Digital Pack includes:

1. Journey in Concert (arr. Paul Murtha) - Conductor Score (Full Score)
2. Journey in Concert (arr. Paul Murtha) - Pt.1 - Flute
3. Journey in Concert (arr. Paul Murtha) - Pt.1 - Oboe
4. Journey in Concert (arr. Paul Murtha) - Pt.1 - Violin
5. Journey in Concert (arr. Paul Murtha) - Pt.2 - Eb Alto Saxophone
6. Journey in Concert (arr. Paul Murtha) - Pt.3 - Bb Tenor Saxophone
7. Journey in Concert (arr. Paul Murtha) - Pt.1 - Bb Clarinet/Bb Trumpet
8. Journey in Concert (arr. Paul Murtha) - Pt.2 - Violin
9. Journey in Concert (arr. Paul Murtha) - Pt.3 - Violin
10. Journey in Concert (arr. Paul Murtha) - Pt.3 - F Horn
11. Journey in Concert (arr. Paul Murtha) - Pt.3 - Bb Clarinet
12. Journey in Concert (arr. Paul Murtha) - Pt.2 - Bb Clarinet/Bb Trumpet
13. Journey in Concert (arr. Paul Murtha) - Pt.3 - Eb Alto Sax/Alto Clar.
14. Journey in Concert (arr. Paul Murtha) - Pt.4 - F Horn
15. Journey in Concert (arr. Paul Murtha) - Pt.3 - Viola
16. Journey in Concert (arr. Paul Murtha) - Pt.4 - Cello
17. Journey in Concert (arr. Paul Murtha) - Pt.4 - Trombone/Bar. B.C./Bsn.
18. Journey in Concert (arr. Paul Murtha) - Pt.4 - Bb Tenor Sax/Bar. T.C.
19. Journey in Concert (arr. Paul Murtha) - Pt.5 - Bb Bass Clarinet
20. Journey in Concert (arr. Paul Murtha) - Pt.5 - Trombone/Bar. B.C./Bsn.
21. Journey in Concert (arr. Paul Murtha) - Pt.5 - Baritone T.C.
22. Journey in Concert (arr. Paul Murtha) - Pt.5 - Eb Baritone Saxophone
23. Journey in Concert (arr. Paul Murtha) - Pt.5 - Tuba
24. Journey in Concert (arr. Paul Murtha) - Pt.5 - Cello
25. Journey in Concert (arr. Paul Murtha) - Percussion 1
26. Journey in Concert (arr. Paul Murtha) - Mallet Percussion
27. Journey in Concert (arr. Paul Murtha) - Pt.5 - String/Electric Bass
28. Journey in Concert (arr. Paul Murtha) - Percussion 2
29. Journey in Concert (arr. Paul Murtha) - Timpani

Digital Pack includes:

1. The Best Of Journey - Full Score
2. The Best Of Journey - Piccolo
3. The Best Of Journey - Flute
4. The Best Of Journey - Oboe
5. The Best Of Journey - Bassoon
6. The Best Of Journey - Bb Clarinet 1
7. The Best Of Journey - Bb Clarinet 2
8. The Best Of Journey - Bb Clarinet 3
9. The Best Of Journey - Eb Alto Clarinet
10. The Best Of Journey - Bb Bass Clarinet
11. The Best Of Journey - Eb Alto Saxophone 1
12. The Best Of Journey - Eb Alto Saxophone 2
13. The Best Of Journey - Bb Tenor Saxophone
14. The Best Of Journey - Eb Baritone Saxophone
15. The Best Of Journey - Bb Trumpet 1
16. The Best Of Journey - Bb Trumpet 2
17. The Best Of Journey - Bb Trumpet 3
18. The Best Of Journey - F Horn 1
19. The Best Of Journey - F Horn 2
20. The Best Of Journey - Trombone 1
21. The Best Of Journey - Trombone 2
22. The Best Of Journey - Baritone B.C.
23. The Best Of Journey - Baritone T.C.
24. The Best Of Journey - Tuba
25. The Best Of Journey - Electric Bass
26. The Best Of Journey - Percussion 1
27. The Best Of Journey - Percussion 2
28. The Best Of Journey - Mallet Percussion
29. The Best Of Journey - Timpani

Your audience?s memory of this Eighties rock anthem by Journey will be playing along in their head?from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they?ve never heard it before on a harp.

This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.

Range and key: F major (one flat). 23x2 strings. C below middle C through D.
Lever changes: None.

Good for: Weddings, parties, performance, therapeutic settings.

Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it?s a great piece to learn this technique on.

Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.

Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with ?R? or ?R#? when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with ?L? or ?L#? when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in ?Don?t Stop Believin?: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf

Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what?s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don?t worry: it?s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.

Length: 6 pages. 106 measures. 4:00?5:00 minutes, depending on tempo.

Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.

Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin