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Wolfgang Amadeus Mozart: Arias For Soprano
$19.99
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Lead time before shipment :
3 to 5 business days
Format : Sheet music + CD
For Vocal Soprano. Classical (John Wustman piano accompaniments). Includes a high-quality printed vocal score and a compact disc with stereo accompaniments to each piece. Published by Music Minus One.
Instrumentation :
Soprano voice
Publisher :
Music Minus One
Sheet music extract
Wolfgang Amadeus Mozart: Arias For Soprano
$ 19.99
Song List
:
Cosi Fan Tutte, KV588 - Act I: 'Temerari, sortite fuori di questo loco!...Come scoglio' (Fiordiligi)
Don Giovanni, KV527 - Act II: 'Crudele? Ah no, mio bene!...Non mi dir, bell' idol mio' (recitativo and aria) (Donna Anna)
Le Nozze di Figaro (The Marriage of Figaro), KV492 - Act II: 'Porgi amor qualche ristoro' (La Contessa)
Le Nozze di Figaro (The Marriage of Figaro), KV492 - Act III: 'E Susanna non vien!...Dove sono I bei momenti' - recitativo and aria (La Contessa)
Cosi Fan Tutte, KV588 - Act I: 'In uomini, in soldati' (Despina)
Cosi Fan Tutte, KV588 - Act II: 'Una donna a quindici anni' (Despina)
Don Giovanni, KV527 - Act I: 'Batti, batti, o bel Masetto' (Zerlina)
Don Giovanni, KV527 - Act II: 'Vedrai, carino, se sei buonino' (Zerlina)
Die Entfuhrung aus dem Serail, KV384 - Act I: 'Ach, ich liebte, war so glucklich' (Constanze)
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Sheetmusicplus
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, As of July 1, 2021 Sheet Music Plus does not ship physical goods to EU countries)
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Franz Beyer's new edition of Mozart's complete concert arias had a noticeable ga...
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Franz Beyer's new edition of Mozart's complete concert arias had a noticeable gap up to now: there were no arias for the bass voice! Four books had been issued by 2006 the Mozart year: three with soprano arias (EB 8671-73) and one with tenor arias (EB 8778). They were made with the collaboration of two outstanding experts Juliane Banse (soprano) and Christophe Prégardien (tenor) who provided suggestions for the execution of cadenzas 'Eingänge' and embellishments. Now Beyer presents the 'complete edition' for the lowest voice in collaboration with bass singer Robert Holl. The nine surviving bass arias are chiefly works from Mozart's last creative phase in which the composer offered little tidbits to the opera singers he was friends with. Deserving special attention are the arias 'Per questa bella mano' K. 612 (with obbligato double bass) and 'Männer suchen stets zu naschen' K. 433. While editing this aria Beyer completed the orchestral accompaniment that Mozart had only sketched which means that this piece is now available for the first time with an orchestral accompaniment in an authentic Mozartian style.
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Operaria Sopran 1
Soprano voice
[Sheet music + CD]
Breitkopf & Härtel
lyric coloratura. The OperAria repertoire collection for all voice genres that w...
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lyric coloratura. The OperAria repertoire collection for all voice genres that was successfully launched last year has produced lyrical soprano progeny: From Adele to Zerbinetta, from Pamina to Mimi and Ellen Orford - the first two (of altogether four) soprano volumes contain a representative sampling of important arias from the multifaceted lyrical repertoire. Classical audition arias can be found there, just as vocal gems from opera rarities and arias of classical modernity, each one obviously reliably and carefully edited. Accessorizing one's own lyrical voice, the singer will find a wealth of material such as: information on the composer, the librettist, the work, the vocal range, on questions concerning versions and scoring as well as on the storyline, along with instructive tips from a singer's viewpoint provided by experienced voice teachers and a Phonetics Text Assistant on CD-ROM with diverse possibilities of use. OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. / Date parution : 2019-09-06/ Recueil / Soprano Colorature
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Operaria Baritone
Baryton
[Sheet music + CD]
Breitkopf & Härtel
Vol. 1: Lyric. OperAria is the ideal 'vocal coach' for all voice types. Edited b...
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Vol. 1: Lyric. OperAria is the ideal 'vocal coach' for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria offers in every book - a well-founded repertoire collection of common audition arias and rarities, which also include pieces from the 20th century - reliable aria texts in performable versions with revised or newly elaborated piano-vocal scores - meticulous comments on every aria (with contents and an evaluation from the singer's viewpoint) - a CD as 'Text and Phonetics Assistant' with the aria texts as audio file in their original language as well as the aria texts in German and English translation The three books for baritone '1:lyrical,' '2: lyrical-dramatic' and '3: dramatic' are placed at the beginning of the project. Altogether 16 volumes are planned- the first books for soprano are currently being prepared for 2016. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.' (Peter Anton Ling)/ Recueil / Baryton
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Ricordi Opera Anthology: High Voice and Piano: Vocal Collection
High voice, Piano
Ricordi
Soprano lirico/drammatico - Lyric to Full Soprano-A selection of 36 arias for vo...
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Soprano lirico/drammatico - Lyric to Full Soprano-A selection of 36 arias for voice and piano with plot synopses and translations in Italian and English.A selection of 36 arias for voice and piano with plot synopses and translations in Italian and English.
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Ricordi Opera Anthology: Bass: Vocal Collection
Low voice, Piano
Ricordi
Basso - Bass - A cura di - Edited by Ilaria Narici-A selection of 38 arias for v...
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Basso - Bass - A cura di - Edited by Ilaria Narici-A selection of 38 arias for voice and piano with plot synopses and translations in Italian and English.
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Ricordi Opera Anthology: Baritone: Vocal Collection
Baritone voice, Piano
Ricordi
Baritono - Baritone - a cura di - edited by Ilaria Narici-A selection of 40 aria...
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Baritono - Baritone - a cura di - edited by Ilaria Narici-A selection of 40 arias for voice and piano with plot synopses and translations in Italian and English.
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Ondrej Sarek: Leopold Mozart's Notebook For Wolfgang: Ukulele: Artist Songbook
Ukulele
-
Advanced
Mel Bay
Arranged For Ukulele-While many are familiar with the music of Wolfgang Amadeus ...
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Arranged For Ukulele-While many are familiar with the music of Wolfgang Amadeus Mozart fewer are aware that his father Leopold Mozart was a famous composer in his own right.At the age of seven Wolfgang received a notebook fromhis father as a birthday gift. The 'Notebook for Wolfgang' includes contemporary dances and arias mostly by Leopold Mozart. These compositions provide a glimpse into the formative years of Wolfgang Amadeus Mozart.This book includes fifteen pieces from the notebook arranged for the Ukulele. The melody and bass parts are arranged so the original notation and polyphony are maintained. Each chapter includes pieces presented in standardnotation and tablature.
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Live at the Opera - Flute: Flute: Instrumental Album
Flute
[Sheet music + CD]
-
Intermediate
De Haske Publications
The world's most beautiful arias with full orchestra play along-Great opera sing...
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The world's most beautiful arias with full orchestra play along-Great opera singers have enthralled us for over three hundred years. When we see them on stage our ears are filled with some of the finest classical melodies of all time. Live at the Opera makes this precious treasure trove accessible to instrumentalists too: 15 Italian operatic arias have been individually arranged for flute recorded by the world-renowned flautist Walter Auer. The accompaniment is supplied by an authentic opera orchestra and it is also available as a play-along version without the soloist. A historical background to each piece along with performance tips is included in this unique collection.
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Ricordi Opera Anthology: Tenor: Vocal Collection
Tenor voice, Piano
Ricordi
Tenore - Tenor - A cura di - Edited by Ilaria Narici-A selection of 40 arias for...
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Tenore - Tenor - A cura di - Edited by Ilaria Narici-A selection of 40 arias for voice and piano with plot synopses and translations in Italian and English.
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Ricordi Opera Anthology: High Voice: Vocal Score
High voice
Ricordi
Soprano coloratura/lirico - Lyric Coloratura to Lyric Soprano ~ A cura di - edit...
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Soprano coloratura/lirico - Lyric Coloratura to Lyric Soprano ~ A cura di - edited by Ilaria Narici-A selection of 37 arias for voice and piano with plot synopses and translations in Italian and English.
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Opera Arias - Baritone/Bass
Italiano
Low voice, Piano
Ricordi
Une nouvelle édition indispensable pour tous les chanteurs et le studio de voix...
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Une nouvelle édition indispensable pour tous les chanteurs et le studio de voix! Il s'agit de la collection en plusieurs volumes plus complète de Mozart Opera Arias jamais publié, avec les éditions de Soprano, Mezzo-soprano, ténor et basse / baryton avec 31 à 41 airs par volume. Comprend des notes historiques et intrigue sur chaque opéra et aria, et les traductions pour étudier l'anglais.Les airs les plus connus, bien sûr, se trouvent dans les collections, ainsi que de nombreuses sélections magistrales, vocalement gratifiantes, mais moins familier.Opéras représentés: Apollo et Hyacinthus- Ascanio in Alba- Bastien und Bastienne- La Clemenza di Tito- Così fan tutte- Don Giovanni- Die Entführung aus dem Serail- La finta giardiniera- La finta semplice- Idomeneo- Lucio Silla- Mitridate, rè di Ponto- Le nozze di Figaro- L'oca del cairo- Il rè pastore- Der Schauspieldirektor- Il sogno di Scipione, Zaide, Die Zauberflöte. / Voix Basse(s) Et Piano
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Wolfgang Amadeus Mozart: Arie D'Opera - Airs D'Opera: Baritone or Bass
Baritone voice, Piano
Ricordi
Opern-Arien-Four comprehensive anthologies of Mozarts opera arias. Includes Moza...
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Opern-Arien-Four comprehensive anthologies of Mozarts opera arias. Includes Mozart’s complete vocal repertoire from the first opera to the final masterpieces plus historical notes and plot information. The song texts are in their original languages as well asItalian French and German.
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Opera Arias - Tenor
Tenor voice, Piano
Ricordi
Une nouvelle édition indispensable pour tous les chanteurs et le studio de voix...
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Une nouvelle édition indispensable pour tous les chanteurs et le studio de voix! Il s'agit de la collection en plusieurs volumes plus complète de Mozart Opera Arias jamais publié, avec les éditions de Soprano, Mezzo-soprano, ténor et basse / baryton avec 31 à 41 airs par volume.Comprend des notes historiques et intrigue sur chaque opéra et aria, et les traductions pour étudier l'anglais. Les airs les plus connus, bien sûr, se trouvent dans les collections, ainsi que de nombreuses sélections magistrales, vocalement gratifiantes, mais moins familier.Opéras représentés: Apollo et Hyacinthus- Ascanio in Alba- Bastien und Bastienne- La Clemenza di Tito- Così fan tutte- Don Giovanni- Die Entführung aus dem Serail- La finta giardiniera- La finta semplice- Idomeneo- Lucio Silla- Mitridate, rè di Ponto- Le nozze di Figaro- L'oca del cairo- Il rè pastore- Der Schauspieldirektor- Il sogno di Scipione, Zaide, Die Zauberflöte. / Tenor Et Piano
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Mozart, Wolfgang Amadeus : Concert Arias for High Soprano
Soprano voice, Piano
[Sheet music]
-
Intermediate
Barenreiter
These vocal scores (BA9181, BA9182, BA9183) of Mozart?s concert and insert arias...
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These vocal scores (BA9181, BA9182, BA9183) of Mozart?s concert and insert arias are based on the ?New Mozart Edition? (NMA). The first three volumes comprise all arias for soprano and orchestra. They are classified according to voice type (high soprano, soprano, low soprano and alto) and arranged chronologically within the volumes.
Unlike the NMA the musical text presented in these editions is free from practical references on performance aspects or suggestions on performance practice. Instead, each volume contains a accompanying brochure, with detailed explanations on the execution of appoggiaturas and other performance practice phenomena which are relevant to every aria. In addition, there is a choice of suggestions for the performance of cadenzas and lead-ins as well as a suggestion for the ornamentation of dal segno parts, which are often found in the early Mozart arias.
? Arrangement of arias according to voice type
? Underlaid text presented in the original language only
? All aria texts are translated into German and English and are printed seperately
? Idiomatic piano reductions to the individual arias
? Clear and legible layout of the musical text as all additional notes and suggestions on performance practice appear in the supplement published with each volume
? Performance material on hire to each aria
(Please refer to the relevant volume for further information)
/ [Grands Airs de Concert Pour Soprano] / Classique / Partition / Agrafé /
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Wolfgang Amadeus Mozart: Concert Arias for low Soprano and Contralto: Soprano:
Vocal duet, Piano
SA, Piano
Barenreiter
Concert Arias-This vocal score of Mozart?s concert and insert arias is based on ...
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Concert Arias-This vocal score of Mozart?s concert and insert arias is based on the New Mozart Edition (NMA).The musical text presented in this edition is free from practical references on performance aspects or suggestions on performance practice. An accompanying booklet gives detailed explanations on the execution of appoggiaturas and other performance practice phenomena relevant to each aria.In addition there is a choice of suggestions for the performance of cadenzas and lead-ins as well as for the ornamentation of dal segno parts which are often found in the early Mozart arias.All aria texts translated into German and English and printedseparately.Contents:Concert Arias III for Low Soprano and AltoAria ?Conservati fedele? K. 23Aria ?Cara se le mie pene? K.6: deestAria ?Alma grande e nobil core? K. 578Aria ?Chi s chi s qual sia? K. 582Aria ?Vado ma dove? oh Dei!? K. 583Recitativo ?Ombra felice? ?Aria Io ti lascio? K. 255
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Ricordi Opera Anthology: Mezzo Soprano: Instrumental Album
Mezzo-Soprano voice, Piano
Ricordi
Mezzosoprano - Mezzo-soprano-A selection of 40 arias for voice and piano with pl...
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Mezzosoprano - Mezzo-soprano-A selection of 40 arias for voice and piano with plot synopses and translations in Italian and English.
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Wolfgang Amadeus Mozart: Concert Arias For Tenor: Voice: Vocal Score
Tenor voice, Piano
Barenreiter
This Barenreiter Urtext edition Vocal score of Mozart’s insert and Concer...
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This Barenreiter Urtext edition Vocal score of Mozart’s insert and Concert Arias is based on the New Mozart Edition (NMA).The musical text presented in this edition is free from practical references on performance aspects or suggestions on performance practice. An accompanying booklet gives detailed explanations on the execution of appoggiaturas and other performance practice phenomena relevant to each aria. In addition there is a choice of suggestions for the performance of cadenzas and lead-ins as well as for the ornamentation of dal segno parts which are often found in the early Mozart arias.Underlaid textpresented in the original language only.All aria texts translated into German and English and printed separately.Idiomatic Piano reduction to the individual arias.Clear and legible layout of the musical text.Additional notes and suggestions on performance practice in the accompanying booklet.Performance material on hire to each aria(Please refer to the relevant volume for further information).
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Wolfgang Amadeus Mozart: Concert Arias For Bass Voice And Piano: Voice: Vocal
Low voice, Piano
Barenreiter
This Urtext edition of W. A. Mozart's Concert Arias For Bass Voice And Piano fea...
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This Urtext edition of W. A. Mozart's Concert Arias For Bass Voice And Piano features a clear and legible layout of the musical text with all aria texts translated into German and English and printed separately. This edition contains straightforward Piano reductions to the individual arias with additional notes and suggestions on performance practice in the accompanying booklet. There is also a choice of suggestions for the performance of cadenzas and lead-ins as well as for the ornamentation of dal segno parts which are often found in the early Mozart arias.
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Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Mixed Choir: Vocal Score
Soprano voice, Piano
Barenreiter
Edited with additional material from the Salzburg version“In Italy nowaday...
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Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church’s vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale
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Wolfgang Amadeus Mozart: Exsultate jubilate K.165: SATB: Score
Choral SATB
[Sheet music]
Barenreiter
Edited with additional material from the Salzburg version“In Italy nowaday...
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Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church’s vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale
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Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Mixed Choir: Part
Barenreiter
Edited with additional material from the Salzburg version“In Italy nowaday...
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Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church’s vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale
5.00 GBP - Sold by Musicroom UK
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