SKU: BR.MR-2195B
A variable solo concerto in A minor
ISBN 9790004488423. 9 x 12 inches.
The concertos in A minor, B flat major and A major constitute a small but amazingly flexible group in Carl Philipp Emanuel Bach's work catalogue. They were written as violoncello concertos between 1750 and 1753, and have all been transmitted in alternative versions as flute and harpsichord concertos as well. C. P. E. Bach wrote the Cello Concerto in A minor Wq 170 at the Berlin court of King Frederick the Great. The flute version Wq 166 was probably written shortly thereafter, even if the only surviving source dates from after the composer's death. We can see how interchangeable the solo instruments were through the amazing circumstance that editor Ulrich Leisinger was able to draw upon the version for harpsichord solo Wq 26 for this new edition. The cadenzas to the first and second movements proved to be easily adaptable to the flute, which should inspire soloists to create their own versions.A variable solo concerto in A minor.
SKU: HL.50511965
ISBN 9790080130483. Bach (23 x 30,2 cm) inches. Georg Philipp Telemann; Mikael Miklos Spanyi; Janos Malina; Mikael Miklos Spanyi.
The only surviving flute concerto in B minor by Georg Philipp Telemann (1681-1767) has survived in a single manuscript source that was copied by Johann Christoph Graupner and which is now held by the Hessische Landes- und Hochschulbibliothek in Darmstadt. The original title reads: Concerto, a Flaut Trav. 2 Violin, Viola e Cembalo / Teleman. The exact date of its composition is unknown. Territorial restrictions may apply. Please ask before ordering.
SKU: HH.HH249-KBD
ISBN 9790708092056.
As a confirmed Mozartian it is natural that Müller's concertos for flute and orchestra should follow the classical pattern, and the E minor work published here for the first time since 1801 is an attractive and virtuoso piece in the less usual minor tonality. It is edited by Nikolai Jaeger and Christopher Hogwood with a useful introduction including points of performance practice drawn from Müller’s flute tutor. A keyboard reduction of the orchestral part is also available.