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Vous avez sélectionné:
Gabrieli
Ensemble de Flûtes
Partitions à imprimer
9 partitions trouvées
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1
Canzona per sonar No 1 Ch.186 (Giovanni Gabrieli) Flute Choir arr. Adrian Wagner
Canzona per sonar No 1 Ch.186 (Giovanni Gabrieli) Flute Choir arr. Adrian Wagner
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Ensemble de Flûtes
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Renaissance
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Giovanni Gabrieli
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Adrian Wagner
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Canzona per sonar No 1 Ch.186
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SheetMusicPlus
Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 13 pages. Published by Published by Adrian Wagner (S0.31...
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Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 13 pages. Published by Published by Adrian Wagner (S0.311083). - Score,Set of Parts - Renaissance - Published by Adrian Wagner
$7.50 ≈
7.00€
Sonata Pian e Forte by Giovanni Gabrieli - for Flute Choir
Sonata Pian e Forte by Giovanni Gabrieli - for Flute Choir
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Ensemble de Flûtes
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Giovanni Gabrieli
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Fabio Barnaba
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Sonata Pian e Forte by Giovann
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Fabio Barnaba
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SheetMusicPlus
Composed by Giovanni Gabrieli (1553-1612). Arranged by Fabio Barnaba. Classical Period, Baroque Period, Renaissance. Score, Set of Parts. 15 pages. Published by...
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Composed by Giovanni Gabrieli (1553-1612). Arranged by Fabio Barnaba. Classical Period, Baroque Period, Renaissance. Score, Set of Parts. 15 pages. Published by Fabio Barnaba (S0.263221). - Score,Set of Parts - Classical Period,Baroque Period,Renaissance - Fabio Barnaba
$9.99 ≈
9.32€
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.73€
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.73€
Gabrieli: Jubilate Deo Ch. 136 for Flute Choir
Gabrieli: Jubilate Deo Ch. 136 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549191 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 ...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549191 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457115. Published by jmsgu3 (A0.549191). Giovanni Gabrieli: Jubilate Deo (Ch. 136) Instrumentation: 1 piccolo, 5 flutes, 1 alto flute, 1 bass flute, 1 cello (or contrabass flute) Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not at all difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations.
$47.95 ≈
44.73€
Hodie Christus Natus Est for Flute Choir
Hodie Christus Natus Est for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Giovanni Gabrieli
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Lisa Ochoco
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Hodie Christus Natus Est for F
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.559903 Composed by Giovanni Gabrieli. Arranged by Lisa Ochoco. Christmas...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.559903 Composed by Giovanni Gabrieli. Arranged by Lisa Ochoco. Christmas,Renaissance,Sacred. 20 pages. Lisa L Ochoco #5373175. Published by Lisa L Ochoco (A0.559903). Giovanni Gabrieli was an Italian composer who lived in the second half of the 16th century who wrote prolifically for the voice. Over 400 years later, his songs are still sung, and many of his compositions were transcribed into instrumental pieces, like this one.
$15.00 ≈
13.99€
Canzon Duodecimi Toni a 10, Ch. 177
Canzon Duodecimi Toni a 10, Ch. 177
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Renaissance
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Giovanni Gabrieli
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Adrian Dee
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Canzon Duodecimi Toni a 10, Ch
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Adrian Dee
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1037658 Composed by Giovanni Gabrieli (c.1554/7 - 1612). Arranged by Adrian Dee....
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1037658 Composed by Giovanni Gabrieli (c.1554/7 - 1612). Arranged by Adrian Dee. Renaissance. 27 pages. Adrian Dee #642563. Published by Adrian Dee (A0.1037658). Here is one for the big flutes. Arranged for 3 C-flutes, 2 alto flutes, 2 bass flutes, and 2 contrabass flutes. Each voice is unique, so all parts are required, including both contra parts. You may add piccolo players (one on each part) to double the first and second flute parts. This piece is a typical example of Gabrieli’s masterful counterpoint. Keep all notes cleanly separated as though they were marked staccato, especially repeated notes. Bring out the moving notes and drop back on longer notes.
$10.99 ≈
10.25€
Sancta Maria
Sancta Maria
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Ensemble de Flûtes
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FACILE
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Classique
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Giovanni Gabrieli
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Edition Maulwurf
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Sancta Maria
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Edition Maulwurf
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SheetMusicPlus
Composed by Giovanni Gabrieli (1553-1612). Arranged by Edition Maulwurf. Baroque, Religious, Sacred. 28 pages. Edition Maulwurf #862000. Published by ...
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Composed by Giovanni Gabrieli (1553-1612). Arranged by Edition Maulwurf. Baroque, Religious, Sacred. 28 pages. Edition Maulwurf #862000. Published by Edition Maulwurf
$9.99 ≈
9.32€
Jubilate Deo
Jubilate Deo
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Giovanni Gabrieli
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Robert Rainford
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Jubilate Deo
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Forton Music - Digital
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SheetMusicPlus
Composed by Giovanni Gabrieli (1553-1612). Arranged by Robert Rainford. Score and parts. 38 pages. Forton Music - Digital #FM053. Published by Forton ...
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Composed by Giovanni Gabrieli (1553-1612). Arranged by Robert Rainford. Score and parts. 38 pages. Forton Music - Digital #FM053. Published by Forton Music - Digital
$12.95 ≈
12.08€
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