SKU: HL.1481436
UPC: 196288215707. 9.0x12.0 inches.
Billie Eilish has done it again! The highly-anticipated third album from the nine-time GRAMMY� winner features a sound that redefines and explores genre boundaries, trends and soundscapes, immersing listeners into a full spectrum of emotions. From the mature �Lunchï¿ ½ to �Birds of a Feather� and �Chihiro,ï ¿Â½ there's plenty of hits to keep this record in the rotation for many years to come! Our matching folio features all 10 tracks arranged for piano and voice with guitar chord frames, including: Birds of a Feather � Bittersuite � Blue � Chihiro � The Diner � The Greatest � L'Amour de ma Vie � Lunch � Skinny � Wildflower.
SKU: DZ.DZ-4302
ISBN 9782898522192.
SKU: DZ.DZ-4312
ISBN 9782898522291.
Comm issioned for the 7th edition of DROME DE GUJITARE, this piece was created at the theater of the city of Valencia, on October 27, 2023, under my direction by the D.D.G guitar orchestra.It pays tribute to the memory of my friend Roland Dyens.The 1st movement, quite brief (1 minute), emphasizes a motif which metamorphoses into a harmonious accompaniment of the themes of the 2nd movement (5 minutes) LIGHT, this in calm and serenity. This 2nd movement fades at the end to reveal a motif which accelerates to give a burlesque and clumsy dance: DANCE ELEPHANTASQUE (3 minutes) with an obsessive theme which concludes this work.Francis KleynjansCommand ©e pour la 7ème édition de ë DROME DE GUJITARE û, cette pièce fut créée au théâtre de la ville de Valence, le 27 octobre 2023, sous ma direction par lâÂÂorchestre de guitares D.D.G.Elle rend hommage àla mémoire de mon ami Roland Dyens.Le 1er mouvement, assez bref (1 minute), insiste sur un motif qui se métamorphose en accompagnement harmonieux des thèmes du 2e mouvement (5 minutes) ë LUMIEREû, cela dans le calme et la sérénità ©. Ce 2e mouvement sâÂÂestompe àla fin pour laisser apparaître un motif qui sâÂÂaccél ère pour donner une danse burlesque et pataude : ë DANSE ELEPHANTASQUE û (3 minutes) avec un thème obsessionnel qui vient conclure cet à Âuvre.Francis Kleynjans.
SKU: DY.DO-1538
ISBN 9782897963187.
When guitarist John Olson and soprano Gioia De Cari commissioned me to write a piece for them, I envi- sioned writing something theatrical that might especially suit Gioia, who is both a singer and an actress. Eventually, I thought of Mark Twain. The great American writer and humorist of substance wrote a short, little-known book called The Diary of Adam and Eve, which is, of course, about the first days of human life on this earth, in Twainâs witty, but touching take on the Bible story. Adam and Eve each write diary entries. I chose several passages from Eveâs diary that convey the sense of constant wonder that she felt because absolutely everything in her world was new.Setting prose, rather than poetry, is a challenge for a composer because it has neither the innate rhythm nor the lyricism of poetry. On some intuitive level, this challenge led me to a process that allowed the music to evolve mostly from the guitar part. Whereas normally the vocal melody might emerge first, motivated by the text and with the accompaniment then added for support, here the guitar part was the prime mover. An example of this is the last song, which is a passacaglia played by the guitar, providing the ground over which the vocal line can soar. Eveâs Diary was composed in 2015.Lorsque le guitariste John Olson et la soprano Gioia De Cari m'ont commandé une pièce pour eux, j'ai imaginé écrire quelque chose de théâtral qui pourrait particulièrement convenir à Gioia, qui est à la fois chanteuse et actrice. Finalement, j'ai pensé à Mark Twain. Le grand écrivain et humoriste américain a écrit un petit livre peu connu intitulé Le Journal d'Adam et Ãve, qui raconte les premiers jours de la vie humaine sur terre selon l'interprétation spirituelle et espiègle de Twain de l'histoire biblique. Adam et Ãve tiennent chacun un journal. J'ai choisi plusieurs passages du journal d'Ãve qui expriment ce sentiment d'émerveillement constant qu'elle ressentait, car absolument tout dans son monde était nouveau.Mettre en musique de la prose, plutôt que de la poésie, est un défi pour un compositeur car elle n'a ni le rythme inné ni le lyrisme de la poésie. Intuitivement, ce défi m'a conduit à un processus qui a permis à la musique d'évoluer principalement à partir de la partie de guitare. Alors que normalement la mélodie vocale pourrait émerger en premier, motivée par le texte et avec l'accompagnement ajouté ensuite pour le soutien, ici la partie de guitare était le moteur principal. Un exemple en est la dernière chanson, qui est une passacaille jouée à la guitare, fournissant le fond sur lequel la ligne vocale peut s'élever. Le Journal d'Ãve a été composé en 2015.
SKU: DZ.DZ-4310
ISBN 9782898522277.
A swaying rhythm, a melody that stays in your head, No rio Xingu evokes Brazilian music from the 50s.Un rythme chaloupé, une mélodie qui reste en tête, No rio Xingu évoque la musique brésilienne des années 50.
SKU: DZ.DZ-4316
ISBN 9782898522338.
Ada (Island) is a captivating composition that was originally written in 2011 for the Turkish lute. This piece draws its inspiration from the tranquil and picturesque atmosphere of Büyükada, one of the charming islands in the Sea of Marmara. Büyükada, with its serene landscapes, historical architecture, and tranquil shores, serves as a perfect muse for the evocative melodies and intricate harmonies that characterize Ada (Island).Ada (Island) was later arranged for classical guitar. This adaptation allows the composition to reach a broader audience while retaining its original charm and depth. The classical guitar arrangement highlights the versatility of the piece, maintaining its delicate nuances and evocative melodies, while offering a new perspective through the guitar's distinctive tonal qualities.Whether performed on the Turkish lute or the classical guitar, Ada (Island) remains a poignant tribute to the enchanting beauty of Büyükada, capturing the island's essence and transporting listeners to its serene shores.ëAd a (Island)û est une composition captivante écrite àl'origine en 2011 pour le luth turc. Cette pièce s'inspire de l'atmosphère tranquille et pittoresque de Büyükada, l'une des charmantes îles de la mer de Marmara. Büyükada, avec ses paysages sereins, son architecture historique et ses rivages tranquilles, constitue une muse parfaite pour les mélodies évocatrices et les harmonies complexes qui caractérisent ë Ada (l'île) û.Ada (Island) a ensuite été arrangé pour guitare classique. Cette adaptation permet àla composition de toucher un public plus large tout en conservant son charme et sa profondeur d'origine. L'arrangement de guitare classique met en valeur la polyvalence du morceau, en conservant ses nuances délicates et ses mélodies évocatrices, tout en offrant une nouvelle perspective àtravers les qualités tonales distinctives de la guitare.Qu'il soit interprété au luth turc ou àla guitare classique, Ada (ÃÂle) reste un hommage poignant àla beauté enchanteresse de Büyükada, capturant l'essence de l'île et transportant les auditeurs vers ses rivages sereins.
SKU: DZ.DZ-4258
ISBN 9782898521751.
Four Album Leaves, Op. 28 is a set of pieces for piano solo composed by Edvard Grieg. The set was first published in 1878 in Leipzig by C.F. Peters. The Album Leaves were composed over the span of almost fifteen years. As such, they present a fascinating cross-section of Grieg's pianistic and compositional development. They are arranged in chronological order as follows: Allegro con moto (1864), Allegretto espressivo (1874), Vivace (1876), and Andantino serioso (1878).Having realized some years ago that due to GriegâÂÂs way of writing for the piano, that they would fit wonderfully on two guitars, I began with this set, and then moved onto more of his works, finally transcribing his complete set of 10 books of Lyric Pieces (66 pieces in all), all of which are available as separate publications at Les Productions DâÂÂOz. I hope you enjoy playing them as much as I, and my duet partner Ann, do.Quatre feuilles d'album, op. 28 est un ensemble de pièces pour piano seul composé par Edvard Grieg. L'ensemble a été publié pour la première fois en 1878 àLeipzig par C.F. Pierre. LâÂÂalbum Leaves a été composé sur une période de près de quinze ans. En tant que tels, ils présentent un aperçu fascinant du développement pianistique et compositionnel de Grieg. Ils sont classés par ordre chronologique comme suit : Allegro con moto (1864), Allegretto espressivo (1874), Vivace (1876) et Andantino serioso (1878).Ayant réalisé il y a quelques années qu'en raison de la manière d'écrire de Grieg pour le piano, elles s'adapteraient àmerveille àdeux guitares, j'ai commencé avec cet ensemble, puis je suis passé àd'autres de ses à Âuvres, pour finalement transcrire sa série complète de 10 recueils de paroles. Pièces (66 pièces au total), toutes disponibles sous forme de publications séparées aux Productions D'Oz. J'espère que vous prendrez autant de plaisir àles jouer que moi et ma partenaire Ann, en duo.
SKU: DZ.DZ-4306
ISBN 9782898522239.
SKU: DZ.DZ-4305
ISBN 9782898522222.
This moon dance is dedicated to my friend Roque Carbajo, for whom I have the greatest admiration.Cette danse des lunes est dédiée à mon ami Roque Carbajo, pour qui j'ai la plus grande admiration.
SKU: DZ.DZ-4120
ISBN 9782898520372.
This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions dâÂÂOz website and on YouTube. Search for àvos guitares, prêt, joue! Vol. 4.Isabelle Héroux, editor, professor, Department of Music, UQAM.Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.Ce quatrième cahier est consacré au jeu en ensemble grâce àcinq trios et trois quatuors de styles variés (tango, ballade, rockâ¦) appropriés pour la fin du primaire avec quelques années dâÂÂexpér ience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation àla musique dâÂÂensemble, alors que dâÂÂautres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume sâÂÂadresse donc aux guitaristes qui connaissent déjàles notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive. Vous trouverez dans les partitions des indications de nuances, de timbre, dâÂÂattaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités àfaire des choix dâÂÂinterprà ©tation différents de ceux qui sont proposés ou àtenter de rendre de manière convaincante ceux déjàécrits.Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de lâÂÂUQAM dans le cadre dâÂÂun cours qui vise àoutiller les musiciens pour lâÂÂenseignement de la guitare dans le système scolaire. Beaucoup dâÂÂentre eux sont des musiciens provenant dâÂÂhorizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que lâÂÂon retrouve dans les pièces. Toutes les pièces ont fait lâÂÂobjet dâÂÂun enregistrement audio disponible sur le site des Productions dâÂÂOz et sur YouTube. Recherchez àvos guitares, prêts, jouez! Vol. 4.Isabelle Héroux, éditrice, professeure, Département de musique, UQAM.Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur.
SKU: DZ.DZ-4313
ISBN 9782898522307.
Lake s Road is a piece for solo guitar.Composed in a style very popular with many guitarists of the 70s: Finger-picking. This is distinguished by an often joyful melody built on alternating bass, thus creating a sustained and dynamic rhythm.This composition is in line with this style,reminiscent of Ragtime, a musical genre originatingfrom Louisiana originally written for piano.ëLak es Roadû est une pièce pour guitare seule.Composée dans un style très prisé par de nombreux guitaristes des années 70 : Le Finger-picking. Celui-ci se distingue par une mélodie souvent joyeuse construite sur des bassesalternée s, créant ainsi un rythme soutenu et dynamique.Cette composition s'inscrit dans la lignée de ce style,rappelant le Ragtime, un genre musical originairede la Louisiane initialement écrit pour piano.
SKU: DZ.DZ-4317
ISBN 9782898522345.
Cuna is the Spanish word for cradle.This work was inspired by Cuna from F. Mompou's Suite Compostelana. The work is of medium difficulty and is not very long.Cuna is dedicated to one of my graduate students.Cuna est le mot espagnol pour berceau.Cette Åuvre a été inspirée par Cuna de la Suite Compostelana de F. Mompou.L'Åuvre est de difficulté moyenne et n'est pas très longue.Cuna est dédié à l'un de mes étudiants diplômés.
SKU: DZ.DZ-4307
ISBN 9782898522246.
A piece composed for the Six Fours Guitar Meetings in 2015, Mestiza (Métisse) mixes sounds and rhythms from various sources: Argentine tango, English rock, rhythms from Eastern European countries... The level of the students ranged from 1st to 4th year of cycle 2 of the conservatory (5 to 9 years of study)Pièce composée pour les Rencontres de guitare à Six Fours de 2015, Mestiza (Métisse) mélange des sonorités et des rythmes de provenances diverses : tango argentin, rock anglais, rythmes de pays de lâest européen⦠Le niveau des élèves allait de 1ère à 4ème année du cycle 2 du conservatoire (5 à 9 ans dâétudes).
SKU: DZ.DZ-4311
ISBN 9782898522284.
Loui se Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer, her potential as a composer was recognized quite early on. Women were not permitted to enroll in conventional composition classes at the Conservatoire de Paris at the time, but, she did receive private lessons from Anton Reicha, the professor of composition there. Years later she would receive a permanent appointment as Professor of Piano at the same institution, a position she held for thirty years. She was the only woman during the 19th century to bear that title. Her piano etudes possess pedagogical value as well as great beauty and character. These works lend themselves quite well to the guitar duo setting. While I have rendered all of FarrencâÂÂs melodies quite faithfully, I have taken liberties with the accompaniments in order to make them more idiomatic to the guitar. Likewise, many of the effects of which the guitar is capable have been brought to bear in ways that deviate from the original intent of the etude. Alternatively, the challenges that some of these etudes were meant to address for the piano student are amplified by this adaptation. For example, etude 5 is intended to enable the piano student to improve the coordination between their left and right hands. It certainly presents a challenge in that regard to the guitar duo!These selections are entirely suitable for guitarists with limited experience, though they could, of course, be beautifully realized by players with a great deal more experience as well.Louise Farrenc était une compositrice, interprète, professeur et auteure française profondément influente. Même si elle deviendra finalement une interprète très recherchée, son potentiel en tant que compositrice est reconnu très tôt. Les femmes n'étaient pas autorisées às'inscrire aux cours de composition conventionnels au Conservatoire de Paris àl'époque, mais elle recevait des cours particuliers d'Anton Reicha, le professeur de composition du Conservatoire de Paris. Des années plus tard, elle recevra un poste permanent de professeur de piano dans la même institution, poste qu'elle occupera pendant trente ans. Elle était la seule femme au XIXe siècle àporter ce titre.Ses études pour piano possèdent une valeur pédagogique ainsi qu'une grande beauté et un grand caractère. Ces à Âuvres se prêtent assez bien au montage en duo de guitares. Même si jâÂÂai rendu assez fidèlement toutes les mélodies de Farrenc, jâÂÂai pris des libertés avec les accompagnements afin de les rendre plus idiomatiques àla guitare. De même, de nombreux effets dont la guitare est capable ont été mis en à Âuvre dâÂÂune manière qui sâÂÂécart e de lâÂÂintention originale de lâÂÂétude . Alternativement, les défis que certaines de ces études étaient censées relever pour l'étudiant en piano sont amplifiés par cette adaptation. Par exemple, l'étude 5 est destinée àpermettre àl'élève de piano d'améliorer la coordination entre ses mains gauche et droite. Cela représente certainement un défi àcet égard pour le duo de guitares !Ces sélections conviennent parfaitement aux guitaristes ayant une expérience limitée, même si elles pourraient bien sûr également être magnifiquement réalisées par des musiciens beaucoup plus expérimenté s.
SKU: BT.DHP-1084496-070
ISBN 9789043129343. 9x12 inches. English-German-French-Dut ch.
The De Haske Guitar Series gives a whole variety of music in diverse styles for a wide selection of acoustic guitar ensembles. Summertime is one of the most popular songs from the historic opera Porgy and Bess (1935). Wie jazz wil spelen, kan niet om Gershwin heen. JNM van den Langenberg arrangeerde drie van de grote hits uit het repertoire van deze Amerikaanse componist voor gitaarkwartet.Wer Jazz spielen will, kommt an George Gershwin nicht vorbei! J.N.M. van den Langenberg machte drei der bekanntesten Lieder aus dem Repertoire des amerikanischen Komponisten in mittelschweren Ausgaben dem Gitarrenquartett zugänglich. Summertime ist ein Wiegenlied aus dem ersten Akt der American Folk Operaââ¬Å Porgy and Bess von George Gershwin, die 1935 uraufgeführt wurde. Noch berühmter als die Oper wurde das Lied in der Interpretation von Jazzgrößen, wie z. B. Ella Fitzgerald und Louis Armstrong, Billie Holiday, Miles Davis und vielen mehr.La collection De Haske Guitar Series propose des pièces de styles variés pour ensemble de guitares acoustiques. Les pièces sont écrites quatre ou cinq voix.Summertime est extrait de lââ¬â¢opà©ra Porgy and Bess (1935). La collana De Haske Guitar Series propone brani in generi musicali diversi per ensemble di chitarre acustiche. I brani sono scritti a quattro o cinque voci. Summertime è estratto dall'opera Porgy and Bess del 1935.
SKU: DZ.DZ-4278
ISBN 9782898521959.
Half way between popular and classical music, Closer and Sidewalk are inspired by current acoustic guitarists where airy harmony rubs shoulders with catchy melodies.à mi chemin entre la musique populaire et classique, Closer et Sidewalk sâinspirent des guitaristes acoustiques actuels où harmonie aérée côtoient mélodies accrocheuses.
SKU: XC.WB2420
ISBN 9781644022269.
This is a unique jazz ensemble resource that includes music for rehearsal and performance that can be used to enable your band to sound more mature, become better sight-readers, and help students develop as confident improvisers. The book is divided into 3 sections that become progressively more challenging, both for the wind player and the rhythm section players. The rhythm section parts are completely written out, but also include chord changes to help students make the connection between fully notated parts and chords and slashes. One of the fundamental abilities that all great Jazz groups share is that they can play a swinging unison line so together that it sounds like one voice waving through time. The purpose of this book is to help beginning and intermediate ensembles develop this skill and zero in on the most basic form of Jazzâthe BLUES.
SKU: BT.REG9781898466635
ISBN 9781905908134. English.
This handbook is part of a series, compiled by the Registry Of Guitar Tutors that forms an expertly structured and comprehensive method of studying classical guitar. This handbook covers all the sections of the London College of Music Grade Three classical guitar examination including: all the set pieces: all scales, arpeggios and chords: sight reading: ear tests: and spoken tests. In addition, there are useful performance tips for all the pieces as well as essential advice on preparing for the examination - enabling you to study for an internationally recognized qualification. Even if you do not intend to take an examination, studying this handbook will help you to: learnappealing and inspiring pieces from a wide range of styles and periods: improve your sight reading and aural abilities so that you can learn new pieces more easily: develop your technical ability and musical understanding and so achieve your full potential as a guitarist.
SKU: CZ.9798879136494
ISBN 9798879136494.
Disc over Jazz Hymns â where cherished hymns meet the vibrant world of jazz! Immerse yourself in the timeless essence of twenty beloved hymns, now adorned with sophisticated jazz harmonies, designed to be easily performed by music enthusiasts of all levels.This unique collection features classics like 'Amazing Grace,' 'How Great Thou Art,' and 'What a Friend We Have in Jesus,' each thoughtfully arranged to blend tradition with the allure of contemporary jazz. Featuring beautiful arrangements, online audio mp3s and included lyrics, this book is a comprehensive resource for both musicians and congregations alike.Ideal for church services, personal devotion, or musical gatherings, these hymns resonate with a newfound energy while honoring their sacred roots. Elevate the ambiance of your gatherings and infuse them with the rich melodies and fresh harmonies found within Jazz Hymns.Embrace the beauty of tradition reimagined and experience the joy of playing these timeless hymns, perfectly suited for musicians seeking a harmonious blend of classic and modern influencesJazz Hymns is available is editions for flute, oboe, clarinet, saxophone, trumpet, trombone, violin, viola, cello, guitar and solo piano.
SKU: BT.REG9781898466659
ISBN 9781905908158. English.
This handbook is part of a series, compiled by the Registry Of Guitar Tutors that forms an expertly structured and comprehensive method of studying classical guitar. This handbook covers all the sections of the London College of Music Grade Five classical guitar examination including: all the set pieces: all scales, arpeggios and chords: sight reading: ear tests: and spoken tests. In addition, there are useful performance tips for all the pieces as well as essential advice on preparing for the examination - enabling you to study for an internationally recognized qualification. Even if you do not intend to take an examination, studying this handbook will help you to: learnappealing and inspiring pieces from a wide range of styles and periods: improve your sight reading and aural abilities so that you can learn new pieces more easily: develop your technical ability and musical understanding and so achieve your full potential as a guitarist.
SKU: BT.REG9781898466642
ISBN 9781905908141. English.
This handbook is part of a series, compiled by the Registry Of Guitar Tutors that forms an expertly structured and comprehensive method of studying classical guitar. This handbook covers all the sections of the London College of Music Grade Four classical guitar examination including: all the set pieces: all scales, arpeggios and chords: sight reading: ear tests: and spoken tests. In addition, there are useful performance tips for all the pieces as well as essential advice on preparing for the examination - enabling you to study for an internationally recognized qualification. Even if you do not intend to take an examination, studying this handbook will help you to: learnappealing and inspiring pieces from a wide range of styles and periods: improve your sight reading and aural abilities so that you can learn new pieces more easily: develop your technical ability and musical understanding and so achieve your full potential as a guitarist.
SKU: MB.WBM58M
ISBN 9781736363058. 8.75x11.75 inches.
A comprehensive collection of 172 guitar solos for the flatpick or plectrum guitarist. All solos are written in standard notation with accompanying online recordings by the author. The solos include beautiful American, British and Celtic airs and ballads, Celtic dance tunes, lute and early music, popular classical repertoire and contemporary etudes. Includes access to online audio.
SKU: M7.GHE-703-96
ISBN 9783890447063. English.
New performance edition by Stefano Grondona based on the manuscripts. A recording of the printed pieces by Stefano Grondona can be downloaded as an MP3 file using a download code printed in the booklet. DeepL Kontingent-Verbrauch: 10.577 / 500.000 Zeichen pro Monat (0,02%).
SKU: M7.GHE-702-96
ISBN 9783890447056. English.
HIS IS THE FIRST CRITICAL EDITION OF THESE WORKS AND IT OFFERS WE HOPE A STANDARD READING WHICH EXAMINES, WITH SOLUTIONS, MANY UNEXPLAINED DIFFERENCES BETWEEN THE COMPOSER'S MANUSCRIPTS, OUR EDITED MUSIC TEXT, AND PREVIOUS EDITIONS. 70 years after Ponce's death in 1948, we celebrate his life with a new critical-performing edition of his 24 Preludios newly prepared from the original manuscripts by Stefano Grondona. We proudly present a totally new edition with audio files of the 24 Preludios para guitarra. This is the first critical edition of the 24 Preludios para guitarra. The audio files of all 24 Preludios are played by Stefano Grondona and for download with a code printed in the book. This edition is really two editions in one. Not only is it a performing edition meticulously fingered by Stefano Grondona, but as well it is also an Urtext edition of the original manuscripts. Our pragmatic critical apparatus permits the player simply and clearly to see also what was in the original manuscripts, and what was not. With this publication it is now possible to clarify some long-standing issues relevant to our aim of presenting an accurate final music text; it is now possible to see where previous publications of this repertoire have varied with the manuscripts and how we have treated these situations in our edition, and how these were treated differently in previous editions. A comprehensive critical commentary is included together with copious historical and informative notes about the selection of the works and how and why our edition took its present form and content. At last we believe to have an edition which takes the form which the composer intended and new source material is also included, such as the Ramaugé ms for Prelude no. 6.
SKU: M7.DUX-919
ISBN 9783868493825.
Sait enwege für zwei Gitarren Band 2 führt durch sechs Jahrhunderte Gitarrenmusik verschiedenster Stile und Epochen. Thema von Band 2 ist weiterführende Literatur für zwei Gitarren. Mit Audio-Download. Alle Titel dieses Buches wurden vom Gitarren-Duo Michael Langer and Sabine Ramusch eingespielt und können über den beigefügten Download-Link heruntergeladen bzw. auf allen gängigen Streaming-Plattformen angehört werden (z. B. Spotify).
SKU: MB.31076M
ISBN 9781513477695. 8.75x11.75 inches.
Following the model established by Bach and Chopin, George Gershwin (1898 â?? 1937) originally planned to write 24 modern preludes for piano, one in each major and relative minor key. The collection was to be called The Melting Pot as it combined cross-cultural elements of classical, popular, jazz, and blues styles. Already established as a composer of popular songs, Broadway musicals, and masterpieces like Rhapsody in Blue and Concerto in F, Gershwinâ??s frenetic musical activities and an early death intervened, and for various reasonsâ??only three of the completed 5-7 preludes were published in 1927. By omission and circumstance, these three compositions have endured the test of time as Gershwinâ??s Three Preludes.àThis book presents idiomatic flute/guitar arrangements of Gershwinâ??s iconic Three Preludes. The original keys of the preludes were altered to accommodate drop-D guitar tuning and highlight the strengths and tessituras of the two instruments. The music is written in standard notation only and presented in guitar and flute scores, guitar accompaniment with extensive suggested fingering, and a pull-out flute solo part with guitar cues. Includes access to an outstanding online audio recording by The Cypress Duo, featuring flutist Amanda Hoke and author/guitarist Justin Hoke.àAudi ences are going to love hearing these preludes rendered by the flute and guitar, particularly â??Prelude IIâ?Â, in Gershwinâ??s words, â??a sort of blues lullabyâ? that is familiar to many musicians and listeners alike.
SKU: MB.WBM77M
ISBN 9781513477916. 8.75X11.75 inches.
A comprehensive collection of 146 guitar solos in notation and tablature. The solos include beautiful airs and ballads from America and the British Isles, Celtic favorites, and early music pieces. Also included are many original guitar solos written by the author. Each solo is recorded, and the book includes access to online recordings.
