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Derwen

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Derwen (Oak tree in Welsh) SATBB Recorder Quintet by Emma Arandjelović

Derwen (Oak tree in Welsh) SATBB Recorder Quintet by Emma ArandjeloviÄ #Emma ArandjeloviÄ #Derwen #Masquerade Music #SheetMusicPlus

Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 4 - SKU: A0.1382169 Composed by Emma Arandjelović. 21st Century,Chamber,Contemporar...(+)

$15.99 ≈ 14.92€

Folk Songs For Classical Guitar - Volume 9 (Songs 217-243)

Folk Songs For Classical Guitar - Volume 9 (Songs 217-243) #Traditional/Anonymous #Socrates Arvanitakis #Folk Songs For Classical Guita #Socrates Arvanitakis #SheetMusicPlus

Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1152788 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...(+)

$25.00 ≈ 23.33€

DANCE OF ENCHANTMENT

DANCE OF ENCHANTMENT #Piano seul #INTERMÉDIAIRE/AVANCÉ #ROBERT VAN HORNE # #DANCE OF ENCHANTMENT #White Piano International Publishing #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1415787 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...(+)

Piano Solo - Level 4 - SKU: A0.1415787 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 7 pages. White Piano International Publishing #997445. Published by White Piano International Publishing (A0.1415787). DANCE OF ENCHANTMENT (Original Piano Music) from “CHINA LOVE”Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo Arrangement7 pagesDuration approximately 4 minutesWhile residing in Singapore in 1987, I found inspiration to compose DANCE OF ENCHANTMENT. Initially titled DANCE OF THE CHINA DOLL, it later underwent a title change to DANCE OF ENCHANTMENT. My objective was to compose an album featuring ten piano pieces imbued with the essence of Chinese music, hence the title of the album, “CHINA LOVE.”DANCE OF ENCHANTMENT narrates the tale of a young Chinese girl gracefully dancing in her traditional attire, exuding freedom and elegance.The sheet music for DANCE OF ENCHANTMENT is clearly notated, featuring detailed instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology.This arrangement is well-suited for advanced intermediate students, professional pianists, and piano instructors, providing a delightful musical experience.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of DANCE OF ENCHANTMENT can be enjoyed on Robert’s “CHINA LOVE” album.Furthermore, an EARLY INTERMEDIATE PIANO arrangement of this piece can be found in Robert’s book titled TEN MUSICAL THEMES FROM CHINA LOVE accessible through: SHEET MUSIC PLUSSHEET MUSIC DIRECTPublished by White Piano International PublishingRobert Van Horne is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.

$2.99 ≈ 2.79€

Bruch Ave Maria Op. 61 for Cello and String Orchestra
Bruch Ave Maria Op. 61 for Cello and String Orchestra #Classique #Max Bruch #Paul Wood #Bruch Ave Maria Op. 61 for Cel #MyMusicScores.com #SheetMusicPlus

String Orchestra - Level 4 - SKU: A0.1400531 Composed by Max Bruch. Arranged by Paul Wood. Romantic Period. 35 pages. MyMusicScores.com #983728. Publish...(+)

String Orchestra - Level 4 - SKU: A0.1400531 Composed by Max Bruch. Arranged by Paul Wood. Romantic Period. 35 pages. MyMusicScores.com #983728. Published by MyMusicScores.com (A0.1400531). Arrangement for cello and String Orchestra.Max Bruch’s “Ave Maria” is a poignant concert piece for violoncello and orchestra, inspired by the sixth movement—a prayer scene—from his cantata “Das Feuerkreuz” (The Fiery Cross), Opus 52. The cantata, drawing from Sir Walter Scott’s “Lady of the Lake,” underwent a lengthy creative process before reaching completion in 1888-89.Bruch’s deep affection for the Prayer Scene led him to publish it separately for voice and orchestra. However, at the urging of his friend, cellist Robert Hausmann, he reimagined it in 1892 for violoncello and orchestra, transposing it from D minor to A minor. This transformation allowed it to stand alongside his successful work “Kol Nidrei,” Opus 55.The PDF file contains the score and all parts.

$24.99 ≈ 23.32€

Bruch Ave Maria Op. 61 for Cello and Orchestra
Bruch Ave Maria Op. 61 for Cello and Orchestra #Orchestre #INTERMÉDIAIRE/AVANCÉ #Classique #Max Bruch #Paul Wood #Bruch Ave Maria Op. 61 for Cel #MyMusicScores.com #SheetMusicPlus

Full Orchestra - Level 4 - SKU: A0.1391370 Composed by Max Bruch. Arranged by Paul Wood. Romantic Period. 77 pages. MyMusicScores.com #974911. Published...(+)

Full Orchestra - Level 4 - SKU: A0.1391370 Composed by Max Bruch. Arranged by Paul Wood. Romantic Period. 77 pages. MyMusicScores.com #974911. Published by MyMusicScores.com (A0.1391370). Max Bruch�??s �??Ave Maria�?� is a poignant concert piece for violoncello and orchestra, inspired by the sixth movement�??a prayer scene�??from his cantata �??Das Feuerkreuz�?� (The Fiery Cross), Opus 52. The cantata, drawing from Sir Walter Scott�??s �??Lady of the Lake,�?� underwent a lengthy creative process before reaching completion in 1888-89.Bruch�??s deep affection for the Prayer Scene led him to publish it separately for voice and orchestra. However, at the urging of his friend, cellist Robert Hausmann, he reimagined it in 1892 for violoncello and orchestra, transposing it from D minor to A minor. This transformation allowed it to stand alongside his successful work �??Kol Nidrei,�?� Opus 55.The PDF file contains the score and all parts.As the PDF file is large you will find bookmarks in the file to help you find the parts easily.

$35.99 ≈ 33.59€

Long Island Songs (Downloadable)
Long Island Songs (Downloadable) #Voix Soprano, Piano #Tom Cipullo #Long Island Songs #E. C. Schirmer Music Company - Digital #SheetMusicPlus

Soprano voice and piano - Medium - SKU: MQ.8772-1E Composed by Tom Cipullo. 26 pages. E. C. Schirmer Music Company - Digital #8772-1E. Published by E. C...(+)

Soprano voice and piano - Medium - SKU: MQ.8772-1E Composed by Tom Cipullo. 26 pages. E. C. Schirmer Music Company - Digital #8772-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8772-1E). English.All of the songs in this volume are connected, in one way or another, to renowned tenor and new music champion, Paul Sperry. The Long Island Songs were composed in 1992 and premiered in December of that year by Paul and underwent extensive revision in 2005. The Land of Nod was commissioned by, and is dedicated to, Paul. In 1992, he telephoned the composer and exclaimed, “I’ve just read a new book of poetry and thought immediately of you.” The composer was quite flattered until he read the poems and discovered their subject matter ranged from a hitch-hiking Manson-family devotee to matricide. The work was premiered at Merkin Hall in 1993.Contents:Long Island Songs 1. Invocation 2. The Odor of Pear 3. The Nesconset Crickets 4. The Crane at Gibbs’ Pond The Land of Nod 1. The Land of Nod 2. A Death in the Family 3. Deer in Mist and Almonds On a 19th Century Color Lithograph of Red Riding Hood by the Artist J. H.

$6.00 ≈ 5.60€

Pie Jesus, from Fauré's Requiem, for Trumpet and Piano
Pie Jesus, from Fauré's Requiem, for Trumpet and Piano #Trompette, Piano #INTERMÉDIAIRE #Classique #Gabriel Faure #David McKeown #Pie Jesus, from Fauré's #David McKeown #SheetMusicPlus

Piano,Trumpet - Level 3 - SKU: A0.587710 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. ...(+)

Piano,Trumpet - Level 3 - SKU: A0.587710 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810609. Published by David McKeown (A0.587710). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Trumpet with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.

$4.60 ≈ 4.29€

Pie Jesus, from Fauré's Requiem, for Flute and Piano
Pie Jesus, from Fauré's Requiem, for Flute and Piano #Flûte traversière et Piano #FACILE #Classique #Gabriel Faure #David McKeown #Pie Jesus, from Fauré's #David McKeown #SheetMusicPlus

Flute,Piano - Level 2 - SKU: A0.587707 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Sc...(+)

Flute,Piano - Level 2 - SKU: A0.587707 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810597. Published by David McKeown (A0.587707). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Flute with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an early intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.

$4.60 ≈ 4.29€

Pie Jesus, from Fauré's Requiem, for Soprano or Descant Recorder and Piano
Pie Jesus, from Fauré's Requiem, for Soprano or Descant Recorder and Piano #Classique #Gabriel Faure #David McKeown #Pie Jesus, from Fauré's #David McKeown #SheetMusicPlus

Instrumental Duet,Piano Recorder Solo,Soprano Recorder - Level 2 - SKU: A0.587709 Composed by Gabriel Faure. Arranged by David McKeown. Contemporary,Rom...(+)

Instrumental Duet,Piano Recorder Solo,Soprano Recorder - Level 2 - SKU: A0.587709 Composed by Gabriel Faure. Arranged by David McKeown. Contemporary,Romantic Period,Sacred,Standards. Individual part. 5 pages. David McKeown #4810607. Published by David McKeown (A0.587709). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Descant or Soprano Recorder with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an early intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.

$4.60 ≈ 4.29€

Amazing Grace For Bagpipes
Amazing Grace For Bagpipes #Cornemuse #FACILE #Celtique/Irlandais #Martin Hay #Martin Hay #Amazing Grace For Bagpipes #Martin Hay #SheetMusicPlus

Bagpipes Solo - Level 2 - SKU: A0.1196986 By Martin Hay. By Traditional. Arranged by Martin Hay. Celtic,Early Music,Folk,Historic,Irish,Traditional. Ind...(+)

Bagpipes Solo - Level 2 - SKU: A0.1196986 By Martin Hay. By Traditional. Arranged by Martin Hay. Celtic,Early Music,Folk,Historic,Irish,Traditional. Individual part. 1 pages. Martin Hay #796146. Published by Martin Hay (A0.1196986). Amazing Grace is a beloved Christian hymn that has become a timeless classic. It was written by John Newton, a former slave trader who underwent a spiritual transformation and became an abolitionist. The song's lyrics reflect Newton's gratitude for God's mercy and grace, and the transformative power of faith. The tune is simple yet powerful, with a haunting melody that lends itself to both solemn and joyous occasions. Amazing Grace has been covered by countless artists in various genres, and has become a staple of funerals, memorials, and other solemn occasions, as well as a symbol of hope and resilience in the face of adversity. Its enduring popularity is a testament to its universal message of redemption and hope.

$2.99 ≈ 2.79€

Castle Crag
Castle Crag #Piano seul #INTERMÉDIAIRE #New Age #Contemporain #Adrian Lord #Castle Crag #Adrian Lord #SheetMusicPlus

Piano Solo - Level 3 - SKU: A0.1220972 By Adrian Lord. By Adrian Lord. Classical,Contemporary,New Age. Score. 6 pages. Adrian Lord #817319. Published by...(+)

Piano Solo - Level 3 - SKU: A0.1220972 By Adrian Lord. By Adrian Lord. Classical,Contemporary,New Age. Score. 6 pages. Adrian Lord #817319. Published by Adrian Lord (A0.1220972). Castle Crag is taken from “Piano Postcards”. One of the English Lake District’s 214 Wainwright fells, the rocky and slate scree summit boasts amazing views across Derwentwater, as well as other neighbouring and far- away peaks. This download includes: 1. Castle CragAlso available: “Piano Meditations”, “Sky “Blue Piano” and “Journey - Twelve Romances for Piano”. Adrian Lord's music can be heard on Spotify, Apple Music, YouTube and CD. The sheet music is also available in beautifully printed books from www.adrianlordpiano.com.

$3.75 ≈ 3.50€

What Child Is This (Vocal Solo and Jazz Ensemble)
What Child Is This (Vocal Solo and Jazz Ensemble) #Ensemble Jazz #INTERMÉDIAIRE #William Chatterton Dix #Joseph Hasper #What Child Is This #Joseph Hasper #SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734856 Composed by William Chatterton Dix. Arranged by Joseph Hasper. Christmas,Jazz,Praise & Worship. S...(+)

Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734856 Composed by William Chatterton Dix. Arranged by Joseph Hasper. Christmas,Jazz,Praise & Worship. Score and parts. 84 pages. Joseph Hasper #3681527. Published by Joseph Hasper (A0.734856). A smooth jazz waltz version of a touching Christmas favorite. Easy vocals and a lush setting allow room for your singer to add their own embellishments to make it as big or small as you like. Requires no large instrumental ad libs, with two optional ad lib fills for alto sax. Piano and bass fully notated plus chord symbols. Key of D minor.A high vocal version (key of G minor) is also available, SMP no. S0.446811 arranged by Joseph Hasper.What Child Is This? is a Christmas carol whose lyrics were written by William Chatterton Dix, in 1865. At the time of composing the carol, Dix worked as an insurance company manager and had been struck by a severe illness. While recovering, he underwent a spiritual renewal that led him to write several hymns, including lyrics to this carol that was subsequently set to the tune of Greensleeves, a traditional English folk song.

$39.00 ≈ 36.40€

Pie Jesus, from Fauré's Requiem, for Clarinet and Piano
Pie Jesus, from Fauré's Requiem, for Clarinet and Piano #Clarinette et Piano #FACILE #Classique #Gabriel Faure #David McKeown #Pie Jesus, from Fauré's #David McKeown #SheetMusicPlus

Clarinet,Piano - Level 2 - SKU: A0.587706 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards....(+)

Clarinet,Piano - Level 2 - SKU: A0.587706 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810595. Published by David McKeown (A0.587706). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Clarinet with Piano accompaniment. Both the piano score and the solo part are included in the pdf file.Soloists at an early intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.

$4.60 ≈ 4.29€

Pie Jesus, from Fauré's Requiem, for Viola and Piano
Pie Jesus, from Fauré's Requiem, for Viola and Piano #Alto, Piano #INTERMÉDIAIRE #Classique #Gabriel Faure #David McKeown #Pie Jesus, from Fauré's #David McKeown #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.587711 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Sc...(+)

Piano,Viola - Level 3 - SKU: A0.587711 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810611. Published by David McKeown (A0.587711). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Viola with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good bow and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

$4.60 ≈ 4.29€

Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score #Orchestre #INTERMÉDIAIRE/AVANCÉ #Classique #Johann Strauss Jr #Aaron Meier #Olga-Polka, Op. 196 #Aaron Meier #SheetMusicPlus

Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...(+)

Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♭ to a D♮ • 2nd Violins: - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B - At m. 72-75, emphasize the E♭ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.

$10.99 ≈ 10.26€

Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I #Orchestre à Cordes #INTERMÉDIAIRE/AVANCÉ #Classique #Johann Strauss Jr #Aaron Meier #Olga-Polka, Op. 196 #Aaron Meier #SheetMusicPlus

String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...(+)

String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♭ to a D♮ • 2nd Violins: - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B - At m. 72-75, emphasize the E♭ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit

$3.99 ≈ 3.72€

Space Mountain Score
Space Mountain Score #Piano seul #INTERMÉDIAIRE/AVANCÉ #Film/TV #Michael Giacchino #Josh Goldhaber #Space Mountain Score #Josh Goldhaber #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1301725 Composed by Michael Giacchino. Arranged by Josh Goldhaber. Classical,Contemporary,Film/TV,Jazz,Rock. Score. 6 pag...(+)

Piano Solo - Level 4 - SKU: A0.1301725 Composed by Michael Giacchino. Arranged by Josh Goldhaber. Classical,Contemporary,Film/TV,Jazz,Rock. Score. 6 pages. Josh Goldhaber #891325. Published by Josh Goldhaber (A0.1301725). The complete on-ride score from Space Mountain at Disneyland Resort in Anaheim, CA. Originally opened in 1977, the roller coaster underwent a massive refurbishment in 2005 that saw its trains and almost all of its track entirely replaced. Along with this refurbishment came a new high-energy score from Michael Giacchino (The Incredibles (2004), Star Trek (2009), Rogue One: A Star Wars Story (2016)) that features on the ride to this day. Since 2005, Giacchino has written on-ride music for each Space Mountain roller coaster at Disney Parks across the globe.

$4.99 ≈ 4.66€

Pie Jesus, from Fauré's Requiem, for Alto Saxophone and Piano
Pie Jesus, from Fauré's Requiem, for Alto Saxophone and Piano #Saxophone Alto et Piano #INTERMÉDIAIRE #Classique #Gabriel Faure #David McKeown #Pie Jesus, from Fauré's #David McKeown #SheetMusicPlus

Alto Saxophone,Piano - Level 3 - SKU: A0.587705 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Stan...(+)

Alto Saxophone,Piano - Level 3 - SKU: A0.587705 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810593. Published by David McKeown (A0.587705). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Alto Saxophone with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.

$4.60 ≈ 4.29€

Pie Jesus, from Fauré's Requiem, for Soprano Saxophone and Piano
Pie Jesus, from Fauré's Requiem, for Soprano Saxophone and Piano #Saxophone Soprano et Piano #FACILE #Classique #Gabriel Faure #David McKeown #Pie Jesus, from Fauré's #David McKeown #SheetMusicPlus

Piano,Soprano Saxophone - Level 2 - SKU: A0.587704 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,S...(+)

Piano,Soprano Saxophone - Level 2 - SKU: A0.587704 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810591. Published by David McKeown (A0.587704). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Soprano Saxophone with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an early intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.

$4.60 ≈ 4.29€

Pie Jesus, from Fauré's Requiem, for Tenor Saxophone and Piano
Pie Jesus, from Fauré's Requiem, for Tenor Saxophone and Piano #Saxophone Tenor et Piano #FACILE #Classique #Gabriel Faure #David McKeown #Pie Jesus, from Fauré's #David McKeown #SheetMusicPlus

Piano,Tenor Saxophone - Level 2 - SKU: A0.587703 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Sta...(+)

Piano,Tenor Saxophone - Level 2 - SKU: A0.587703 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810589. Published by David McKeown (A0.587703). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Tenor Saxophone with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an early intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.

$4.60 ≈ 4.29€

Blue Moon
Blue Moon #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #INTERMÉDIAIRE #Contemporain #Elvis Presley #Rita Arendz #Blue Moon #Rita Arendz #SheetMusicPlus

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1001555 By Elvis Presley. By Richard Rodgers. Arranged by Rita Arendz. Contempora...(+)

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1001555 By Elvis Presley. By Richard Rodgers. Arranged by Rita Arendz. Contemporary. 26 pages. Rita Arendz #6623603. Published by Rita Arendz (A0.1001555). Blue Moon, a pop song from the 1930s, underwent four revisions of its lyrics to become the standard ballad we love today. As a result, it has been covered by such vocalists as Billy Eckstine, Mel Torme, Billy Holiday, Elvis Presley, Frank Sinatra, and Rod Stewart, to name a few.Arranged for Quintet using British Brass Band instruments (Cornet, Tenor Horn, Bb Baritone, Eb Bass) with optional drums. Alternate parts for French horn, bass clef parts for Baritone/Trombone/Euphonium and Tuba are included. Duration ~3:00. 26 pages.

$24.99 ≈ 23.32€

I Don’t Want to Play in Your Yard: Trumpet Feature
I Don’t Want to Play in Your Yard: Trumpet Feature #H #F #I Don’t Want to Play in #Sweetwater Brass Press #SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 2...(+)

Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138). Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,” published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.” One announced, “You can’t play in our yard.” The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me. The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.” But “in sweet dreams of childhood” we still remember the controversy of the yard. This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary” then transitions to ¾ for the remainder of the piece. Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform. Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).

$7.95 ≈ 7.42€

Pie Jesus, from Fauré's Requiem, for Oboe and Piano
Pie Jesus, from Fauré's Requiem, for Oboe and Piano #Hautbois, Piano (duo) #FACILE #Classique #Gabriel Faure #David McKeown #Pie Jesus, from Fauré's #David McKeown #SheetMusicPlus

Oboe,Piano - Level 2 - SKU: A0.587708 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Sco...(+)

Oboe,Piano - Level 2 - SKU: A0.587708 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810605. Published by David McKeown (A0.587708). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Oboe with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an early intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.

$4.60 ≈ 4.29€

What Child Is This - Jazz Ensemble and Vocal Solo (High Voice)
What Child Is This - Jazz Ensemble and Vocal Solo (High Voice) #Ensemble Jazz #INTERMÉDIAIRE #Noël #William Chatterton Dix #Joseph Hasper #What Child Is This - Jazz Ense #Joseph Hasper #SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734868 Composed by William Chatterton Dix. Arranged by Joseph Hasper. Christmas,Jazz. Score and parts. 9...(+)

Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734868 Composed by William Chatterton Dix. Arranged by Joseph Hasper. Christmas,Jazz. Score and parts. 94 pages. Joseph Hasper #3879039. Published by Joseph Hasper (A0.734868). A smooth jazz waltz version of a touching Christmas favorite. Easy vocals and a lush setting allow room for your singer to add their own embellishments to make it as big or small as you like. Requires no large instrumental ad libs. Piano and bass fully notated plus chord symbols. Key of G minor.A low voice version (in D minor) is also available at SMP Press: https://www.sheetmusicplus.com/title/what-child-is-this-vocal-solo-and-jazz-ensemble-digital-sheet-m...What Child Is This? is a Christmas carol whose lyrics were written by William Chatterton Dix, in 1865. At the time of composing the carol, Dix worked as an insurance company manager and had been struck by a severe illness. While recovering, he underwent a spiritual renewal that led him to write several hymns, including lyrics to this carol that was subsequently set to the tune of Greensleeves, a traditional English folk song.

$29.00 ≈ 27.07€

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