22 Mélodies - 22 Songs Pour Voix Elevée Et Piano (SATIE ERIK)

pour voix élevée-The melodies of Maurice Ravel (1875-1937) span the entire chronology of his creative output from his earliest song BALLADE DE LA REINE MORTE DAIMER (1893) written during his student years at the Paris Conservatory to the cycle DON QUICHOTTE ÀDULCINÉE (1932-33) his last compositions in any genre. In his songs Ravel?s text settings display a meticulous attention to detail. Ravel´s melodies are elegant and refined classical in their phrase structure.In his treatment of rhythm Ravel finds subtlety within traditional meters and dance forms-minuet waltz folk dances (especially Spanish dances)-also shape the rhythm in many of his songs.

Third volume of original hitherto unpublished songs by Nadia Boulanger for medium voice and piano:
Extase
Aubade
Allons voir sur le lac dÂ’argent
Écoutez la chanson bien douce
Ilda
Mon cÂœur
Mon âme
Un grand sommeil noir
Poème d’amour
La Sirène
/ Partitions classique / Vocale - chorale / Voix solo - piano / LEDUC

Par MARTIN FRANK. Swiss composer Frank Martin was exposed to the two folk songs during a trip into the mountains, and was immediately taken with them. He took pains to transcribe the verses and melodies, then wrote piano accompaniments to complete the settings. The two songs, Chanson de métamorphoses and Il faut partir pour l'Angleterre, are lighter fare from Martin, but fine additions to the vocalist's repertoire. For intermediate to advanced./ Répertoire / Chant et Piano

?Sing your country sing your land!? Such was the advice of Déodat de Séverac to the young Joseph Canteloube de Malaret (1879-1957) when the latter shared his dismay at the petty squabbles taking over the Parisian music scene in the Belle-Epoque. Although Canteloube had started collecting folk songs from his native Cantal in 1895 he only began the harmonisation of Baïlero in 1923 thus inaugurating the first of the five Chants d?Auvergne series that would bring him fame. Renowned baritone François Le Roux chose to begin his anthology with a famous shepherd song recorded near Vic-sur-Cère(in the Haute Auvergne) in which the baïles (shepherds in pasture commons) call to each other from hilltops soaring their vocals across rivers valleys and hills. Singers who wish to immerse themselves in one of the ten melodies that compose this tender picturesque musical landscape can use the Piano accompaniment audio file accessible through a download card. Contents: Baïlèro (Shepherd Songs from the Cantal) ? Bourrées: N?aï pas iéu de mîo (Loved by no woman) and Lo Calhé (The Quail) ? L?Antouèno (The Antoine) ? Lou Boussu (The Hunchback) ? Lo Fiolaire (The Spinner) ? Là-haut sur le rocher ? Uno jionto Postouro (The Pretty Shepherdess) ? Pour l?enfant (Lullaby from Auvergne)

John Fahey est véritablement un original et distinctif voix dans le monde musical, vénéré par des artistes et des interprètes du monde sur pour ses compositions inhabituelles et la pollinisation croisée des genres. Sa carrière a tiré influence de Country Blues, de la musique old-time, de ragas indiens, la tradition classique européenne et des tonalités grégorien. Il a formé une école vaguement définie des guitaristes American Primitive qui inclus ces caractères variés comme Leo Kottke et Robbie Basho. En 1968, Fahey sort son premier album de chansons de Noël et les mélodies de vacances très acclamé par la critique. Les arrangements reflètent la préférence du Fahey de styles légèrement Jazzy et optimistes - il illustre et dissèque neuf de ses versions plus populaires et les plus demandées. Ces chansons présentera votre fingerstyle techniques et la diapositive-style jouant en standards et ouvertes g ajustements apportés. / Guitare / Dvd