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Steven Curtis Chapman
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Our God Is With Us - SATB
$1.70
$1.615 - See more - Buy online
Lead time before shipment :
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By Steven Curtis Chapman, Michael W. Smith. Arranged by Bradley Knight. (SATB). PraiseSong Christmas Series. Sacred. Size 6.75x10.5 inches. 16 pages. Published by PraiseSong.
Composer/Artist :
Steven Curtis Chapman
Instrumentation :
Choral SATB
Sub-instrumentation :
SATB
Publisher :
PraiseSong
Sheet music extract
Our God Is With Us - SATB
$ 1.70
Sheet music extract
Our God Is With Us - SATB
$ 1.70
Song List
:
Our God Is With Us
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Steven Curtis Chapman
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Choral SATB
SATB
Hal Leonard
((Choral Highlights)). By Frank Loesser. Arranged by Mark A. Brymer. For Choral ...
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((Choral Highlights)). By Frank Loesser. Arranged by Mark A. Brymer. For Choral (SATB). Broadway Choral. 32 pages. Published by Hal Leonard
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I Get Along Without You Very Well (Except Sometimes)
Choral SATB
SATB
Hal Leonard
By Hoagy Carmichael. Arranged by Paris Rutherford. (SATB). Jazz Chorals. Size 6...
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By Hoagy Carmichael. Arranged by Paris Rutherford. (SATB). Jazz Chorals. Size 6.7x10.5 inches. 12 pages. Published by Hal Leonard.
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Lennox Berkeley: Stabat Mater: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Chester
POD-Stabat Mater is a work by Lennox Berkeley for Six Solo Voices and Chamber O...
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POD-Stabat Mater is a work by Lennox Berkeley for Six Solo Voices and Chamber Orchestra (or Solo Voices with SATB Choir and String Orchestra). The solo voices are SSATBarB in this work that lastsaround 33 minutes. This is the Vocal Score.
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Kenneth Hesketh: We Three Kings: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
Kenneth Hasketh's arrangement of We Three Kings is a song for Children's Voices ...
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Kenneth Hasketh's arrangement of We Three Kings is a song for Children's Voices optional SATB Choir and Piano Accompaniment. The words and music were written by John Henry Hopkins Jr. while this piece was commissioned by Making Music. A full performance lasts around 4 minutes 30 seconds. This carol may be performed without SATB Chorus by just Children's Voices and Piano or without Children's Voices by SATB and Piano alone.
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Let Christians All With Joyful Mirth
Choral SATB
SATB, Organ
Novello & Co Ltd.
This lively carol for SATB and organ won the under-18s category in the 'A Carol ...
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This lively carol for SATB and organ won the under-18s category in the 'A Carol for Christmas' competition.Full of catchy rhythms, Let Christians All With Joyful Mirth has the chorus and organ imitating rhythms and themes that are sure to stick in the memory. / Choeur Mixte (SATB) Et Orgue
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John Tavener: The Lament Of The Mother Of God: Soprano & SATB: Vocal Score
Choral SSATB
SSATB, Piano
[Sheet music]
Chester
This work for soprano solo and SATB chorus was commissioned by the Norwich Festi...
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This work for soprano solo and SATB chorus was commissioned by the Norwich Festival of Contemporary Church Music.Tavener:'In the Orthodox Church the Lament of the Mother of God is normally sung on Holy and Great Friday. Inits full length it lasts about half and hour and it is intoned by the Priest or Bishop while the people venerate the Epitaphios (or Shroud of the Dead Christ) which is in the centre of the church and decorated withflowers.The Lament must be sung with an ikon-like stillness and great purity. It grows in intensity as it climbs in tessitura but without anything sudden or remotely melodramatic.For the Orthodox Church there is never thesense of absolute desolation felt by the Western Church on Good Friday. Hence the cry of the Mother of God 'Dost thou change my grief to gladness by thy Resurrection?' followed by the full forces: 'Rise O God and judge theearth.'Mother of God also features in the film Philomena starring Judi Dench and Steve Coogan and directed by Stephen Frears.
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John McCabe: Songs Of The Garden: SATB: Vocal Score
Choral SATB
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
-
Intermediate
Novello & Co Ltd.
Written for SATB soloists with SATB chorus Brass Quintet and Organ this setti...
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Written for SATB soloists with SATB chorus Brass Quintet and Organ this setting was inspired by the illustrations of 18th Century Japanese artist Utamaro. McCabe has selected a group of texts that are chosen to express the period of spring to autumn from the view of the Garden and it's inhabitants including the birds insects plants and animals. The texts are taken from sources as diverse as John Clare William Blake and Walt Whitman. The set was written in 2003/04 and commissioned by The John Armitage Memorial Trust.
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Beatles Medley #2 SATB/Piano
Choral SATB
SATB, Piano
Amsco Wise Publications
Arranged for Mixed Chorus with Piano and Optional Guitar, Percussion and String ...
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Arranged for Mixed Chorus with Piano and Optional Guitar, Percussion and String Bass. / Voix
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Joaquín Rodrigo: Musica Para Un Codice Salmantino (SATB/Piano): Mixed Choir:
Español
Choral SATB
SATB, Piano
[Sheet music]
Unión Musical Ediciones
Composed in 1952. Duration approx. 14 minutes. Arranged for Bass solo with SATB...
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Composed in 1952. Duration approx. 14 minutes. Arranged for Bass solo with SATB Chorus and Piano accompaniment. Spanish edition.
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Johannes Brahms: Requiem Op.45 (Novello Vocal Score): SATB: Vocal Score
Choral SATB
SATB, Orchestra
[Vocal Score]
-
Intermediate/advanced
Novello & Co Ltd.
The Novello Vocal Score of Brahms' Requiem Op.45 for Soprano and Baritone soli ...
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The Novello Vocal Score of Brahms' Requiem Op.45 for Soprano and Baritone soli with SATB chorus and orchestra. This version edited by John E. West includes the English text adapted from the Bible by Ivor Atkins. This hauntingly beautiful Requiem eschews the traditional requiem text in favour of verses from the Bible that Brahms found personally comforting.
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Henry Purcell: Come Ye Sons Of Art Away: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
This new edition by Bruce Wood of the University of Wales is intended to direct...
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This new edition by Bruce Wood of the University of Wales is intended to directly compliment the full score included in Purcell Society Volume 24. The piece is an ode to the birthday of Queen Mary 1694 and is set for Soprano 2 Counter-Tenor (Alto) and Bass soloists with SATB and Orchestra. This vocal score features a piano/organ reduction of the orchestral score which also functions as a realisation of the original basso continuo.
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Sing Pop A Cappella - Book Three - Book - Audio Download
Choral SATB
SATB A Cappella
[Sheet music + Audio access]
Novello & Co Ltd.
Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop ...
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Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop songs old and new, by renowned teacher, singer and director Gitika Partington. Her arrangements are used by choirs across the UK, and she emphasises that being able to read music is not necessary. Rewarding and enjoyable, Book Three continues her project to bring people together through the power of song.What's great about Gitika Partington's Sing Pop A Cappella series is how she understands that to make great music or to sing a great song, it's not necessary to be able to sight-read. It may be useful, but she has learned that there are other ways to communicate music, namely through ear training, repetition and gesture. Her arrangements, five of which appear in this book, have enabled youth and community choirs to spring up across the country, making singing truly and universally accessible. Included in this book are wonderfully rich a cappella arrangements of Ain't No Sunshine by Bill Withers, Black Is The Colour Of My True Love's Hair, Rick Astley's Never Gonna Give You Up, Adele's Rolling In The Deep and a huge favourite, Sway (Quien Sera). Vocal scores for these innovative and enjoyable arrangements are included in standard notation, although Partington recommends learning by ear as something equally beneficial. To aid with this, the accompanying download card includes five tracks of audio for each song. One features a full performance demonstration while the other four each focus on either soprano, alto, tenor or bass. The easy download of these tracks makes learning efficient and fun, as you are able to listen wherever you are.The great thing about a cappella singing is that it can be done anywhere, with limited resources, with members who don't necessarily have any musical training. Partington has created a book that can be used by a cappella choirs who love pop music that sounds great and will thrill audiences. Sing Pop A Cappella is not just a songbook, though, it also includes an extensive introduction by Partington, as well as performance tips for each song and information on voice care and learning the tunes. It's a personal book for Partington, who is passionate about the power of music to bring people together, and enthusiastic about getting people who wouldn't believe they had the confidence or ability, to sing pop!Sing Pop A Cappella is a brilliant book for choirs of any type or size who would enjoy singing five incredible pop tunes without accompaniment. The fantastic sound of a group of people singing a well-known song in a completely new and interesting way is something that Gitika Partington knows well, and something that she wants to impart to groups across the country. Songs like this were made to be sung, so pick up Book Three and Sing Pop A Cappella! / Choeur Mixte (SATB) Et Piano
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My Fair Lady Choral Selections SATB
Choral SATB
SATB
Alfred Publishing
Amoureux de Musiques De Films et Comédies musicales, vous trouverez la partitio...
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Amoureux de Musiques De Films et Comédies musicales, vous trouverez la partition de vos rêves, que ce soit en format séparé ou en recueil. Composée par Loewe Frederick cette partition My Fair Lady Choral Selections Satb est idéale pour les amateurs ou professionnels de musique qui souhaitent acquérir une partition pour Voix. / Voix / Chanson En Séparée
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Tarik O'Regan: Martyr: SATB: Score
Choral SATB
SATB
[Sheet music]
-
Intermediate/advanced
Novello & Co Ltd.
Martyr was commissioned by St Albans Chamber Choir in celebration of the fiftiet...
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Martyr was commissioned by St Albans Chamber Choir in celebration of the fiftieth anniversary of their founding. It was premiered by the St Albans Chamber Choir and the Royal Philharmonic Orchestra in St Albans Abbey on 24 January 2009 under the direction of John Gibbons. Martyr was written as a counterpart to Haydn's Missa in Angustiis ('Nelson' Mass) using the same orchestration as Haydn's original version. In venues where an organ is present the optional organ part should always be used. The four SATB solo parts should be performed by a group of singers placed to the side or to the front of the orchestra away from the main chorus. Although written withindividual 'professional' solo voices in mind the solo parts may also be performed by a semi-chorus with for example two or three voices to a part.SATB chorusSATB solo3 Trumpets in Bb (3rd off-stage)TimpaniOrgan (optional)String Orchestra: (minimum desks 2.2.2.2.1)
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Peter Maxwell Davies: Una Balena Azzura (A Blue Whale): SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
-
Intermediate/advanced
Chester
First performed on 17 October 2000 at the Pieve dell'Assunta Cavalese Trentino...
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First performed on 17 October 2000 at the Pieve dell'Assunta Cavalese Trentino Italy by the Mayfield Singers this is an Italian translation of the text A Hoy Calendar from the poem sequence Fishermen withPloughs. Written for SATBB chorus with optional Piano or Organ accompaniment.
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Pawel Lukaszewski: Like As The Waves: SATB: Vocal Score
Choral SATB
SATB A Cappella
[Vocal Score]
Chester
POD-Pawe ukaszewski's Like As The Waves for SSATBB choir unaccompanied. This v...
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POD-Pawe ukaszewski's Like As The Waves for SSATBB choir unaccompanied. This vocal work is a setting of Shakespeare's Sonnet LX. Like as the waves make towards the pebbledshore So do our minutes hasten to their end;Each changing place with that which goes before In sequent toil all forwards do contend.Nativity once in the main oflight Crawls to maturity wherewith being crown'd Crooked eclipses 'gainst his glory fight And time that gave doth now his gift confound.Time doth transfix the flourishset on youth And delves the parallels in beauty's brow Feeds on the rarities of nature's truth And nothing stands but for his scythe to mow.And yet to times in hope myverse shall stand Praising thy worth despite his cruel hand. - William Shakespeare A Piano part is included for rehearsal purposes. Duration: 4 minutes.
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Peter Maxwell Davies: Step By Circle: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Chester
A continuous setting of six poems from George Mackay Brown's Fishermen with Plou...
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A continuous setting of six poems from George Mackay Brown's Fishermen with Plough which concern the traditional ways of life and death in Radwick the village on hoy Orkney where the composer lived for 28 years. The choir issupported throughout the piece by pointing entries and doubling the choral lines within the piano part. The piano part is not just an accompaniment it has it's own discourse and is correspondingly challenging. For SATB Choirwith Piano accompaniment.
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Bill Withers: Lean On Me: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
Lean On Me is a classic soul song written by Bill Withers. Complete with finger ...
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Lean On Me is a classic soul song written by Bill Withers. Complete with finger clicks and a 'Doo-Wop' feel this heart-warming ballad is the perfect sing-a-long for your audience. Recently adapted for the hit Television series 'Glee' this hit is proven as a favourite for young and old alike. Lean On Me has here been arranged by Christopher Hussey for SATB with Piano accompaniment and finger clicks.
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Sing Pop A Cappella - Book Three: SATB: Vocal Score
Choral SATB
SATB A Cappella
[Vocal Score]
Novello & Co Ltd.
Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop ...
(+)
Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop songs old and new by renowned teacher singer and director Gitika Partington. Her arrangements are used by choirs across the UK and she emphasises that being able to read music is not necessary. Rewarding and enjoyable Book Three continues her project to bring people together through the power of song. What's great about Gitika Partington's Sing Pop A Cappella series is how she understands that to make great music or to sing a great song it's not necessary to be able to sight-read. It may be useful but shehas learned that there are other ways to communicate music namely through ear training repetition and gesture. Her arrangements five of which appear in this book have enabled youth and community choirs to spring up across the country making singing truly and universally accessible. Included in this book are wonderfully rich a cappella arrangements of Ain't No Sunshine by Bill Withers Black Is The Colour Of My True Love's Hair Rick Astley's Never Gonna Give You Up Adele's Rolling In The Deep and a huge favourite Sway (Quien Sera). Vocal scores for these innovative and enjoyable arrangements are included in standard notation although Partington recommends learning by ear as something equally beneficial. To aid with this the accompanying download card includes five tracks of audio for each song. One features a full performance demonstration while the other four each focus on either soprano alto tenor or bass. The easy download of these tracks makes learning efficient and fun as you are able to listen wherever you are. The great thing about a cappella singing is that it can be done anywhere with limited resources with members who don't necessarily have any musical training. Partington has created a
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Giles Swayne: The Tiglet: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Chester
Written by Giles Swayne in 1995 based around the poem ' The Tiger' by Willi...
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Written by Giles Swayne in 1995 based around the poem ' The Tiger' by William Blake . The work is for SATB choir and SSSATB soloists. A separate line for hands and feet is included on the score with fingerclicking and foot stomping adding to the percussive feel of the work.This is the full score showing all vocal parts and the body percussion line. ...African influences are also felt in Swayne’s Blake setting The Tiglet which bristles with foot stamping finger clicking and sharp vocal projectiles... Robert Levett International Record Review 01 February 2007The Tiglet (part of Swayne's work The Tiger) features some 'wild syllabic interjections half sung and half shouted' which have to be heard to be believed!Church Music Quarterly 01 December 2006 Listen to a sample here
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Dale Warland: Love Looked Down: SATB: Vocal Score
Choral SATB
SSATBB, Piano
[Vocal Score]
Schirmer
Dale Warland Choral Series-A warm reflection on the coming of light peace love...
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Dale Warland Choral Series-A warm reflection on the coming of light peace love and life into the world this deeply meaningful selection is set for mixed voices with Flute Cello and Harp. Available separately: SSATBB Parts for Flute Cello and Harp.Duration: ca. 6:25.
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Philip W. J. Stopford: If Ye Love Me: SATB: Vocal Score
Choral SATB
SSATBB A Cappella
[Vocal Score]
Hal Leonard
SSATBB-Famously set to music by Thomas Tallis and taking words from the gospel ...
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SSATBB-Famously set to music by Thomas Tallis and taking words from the gospel of John If Ye Love Me is a fresh attempt at this famous passage of scripture. Rich harmonies will resonate in your performance space enveloping your listeners with a tapestry of sound.
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John Tavener: Funeral Ikos: SATB: Vocal Score
Choral SATB
SSATBB A Cappella
[Vocal Score]
-
Intermediate
Chester
A sacred work for unaccompanied SSATBB choir using text from The Order For The ...
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A sacred work for unaccompanied SSATBB choir using text from The Order For The Burial Of Dead Priests translated from Greek by Isabel Hapgood.Vocal score with piano accompaniment for rehearsalpurposes.
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Bill Withers Glee Cast: Lean on Me: Mixed Choir and Piano/Organ: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Hal Leonard
The cast of Glee performed a powerful and emotional rendition of Bill Withers #1...
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The cast of Glee performed a powerful and emotional rendition of Bill Withers #1 hit of 1972 with all the genuine honesty and gospel-infused spirit you could ever want. An uplifting choice for graduation or any other concert!
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Johann Sebastian Bach: Mass In B Minor BWV 232 - Novello Edition: SATB: Vocal
Choral SATB
SATB, Orchestra
[Sheet music]
Novello & Co Ltd.
The Mass in B minor (BWV232) is a stupendous creation that exemplifies Bach's mi...
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The Mass in B minor (BWV232) is a stupendous creation that exemplifies Bach's mighty genius composed for SSATB soli SSATB chorus and orchestra. This edition expertly edited by Neil Jenkins contains the complete Vocal Score with a Piano accompaniment. With notes and editorial commentary in English and text in Latin.
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James Whitbourn: James Whitbourn: The Choral Collection: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Chester
This glorious collection of beautiful choral music by composer James Whitbourn i...
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This glorious collection of beautiful choral music by composer James Whitbourn includes fifteen short works drawn from his oeuvre from the first few years of the 21st century. Many of his greatest compositions areincluded in The Choral Collection with many of the pieces working perfectly for seasonal performances while also reflecting the many fruitful collaborations of Whitbourn's distinguished career. Allworks are arranged for SATB Choir. James Whitbourn has become renowned throughout the world for his acclaimed compositions and settings of numerous texts. He has been described as truly originaland an innovator of contemporary British choral music collaborating with people like Archbishop Desmond Tutu and the Choir of King's College Cambridge. The former appears here as A Prayer Of Desmond Tutu a setting ofone of the Archbishop's prayers. His arrangements and compositions for the King's College Choir have been universally critically acclaimed with A Great And Mighty Wonder Nunc Dimittis and Were You There?representing these hugely popular collaborations. Whitbourn has also had a very close relationship with the BBC since his beginnings as a composer working with them on three pieceswithin The Choral Collection. Eternal Rest and Give Us The Wings Of Faith were both composed specifically for television broadcast the former (in its orchestral form) was played for thefuneral of the Queen Mother in 2002. His longest work for which he is most famous is a setting of text from'the Diary of Anne Frank'. There Is No Speech Or Language comes from this work taking its text from othersources but that still maintain the beauty and tragedy of the wider piece. The Choral Collection of fifteen compositions by James Whitbourn is full of beautiful haunting
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James Whitbourn: Lux In Tenebris: SATB: Score
Choral SATB
SATB, Organ
Chester
Lux In Tenebris from Luminosity. For SATB choir Viola Tanpura Tam-Tam and da...
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Lux In Tenebris from Luminosity. For SATB choir Viola Tanpura Tam-Tam and dance theatre.Luminosity is a multi-media work commissioned by the conductor James Jordan of Westminster Choir College for the WestminsterWilliamson Voices the women of the Westminster Schola Cantorum the Blair Academy Singers (conductor William Hammer) and the black-light dance company Archedream for performance in Phildephia Cathedral during April2008.The text compiled and edited by the composer centres on the transcendent beauty of creation expressed by luminaries down the ages. Texts are taken from the writings of St John St Teresa of Avila Ryonen StAugustine Julian of Norwich and St Isaac of Nineveh.ScoringSATB (with division)ViolaTanpuraTam-TamOrgan
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Eric Whitacre: Three Flower Songs: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
-
Intermediate/advanced
Chester
I hide myself With a lily Go lovely Rose-Written early in Whitacre's career wh...
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I hide myself With a lily Go lovely Rose-Written early in Whitacre's career whilst at the University of Nevada in Las Vegas. Arranged for SATB choir includes a Piano line for rehearsal purposes.I Hide MyselfJust a simple song really. All of the musical suggestions come from a careful study of the poem a quiet passionate soul occasionally speaking a little bolder than the age will allow. She loves almost to the point of distraction and this mood mustprevail in the performance: shy and sullen her passion surging to the surface only to sink back into the silence that is herself.Go Lovely RoseThe piece is structured around the cyclical lifeof a rose and is connection throughout by the opening 'rose motif' a seed that begins on the tonic and grows in all directions before it blossoms dies and grows again. Each season is represented: spring begins the piece summerappears at bar 13 autumn at bar 26 winter at bar 39 with spring returning at bar 49. The form is based on the Fibonacci sequence (the pattern found in plant and animal cell divisions) - its fifty five bars are a perfectFibonacci number. The Golden Mean appears at bar 34 as all parts are reunited to complete the flower before its final blossom and inevitable cycle of death and rebirth.Each performance should be approachedwith a child-like innocence and naivety that allows us to marvel at the return of the rose each spring. The szforzandos throughout must be light and gentle.With A Lily In Your HandWater and Fire. If the performance of this piece connects these contrasting elemental ideas its success is guaranteed. Water: At bar 30 this ostinato should be fluid and gentle only interrupted at bar 32 asthe butterflies momentarily spring out of the texture; bars 35-38 the water should slowly transform back to fire. Bar 44 should be tiny bell-tones motivating the next nine bars another patient sensuous transformation back to
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Peter Maxwell Davies: Peter Maxwell Davies: SATB: Vocal Score
Choral SATB
SATB, Orchestra
[Vocal Score]
Chester
Job (Vocal Score)-A substantial work for four soli SATB chorus and orchestra u...
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Job (Vocal Score)-A substantial work for four soli SATB chorus and orchestra using text from the translation of Stephen Mitchell's The Book Of Job. Like Vaughan Williams in his Job: A Masque for Dancing Davies was inspired inpart by William Blake's 21 engravings for the Book of Job. His oratorio however is less dependent on find parallels for Blake's visual details given the direct poetry in David Lemon's adaptation of the Stephen Mitchelltranslation from the biblical original it is hardly surprising that the spotlight should be so much on Job's suffering litany. The baritone has the lion's share of the setting though the other soloists occasionally reinforce hisplea and chorale-like episodes universalize his predicament. Davies frames with work with two seminal plainsong-like passages; there is also plenty of dramatic contrast both within Job's monologues and in the vivid orchestralwriting for the smarmy Comforters the initially shrill God who finally appears out of a dazzling orchestral whirlwind and the animal life he uses to illustrate the wonders of creation to a humbled Job.Commissioned by theUniversity of British Colombia it was first performed in May 1997 by Valdine Anderson (soprano) Linda Maguire (mezzo soprano) Paul Moore (tenor) and Kevin McMillan (baritone) with the Vancouver Bach Choir and the CBC VancouverOrchestra conducted by the composer.Vocal score with piano reduction of the orchestral score. Duration c. 70mins.
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Stephen Cleobury: Suo Gân: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
-
Easy
Novello & Co Ltd.
The Welsh traditional song Suo G n is here arranged for SATB Chorus and Organ Ac...
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The Welsh traditional song Suo G n is here arranged for SATB Chorus and Organ Accompaniment by Stephen Cleobury. Written by an anonymous composer in Welsh it literally means 'Lullaby'. This beautiful arrangement is sure to be a favourite with audiences and choirs alike. It features lyrics in both English and Welsh. This traditional Welsh song has been a favourite within the repertoire for many years after having been first documented by folklorist Robert Bryan. With versions sung by Charlotte Church Katherine Jenkins and the Choir of King's College Cambridge Suo G n is one of the most recognisable andwell-loved tunes in the Welsh and English repertoire. This new arrangement by Stephen Cleobury will be a welcome addition to any choir's performance with the combination of such a new take on an established classic with simple beautiful music.
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