Wolfgang Amadeus Mozart: Fantasie And Sonata In C Minor KV 475/457: Piano Duet:

Par . This single-volume compilation features four popular opera fantasies arranged for Violin with Piano accompaniment. Each of these frequently performed pieces was arranged by a world-class artist and offers the convenience of a separate Violin part: Carmen Fantasy from the Opera by Georges Bizet, Op. 25, transcribed by Jenö Hubay. Fantasia on Themes from Gounod's Faust, Op. 20, transcribed by Henri Wieniawski. Fantasie from Mozart's The Magic Flute, Op. 54, transcribed by Pablo Sarasate. Fantasie Brillante on the March and the Romance from Rossini's Otello, Op. 11, by Heinrich Wilhelm Ernst. This collection is ideal for practice, performance, teaching, and independent study bystudents, professional performers, and amateur ensembles. / Date parution : 2023-03-15/ Recueil / Violon et Piano

mit Adagio und Fuge c-Moll. Par MOZART WOLFGANG AMADEUS. Mit Adagio Und Fuge C-Moll/ Répertoire / Orchestre à Cordes

This new edition indicates that Mozart’s popular composition is a mature work dating from his time in Vienna contrary to previous assumptions and that the traditional ending does not correspond to the original version. The well-known closing bars which have of course been included in this edition were not in fact written by Mozart himself but probably by August Eberhard Müller who thereby shaped the piece to stand on its own. Mozart’s manuscript version however as documented in the first edition ends ten bars earlier on a dominant seventh chord leaving the way open for further development and making it conceivable thatthe Fantasie was originally written as an introduction to a sonata in D major (to another of the late sonatas K 576 in fact). With this information the edition adds a totally new dimension to the performance of this widely known piece.

Par MOZART WOLFGANG AMADEUS. / Répertoire / 2 Violons, 2 Altos, Violoncelle et Contrebasse Ad

Serenade G-Dur. Par MOZART WOLFGANG AMADEUS. Der neue Band der erfolgreichen Serie „Klassische Meisterwerke zum Kennenlernen“ stellt eines der bekanntesten Werke der klassischen Musik vor, Wolfgang Amadeus Mozarts „Eine kleine Nachtmusik“ KV 525 – wohl eines der beliebtesten Werke Mozarts. Hans-Günter Heumann hat die Hauptthemen der Serenade leicht für Klavier bearbeitet. Ergänzt durch erläuternde Texte und fantasievolle farbige Zeichnungen wird jedem Klavierspieler die Möglichkeit gegeben, dieses im Original für Streicher komponierte Werk kennen zu lernen und die Stimmungen der Musik mitzuerleben: ein Glanzstück sprühender Laune und ein typisches Werk der Gesellschaftsmusik – komponiert, um Gäste einer Abendgesellschaft zu unterhalten./ Répertoire / Piano

Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amadeus Mozart. Par SAY FAZIL / CETINER YUDUM (Arr.). The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. / Date parution : 2021-12-09/ Répertoire / 2 Pianos