ?Fantasies on Hungarian and Irish [Scottish] Themes? was his first virtuoso music for the violin with orchestral accompaniment. Joachim was intent on creating popular works, not least at the urging of his family, but they also bore witness to his urbanity: the young Jewish-Hungarian musician spent many summers in England and its familiar, Irish melodies held great appeal for English audiences. Performances of the ?Fantasy on Hungarian Themes? in German cities met his need for self-display as the ?Hungarian lad?, to use Mendelssohn?s jocular epithet. Joachim was well aware that the style hongrois was all the rage in European capitals.
37.00 EUR - Sold by Woodbrass Pre-shipment lead time: In Stock | |
| Theme And Variation On
Volver Orchestra, Violin Advance Music
Volver was originally composed by the man whose name is more closely associated ...(+)
Volver was originally composed by the man whose name is more closely associated than any other with the tango genre, singer/composer Carlos Gardel (1887/1890 - 1935). His birthplace and birthdate are both uncertain and are fiercely debated between France and Uruguay, but he grew up in the Abasto section of Buenos Aires and subsequently became an Argentine citizen. He introduced tangos into his repertoire in 1917, and during his career he composed some of the best-loved of them such as Soledad, Por Una Cabeza, El Dia Que Me Quieras, and, of course, Volver. As a singer he interpreted and recorded literally hundreds of tangos, and he enjoyed enormous world-wide popularity. Gardel died tragically in an airplane accident in Medellín, Colombia, in 1935, a death that plunged all of Latin America into deep mourning. The present author has attempted to modernize Volver by giving it a kind of Afro-Cuban rhythmic structure in its 6/8 time scheme, and he has provided a significant technical and musical challenge to the soloist. / Violon Et Orchestre A Cordes
24.36 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Jonathan Harvey: Scena:
Orchestra Orchestra, Violin Faber Music Limited
Scena is a quasi-operatic scene either for singer and ensemble or for a singer-l...(+)
Scena is a quasi-operatic scene either for singer and ensemble or for a singer-like solo instrument and ensemble. In this case of the latter the solo Violin proceeds through several dramatic events roughly signaled in the score as Lament Mystical Event (the arrival of woodwind) Romantic Event Dream (slow tremolando swells) and Metamorphosis (which takes and transforms a melody).
30.00 GBP - Sold by Musicroom UK | |
| Peter Maxwell Davies: A
Spell For Green Corn -
The MacDonald Dances:
Violin: Orchestra, Violin [Sheet music] Chester
A work for solo violin and orchestra commissioned by Donald McDonald for the 21...(+)
A work for solo violin and orchestra commissioned by Donald McDonald for the 21st birthday of the Scottish Chamber Orchestra and the 60th birthday of the composer. It was first performed in November 1993 in Glasgow by JamesClark and the Scottish Chamber Orchestra conducted by Maxwell Davies.The spell is one quoted by George Mackay Brown in his book An Orkney Tapestry: 'Let not plough be put to acre except a fiddle cross first the furrow.'Davies's dancing concerto imagines the fiddler following a route from field to field from dance to dance accompanied by a bunch of companions in the form of an orchestra. As the music goes on so it gets brighter and livelier moving from the dark colouring of clarinets bassoons and strings to full ensemble with prominent brass and (solo) tuned percussion as if the dancers as much as the fields were beginning to glow with new life.Score(miniature). Duration c. 20mins.
22.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Haflidi Hallgrímsson:
Poemi For Violin And
String Orchestra (Full
Score): Orchestra, Violin [Sheet music] Chester
Poemi is based on three allegorical paintings by Marc Chagall each of which is ...(+)
Poemi is based on three allegorical paintings by Marc Chagall each of which is a masterly depiction of a well-known text the Old Testament: The Dream of Jacob The Sacrifice of Isaac and Jacob in Combat with the Angel. Hallgrimsson's intention in writing the work was to compose a virtuoso piece for violin and string orchestra which would recreate in music the poetic essence of Chagall’s paintings.The soloist is at the centre of the ‘musicalstage’ throughout with the orchestra providing a constantly changing ‘scenery’. The music progresses from the tranquillity of the Dream in the first movement through the drama of the Sacrifice in the second to the fast andtense Combat with the Angel which forms the final movement.'Poemi' was awarded the Nordic Council Prize in March 1986.
19.99 GBP - Sold by Musicroom UK | |
| Anders Hillborg: Violin
Concerto No.1: Orchestra:
Score Orchestra, Violin Faber Music Limited
Full Score-Hillborg’s first Violin Concerto composed in the early 90s i...(+)
Full Score-Hillborg’s first Violin Concerto composed in the early 90s is a pivotal work in his oeuvre. Composed in the wake of his highly experimental Clang & Fury and Celestial Mechanics both of which employ complex and unconventional tuning systems the concerto displays a more pragmatic approach though the drama it sets up is far from conventional with a very fluid soloist-orchestra relationship. Esteemed conductor and composer Esa-Pekka Salonen who has recorded the concerto in 2002 has described it as one Hillborg’s best pieces.
35.00 GBP - Sold by Musicroom UK | |
| Deutsche Gesangstraktate
Des 17. Jahrhunderts Orchestra, Violin [Sheet music] Barenreiter
Daniel Friderici, Johann Andreas Herbst, Johann Crüger. / Recueil / Violon et O...(+)
Daniel Friderici, Johann Andreas Herbst, Johann Crüger. / Recueil / Violon et Orchestre
58.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Camille Saint-saens
Danse Macabre And
Havanise Orch - Violin Orchestra, Violin [Sheet music] Kevin Mayhew
Description Two of Saint-Saens most popular works appear together in this aff...(+)
Description Two of Saint-Saens most popular works appear together in this affordable volume. First composed in a song form Danse Macabre was later rewritten as a symphonic poem. It is important to remember that risque music was considered more daring and controversial than today and audiences at its 1875 debut were resistant to its unconventional charms, but it eventually became a crowd pleaser. Havanaise is among the most challenging of violin and orchestra pieces, but a standard showpiece in the repertoire of every serious violinist. Based on the Cuban dance, Habanera, the 1887 work features a languid mood, highlighted by bursts of virtuoso activity. This volume contains the full score for violin and orchestra of both these magnificent pieces.
15.90 EUR - Sold by Woodbrass Pre-shipment lead time: In Stock | |
| Oliver Knussen: Violin
Concerto: Orchestra:
Study Score Orchestra, Violin Faber Music Limited
The study score for Knussen's Violin Concerto Op.30 composed in 2002 by commiss...(+)
The study score for Knussen's Violin Concerto Op.30 composed in 2002 by commission from the Pittsburgh Symphony Orchestra. The piece was first performed by Pinchas Zukerman with the Pittsburgh Symphony Orchestra at Heinz Hall Pittsburgh in April 2002.
30.00 GBP - Sold by Musicroom UK | |
| Peter Maxwell Davies:
Concerto For Violin And
Orchestra: Violin:
Miniature Score Orchestra, Violin [Sheet music] Chester
This work was commissioned by the Royal Philharmonic Orchestra to celebrate its ...(+)
This work was commissioned by the Royal Philharmonic Orchestra to celebrate its 40th birthday. The first performance took place in June 1986 at St. Magnus' Cathedral Kirkwall as part of the tenth St. Magnus Festival.Writtenfor and first performed by Isaac Stern Davies's Violin Concerto brings together two streams in his music: symphonism and folk-fiddling. In its strongly developed substance it asks to be measured in the company of Beethoven Brahms and Sibelius while there is also particularly in the middle movement a strong element of the Scots lament. The orchestra is generally muted in colour though there is a dramatic role for the timpanist.There are threemovements played without a break - this is only one of many connections with the Mendelssohn Violin Concerto.Duration c. 30mins.
21.99 GBP - Sold by Musicroom UK | |
| Ludwig van Beethoven:
Romances In F And G For
Violin And Orchestra:
Violin: Orchestra, Violin Barenreiter
Beethoven's 'Romances' are performed all over the world yet how many conductors...(+)
Beethoven's 'Romances' are performed all over the world yet how many conductors performers and listeners are aware that op. 50 which was incidentally composed before op. 40 comes down to us in an unfinished form? The autograph score contains little to no articulation or dynamics and to the present day the work has existed only in highly over-edited publications. The performer has no way of knowing what was originally intended by the composer.Bärenreiter?s new Urtext edition of opp. 50 and 40 offers the score to op. 50 twice; the first score reflects the state of Beethoven?s autograph with editorial markings clearly indicated the second score has beenedited based on other works by Beethoven from that period. This manner of publishing remains true to the sources and at the same time offers musicians a reliable transparent score for performances.In addition to the Urtext solo part a second solo part with fingering and bowing by Detlef Mahn is also included in the piano reduction.- Piano reduction which includes an Urtext solo part as well as an additional solo part with fingering and bowing- The score to op. 50 available in two versions- Detailed critical commentary (Eng)Barenreiter no. BA9026A
12.00 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Konzert Für Violine
Und Orchester (Erste
Fassung 1844 Und Zweite
Fassung 1845)
Orchestra, Violin [Sheet music] Barenreiter
Les éditions Bärenreiter ont édité sous la référence BA 9050 cette partiti...(+)
Les éditions Bärenreiter ont édité sous la référence BA 9050 cette partition musicale pour satisfaire au maximum les amateurs de musique Classique et plus particulièrement les pratiquant de Violon. Cette partition a pour titre Konzert für Violine und Orchester (erste Fassung 1844 und zweite Fassung 1845) et pour compositeur Mendelssohn Bartholdy Felix. / Violon Et Orchestre / Partition
75.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Francisco Coll: Four
Iberian Miniatures:
Orchestra: Instrumental
Work Orchestra, Violin Faber Music Limited
Full score-Francisco Coll’s Four Iberian Miniatures glitter with sharp An...(+)
Full score-Francisco Coll’s Four Iberian Miniatures glitter with sharp Andalusian light.Premiered by Pekka Kuusisto and the Britten Sinfonia under Coll’s mentor Thomas Adès this dazzling 12-minute work sees the flamboyant soloist dancing through lucid textures which filter flamenco through Coll’s own fractured and surreal musical voice.
30.00 GBP - Sold by Musicroom UK | |
| Concerto For Violin And
Orchestra E Minor Op. 64
(MENDELSSOHN-BARTHOLDY
FELIX) Orchestra, Violin Barenreiter
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto o...(+)
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere - the ?child prodigy? Joseph Joachim - and Hubert Leonard, a young Belgian virtuoso about whom little is known.
As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.
The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David - now we know that he also gave some to Leonard.
The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance.
The editor of this revised edition of the Mendelssohn Violin Concerto, Clive Brown, is an acknowledged expert on Romantic performance practice.
This study score complements the full score and orchestral parts (BA 9099), the piano reduction of the 1844 version (BA 9099-92), the piano reduction of the 1845 version (BA 9099-90), as well as the brochure ?Performance Practices in the Violin Concerto op. 64 and Chamber Music for Strings of Felix Mendelssohn Bartholdy? (BA 9060)./ Répertoire / Violon et Orchestre
19.67 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Per Nørgård: Helle
Nacht - Violin Concerto
No. 1: Violin: Score Orchestra, Violin [Sheet music] Wilhelm Hansen
Per Nørgård's Helle Nacht (Light Night) - Violin Concerto No. 1 dating from 19...(+)
Per Nørgård's Helle Nacht (Light Night) - Violin Concerto No. 1 dating from 1986-87. Programme note: This is my third work for solo string instrument and orchestra the other two being 'Between' for cello and 'Remembering Child' for viola. The title 'Light Night' refers to the caracteristics of each of the four movements. The 'light' translucent quality of the melody sound and rhythm woven into a fine filigree; the Night revealed in the multi-layered possibilities of interpretation like/constantly/changing the aspect of a turning prism with each performing appearing differntly to the listeners. Ofcourse this is more or less the case with every musical work but in HELLE NACHT the ambiguity is made innermost principle. The first and last movements form a symphonic frame for the inner two more static interludes though even in these light is constantly breaking through. I wrote the concerto during 1986-87 at the request of Anton Kontra. Per Nørgård
53.50 GBP - Sold by Musicroom UK | |
| Ludwig van Beethoven:
Concerto For Violin In D
Op.61: Mixed Ensemble:
Study Orchestra, Violin Barenreiter
Beethoven?s Concerto For Violin And Orchestra is one of the most famous works in...(+)
Beethoven?s Concerto For Violin And Orchestra is one of the most famous works in the history of music. Over the last 150 years it has been published in numerous editions none of which have up to now done justice to the work. For this edition Jonathan Del Mar has freed the work of additions made over the decades by various editors and violinists. The significance of Beethoven?s solo and tutti markings has also been clarified for the first time. Following the publication of the full score Piano reduction and orchestral parts (BA 9019) in the autumn of 2009 Bärenreiter is now publishing a study score of this pioneeringcritical edition which will prove indispensible for all violinists and students as well as for orchestras and music libraries. An introduction by Beethoven expert Barry Cooper on the history of this concerto is included for the first time. Del Mar?s edition clarifies Beethoven?s solo and tutti markings for the first time.
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| Wolfgang Amadeus Mozart:
The Mozart Violin
Concerti: Facsimile Orchestra, Violin Dover Publications
A Facsimile Edition of the Autographs-Only about a tenth of Mozarts works were p...(+)
A Facsimile Edition of the Autographs-Only about a tenth of Mozarts works were printed during his lifetime the rest having been published without the benefit of his supervision. This long-awaited edition of the autograph score offers a rare opportunity to see Mozarts violin concertosaccording to the composers intentions. Thanks to the well-preserved condition of the original manuscripts and Mozarts legible handwriting these reproductions of his scores can be used for study reference and performance. In addition to the fiveworks Concerto No. 1 in B Flat K. 207; Concerto No. 2 in D K. 211; Concerto No. 3 in G K. 216; Concerto No. 4 in D K. 218; and Concerto No. 5 in A K. 219 the volume includes two additional pieces the Adagio in E K. 261 and the Rondo in BFlat K. 261a. The first edition of this volume was published in a limited edition in 1986 and has been virtually unobtainable for many years. Two informative introductory essays by violinist Gabriel Banat who located the manuscripts missing sinceWorld War II supplement the collection: the first one traces Mozarts relationship with the violin and the other examines the history and importance of these manuscripts thought to have been forever lost. This outstanding edition offers teachers violinists conductors musicologists and Mozart enthusiasts an extraordinary chance to possess a score reproduced from the masters own hand.
81.20 GBP - Sold by Musicroom UK | |
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