Standing 3 late beginner hymn collection (Brethren We Have Met to Worship, I Am Resolved, Standing o
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SKU: A0.1172421
Composed by James H. Fillmore, R. Kelso Carter, and William Moore. Arranged by Amanda Tero. Children,Christian,Religious,Sacred. Score. 9 pages. Amanda Tero #772646. Published by Amanda Tero (A0.1172421).Delight your late beginner students with three exciting hymns in level 2 sheet music solos. These are specifically arranged for the students who like a little bouncy touch to their hymns.
Great for church services or recital for both piano students and piano teachers. This works well for the smaller church offertories that only need about 1 minute of piano playing.
This piano sheet music is equivalent to most Level 2 or ABRSM Grade 2.
6 pages total. 1 piece in F. 2 pieces in C.
Musical elements in Brethren We Have Met to Worship
- Note values: whole notes, dotted half notes, half notes, half rests, quarter notes, eighth notes
- Note reading: bass clef C2 to F4, treble clef Bb3 to A5
- 8va
- RH reading bass clef
- RH over left hand
- Accidentals
- Ties
- Finger numbers
Practice tips for Brethren We Have Met to Worship
The most fun–and hardest–part of this arrangement is the right hand, measures 11-14. The right hand is not only reading bass clef, but is reading the lowest notes in the piece of music. This is a great place to start.Additionally, the left hand for the first page is an open fifth the entire time but changes on the second page. So it may be beneficial to start learning the left hand intervals on the second page first.
Musical elements in I am Resolved
- Note values: whole notes, half notes, quarter notes, eighth notes, eighth rests
- Note reading: bass clef C2-E4, treble clef C4-E5
- Drop-roll (slur-staccato)
- Staccatos
- Moving left hand
- Accidentals
- LH octave reach
- A lot of thirds
- Broken chords
Practice tips for I am Resolved
While the left hand starts with a catchy left hand pattern, it does get more complicated for the chorus, starting in measure 11. It would benefit the student to focus a little extra attention on the rapidly changing notes of the left hand for the chorus. While the chorus is harder, it does feature repetition, so have the student identify the measures that are the same.Musical elements in Standing on the Promises
- Note values: whole notes, half notes, half rests, quarter notes, quarter rests, eighth notes
- Note reading: bass clef C2-E4, treble clef C4-C6
- Fermata
- Staccatos
- Accidentals
- Chromatic scale
- LH octave reach
Practice tips for Standing on the Promises
If your student doesn’t know their chromatic scale yet, this is the perfect piece to teach it to them! If they already know a chromatic scale, then they will be able to easily master the last two measures.There is a solid left hand pattern that will be beneficial to help the student analyze. If they figure out the pattern it will make learning easier.
This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
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