5-String Bass Method

Learn to lay down phat and funky grooves or the deepest-darkest thunder only the low B tuning can deliver! The 5-string bass is being employed far more than ever in wider ranging styles and Brian Emmel's 5-String Bass Method helps you make the step to 5-string. Besides discussing how to adapt to the differences in the 5-string versus the 4-string this book explores the various ways of using the 5-string practice tips different techniques and practical applications to various genres demonstrated through songs on the accompanying CD.

Complete method for the Double Bass – Part 2 is the first of a series of two created by Edouard Nanny a French Double-Bass player teacher and composer. Conceived to acquire correct technique and a good sonority the Complete method for the four and five stringed Double Bass – Part 2 is perfect for intermediate players. Including scales exercises and small studies this second volume follows on Part 1 also available at Alphonse Leduc. Edouard Nanny(1872-1942) had internal recognition as a composer during his lifetime and composed two concerti and additional methods such as 'Twentyvirtuoso studies' among others.

Description The present Method, devised as an anthology divided into five sections, intends to help satisfy a need, felt by many, for texts for didactic use for the Viola da gamba. It is addressed to those students and teachers who want access to concise, guiding information about the most significant musical -literature dedicated to this instrument. The selection of texts proposed here, conforming to the historical original versions both in the use of graphic symbols for embellishments and more generally with respect to the various styles and notational forms, is intended to aid in the study of the various complete compositions and the respective bibliographical panorama. The original historical European pieces and treatises cited here were chosen from the Renaissance period on as those considered most useful for learning to play the instrument. Bowings and fingering are given for the studies, the scales and arpeggios, as well as in all the -historical compositions which were without them. For didactic purposes the pieces in tablature are printed opposite transcriptions into mensural notation, while those with separate Bass parts are here given in score. Three tables are included summarizing the symbols for fingering, embellishments, dynamics and bowings, extracted from the Avertissements by M. Marais, as found in his five books of Pièces de Viole. The scales, the arpeggios and some studies – for practical reasons – designate the strings by Roman numeral and are provided with a respective Legend. The musical portraits for two viols or viol and basso continuo – given here for didactic use and presented in order of difficulty – are dedicated to viola students and friends. In the Appendix, for the study of the soprano viol in concert, three pieces in trio are provided. INDEX Introduzione Insertion Introduction Tastiera Basso di Viola Bass Viol fingerboard Touche Basse de Viole Tastiera Viola Soprano Treble Viol fingerboard Touche Dessus de Viole Tastiera Viola Tenore Tenor Viol fingerboard Touche Taille de Viole Tastiera Viola Sopranino High Treble Viol fingerboard Touche Pardessus de Viole Notazione della Tastiera Fingerboard notation Notation de la touche Posizioni Positions Positions Temperamenti Temperaments Tempéraments Parte prima First part Partie première Corde a vuoto Open strings Cordes à vide Prima posizione First position Première position Mezza posizione Half position Demi-position Prima posizione allargata First extended position Première position avancée Mezza posizione allargata Half-extended position Demi-position avancée Parte seconda Second part Partie deuxième Corde doppie Double stops Cordes doubles Scale Maggiori e relative minori melodiche Major and relative melodic minor scales Gammes Majeures et relatives mineures mélodiques Scale minori armoniche Harmonic minor scales Gammes mineures harmoniques Arpeggi Arpeggios Arpèges Esercizi per la mano sinistra Exercises for the left hand Exercises pour la main gauche Recercada Primera D. Ortiz (Cantus Firmus La Spagna, Tratado de Glosas; Roma, 1553) Recercada I D. Ortiz (Viola sola, Tratado de Glosas; Roma, 1553) Recercada II D. Ortiz (Viola sola, Tratado de Glosas; Roma, 1553) Recercada III D. Ortiz (Viola sola, Tratado de Glosas; Roma, 1553) Recercada IV D. Ortiz (Viola sola, Tratado de Glosas; Roma, 1553) Ordine primo in proprietà de bequadro S. Ganassi (Regula Rubertina; Venezia, 1542) Ordine secondo in proprietà de bemole S. Ganassi (Regula Rubertina; Venezia, 1542) Chelis Minuritionum Artificio Exornata C. Simpson (The Division Viol, 1659) Minuritiones Primae C. Simpson (The Division Viol, 1659) Fantasia I Th. Lupo (XX Konincklycke Fantasien; Amsterdam, 1648) Fantasia G. Bassano (Fantasie a tre voci per cantar e sonar con ogni sorte d’Istrumenti; Venetia, 1585) Recercada I D. Ortiz (Passamezzo antiguo, Tratado de Glosas; Roma, 1553) Trillo Trillo Trille Trillo doppio Double Trillo Double Trille Greensleeves Anon. (XVII sec.) Prelude Demachy (Pièces de Viole; Paris, 1685) Harke, harke T. Hume (The first part of Ayres; London, 1605) Parte terza Third part Partie troisième Explication des Agrémens et des signes F. Couperin (Pièces de Clavecin, Premier Livre, 1713) Vivement F. Couperin (Treizième Concert, Concerts Royaux; Boivin, 1722) Avvertimenti Remarks Avertissements M. Marais (Pièces de Viole, Livres I-II-III-IV-V, 1686-1725) Tombeau pour Mr. De S.te Colombe M. Marais (Pièces de Viole, Deuxième Livre; Paris, 1701) Allemande L’Infidèle dite La Schroeder ou L’Exotique C. Denti (Hommage à Marais, 2003) Courante La Résolue luthée ou La Pandolfo C. Denti (Hommage à Marais, 2003) Courante Double La Résolue glissante ou La Wieland C. Denti (Hommage à Marais, 2003) Couplets de folies M. Marais (Pièces de Viole Deuxième Livre; Paris, 1701) Studio Study Étude Gavotte J. B. de Boismortier (Sonates à deux Violes op. 10, 1725) Elégie La Ravissante dite La Ghielmi C. Denti (Hommage à Marais, 2003) Elégie Double La Coulante ou La Schaap C. Denti (Hommage à Marais, 2003) Tombeau Les Regrets Mr. De S.te Colombe (Concert XLIV) Preludio C. F. Abel (WK 205) Adagio J. Schenck (L’echo du Danube, Sonata V, 0p. 9) Sarabande La Flatteuse dite La Claudia C. Denti (Hommage à Marais, 2003) Sarabande Double La Flatteuse plaintive ou La Barthold C. Denti (Hommage à Marais, 2003) Le Tourbillon M. Marais (Pièces de Viole, Quatrième Livre; Paris, 1717) Gavotte La Favorite ou La Sigiswald C. Denti (Hommage à Marais, 2003) Gavotte Double L’Exquise ou La Rosita C. Denti (Hommage à Marais, 2003) Suite VII M. Marais (Pièces de Viole, Cinquième Livre; Paris, 1725) Danse nostalgique ou La Sennari C. Denti (Hommage à Marais, 2003) Gigue La Boiteuse C. Denti (Suite des Portraits, 2002) Fantaisie La Difficile dite La Balestracci ou L’Acharnée C. Denti (Hommage à Marais, 2003) Allemanda J. S. Bach - C. Denti (Partita II a Violino senza Basso accompagnato BWV 1004) Prelude C. Dollé (Pièces de Violes, Première Suite, 1740) Andante Presto (Sonata III) Anon. (6 Sonate per due Viole, 18° sec.) Boutade en perpetuum mobile dite La Coin C. Denti (Hommage à Marais, 2003) Appendix Appendix Appendice Manche du Pardessus à 5 cordes M. Corrette (Méthode de Pardessus de Viole à 5 et 6 cordes, 1748) Accordi Chords Accords (Intavolatura Tablature Tablature) Cadenze Cadences Cadences (Intavolatura - notazione Tablature - notation Tablature - notation) Praeludium J. S. Bach (Wohltemperirte Clavier, BWV 846) Abbellimenti Embellishments Agréments J. S. Bach (Klavierbüchlein vor W.F. Bach, 1720) Nomenclatura Nomenclature Nomenclature Canzona V detta La Tromboncina G. Frescobaldi (Primo Libro delle Canzoni, Roma, 1628) Ragionar inquieto C. Denti (Trio di Viole, Hortus Musarum I, 2004) Ascensus C. Denti (Trio di Viole, Hortus Musarum I, 2004) Lo sguardo della Dea C. Denti (Trio di Viole, Hortus Musarum I, 2004) Reviews L'Écho de La Viole. Bulletin de la Société Française de Viole. N. XVII, Décembre 2004 Une toute nouvelle méthode spécialement conçue pour des violoncellistes avancés intéressés par l'apprentissage de la viole de gambe. Extrêmement synthétique, cette méthode propose de nombreux exercices: cordes à vide pour l'archet, extensions, gammes, doubles cordes, exercices digitaux. Les différents styles du répertoire y sont abordés: Ortiz, Ganassi, Simpson; Hume et Demachy pour les tablatures, les compositeurs français (Couperin, Marais, Boismortier, Sainte Colombe, Dollé), les compositeurs allemands (Abel, Schenk, Bach). Carlo Denti y a ajouté des compositions personnelles sous forme de portraits de violistes ou de musiciens actuels («La Schroeder», «La Wieland», «La Coin»...) (Paul Rousseau)

The Complete Bluegrass Banjo Method is one of the very best G tuning five-string bluegrass tutors available! The book teaches how to pick out tunes single-string style (one note at a time) how to play chordaccompaniment and how to play solos in the full three-finger bluegrass style. The accompanying audio includes Acoustic Bass Acoustic Guitar and a rhythm track as well as the 5-string Banjo. Other topics inthe method include note and tab reading chord background styles traditional bluegrass techniques fills and endings use of the capo rolls slides hammers pull-offs choking harmonics and up-the-neck playing. In notationand tablature.  All songs and most exercises are included in this teaching recording performed at a tempo that the student should be able to maintain in short order.

Ce troisième volume de La Méthode de piano classique est destiné aux étudiants qui ont terminé Method Book 2, ou pour ceux qui ont déjà une base solide dans le piano et sont de retour à l'instrument. Clairement énoncée et progresser par petites étapes gérables le livre comporte répertoire intéressant, varié et bien connu de l'époque baroque, classique et romantique époques Comprend un enregistrement sur CD de toutes les pièces offrant des performances de modèle pour vous aider à apprendre. Peut être complété par un répertoire supplémentaire, Duo et livres de fitness doigts. / Piano

Next page >> [ 1 ] [16] [31] [46] [61] [76] [91] [106] [121] [136] [151] ... [511] Eff ID instrument descr2 Image Medias Titre descr Auteur descr_uk prix Compo Best image width height url url uk Couverture Extrait Audio/Back cover Jeu date Select Vendeur 1758772 1758772 0 GUITARE METHODES : TECHNIQUES Guitare notes et tablatures Sub instrumentation... Intermédiaire Partition Accès audio Mel Bay Mel Bay 0 0 0

Away Down In The Alley Blues In G Go Back To Your No Good Man Stompin' 'Em Along Slow autres styles : 0 0 Musicroom UK FS UK CD DVD VHS K7 Guitar Of Lonnie Johnson: Guitar: Instrumental Tutor Langue: ID : MB98509M Cotage : MB98509M - Cotage Chercher Video (0) Lonnie Johnson blended blues and jazz styles, performing with blues shouters like Bessie Smith and Texas Alexander on one hand, and Louis Armstrong and Duke Ellington on the other. Now learn essential exercises and tips as they are presented in this compilation of tunes by this legendary musician. As part of Stefan Grossman's Guitar Workshop Audio Series not only does this book contain valuable lessons, but as an added bonus, online audio recording containing three full hours of instruction featuring note-by-note, phrase-by-phrase instruction to make the style and technique of Lonnie Johnson something that anyone can learn. Master instructor Woody Mann teaches you step-by-step to play these selections: Away Down in the Alley, Woke Up This Morning With Blues in My Fingers, Go Back to Your No Good Man, Blues in G, and Stompin' 'Em Along Slow. Written in standard notation and tablature. Includes access to online audio. Extrait : Vide UK Auteurs Int. FR Auteurs FR. 15.99 Lonnie Johnson blended blues and jazz styles, performing with blues shouters like Bessie Smith and Texas Alexander on one hand, and Louis Armstrong and Duke Ellington on the other. Now learn essential exercises and tips as they are presented in this compilation of tunes by this legendary musician. As part of Stefan Grossman's Guitar Workshop Audio Series not only does this book contain valuable lessons, but as an added bonus, online audio recording containing three full hours of instruction featuring note-by-note, phrase-by-phrase instruction to make the style and technique of Lonnie Johnson something that anyone can learn. Master instructor Woody Mann teaches you step-by-step to play these selections: Away Down in the Alley, Woke Up This Morning With Blues in My Fingers, Go Back to Your No Good Man, Blues in G, and Stompin' 'Em Along Slow. Written in standard notation and tablature. Includes access to online audio. Prix MR FR 15.99 0 0 https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB98509M_1_mini.jpg 60 80 https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(85f33a07-58ca-4384-9560-977cf3483e1d)ttid(3)url(https://www.musicroom.com/product/mb98509m/guitar-of-lonnie-johnson.aspx?clid=510) https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(85f33a07-58ca-4384-9560-977cf3483e1d)ttid(3)url(https://www.musicroom.com/product/mb98509m/guitar-of-lonnie-johnson.aspx?clid=510) https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB98509M_1.jpg Voir couverture See cover Vide 0 2016-07-05 00:00:00 0 25 1758713 1758713 0 GUITARE FINGERSTYLE - FINGERPICKING Guitare notes et tablatures Sub instrumentation... Niveau... Partition Accès audio Mel Bay Mel Bay 0 0 0

autres styles : 0 0 Musicroom UK FS UK CD DVD VHS K7 Stefan Grossman: Fingerpicking Guitar in the Dropped D Tuning: Guitar: Langue: ID : MB30731M Cotage : MB30731M - Cotage Chercher Video (0) Fingerpicking Guitar in the Dropped D Tuning. I became aware of the Dropped D tuning in 1960. It literally exploded my playing. Just by lowering the sixth string down a tone ? from E to D, my guitar sounded so much fuller. The tuning seemed to open up the fingerboard whether playing in the Keys of D, G or A. An alternating bass sounded huge and dynamic. Over the last 60 years I, as well as guitar playing friends, have explored playing in Dropped D. From folk and gospel to blues and early jazz to Celtic melodies and O?Carolan compositions to original instrumental compositions. This collection covers a lot of musical terrain. There?s plenty of musical notes, styles, techniques in these pages. Travel slowly and try to absorb the arrangements one by one. The constant throughout is the Dropped D tuning. Includes access to online audio, Extrait : Vide UK Auteurs Int. FR Auteurs FR. 24.99 Fingerpicking Guitar in the Dropped D Tuning. I became aware of the Dropped D tuning in 1960. It literally exploded my playing. Just by lowering the sixth string down a tone ? from E to D, my guitar sounded so much fuller. The tuning seemed to open up the fingerboard whether playing in the Keys of D, G or A. An alternating bass sounded huge and dynamic. Over the last 60 years I, as well as guitar playing friends, have explored playing in Dropped D. From folk and gospel to blues and early jazz to Celtic melodies and O?Carolan compositions to original instrumental compositions. This collection covers a lot of musical terrain. There?s plenty of musical notes, styles, techniques in these pages. Travel slowly and try to absorb the arrangements one by one. The constant throughout is the Dropped D tuning. Includes access to online audio, Prix MR FR 24.99 0 0 https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB30731M_1_mini.jpg 60 80 https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(da90b07f-89ce-4e2e-bf21-728e97f15938)ttid(3)url(https://www.musicroom.com/product/mb30731m/fingerpicking-guitar-in-the-dropped-d-tuning.aspx?clid=510) https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(da90b07f-89ce-4e2e-bf21-728e97f15938)ttid(3)url(https://www.musicroom.com/product/mb30731m/fingerpicking-guitar-in-the-dropped-d-tuning.aspx?clid=510) https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB30731M_1.jpg Voir couverture See cover Vide 0 2016-07-05 00:00:00 0 25 1758712 1758712 0 GUITARE FINGERSTYLE - FINGERPICKING Guitare seul et duo Sub instrumentation... Niveau... Partition Accès audio Mel Bay Mel Bay 0 0 0

autres styles : 12 0 Musicroom UK FS UK CD DVD VHS K7 Stefan Grossman: Folk Blues Fingerstyle Guitar: Guitar: Instrumental Album Langue: ID : MB30950M Cotage : MB30950M - Cotage Chercher Video (0) Folk Blues Fingerstyle Guitar. In Nashville, the studio guitarists joke that all the money is in the first five frets. It is those simple first position chords that make the hits. In this collection we will stay within these boundaries and explore fingerstyle folk, blues, gospel, and ragtime arrangements in the keys of A, C, D, E and G. All you need to know are basic chord fingerings for A, C, D, E, F and G. Tunes include: KEY of C Railroad Bill, Careless Love, I Am A Pilgrim, What A Friend We Have In Jesus, I?ll Fly Away, Troubles, Delia, C. C. Rider, Trouble In Mind KEY of G I?m Troubled, Easy Rider Blues, Try Me One More Time, I?m Wild About My Loving, I Couldn?t Help It, Ragged and Dirty KEY of D Take a Whiff On Me, C. C. Rider, Will The Circle Be Unbroken, Careless Love KEY of E, Oh, Mary Don?t You Weep, Crow Jane, I Shall Not Be Moved, Trouble In Mind, Careless Love, Betty

This essential guide to GarageBand on iPad and iOS devices is your foundation for learning music production in the classroom. Written by Dr. Floyd Richmond, noted iPad music expert and the president of TI:ME (Technology Institute for Music Educators), Learning Music with GarageBand on the iPad provides instant insight and wisdom through Dr. Richmond's many years of experience. With this book, students will be able to create music on a higher level than ever before regardless of the depth of their previous musical training. Includes over 40 GarageBand song files. Recording * Record digital audio * Record MIDI and virtual instruments * Record wherever your iOS device goes Performing with Smart Instruments * Perform in numerous styles for each instrument (keys, guitar, bass, percussion) * Perform with authentic musical gestures (keyboard arpeggiator, string articulations) * Perform chords of your choosing Teaching and Learning * Create iPad ensembles * Perform solos with included accompaniments * Create loop-based compositions / Divers

Ferdinand Küchler is regarded as one of the great violin teachers of the 20th century, due, in large part, to his popular violin method. His Concertino remains a popular entry-level piece for students to this day.The piece is characterized by simplicity, clarity and beauty. The themes and melodies are easily identifiable by children, yet never trite and plain. They are catchy and perfectly reflect Küchler's educational ideology - 'to always separate the difficulties and never demand that the pupil overcome two difficulties at once?. The work is also available in an arrangement for solo violin with string quartet accompaniment (with double-bass ad lib.)(Schott, SE 1002). The viola part can be replaced by a third violin if necessary. By using the parts for multiple players, this can also be performed by a beginner string orchestra.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasure:Accompanying tracks of the pieces available as downloads / Violon Et Piano