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Voir toutes les partitions de John Rutter
SKU: ST.EC57
ISBN 9790220224058.
The third facsimile collection to be published by Early English Church Music, Volume 57 attests to the quality and depth of the polyphonic traditions during the long reigns of Henry III and his son Edward I, when the music of English high culture achieved a technical autonomy from the common international Anglo-French repertoire of the period. Assembling within the covers of one publication a set of facsimiles of the extant remains of native origin, it comprises images of more than sixty sources of thirteenth-century polyphony, including the Reading rota, the conductus-rondellus Flos regalis, and the Worcester fragments, here reunited from three codices. The large page layout adopted enables almost all the manuscripts to be reproduced at full size for direct comparison of different sources, layouts and dimensions.
SKU: ST.EC1S
ISBN 9790220215223.
Two volumes not available separately.. Hardback.
SKU: GI.G-8462
ISBN 9781622771004. English.
The volume you are holding is a vivid testimony …to the value of examining this variety and dynamism from multiple, overlapping points of view …to the value of both realist and idealist voices …to the value of articulating wisdom. From the foreword by John D. Witvliet, Calvin Institute of Christian Worship Since the publication of the first volume of Readings in African American Church Music and Worship, public and academic interest in the music and worship in black churches has significantly increased. This second volume makes available the most recent scholarship on twenty-first-century developments and trends, through a representative number of articles, essays, and chapters written by brilliant musicians, authors, and theologians of our time. The list of contributors includes some of the finest emerging scholars, whose voices we will be hearing for years to come, as well as offerings from seasoned authors, whose research and writings are well regarded by peers and the worshiping community at large. The significant contributions—from names new and familiar—greatly broaden the field of study. The 43 chapters of this volume are divided into 7 categories: Worship and Liturgical Practices Perspectives on Praise and Worship Liturgical Theologies Hip Hop and/in the Church Proclamation of the Word Perspectives on Women and Gender Hymnody: Sound and Sense Insightful, thought-provoking, challenging, hopeful—this volume will be a source of knowledge, a stimulus for discussion, and a call to (re)consider the many and varied viewpoints of the African American church. Featuring the writings of: James Abbington, LaTrese Adkins, Sandra L. Barnes, Tuere A. Bowles, Ruthlyn Bradshaw, Michael Joseph Brown, Melvin L. Butler, James H. Cone, David Douglas Daniels III, Robert Darden, Leo H. Davis Jr., Valerie Bridgeman Davis, Michael Fox, Kenyatta R. Gilbert, Daniel White Hodge, Birgitta J. Johnson, Alisha Jones, Tammy L. Kernodle, S T Kimbrough, Jr., Cheryl A. Kirk-Duggan, Cleophus J. LaRue, Monica T. Leach, Tamura Lomax, Pamela P. Martin, Marvin A. McMickle, Monica R. Miller, Stephanie Y. Mitchem, Thomasina Neely-Chandler, Deborah S. Pollard, Luke A. Powery, Samuel D. Proctor, Teresa L. Reed, Braxton D. Shelley, Martha Simmons, Josef Sorett, Rodney A. Teal, Frank Thomas, Kathleen S. Turner, Kenneth C. Ulmer, Gayle Wald, James Melvin Washington, Ralph C. Watkins, Lisa M. Weaver, Melinda E. Weekes, Christina Zanfagna James Abbington is Associate Professor of Church Music and Worship, Candler School of Theology, Emory University, Atlanta, Georgia. He also serves as Executive Editor of the African American Church Music Series, published by GIA Publications, Inc.
SKU: ST.MB91
ISBN 9790220222726.
Will iam Croft's career as the leading native-born composer of English church music was established in the period between the death of Purcell and the arrival of Handel in London. His education took place among musicians from Purcell's circle, and his style was modified by the influence of Handel's 'Utrecht' Te Deum and Jubilate of 1713. All the music in this volume was composed for various royal church services that took place between 1709 and 1720, in the Chapel Royal at St James's Palace and in St Paul's Cathedral. The contents include the Te Deum and Jubilate Deo, sung at the coronation of George I, and the anthems The Lord is a sun and a shield, O give thanks unto the Lord, and call upon his name, O give thanks unto the Lord, for he is gracious, and Rejoice in the Lord, O ye righteous. Performing material is available for rental.
SKU: BA.BA10560
ISBN 9790006553099. 33 x 26 cm inches. Language: German/English. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas.
The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel’s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel’s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbel’s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel’s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: ST.EC12
ISBN 9790220216510.
Tall is's choral works with English texts were all written for the worship of God in the reformed Church of England, setting either the liturgy of the new Book of Common Prayer of 1549, or Coverdale's vernacular bible. They testify to his position, undisputed even in his lifetime, as 'the father of English church music'. This volume contains ten of the 11 anthems that can definitely be attributed to the composer, and five contrafacta anthems with Latin texts, which were published in Tallis and Byrd's Cantiones Sacrae of 1575.
SKU: BT.EMBZ14732
Hungarian-English-Germ an-French.
This collection, similarly to the publication entitled 111 bicinia from the 15th century (EMB 14478), contains longer and shorter two-part excerpts from polyphonic ecclesiastical choral works, for pedagogical and liturgical use. As teaching material, on the one hand it introduces and notes in brief textual definitions the characteristics of each given excerpt: on the other hand, it provides easily usable examples for teaching music history, solfege and counterpoint (practice of intervals, score-reading, dictation, stylistic exercises, etc.) At the same time the movements, which also function as independent units, can be quickly learnt, and may on occasions add colour to themusical palette of the liturgy by introducing material that can be performed even by a children's choir. The volume consists mainly of excerpts taken from Mass movements and Magnificats by Palestrina, Lassus, Gombert, Clemens non Papa and others. A separate chapter is devoted to chorale-based bicinia in German, which were already popular in the initial period of Evangelical church music. Ähnlich der Ausgabe 111 Bicinia aus dem 15. Jahrhundert (EMB 14478) präsentiert diese Sammlung für theoretisch- und praktisch-pädagogische , bzw. liturgische Zwecke mehr oder weniger lange zweistimmige Ausschnitte aus geistlichen Chorwerken Sie stellt als Lehrstoff einerseits die musikalische Charakteristika des jeweiligen Ausschnittes vor und registriert diese in kurzen textlichen Definitionen, andererseits liefert sie Beispiele für den Unterricht der Musikgeschichte, der Solfege- und der Kontrapunkt- Lehre (Intervallübungen, des Lesens vom Blatt, für das Diktieren, für Stilübung usw.), die sich leicht erarbeiten lassen. Gleichzeitig können die auch als eigenständige Einheitfunktionierenden Sätze schnell erlernt werden. Sie bereichern die musikalische Palette der Liturgie (Messe und Offizium) mit dem fallweise auch vom Kinderchor aufführbaren Stoff.
SKU: AP.36-52711356
ISBN 9781628762853. UPC: 679360709917. English.
This collection of Christmas hymn arrangements is a wonderful educational, worship or concert resource for teachers, church musicians, or anyone who enjoys playing hymns, playing with friends, and celebrating the birth of Jesus with music. Presented in 2 volumes, the Violin 1 part is lower to middle intermediate level and is where the melody is always most clearly presented and most prominent, while the Violin 2 part is for the more adept player, full of harmonic and the occasional obbligato-style accompaniment. Written for two violins and piano (optional), both a viola and cello part are include to substitue for the Violin 2. Volume 1 includes: 1. Angels We Have Heard on High, 2. Away in a Manger, 3. Hark! The Herald Angels Sing, 4. The Holly and the Ivy/The First Noel, 5. Joy to the World, 6. O Come All Ye Faithful, 7. Once in Royal David's City, 8. Silent Night.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: ST.B373
ISBN 9790220202926.
The composition of Anglican church music was never one of Byrd's priorities, but his anthems on English texts remained in favour long after his death, and for two centuries were the works by which his name was remembered. Full and verse anthems are included in this volume, with anthems from secular sources and fragmentary and doubtful works also collected.
SKU: ST.B566
ISBN 9790220202940.
Sinc e The Great Service was rediscovered in manuscripts at Durham, it has come to be recognised not only as Byrd's most important work for the Anglican church, but also as one of the masterpieces of Elizabethan art. In the hope of recapturing the composer's intentions as nearly as possible, the present edition follows the scoring of pre-Restoration sources more precisely than did either Fellowes or Tudor Church Music, and restores the parts that have subsequently come to light.
SKU: ST.EC19
ISBN 9790220216978.
Ther e are particular problems of establishing authentic sources for much of Tye's music. Nonetheless, its high quality places him, with Taverner and Tallis, at the forefront of English 16th-century church music. This first volume of his work contains 15 full anthems, evening canticles, and his famous setting of texts from The Acts of the Apostles, dedicated to Edward VI.
SKU: MN.90-61
UPC: 688670900617. English.
With this second volume, Christopher M. Brunelle continues to put lowly doggerel to lofty purposes. This collection of entirely new verses provides hundreds of new ways to celebrate the liturgical year and the life of the church, from scripture to sermons to singing. These delightful and playful short poems can be used as choir devotionals, in church newsletters, or in many other creative ways.
SKU: HL.50511772
ISBN 9790080144787. UPC: 840126939699. 8.0x11.25x0.268 inches. Hungarian, English, German, French. Andras Soos.
This volume contains short two-part extracts from choral church music of the 15th century (masses and motets), arranged in ascending order of difficulty. The principal aim of this compilation was pedagogical: to provide students with fairly easy etudes of the period, through which they can later gain access to the large-scale, four-part compositions of Renaissance vocal polyphony, which at first sight generally seem very difficult and complex. At the same time, many of these pieces of varying length, each of which forms a complete unit in itself, are very suitable for public performance, and for use in a liturgical framework.
SKU: BT.EMBZ14478
This volume contains short two-part extracts from choral church music of the 15th century (masses and motets), arranged in ascending order of difficulty. The principal aim of this compilation was pedagogical: to provide students with fairly easy etudes of the period, through which they can later gain access to the large-scale, four-part compositions of Renaissance vocal polyphony, which at first sight generally seem very difficult and complex. At the same time, many of these pieces of varying length, each of which forms a complete unit in itself, are very suitable for public performance, and for use in a liturgical framework.In diesem Band finden sich nach Schwierigkeitsgrad geordnet kurze zweistimmige Ausschnitte aus geistliche Chorwerken (Messen und Motetten) des 15. Jahrhunderts. Diese Sammlung verfolgt vor allem pädagogische Ziele, in dem sie den Schülern leichtere, zeitgenössische ‚Etüden' in die Hand gibt, durch die sie später auch bis hin zu den grossangelegten, vier- oderfünfstimmigen und auf den ersten Blick zumeist recht schwer und kompliziert wirkenden Kompositionen der Polyphonie in der Renaissance gelangen können. Gleichzeitig sind seinezahlreichen, auch in sich selbst eine abgeschlossene Einheit bildenden, mehr oder weniger langen Stücke hervorragen dazu geeignet, öffentlich aufgeführtoder im Rahmen der Liturgie gesungen zu werden.
SKU: GI.G-5655
ISBN 9781579997670. English. Text source: James Abbington (editor).
In one major volume, Readings in African American Church Music and Worship brings together 40 chapters, essays, articles, and previously unpublished papers written during the twentieth century on music and worship in the African American church. The contents represent some of the greatest writings on the subject, from the wisdom of W. E. B. DuBois in 1903 to the scholarly development, practices, scholarship, and reflection on African American sacred music through 2000. .
SKU: ST.MB34
ISBN 9790220208362.
Span ning the years 1663-1674, Humfrey's output provides a most significant legacy from the Restoration period. The 12 verse anthems in this volume show the evolution of a distinctively English baroque style through a mixture of continental influences. String parts for 'Have mercy upon me O God' and 'Lift up your heads' are available through the Made-to-Order Service.
SKU: BA.BA10706-01
ISBN 9790006550227. 33 x 26 cm inches. Text Language: English. Preface: Amanda Babington.
The Dettinger Te Deum was written to celebrate England's victory over the French at the Battle of Dettingen.It is Handel's last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This edition, edited by Baroque specialist Amanda Babington, is based on the Urtext from the Halle Handel Edition.* First Urtext edition* Includes a Foreword (Eng/Ger).
