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Stand Out Fit In
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Vous avez sélectionné:
Stand Out Fit In
Partitions à imprimer
486 partitions trouvées
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Stand Out Fit In
Stand Out Fit In
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Piano, Voix
#
INTERMÉDIAIRE
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Contemporain
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One Ok Rock
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Mopianic
#
Stand Out Fit In
#
Mopianic
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.969011 By One Ok Rock. By Derek Fuhrmann, Jamil, Jamil Abbas Kazmi, Jamil Kazumi, Liam O'Donnell, Takahiro Moriuch...
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Piano,Vocal,Voice - Level 3 - SKU: A0.969011 By One Ok Rock. By Derek Fuhrmann, Jamil, Jamil Abbas Kazmi, Jamil Kazumi, Liam O'Donnell, Takahiro Moriuchi, and Takahiro Moriuchi (Pka Taka). Arranged by Mopianic. Contemporary. Score. 8 pages. Mopianic #5296297. Published by Mopianic (A0.969011). One Ok RockStand Out Fit Inpiano accompaniment.
$4.99 ≈
4.67€
Stand Out Fit In
Stand Out Fit In
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Piano, Voix et Guitare
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FACILE
#
Contemporain
#
One Ok Rock
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Amy's Music Nook
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Stand Out Fit In
#
Amy's Music Nook
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.932591 By One Ok Rock. By Derek Fuhrmann, Jamil, Jamil Abbas Kazmi, Jamil Kazumi, Liam O'Donnell, Takahiro ...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.932591 By One Ok Rock. By Derek Fuhrmann, Jamil, Jamil Abbas Kazmi, Jamil Kazumi, Liam O'Donnell, Takahiro Moriuchi, and Takahiro Moriuchi (Pka Taka). Arranged by Amy's Music Nook. Contemporary. Score. 3 pages. Amy's Music Nook #6022043. Published by Amy's Music Nook (A0.932591). This is a lead sheet that includes the vocal melody with lyrics and chords for accompaniment.Can be played as a duet (melody plus accompaniment) or as a solo piano piece (e.g. melody in the right hand, chord accompaniment in the left).Great for vocalists, pianists, guitar and solo instruments.Written in the original key of B major.
$4.99 ≈
4.67€
Popular Orchestral Excerpt Etudes For Double Bass: Standard Packet
Popular Orchestral Excerpt Etudes For Double Bass: Standard Packet
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Contre Basse
#
Methodes
#
Methodes Etudes
#
Andrew Cody Williams and Jeff
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Popular Orchestral Excerpt Etu
#
Andrew Cody Williams
#
SheetMusicPlus
Double Bass - SKU: A0.1314897 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 61 pages. Andrew Cody...
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Double Bass - SKU: A0.1314897 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 61 pages. Andrew Cody Williams #903655. Published by Andrew Cody Williams (A0.1314897). â??Popular Orchestral Excerpt Etudes For Double Bassâ? is a collection of 9 etudes written by Andrew Cody Williams and Jeff Bradetich from the pedagogical analysis of some of the most common orchestral excerpts in double bass repertoire including Beethoven Symphony 5 Scherzo and Trio, Brahms Symphony 2, Mahler Symphony 2, Mozart Symphony 40, Bach Orchestral Suite 2 Badinerie, Strauss Ein Heldenleben, Schubert Symphony 9 â??Greatâ?, and Mendelssohn Symphony 4. Before you buy, try the FREE DEMO PACKET by contacting ExcerptEtudesBass@gmail.comThe focus of these excerpt etudes is as follows:Sequential Instruction- Taking a challenge one step at a time creates a manageable challenge without becoming overwhelmed. When a student meets successful attempt after successful attempt while gradually increasing difficulty, they are motivated to learn and are less likely to reinforce unwanted outcomes.Context- Practicing anything without understanding where it fits in the bigger picture is asking for failure. Accompanying parts to the etudes have been written to assist the learner through tempo consistency, performing other instrumental parts, and expanding beyond the provided excerpt.Ensemble- Performing with others improves intonation and listening, constructive teamwork, and can be a lot of fun. Four bass parts have been written for the etude in a layered accompaniment to keep the size of the ensemble flexible. Within the Standard Packet, part 1 is the etude itself, taking sections of the excerpts and practicing them in different ways to improve the original excerpt. Part 2 provides the most important accompanying music, allowing the etude to be practiced and performed with just two players. This is especially useful in private lessons, as the teacher can accompany the student as they wish. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. Other resources are provided within the excerpt etudes as well. A score is included in the Expanded Ensemble Packet with all four parts to allow easy comparison and study of each etude. The original excerpts are included in the Standard Packet as well, allowing the student to actively see where each rehearsal letter practice section derives from. An analysis of each rehearsal letter is offered defining the problem in question, as well as a practice solution and occasional extra tips. Finally, a difficulty rating sheet is provided to approximate the difficulty of each part.
$20.00 ≈
18.71€
Breakfast In America
Breakfast In America
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4 Guitares (Quatuor)
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FACILE
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Supertramp
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Derek Hasted
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Breakfast In America
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Derek Hasted
#
SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - SKU: A0.797692 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Derek Hasted. Contemporary,Pop,Rock. Scor...
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Guitar Ensemble Guitar - Level 2 - SKU: A0.797692 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Derek Hasted. Contemporary,Pop,Rock. Score and parts. 20 pages. Derek Hasted #3538107. Published by Derek Hasted (A0.797692). BREAKFAST IN AMERICA - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is a very playable arrangement of a great song. The overall complexity is quite modest and this arrangement would suit a mixed ability quartet, or a school ensemble with the teacher playing line 3 (which is a little more complex). The bass-line is fun to play, with a catchy, almost-funk-like rhythm, and the chords are straightforward and well-known. Written without repeats (to reduce the chance of errors!) this music will just fit on a music stand without page-turns! I hope you'll enjoy the catchy, almost hypnotic rhythm, and I'm sure the audience will!
$4.99 ≈
4.67€
Water Music (Selections) Bandleader Gig Pack - Lead sheets in original keys for C, Bb and Eb instrum
Water Music (Selections) Bandleader Gig Pack - Lead sheets in original keys for C, Bb and Eb instrum
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Violon
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Classique
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George Frideric Handel
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Stephen Bulat
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Water Music
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Stephen Bulat Publishing
#
SheetMusicPlus
Large Ensemble Alto Recorder,Banjo,Flute,Guitar,Harpsichord,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Trumpet,Ukulele,Viola,Violin - SKU...
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Large Ensemble Alto Recorder,Banjo,Flute,Guitar,Harpsichord,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Trumpet,Ukulele,Viola,Violin - SKU: A0.858825 Composed by George Frideric Handel. Arranged by Stephen Bulat. Baroque,Easter,Graduation,Sacred,Wedding. Score and parts. 19 pages. Stephen Bulat Publishing #6115941. Published by Stephen Bulat Publishing (A0.858825). Selections from Handel's classical masterpiece written in the original keys. Three full sets of parts; for C instruments, Bb instruments and Eb instruments; perfect for the bandleader with different pitched instruments on the bandstand.This is George Frideric Handel's classical masterpiece which is often performed at weddings, graduation, funerals and recitals. It is arranged in lead sheet format with melody line and chord symbols. Rehearsal markings are included throughout to facilitate an easy roadmap for musicians to follow. A classical songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical fakebook yet still condensed to fit on only one page. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (e.g. violin, flute)Selections include: Air (HWV 348)Bourrée (HWV 348)Hornpipe (HWV 348)Alla Hornpipe (HWV 349)Please click on the publisher to view this song in other keys as well as to purchase it in the Classical Wedding Fake Book.Classical Wedding Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21758919 - Item Number: S0.776313Classical Wedding Fake Book (Bb Instruments): https://www.sheetmusicplus.com/title/21758922- Item Number: S0.776329Classical Wedding Fake Book (Eb Instruments): https://www.sheetmusicplus.com/title/21758923- Item Number: S0.776333Classical Wedding Fake Book - Band Leader Gig Pack (C, Bb & Eb Instruments): https://www.sheetmusicplus.com/title/21758924 - Item Number: S0.776337SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569Online: http://stephenbulat.com.
$9.99 ≈
9.35€
Away In a Manger
Away In a Manger
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James Murray
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Away In a Manger
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Fred Bock Music Company
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SheetMusicPlus
3, 4, 5 octave handbells - Level 2+ SKU: JF.MFBBGH1021 Composed by James Murray. Arranged by Allan Petker & Kevin McChesney. Published by Fred Bock Music...
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3, 4, 5 octave handbells - Level 2+ SKU: JF.MFBBGH1021 Composed by James Murray. Arranged by Allan Petker & Kevin McChesney. Published by Fred Bock Music Company (JF.MFBBGH1021). This contemporary-sounding setting of the beloved Christmas hymn will fit in just about any type of worship service, from traditional to contemporary to blended. This arrangement stands wonderfully on its own or may be combined with elements from the Fred Bock Seasons of Praise series for use in praise worship. It is set in F Major and is 24 measures long.
$3.75 ≈
3.51€
Arabesque in G minor for Intermediate Piano
Arabesque in G minor for Intermediate Piano
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Piano seul
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INTERMÉDIAIRE
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Sibylle Kuder
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Arabesque in G minor for Inter
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Sibylle Kuder
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1034433 Composed by Sibylle Kuder. Classical,Contest,Festival,Romantic Period,Traditional. Score. 9 pages. Sibylle Kuder ...
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Piano Solo - Level 3 - SKU: A0.1034433 Composed by Sibylle Kuder. Classical,Contest,Festival,Romantic Period,Traditional. Score. 9 pages. Sibylle Kuder #639782. Published by Sibylle Kuder (A0.1034433). Light, gently swaying, twirling around itself, ever so slightly melancholic. ~ Of the performer it requires the ability to play a quick written-out quintuplet turn in the right hand which occurs numerous times throughout the piece but is the same every time. The performer needs a delicate but not wimpy touch and a mature feel for subtle shading. ~ Three pages, Intermediate, Level 7 ~ The PDF file contains two versions of the score, a study score with slightly larger font, lots of dynamic details, fingering, spread out over five pages with lots of white space to allow for adding comments, and a performance score condensed onto three pages to fit on the average music stand, smaller font, no details, just the notes. ~ I frequently make changes to my compositions. If you would like to make sure that you have the latest edition, please send an email to sibyllekuder@gmail.com ~ If there is a newer edition I will gladly send you the updated PDF file! ~.
$3.99 ≈
3.73€
Stand Up, Stand Up for Jesus (Geibel)
Stand Up, Stand Up for Jesus (Geibel)
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Fabio Ambrosino
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Lyndell Leatherman
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some were not
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Stand Up, Stand Up for Jesus
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1404280 By Fabio Ambrosino (orchestra). By Words: George Duffield, Jr. / Music: Adam Geibel. Arranged by Ly...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1404280 By Fabio Ambrosino (orchestra). By Words: George Duffield, Jr. / Music: Adam Geibel. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #987382. Published by Leatherman Music Services (A0.1404280). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99 ≈
3.73€
Le jardin englouti (The Sunken Garden/Minuet) - Intermediate Impressionist Piano Piece for Ravel Pre
Le jardin englouti (The Sunken Garden/Minuet) - Intermediate Impressionist Piano Piece for Ravel Pre
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Nicole Elyse DiPaolo
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Le jardin englouti
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.799621 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #57914...
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Piano Solo - Level 4 - SKU: A0.799621 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791453. Published by Nicole Elyse DiPaolo (A0.799621). From my in-progress collection of intermediate and late-intermediate piano compositions in Impressionist styles, this is an homage to Maurice Ravel's piano writing as shown in his minuets (like the middle movement of the Sonatine and the minuet from Le tombeau de Couperin). It means The Sunken Garden, and I'll explain why below.It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), large rolled chords, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music. All of these can be disorienting to students encountering Ravel's music for the first time, so students will benefit from Ravel-preparatory repertoire, like this piece, that introduces these techniques.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the student piano literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's compositions.On a more personal level, this piece was inspired by the Sunken Garden, a former landmark on the Indiana University campus that sat across the street from the practice building in which I taught dozens of piano students, coached numerous singers, and learned piles of repertoire before moving away last year. The Jordan Hall greenhouse now sits on the former Sunken Garden site.Because the Wells Quad dorms are right next door, I hear this piece as a recollection of a social dance night that the dorms probably held frequently back when the Sunken Garden existed. Wells Quad served as a classroom/academic office complex for years after Jordan Hall was built in the 50s, but they are now back-converting the buildings into dorms again. (As of this writing, two of the buildings now serve as dorms, while the other two are still academic buildings. While I was pursuing my doctoral minor in composition, the composition professors' studios were almost all in Wells Quad's Sycamore Hall. They upgraded to the East Studio Building as soon as they could, though!).
$2.49 ≈
2.33€
Oneness in This World (clarinet, cello, piano)
Oneness in This World (clarinet, cello, piano)
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Jeffrey Hoover
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Oneness in This World
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Musicart Publications
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SheetMusicPlus
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritua...
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 47 pages. Musicart Publications #5719085. Published by Musicart Publications (A0.971656). Set in two movements, the music of Oneness in This World represents two things necessary for humanity to move together: Unity and Joy.In the first movement, the music evolves from tension and musical discord to unity and harmony. While much of the drama is heard through the interaction of the clarinet and cello, the piano provides a key factor throughout the second part of the first movement through foundational chaconne variations. As the harmonic progression repeats, the clarinet and cello become more aligned in their music yet maintaining a sense of individuality. Without unity and informed agreement, a society cannot truly benefit its people. Unity is strongest within diversity, contributing to growth, and moving towards a common goal to benefit all.In the second movement, all three musicians share equally in the production of the state of joy. The varied tone colors of the instruments, shifting meters, and dancing music all provide energy and emotions suggesting joy. Joy is a certainty of the goodness of life, in spite of sorrows or pain or even tragedy. Joy gives us wings to transcend our situation, opens us to our potential, and helps us become who we are to be. Joy comes from faith and belief of value and purpose for our life and its beauty.As with other musical compositions of mine, there are two paintings– a diptych –titled Unity and Joy which I created to visually interpret the music. –Jeffrey HooverThis edition is set to print correct page turns, back-to-back.Jeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, the SMP/Universal Edition composition award for contemporary music, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, the L. Russolo competition, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer.One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.For questions about this music, how he combines his music with his paintings or other inquiries, please visit his website or contact the composer directly:jeffreyhooverart@gmail.comhttps://jeffreyhooverart.wixsite.com/mysite
$21.95 ≈
20.54€
Standing 3 late beginner hymn collection (Brethren We Have Met to Worship, I Am Resolved, Standing o
Standing 3 late beginner hymn collection (Brethren We Have Met to Worship, I Am Resolved, Standing o
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Piano Facile
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DÉBUTANT
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Musique Sacrée
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James H
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Amanda Tero
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Standing 3 late beginner hymn
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Amanda Tero
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1172421 Composed by James H. Fillmore, R. Kelso Carter, and William Moore. Arranged by Amanda Tero. Children,Christian,Re...
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Easy Piano - Level 1 - SKU: A0.1172421 Composed by James H. Fillmore, R. Kelso Carter, and William Moore. Arranged by Amanda Tero. Children,Christian,Religious,Sacred. Score. 9 pages. Amanda Tero #772646. Published by Amanda Tero (A0.1172421). Delight your late beginner students with three exciting hymns in level 2 sheet music solos. These are specifically arranged for the students who like a little bouncy touch to their hymns.Great for church services or recital for both piano students and piano teachers. This works well for the smaller church offertories that only need about 1 minute of piano playing.This piano sheet music is equivalent to most Level 2 or ABRSM Grade 2.6 pages total. 1 piece in F. 2 pieces in C. Musical elements in Brethren We Have Met to Worship Note values: whole notes, dotted half notes, half notes, half rests, quarter notes, eighth notes Note reading: bass clef C2 to F4, treble clef Bb3 to A5 8va RH reading bass clef RH over left hand Accidentals Ties Finger numbers Practice tips for Brethren We Have Met to Worship The most fun–and hardest–part of this arrangement is the right hand, measures 11-14. The right hand is not only reading bass clef, but is reading the lowest notes in the piece of music. This is a great place to start. Additionally, the left hand for the first page is an open fifth the entire time but changes on the second page. So it may be beneficial to start learning the left hand intervals on the second page first. Musical elements in I am Resolved Note values: whole notes, half notes, quarter notes, eighth notes, eighth rests Note reading: bass clef C2-E4, treble clef C4-E5 Drop-roll (slur-staccato) Staccatos Moving left hand Accidentals LH octave reach A lot of thirds Broken chords Practice tips for I am Resolved While the left hand starts with a catchy left hand pattern, it does get more complicated for the chorus, starting in measure 11. It would benefit the student to focus a little extra attention on the rapidly changing notes of the left hand for the chorus. While the chorus is harder, it does feature repetition, so have the student identify the measures that are the same. Musical elements in Standing on the Promises Note values: whole notes, half notes, half rests, quarter notes, quarter rests, eighth notes Note reading: bass clef C2-E4, treble clef C4-C6 Fermata Staccatos Accidentals Chromatic scale LH octave reach Practice tips for Standing on the Promises If your student doesn’t know their chromatic scale yet, this is the perfect piece to teach it to them! If they already know a chromatic scale, then they will be able to easily master the last two measures. There is a solid left hand pattern that will be beneficial to help the student analyze. If they figure out the pattern it will make learning easier.
$9.99 ≈
9.35€
My Savior’s Love (I Stand Amazed in the Presence)
My Savior’s Love (I Stand Amazed in the Presence)
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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SE Samonte
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Lyndell Leatherman
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some were not
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My Savior’s Love
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1379895 By SE Samonte. By Words & Music: Charles H. Gabriel. Arranged by Lyndell Leatherman. Christian,Reli...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1379895 By SE Samonte. By Words & Music: Charles H. Gabriel. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #964602. Published by Leatherman Music Services (A0.1379895). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99 ≈
3.73€
Stand Up and Bless the Lord
Stand Up and Bless the Lord
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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Words: James Montgomery / Musi
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Lyndell Leatherman
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some were not
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Stand Up and Bless the Lord
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1296209 Composed by Words: James Montgomery / Music: Aaron Williams. Arranged by Lyndell Leatherman. Christ...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1296209 Composed by Words: James Montgomery / Music: Aaron Williams. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #886454. Published by Leatherman Music Services (A0.1296209). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99 ≈
3.73€
Standing On The Promises
Standing On The Promises
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Piano seul
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INTERMÉDIAIRE
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Russell Kelso Carter
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Laura G Cole
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Standing On The Promises
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Laura G. Cole
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1404619 Composed by Russell Kelso Carter. Arranged by Laura G Cole. Christian,Religious,Sacred,Traditional. Score. 5 page...
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Piano Solo - Level 3 - SKU: A0.1404619 Composed by Russell Kelso Carter. Arranged by Laura G Cole. Christian,Religious,Sacred,Traditional. Score. 5 pages. Laura G. Cole #987684. Published by Laura G. Cole (A0.1404619). This piano solo was created out of necessity. I needed an arrangement of this song to use for worship to fit with the lectionary and did not like the other choices out there. This arrangement has a Scottish drone or bagpipe effect happening in the left hand while the right hand is bouncing happily on the melody line.
$2.99 ≈
2.80€
Derwen (Oak tree in Welsh) SATBB Recorder Quintet by Emma Arandjelović
Derwen (Oak tree in Welsh) SATBB Recorder Quintet by Emma Arandjelović
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Emma Arandjelović
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Derwen
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Masquerade Music
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SheetMusicPlus
Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 4 - SKU: A0.1382169 Composed by Emma Arandjelović. 21st Century,Chamber,Contempo...
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Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 4 - SKU: A0.1382169 Composed by Emma Arandjelović. 21st Century,Chamber,Contemporary,Folk. Recorder Ensemble. 56 pages. Masquerade Music #966699. Published by Masquerade Music (A0.1382169). Published in February 2024, this delightful SATBB recorder quintet brings a refreshing new edition to ensemble repertoire lists. The three movement work (7'20 long total duration) was inspired by the mighty oak tree (Derwen in Welsh) and journeys on an exploration through roots, branches and leaves.Derwen is aimed at confident intermediate to advanced ensembles due to (sometimes) frequently changing time signatures and some more technically challenging phrases but also brings with it beautiful harmonies and changing moods.A note from the composer: The title of this piece, Derwen, is the Welsh word for an oak tree. Trees are traditional symbols of physical and spiritual nourishment or growth, with the oak in particular representing strength and longevity. This seemed to be a fitting inspiration for a commission born out of a long-standing musical collaboration and friendship, and so became the starting point for the composition. The piece begins with a simple melody in the lower voices (the ‘roots’) and gradually builds up the texture. The second movement explores the idea of intertwining branches, reaching higher and higher towards the sky. Finally, an off-balance rhythm in the final movement brings to mind the swirling and falling of leaves, eventually combining with elements from the first two movements to bring the piece full circle.Please view several samples and a full Youtube video (of the complete Sonata) by scrolling through the images. You will receive with this purchase; PDF Recorder parts (soprano/alto/tenor/bass 1/bass 2) PDF Score Derwen is also available as a traditional printed/posted edition, available here: Click here for the printed/posted edition
$15.99 ≈
14.96€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.73€
Give Me, O Lord, an Understanding Heart
Give Me, O Lord, an Understanding Heart
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Orlando Gibbons, Stephen Helle
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Elizabeth Ragsdale
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Give Me, O Lord, an Understand
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Elizabeth Ragsdale
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.947805 Composed by Orlando Gibbons, Stephen Heller. Arranged by Elizabeth Ragsdale. Christian,Sacred. Score. 11 pages. El...
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Piano Solo - Level 3 - SKU: A0.947805 Composed by Orlando Gibbons, Stephen Heller. Arranged by Elizabeth Ragsdale. Christian,Sacred. Score. 11 pages. Elizabeth Ragsdale #2545063. Published by Elizabeth Ragsdale (A0.947805). Medley: Give Me, O Lord, an Understanding Heart and Duetto: Souvenir of Beethoven. Featuring a Moonlight Sonata style, this hymn medley is written in a minor mode but without solemnity, making it a good fit for many different worship settings. The melody alternates between the right and left hands and is accompanied by rolling arpeggios, plaintive block chords, or vigorous 16th-note patterns. Duration: 6:07.
$4.79 ≈
4.48€
Angels We Have Heard On High (Gloria in excelsis Deo) early intermediate piano
Angels We Have Heard On High (Gloria in excelsis Deo) early intermediate piano
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Piano Facile
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FACILE
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Musique Sacrée
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Raluca Bojor
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Raluca Bojor
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Angels We Have Heard On High
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Raluca Bojor
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1315798 By Raluca Bojor. By Traditional French Carol. Arranged by Raluca Bojor. Christian,Christmas,Holiday,Praise & Wors...
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Easy Piano - Level 2 - SKU: A0.1315798 By Raluca Bojor. By Traditional French Carol. Arranged by Raluca Bojor. Christian,Christmas,Holiday,Praise & Worship,Sacred. Score. 3 pages. Raluca Bojor #904572. Published by Raluca Bojor (A0.1315798). An early-intermediate piano solo arrangement of traditional Christmas carol “Angels We Have Heard On High†(aka “Gloria in excelsis Deoâ€). The voicing and the texture are inspired by standard classical repertoire, thus making it both accessible as well as satisfying. Check out the score previews to determine if this arrangement is the right fit for you or for your students!Product details:• PDF sheet music• three (3) pages long• key of F major• difficulty: early intermediate• performance time 1’34â€LISTEN to the full recording below!DOWNLOAD “Angels We Have Heard On High†early-intermediate piano sheet music today!
$4.99 ≈
4.67€
Standing on the Promises
Standing on the Promises
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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First Baptist Atlanta
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Lyndell Leatherman
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some were not
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Standing on the Promises
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1381066 By First Baptist Atlanta. By Words & Music: R. Kelso Carter. Arranged by Lyndell Leatherman. Christ...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1381066 By First Baptist Atlanta. By Words & Music: R. Kelso Carter. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #965785. Published by Leatherman Music Services (A0.1381066). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99 ≈
3.73€
Chorale "Vor deinen Thron tret’ ich hiermit" (Before Thy Throne I Stand) for Brass Quintet
Chorale "Vor deinen Thron tret’ ich hiermit" (Before Thy Throne I Stand) for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Ralph Sauer
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Chorale "Vor deinen Thron
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792498 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Score and parts. 8 ...
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Brass Ensemble - Level 5 - SKU: A0.792498 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Score and parts. 8 pages. Gordon Cherry #4988371. Published by Gordon Cherry (A0.792498). This chorale was published with the first edition of The Art of Fugue. Said to have been composed on his deathbed and dictated to a student, it is a fitting conclusion to Bach’s great, unfinished work. The three lower voices weave contrapuntal lines based on the chorale melody, and the trumpets sound the chorale melody in the top voice four times before the harmonically rich conclusion. About 5 minutes in length.
$17.50 ≈
16.37€
Together We Stand
Together We Stand
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Chorale SATB
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INTERMÉDIAIRE
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Leif Ingvald Skaug
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Together We Stand
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Leif Ingvald Skaug
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.922605 Composed by Leif Ingvald Skaug. Arranged by Leif Ingvald Skaug, JC Vesttun. Gospel,Pop. Octavo. 5 pages....
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Choral Choir (Mixed) - Level 3 - SKU: A0.922605 Composed by Leif Ingvald Skaug. Arranged by Leif Ingvald Skaug, JC Vesttun. Gospel,Pop. Octavo. 5 pages. Leif Ingvald Skaug #5710009. Published by Leif Ingvald Skaug (A0.922605). Produced as a response to Covid19, and after 5 days, it was viewed by 1 million on Facebook and shared over 20.000 times.It started as a choir project by the composer, Leif Ingvald Skaug, who started live global gospel choir practices online. Several thousands have joined, and the production has singers from over 70 countries.Perfect for all choirs, young and old. Easy and catchy harmonies. Fits on big concerts, and smaller venues. In church as well.Spotify:https://open.spotify.com/track/6R40JrudJOniseVMxns186…Itunes:https://music.apple.com/…/gospel-explosion-feat-…/1508176870Youtube:https://www.youtube.com/watch?v=OIaHb81JhT0
$4.99 ≈
4.67€
20 Favourite Christmas Carols for solo Tenor Horn in Eb and Piano
20 Favourite Christmas Carols for solo Tenor Horn in Eb and Piano
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Musique Sacrée
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Various
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David McKeown
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20 Favourite Christmas Carols
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David McKeown
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SheetMusicPlus
E-Flat Tenor Horn,Instrumental Solo,Piano - Level 2 - SKU: A0.587269 Composed by Various. Arranged by David McKeown. Christian,Christmas,Praise & Worshi...
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E-Flat Tenor Horn,Instrumental Solo,Piano - Level 2 - SKU: A0.587269 Composed by Various. Arranged by David McKeown. Christian,Christmas,Praise & Worship,Sacred. Score and individual part. 28 pages. David McKeown #3123363. Published by David McKeown (A0.587269). 20 Favourite Carols for Solo Tenor Horn in Eb and Piano is a collection of the best-known Christmas carols arranged simply for solo Tenor Horn and Piano. The file contains the Tenor Horn part plus the separate Piano score with added chord symbols. 20 Favourite Carols for Solo Tenor Horn in Eb and Piano is fully compatible with the other Brass, Woodwind and String volumes in the series. Both the short sample audio and the linked youtube performance are from the Clarinet version of these arrangements. · There are also Duet and Quartet versions available of the same carols, in the same keys, so that no matter what instrument you play they will fit together. · This makes them ideal for building a full and flexible band or ensemble for school, community or church. · The keys chosen are the standard singing keys · These arrangements will provide colourful accompaniment to carol singing anywhere throughout the Christmas period. The carols are in alphabetical order and are as follows · Away in a Manger · Deck the Halls · Ding Dong Merrily on High · The First Nowell · God Rest ye Merry Gentleman · Good Christian Men Rejoice · Good King Wenceslas · Hark, the Herald Angels Sing · The Holly and the Ivy · I Saw Three Ships · In the Bleak Midwinter · It Came upon a Midnight Clear · O Cone All Ye Faithful · O Come, O Come Emmanuel · O Little Town of Bethlehem · Once in Royal David’s City · Silent Night · We Three Kings · While Shepherds Watched · We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60 ≈
7.11€
In The Hall Of The Mountain King Violin Cello Duet
In The Hall Of The Mountain King Violin Cello Duet
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Abraham Maduro
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In The Hall Of The Mountain Ki
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Abraham Maduro
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.715393 Composed by Edvard Grieg. Arranged by Abraham Maduro. Concert,Instructional,...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.715393 Composed by Edvard Grieg. Arranged by Abraham Maduro. Concert,Instructional,Patriotic,Romantic Period,Standards. Score and parts. 7 pages. Abraham Maduro #3500131. Published by Abraham Maduro (A0.715393). Arrangement and adaptation of the orchestral piece In The Hall Of The Mountain King for Violin Cello Duet, the melody is almost the same (mainly played by the Violin) but adapted to fit the duet format at the same time the Cello part takes charge of the bass but plays the theme too, B minor 02´14 long Advanced Intermediate Level, score and parts included, special for concerts, recitals and events.https://youtu.be/qdcKVhqxtQcFor more arrangements and composition of Abraham Maduro on Sheet Music Plushttp://www.sheetmusicplus.com/publishers/abraham-maduro/6638other violin cello duet arrangementshttps://www.sheetmusicplus.com/title/over-the-rainbow-from-the-wizard-of-oz-violin-cello-duet-digita......https://www.sheetmusicplus.com/title/you-raise-me-up-by-josh-groban-wedding-violin-cello-duet-digita.....https://www.sheetmusicplus.com/title/canon-in-d-violin-cello-duet-digital-sheet-music/20683652?narro....https://www.sheetmusicplus.com/title/ode-to-joy-violin-cello-duet-digital-sheet-music/20700784?narro...For more information contact me at: contrabraham@gmail.com
$5.99 ≈
5.60€
Conversation in Orange & Brown for Euphonium & Tuba
Conversation in Orange & Brown for Euphonium & Tuba
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Euphonium, Tuba (duo)
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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Conversation in Orange & B
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Burke & Bagley
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - SKU: A0.787300 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards....
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Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - SKU: A0.787300 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 15 pages. Burke & Bagley #10635. Published by Burke & Bagley (A0.787300). An arrangement for euphonium & tuba of a duet originally composed for french horn & tuba, and also available for cello & double bass or as a duet for two horns. Duration approximately 8 minutes. Comments on the arrangement for Cello & Double Bass from the judges of the 2010 Recital Music Double Bass Composition Competition: This is an interesting work, exploring a range of colors and textures. The bass part, on the whole, uses the orchestral range of the instrument and would offer few technical problems for the good intermediate bassist. The double bass is used well, as both soloist, accompanist and equal partner, and the contrast of arco and pizzicato create new and interesting textures. The contrasting musical ideas are effective, and the use of solos, question and answer, and unified rhythms help to maintain interest for players and audiences alike. The cello and double bass duo is a popular ensemble with bassists and this piece would fit easily into any recital and for any audience. The changing tonalities keep the piece alive and alert. Conversation in Orange & Brown doesn't outstay its welcome and would be accessible to many musicians.
$15.00 ≈
14.03€
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