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John Rommereim: Amara - Breath of Grace: SATB: Vocal Score
Choral SATB
[Vocal Score]
Walton Music
This stunning composition uses the idea of the Igbo word 'Amara' which means 'gr…
(+)
This stunning composition uses the idea of the Igbo word 'Amara' which means 'grace.' The idea of this work is to breathe together - to be aware of others and how we fit together in this world. Highly artistic moving and quite challenging. The addition of an improvised saxophone adds an even greater level of artistry. Recording Choir: Missouri State University Chorale; Cameron F. LaBarr conductor
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William H. Chapman Nyaho: Piano Music of Africa and the African Diaspora 2:
Piano solo
Oxford University Press
Volume 2 Intermediate-For solo Piano.From the influences of the Southern US and …
(+)
Volume 2 Intermediate-For solo Piano.From the influences of the Southern US and the Caribbean to the Igbo people of Africa this second volume truly represents the music of Africa and its Diaspora. This intermediate-level volume features more jazz and syncopated pieces that are both reflective and dance-like. Performance notes and composer biographies are also provided.
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Carl Wittrock: The African Connection: Fanfare Band: Score
Marching band
Gobelin Music Publications
Carl Wittrock's wide interest in global folk-music resulted in this concert-piec…
(+)
Carl Wittrock's wide interest in global folk-music resulted in this concert-piece based on original African rhythms. Obviously the percussion section has a conspicious role to play but the band too may indulge itself in moments of thoroughly delightful excitement. The introduction depicts the awakening of nature and develops into a dance. The (main) motif of this dance is from a dance entitled Apollo and comes from Gambia. Its accompaniment consists of an ostinato pattern by balaphon-master Maudo Susa. The quiet middle movement is based on the rhythm of the 'gigbo' : a traditional dance from Ghana. In the final movement -which also bears a slight resemblanceto a theme from 'The Lion King'- the so-called 'Kono' rhythm is used. The work is played most advantageously using djembes. Challenge and please your percussion section with 'The African Connection'. Carl Wittrock's brede interesse voor de wereldmuziek resulteerde in dit op originele Afrikaanse ritmes gebaseerde concertwerk. Het slagwerk speelt uiteraard een opvallende rol maar ook het orkest kan zich op een heerlijke manier uitleven. De inleiding schildert het ontwaken van de natuur welke overgaat in een dans. Het motief van deze dans (Apollo) is afkomstig uit Gambia. De begeleiding bestaat uit een ostinaatpatroon van de balafon-meester Maudo Susa. De basis van het rustige middendeel is gelegen in het ritme van de Gigbo een traditionele dans uit Ghana. Het laatste deel (met enige gelijkenis met The Lion King) maakt gebruik van het zogenaamde Kono ritme. Het werk komt het best tot zijn recht als er gebruik wordt gemaakt van djembes.Daag uw percussie sectie uit en doe ze een groot plezier met: The African Connection!
16.99 GBP - Sold by Musicroom UK
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Carl Wittrock: The African Connection: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Gobelin Music Publications
Carl Wittrock's wide interest in global folk-music resulted in this concert-piec…
(+)
Carl Wittrock's wide interest in global folk-music resulted in this concert-piece based on original African rhythms. Obviously the percussion section has a conspicious role to play but the band too may indulge itself in moments of thoroughly delightful excitement. The introduction depicts the awakening of nature and develops into a dance. The (main) motif of this dance is from a dance entitled Apollo and comes from Gambia. Its accompaniment consists of an ostinato pattern by balaphon-master Maudo Susa. The quiet middle movement is based on the rhythm of the 'gigbo' : a traditional dance from Ghana. In the final movement -which also bears a slight resemblanceto a theme from 'The Lion King'- the so-called 'Kono' rhythm is used. The work is played most advantageously using djembes. Challenge and please your percussion section with 'The African Connection'. Carl Wittrock's brede interesse voor de wereldmuziek resulteerde in dit op originele Afrikaanse ritmes gebaseerde concertwerk. Het slagwerk speelt uiteraard een opvallende rol maar ook het orkest kan zich op een heerlijke manier uitleven. De inleiding schildert het ontwaken van de natuur welke overgaat in een dans. Het motief van deze dans (Apollo) is afkomstig uit Gambia. De begeleiding bestaat uit een ostinaatpatroon van de balafon-meester Maudo Susa. De basis van het rustige middendeel is gelegen in het ritme van de Gigbo een traditionele dans uit Ghana. Het laatste deel (met enige gelijkenis met The Lion King) maakt gebruik van het zogenaamde Kono ritme. Het werk komt het best tot zijn recht als er gebruik wordt gemaakt van djembes.Daag uw percussie sectie uit en doe ze een groot plezier met: The African Connection!
112.99 GBP - Sold by Musicroom UK
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Carl Wittrock: The African Connection: Concert Band: Score & Parts
Concert band
[Score and Parts]
Gobelin Music Publications
Carl Wittrock's wide interest in global folk-music resulted in this concert-piec…
(+)
Carl Wittrock's wide interest in global folk-music resulted in this concert-piece based on original African rhythms. Obviously the percussion section has a conspicious role to play but the band too may indulge itself in moments of thoroughly delightful excitement. The introduction depicts the awakening of nature and develops into a dance. The (main) motif of this dance is from a dance entitled Apollo and comes from Gambia. Its accompaniment consists of an ostinato pattern by balaphon-master Maudo Susa. The quiet middle movement is based on the rhythm of the 'gigbo' : a traditional dance from Ghana. In the final movement -which also bears a slight resemblanceto a theme from 'The Lion King'- the so-called 'Kono' rhythm is used. The work is played most advantageously using djembes. Challenge and please your percussion section with 'The African Connection'. Carl Wittrock's brede interesse voor de wereldmuziek resulteerde in dit op originele Afrikaanse ritmes gebaseerde concertwerk. Het slagwerk speelt uiteraard een opvallende rol maar ook het orkest kan zich op een heerlijke manier uitleven. De inleiding schildert het ontwaken van de natuur welke overgaat in een dans. Het motief van deze dans (Apollo) is afkomstig uit Gambia. De begeleiding bestaat uit een ostinaatpatroon van de balafon-meester Maudo Susa. De basis van het rustige middendeel is gelegen in het ritme van de Gigbo een traditionele dans uit Ghana. Het laatste deel (met enige gelijkenis met The Lion King) maakt gebruik van het zogenaamde Kono ritme. Het werk komt het best tot zijn recht als er gebruik wordt gemaakt van djembes.Daag uw percussie sectie uit en doe ze een groot plezier met: The African Connection!
112.99 GBP - Sold by Musicroom UK
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Carl Wittrock: The African Connection: Concert Band: Score
Concert band
Gobelin Music Publications
Carl Wittrock's wide interest in global folk-music resulted in this concert-piec…
(+)
Carl Wittrock's wide interest in global folk-music resulted in this concert-piece based on original African rhythms. Obviously the percussion section has a conspicious role to play but the band too may indulge itself in moments of thoroughly delightful excitement. The introduction depicts the awakening of nature and develops into a dance. The (main) motif of this dance is from a dance entitled Apollo and comes from Gambia. Its accompaniment consists of an ostinato pattern by balaphon-master Maudo Susa. The quiet middle movement is based on the rhythm of the 'gigbo' : a traditional dance from Ghana. In the final movement -which also bears a slight resemblanceto a theme from 'The Lion King'- the so-called 'Kono' rhythm is used. The work is played most advantageously using djembes. Challenge and please your percussion section with 'The African Connection'. Carl Wittrock's brede interesse voor de wereldmuziek resulteerde in dit op originele Afrikaanse ritmes gebaseerde concertwerk. Het slagwerk speelt uiteraard een opvallende rol maar ook het orkest kan zich op een heerlijke manier uitleven. De inleiding schildert het ontwaken van de natuur welke overgaat in een dans. Het motief van deze dans (Apollo) is afkomstig uit Gambia. De begeleiding bestaat uit een ostinaatpatroon van de balafon-meester Maudo Susa. De basis van het rustige middendeel is gelegen in het ritme van de Gigbo een traditionele dans uit Ghana. Het laatste deel (met enige gelijkenis met The Lion King) maakt gebruik van het zogenaamde Kono ritme. Het werk komt het best tot zijn recht als er gebruik wordt gemaakt van djembes.Daag uw percussie sectie uit en doe ze een groot plezier met: The African Connection!
16.99 GBP - Sold by Musicroom UK
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Vandevenne Thomas - Le Clavier Bien A Temps Pour Se Reperer Vol.2
Français
Vibraphone
Dhalmann
ISMN: 9790560240817 Cet ouvrage s?inscrit dans la continuité du volume 1. Les …
(+)
ISMN: 9790560240817 Cet ouvrage s'inscrit dans la continuité du volume 1. Les deux volumes ont été conçus ensemble, dans une même logique pédagogique, visant à parcourir le travail à deux baguettes sur tous les claviers à percussion... Cet ouvrage s'inscrit dans la continuité du volume 1. Les deux volumes ont été conçus ensemble, dans une même logique pédagogique, visant à parcourir le travail à deux baguettes sur tous les claviers à percussion. Ce volume 2 concerne les élèves de fin de premier cycle et les élèves de deuxième cycle. Son contenu et la progression pédagogique conviennent à toutes personnes désireuses de travailler sérieusement les claviers à deux baguettes. Appliqué depuis plusieurs années au Conservatoire National de Région de Strasbourg où enseigne Thomas Vandevenne, ce travail est le fruit de la pratique, des expériences et des réflexions pédagogiques de l'auteur. Un accent particulier est mis sur les axes pédagogiques suivants : -la créativité, l'initiative et l'autonomie -la pédagogie de groupe -le travail des dissociations et la préparation aux 4 baguettes en particulier avec les exercices d'indépendance -la découverte d'un répertoire musical large -le travail des ornements 104 pages, format 31x23 cm, couverture couleur, reliure spirale, nombreuses illustrations. Inclus : Répertoire solos : La Petrona (trad. Mexicain), Prélude N°1 en do Majeur du clavecin bien tempéré (J.S. Bach), Danse de Kalamata (trad. Grec). Répertoire d'ensembles : Le Rossignol (quatuor, C. Janequin), Camille (duo, T. Vandevenne), Dzigbodi (duo, trad.du Ghana), Backgroove (duo/trio, T. Vandevenne), City-Zen (quatuor, T. Vandevenne), Fugue à quatre voix (quatuor, J.S. Bach), Extrait du 4eme mouvement du trio en Mib Majeur Opus 100 (quatuor, F. Schubert)
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Bob Dylan: The Gig Book: Bob Dylan: Voice: Artist Songbook
Melody line, (Lyrics) and Chords
[Sheet music]
Amsco Wise Publications
The Gig Book: Bob Dylan is a tough and hard-wearing collection of tunes by one o…
(+)
The Gig Book: Bob Dylan is a tough and hard-wearing collection of tunes by one of the greatest songwriters the world has ever seen. These handy books feature lyrics chord boxes and melody line as well as a fewblack and white photos all condensed into a compendium that may look compact but is actually packed full of genius songs. Bob Dylan is one of those rare songwriters who has managed to keep up an incrediblyprolific output since he first burst onto the New York folk scene in the early 1960s. Undergoing constant reinventions of his songwriting style singing style and even a Christmas album Dylan has written some of the most famoussongs ever and retained serious critical acclaim throughout the decades he has been writing and singing. This Bob Dylan songbook features highlights from Dylan's entire career spanning his early folk songs through his countryphase over his electric rock and pop period through to his more recent return rock balladry. Early protest songs like Blowin' In The Wind A Hard Rain's A'Gonna Fall and The Times TheyAre A'Changin' feature alongside some all-time classics spanning his entire career like All Along The Watchtower Like A Rolling Stone Knockin' On Heaven's Door and Make You Feel My Love. Take it from us if you need some inspiration in songwriting melody construction inventive use of chords or just want to play some incredible songs The Gig Book: Bob Dylan is the perfect song book foryou. This Bob Dylan sheet music is great for guitarists key for keyboardists and momentous for all other musicians. The durable construction and convenient size of the GigBook series makes it incredibly easy to carry around just leave it in your gig bag and we can guarantee it'll stand up to the years of use you'll definitely be getting out of it. So
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Carl Wittrock: The African Connection: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
Carl Wittrock's wide interest in global folk-music resulted in this concert-piec…
(+)
Carl Wittrock's wide interest in global folk-music resulted in this concert-piece based on original African rhythms. Obviously the percussion section has a conspicious role to play but the band too may indulge itself in moments of thoroughly delightful excitement. The introduction depicts the awakening of nature and develops into a dance. The (main) motif of this dance is from a dance entitled Apollo and comes from Gambia. Its accompaniment consists of an ostinato pattern by balaphon-master Maudo Susa. The quiet middle movement is based on the rhythm of the 'gigbo' : a traditional dance from Ghana. In the final movement -which also bears a slight resemblanceto a theme from 'The Lion King'- the so-called 'Kono' rhythm is used. The work is played most advantageously using djembes. Challenge and please your percussion section with 'The African Connection'.
93.50 GBP - Sold by Musicroom UK
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Le Clavier Bien A Temps Pour Se Repérer. Vol.2
Français
Xylophone or Marimba or Vibraphone
Dhalmann
Cet ouvrage s'inscrit dans la continuité du volume 1. Les deux volumes ont été c…
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Cet ouvrage s'inscrit dans la continuité du volume 1. Les deux volumes ont été conçus ensemble, dans une même logique pédagogique, visant à parcourir le travail à deux baguettes sur tous les claviers à percussion. Ce volume 2 concerne les élèves de fin de premier cycle et les élèves de deuxième cycle. Son contenu et la progression pédagogique conviennent à toutes personnes désireuses de travailler sérieusement les claviers à deux baguettes. Appliqué depuis plusieurs années au Conservatoire National de Région de Strasbourg où enseigne Thomas Vandevenne, ce travail est le fruit de la pratique, des expériences et des réflexions pédagogiques de l'auteur. Un accent particulier est mis sur les axes pédagogiques suivants : -la créativité, l'initiative et l'autonomie -la pédagogie de groupe -le travail des dissociations et la préparation aux 4 baguettes en particulier avec les exercices d'indépendance -la découverte d'un répertoire musical large -le travail des ornements 104 pages, format 31x23 cm, couverture couleur, reliure spirale, nombreuses illustrations. Inclus : Répertoire solos : La Petrona (trad. Mexicain), Prélude No1 en do Majeur du clavecin bien tempéré (J.S. Bach), Danse de Kalamata (trad. Grec). Répertoire d'ensembles : Le Rossignol (quatuor, C. Janequin), Camille (duo, T. Vandevenne), Dzigbodi (duo, trad.du Ghana), Backgroove (duo/trio, T. Vandevenne), City-Zen (quatuor, T. Vandevenne), Fugue à quatre voix (quatuor, J.S. Bach), Extrait du 4eme mouvement du trio en Mib Majeur Opus 100 (quatuor, F. Schubert) Thomas Vandevenne est né à Strasbourg le 10 juin 1963. Il étudie la percussion au conservatoire de Poitiers puis intègre la classe de Jean Batigne au Conservatoire National de Région de Strasbourg où il étudie également l'improvisation , l'harmonie et l'arrangement au sein de la classe de jazz. Après avoir obtenu les diplômes d'Etat de Percussion et de Jazz, il commence à enseigner tout en approfondissant son travail de batteur avec Georges Paczynski à l'Ecole Nationale de Musique de Cergy Pontoise. Fondateur du groupe 'Madame Thomas' avec lequel il enregistre, il a travaillé avec de nombreux musiciens de jazz, en particulier avec le septet du pianiste Loris Binot , ce qui lui a permis de jouer avec Steve Lacy, Jef Sicard.... Actuellement professeur de percussion au CNR de Strasbourg, il partage son activité entre l'enseignement, la composition et les concerts . / Percussions Et Méthode / niveau : Facile/Intermédiaire
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Sadie Harrison: Coretta: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
University Of York Music Press
Sadie Harrison's Coretta for Clarinet Cello and Piano. Coretta was commissioned…
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Sadie Harrison's Coretta for Clarinet Cello and Piano. Coretta was commissioned by New Music in the South West with generous support from Arts Council England. It received its premiere on 4 February 2018 at the Victoria Rooms Bristol performed by Andy Keenan Alison Holford Michelle Ezigbo and Tomáš Klement. The work is dedicated to NMSW’s founder and director Julian Leeks. Duration: c. 9 minutes
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Carl Wittrock: The African Connection: Brass Band: Score
Brass ensemble
Gobelin Music Publications
Carl Wittrock's wide interest in global folk-music resulted in this concert-piec…
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Carl Wittrock's wide interest in global folk-music resulted in this concert-piece based on original African rhythms. Obviously the percussion section has a conspicious role to play but the band too may indulge itself in moments of thoroughly delightful excitement. The introduction depicts the awakening of nature and develops into a dance. The (main) motif of this dance is from a dance entitled Apollo and comes from Gambia. Its accompaniment consists of an ostinato pattern by balaphon-master Maudo Susa. The quiet middle movement is based on the rhythm of the 'gigbo' : a traditional dance from Ghana. In the final movement -which also bears a slight resemblanceto a theme from 'The Lion King'- the so-called 'Kono' rhythm is used. The work is played most advantageously using djembes. Challenge and please your percussion section with 'The African Connection'.
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44 Duos
2 Cellos (duet)
[Score]
Universal Edition
Aus Den 44 Duos Für Zwei Violinen. Par BARTOK BELA. 44 Duos' by Béla Bartók - th…
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Aus Den 44 Duos Für Zwei Violinen. Par BARTOK BELA. 44 Duos' by Béla Bartók - the complete collection available for the first time in one edition for two celli. The '44 Duos' by Béla Bartók were written in 1931 and were originally included in a tutor for the violin, written by the teacher Erich Doflein (1900-1977). Since then they have become an indispensable key to the understanding of twentieth century music. Until now a version for two celli was limited to 18 selected duos. The present edition for two celli is the first to include them all. The arrangements are based either on the possibility of a downwards transposition by an octave, or, where the original makes use of the violin's open E string, downwards by a twelfth. • Introduction to Béla Bartók‘s musical world and to the most important elements of the folk music of Hungary and the neigbouring regions • All of the Duos are available for the first time in one edition arranged for two celli by Hans Erik Deckert • Provides aspiring cellists the chance to experience the musical partnership required by chamber music/ Répertoire / 2 Violoncelles
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