Les racines de la guitare classique sont trouvent dans les instruments à cordes au début de la Renaissance, et cette collection spéciale comporte 50 solos arrangés pour guitare solo avec tablature. L'ensemble des pièces comprend la musique de Thomas Campian, Francis Cutting, John Dowland, Orlando Gibbons, Michael Praetorius et autres, avec chaque arrangement présenté en notation standard et onglet. Un CD est également inclus, avec démonstrations soigneusement enregistrées qui vous aideront à capturer un aithentic style afin de refléter le caractère unique de musique de la Renaissance de jeu. / Guitare

A unique collection of guitar music which spans the late Renaissance to the late Classical period. Including new and unusual repertoire as well as popular works and showpieces, Suitable for intermediate standard players. / Guitare Ou Guitare Classique

Par DOWLAND JOHN. John Dowland was unsurpassed in his day as a lute virtuoso, and the composer of 88 lute songs. Since the early twentieth century, Dowland's excellence as a songwriter has been well established; many of his compositions for lute- long shrouded in obscurity have become well known. This collection of 45 songs includes all the works in his third and fourth collection. Transcribed for voice and Guitar by David Nadal including Dowland's original lute tablature./ Répertoire / Voix et Guitare

The first in this book-and-CD anthology of solos, duets and songs covering four centuries of composers for the Guitar and Lute family. Taken from original sources, and carefully fingered for the modern player, the transcriptions are as faithful as possible to the original while at the same time offering a practical performing score. / Niveau : Intermédiaire / Rép International / Recueil / Guitare

Century Spain-Scholarly editions which serve different purposes than performance editions are not often designed with the modern guitarist in mind. For instance Renaissance vihuela tablatures are usually transcribed with the open firststring as G not E. Most are presented in double-staff notation a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore these editions sometimes give idealized but not realistic solutions for voicing note duration and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections edited for modern guitar from the seven books for vihuelathat were published in Spain between 1536 and 1576.As well as being fun and entertaining music for all to enjoy these collections are intended to help bridge the gap between scholarly editions and performance editions byproviding a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. A 188-page anthology edited for modern guitar from the seven books forvihuela that were published in Spain between 1536 and 1576 A companion volume to The Baroque Guitar in Spain and the New World (MB21122) Intended to help bridge the gap between scholarly editions and performance editions Anintroduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar.

A very representative collection of music from the Renaissance and Baroque periods skillfully adapted for solo guitar from lute and piano works. This book contains well-recognized pieces by master composers many of which havealready become essential repertoire for the classical guitar. Compiled with the performance skills of the beginner guitarist in mind this collection also fulfills repertoire requirements of the student guitarist as well asproviding valuable exercises in sight-reading in standard notation for the more intermediate and advanced performers.

Turlough O'Carolan (1670-1738) was the most famous Irish composer of his time. His memorable melodies influenced both by European classical music and by ancient Gaelic harp traditions have remained popular through the centuries and lend themselves especially well to fingerstyle guitar. The arrangements in this volume are of intermediate difficulty and are a pleasure to play for guitarists of almost any skill level. There are a few well-known tunes here but most of the arrangements are O'Carolan 's lesser known works though they rank with his best music.

Renaissance Anonym-Danse Anglaise Anonym-Pavane Melchior Neusidler-Der Fuggerin Tanz Jane Pickering's Lautenbuch-What If A Day Or A Month Or A Year William Ballet-Irish Tune Valentin Hausmann-Echo Francis Cutting-Bockington's Pound John Dowland-Orlando Sleepeth Johann Thysius-Volte Anonym-A Toy John Dowland-Mr. Dowland's Midnight Barock Carlo Calvi-Canario Jacques de Saint-Luc-Bourrée Anonym-Gavotte Jan Antonin Logy-Capricho Silvius Leopold Weiss-Menuet Santiago de Murcia-Aria Antonio Vivaldi-Largo Johann Sebastian Bach-Musette Antonio Brescianello-Entrée Antonio Brescianello-Gavotte Antonio Brescianello-Menuet Klassik Fernando Carulli-Walzer G-Dur Dionisio Aguado-Walzer Mauro Giuliani-Le Papillon Ferdinando Carulli-Allegretto Joseph Küffner-Ländler D-Dur Ferdinando Carulli-Präludium Fernando Sor-Andante Mauro Giuliani-Ecossaise Ferdinando Carulli-Andante Mauro Giuliani-Walzer Ferdinando Carulli-Poco Allegretto Ferdinando Carulli-Walzer Joseph Küffner-Arietta Ferdinando Carulli-Andante Grazioso Antonio Diabelli-Moderato Mauro Giuliani-Zerlegungsübunge n Ferdinando Carulli-Akkordstudie Romantik Anonym-Walzer G-Dur Matteo Carcassi-Andantino Matteo Carcassi-Allegretto José Ferrer-Walzer Johann Kaspar Mertz-Ländler Robert Schumann-Kleines Stück Matteo Carcassi-Etüde José Ferrer-Mazurka Multikulturell Jürg Kindle-Der Clown Pim Gerard Montreuil-Tango pour Helene Horst Großnick-Nilpferd Klaus Schindler-Mephisto Cees Hartog-El Papamoscas Cees Hartog- Pasear a Cabello Klaus Schindler-Swinging Gerard Montreuil-Sao Paolo Klaus Schindler-Katzenjammer Trad. arr. Michael Langer- Samba Lelé Trad. arr. Michael Langer-Wabash Rag Trad. arr. Michael Langer-El Noi de la Mare Michael Langer-Simple Truth Jorge Cardoso-Polca Rodrigo Trad. arr. Michael Langer-Sheebeg and Sheemore Pop Germano Cavazolli-Glocken Michael Langer-Von fernen Sternen Klaus Schindler-Kleiner gelber Vogel Maria Linnemann-Desirée Gerard Montreuil-Carrousel Horst Großnick-Luftsprung Michael Langer-Mein kleiner Papiermond Maria Linnemann-Chant du Matin Horst Großnick-Fernweh Germano Cavazzoli-Romanze vom Wind Fabian Payr-Open Air

Many of the melodies in this book are more than nine hundred years old; yet these pieces are as vibrant, as exciting, and as seductive as they were centuries ago. This music is fun to play. It’s addictive. You will find yourself humming it, and you’ll come back to play these pieces again and again. Each piece in this collection has its own powerful personality. Many of the Cantigas have an indefinable feel we have not heard in music from other periods. . . It’s like a texture that fills the room, it permeates the air and once inhaled, it paints pictures in your mind. You hear it and you feel it down to your toes. This is music that follows you and begs to be playedagain and again. If you are an intermediate player, you will find that most of these high-quality pieces are readily accessible. If you are a professional, you will find this book to be a resource that you will draw on repeatedly. If you just like to play for yourselves, it will be a great source of entertainment. For us, this collection is all of the above. These pieces work for concerts, for weddings, and for restaurants. This is some of our favorite music, and we hope that you have as much fun playing it as we do./ Recueil / Flûte Traversière et Guitare

Plus de 200 morceaux du début de la Renaissance et du Baroque aux périodes classiques et romantiques. Inclues des oeuvres de Carcassi, Bach, Tarrega et Mozart. / Guitare / Partition