Instrumentation: SSATB a cappella Format: Sheet Music Details: 12 madrigals for 5 voices (Italian/German) Contents: Contents: Ch'ami la vita mia; A che tormi il ben mio; Non si levav' ancor; E dicea luna; S'andasse amor a caccia; O com' e gran martire; Ch'io non t'ami; Anima mia perdona; Che se tu se il cor mio; O Mirtillo; Era l'anima mia gia presso; M'e pi' dolce il penar
SKU: HL.48189244
UPC: 888680955045.
Handel Gregoire Foundling Hospital Anthem Choir & Strings Score.
SKU: CF.FAS134
ISBN 9781491164778. UPC: 680160923687. Key: D major.
George Frideric Handel (1685–1759) is a German composer whose musical legacy has lasted over three hundred years. While most people know his Hallelujah Chorus from the oratorio Messiah, many of his other compositions are still performed around the world, including La Rejouissance from the Royal Fireworks Suite. The suite was commissioned by King George of England to celebrate the Treaty of Aix-La-Chapel. King George said he wanted only wind and percussion instruments, specifically requesting “no fiddles.†12,000 people attended the dress rehearsal of the concert. In contrast, the actual performance happened in the rain, which meant many of the fireworks did light, but managed to set the immense pavilion on fire. Handel later added strings to the Royal Fireworks Suite for a charity performance for The Foundling Hospital of London.For young students, the character of Handel’s music is defined by the types of bow strokes. Quarter notes should be played with a detached bow stroke with a hint of an accent. Eighth notes may be played more connected but will sound best with a slight détaché stroke. If more advanced students join the performance, a minimized vibrato is typical of music from the Baroque era. Terraced dynamics may be practiced by stopping just before the dynamic change and adjusting the weight of the bow arm, then proceeding in the new dynamic such as in mm. 37–39.
SKU: CF.FAS134F
ISBN 9781491165171. UPC: 680160924080. Key: D major.
George Frederic Handel (1685-1759) is a German composer whose musical legacy has lasted over three hundred years. While most people know his Hallelujah Chorus from the oratorio The Messiah, many of his other compositions are still performed around the world, including La Rejouissance from the Royal Fireworks Suite. The suite was commissioned by King George of England to celebrate the Treaty of Aix-La-Chapel. King George said he wanted only wind and percussion instruments, specifically requesting “no fiddles.†12,000 people attended the dress rehearsal of the concert. In contrast, the actual performance happened in the rain, which meant many of the fireworks did light, but managed to set the immense pavilion on fire. Handel later added strings to the Royal Fireworks Suite for a charity performance for The Foundling Hospital of London.For young students, the character of Handel’s music is defined by the types of bow strokes. Quarter notes should be played with a detached bow stroke with a hint of an accent. Eighth notes may be played more connected but will sound best with a slight detachè stroke. If more advanced students join the performance, a minimized vibrato is typical of music from the Baroque era. Terraced dynamics may be practiced by stopping just before the dynamic change and adjusting the weight of the bow arm, then proceeding in the new dynamic such as in measures 37-39.
SKU: BR.OB-5560-30
Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.
Have a look int. Oratorio/passion; Baroque. Set of parts. 134 pages. Duration 120'. Breitkopf and Haertel #OB 5560-30. Published by Breitkopf and Haertel (BR.OB-5560-30).
ISBN 9790004344163. 10 x 12.5 inches.
Messiah 1741 - new light on Handel's masterpieceThe focus of this new edition is the Messiah as first conceived by the composer in 1741: before its first performance in Dublin in 1742, before the first London performances of the mid 1740s, before the final Foundling Hospital performances in the late 1750s. The editor succeeds in creating a 21st-century edition from the perspective of 1741, making clear that Messiah was a genius hit from the start.Messiah 1741 - the first and only complete edition of Handel's autograph scoreThorough information on Handel's performance practice in 1741 (including topics such as orchestration, continuo, text underlay and specific questions on interpretation)It offers a reconstruction of the wind parts according to contemporary sourcesPiano vocal score with contemporary vocal ornamentationFirst edition including the German text by Herder - a monument of the German enlightenment - which is contentwise and phonetically closer to Jennens' text than any other translation, therefore being a perfect singable alternativeThe appendix contains additionally the most popular and important aria versions composed after 1741 for practical reasons.Throughout this new edition, creative yet pragmatic scholarship shines through, and the Preface and Critical Report are thorough and unusually fascinating. ... I'm very happy to own the full score, and if I were starting out now, I'd invest in the whole kit and caboodle.(Jeremy Summerly, Choir & Organ)Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.
SKU: BR.OB-5560-26
Have a look int. Oratorio/passion; Baroque. Part. 60 pages. Duration 120'. Breitkopf and Haertel #OB 5560-26. Published by Breitkopf and Haertel (BR.OB-5560-26).
ISBN 9790004344156. 10 x 12.5 inches.
SKU: BR.EB-8450
ISBN 9790004184936. 7.5 x 10.5 inches.
Messiah 1741 - new light on Handel's masterpiece The focus of this new edition is the Messiah as first conceived by the composer in 1741: before its first performance in Dublin in 1742, before the first London performances of the mid 1740s, before the final Foundling Hospital performances in the late 1750s. The editor succeeds in creating a 21st-century edition from the perspective of 1741, making clear that Messiah was a genius hit from the start. Messiah 1741 - the first and only complete edition of Handel's autograph score Thorough information on Handel's performance practice in 1741 (including topics such as orchestration, continuo, text underlay and specific questions on interpretation) It offers a reconstruction of the wind parts according to contemporary sources Piano vocal score with contemporary vocal ornamentation First edition including the German text by Herder - a monument of the German enlightenment - which is contentwise and phonetically closer to Jennens' text than any other translation, therefore being a perfect singable alternative The appendix contains additionally the most popular and important aria versions composed after 1741 for practical reasons. Throughout this new edition, creative yet pragmatic scholarship shines through, and the Preface and Critical Report are thorough and unusually fascinating. ... I'm very happy to own the full score, and if I were starting out now, I'd invest in the whole kit and caboodle. (Jeremy Summerly, Choir & Organ)Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.
SKU: BR.PB-5560
Have a look int. Oratorio/passion; Baroque. Full score. 292 pages. Duration 120'. Breitkopf and Haertel #PB 5560. Published by Breitkopf and Haertel (BR.PB-5560).
ISBN 9790004213704. 10 x 12.5 inches.
Messiah 1741 - new light on Handel's masterpieceThe focus of this new edition is the Messiah as first conceived by the composer in 1741: before its first performance in Dublin in 1742, before the first London performances of the mid 1740s, before the final Foundling Hospital performances in the late 1750s. The editor succeeds in creating a 21st-century edition from the perspective of 1741, making clear that Messiah was a genius hit from the start.Messiah 1741 - the first and only complete edition of Handel's autograph scoreThorough information on Handel's performance practice in 1741 (including topics such as orchestration, continuo, text underlay and specific questions on interpretation)It offers a reconstruction of the wind parts according to contemporary sourcesPiano vocal score with contemporary vocal ornamentationFirst edition including the German text by Herder - a monument of the German enlightenment - which is contentwise and phonetically closer to Jennens' text than any other translation, therefore being a perfect singable alternativeThe appendix contains additionally the most popular and important aria versions composed after 1741 for practical reasons.Throughout this new edition, creative yet pragmatic scholarship shines through, and the Preface and Critical Report are thorough and unusually fascinating. ... I'm very happy to own the full score, and if I were starting out now, I'd invest in the whole kit and caboodle.(Jeremy Summerly, Choir & Organ).
SKU: BR.OB-5560-16
Have a look int. Oratorio/passion; Baroque. Part. 64 pages. Duration 120'. Breitkopf and Haertel #OB 5560-16. Published by Breitkopf and Haertel (BR.OB-5560-16).
ISBN 9790004344132. 10 x 12.5 inches.
SKU: BR.OB-5560-11
Have a look int. Oratorio/passion; Baroque. Part. 96 pages. Duration 120'. Breitkopf and Haertel #OB 5560-11. Published by Breitkopf and Haertel (BR.OB-5560-11).
ISBN 9790004344118. 10 x 12.5 inches.
SKU: BR.OB-5560-19
Have a look int. Oratorio/passion; Baroque. Part. 60 pages. Duration 120'. Breitkopf and Haertel #OB 5560-19. Published by Breitkopf and Haertel (BR.OB-5560-19).
ISBN 9790004344149. 10 x 12.5 inches.
SKU: BR.OB-5560-15
Have a look int. Oratorio/passion; Baroque. Part. 64 pages. Duration 120'. Breitkopf and Haertel #OB 5560-15. Published by Breitkopf and Haertel (BR.OB-5560-15).
ISBN 9790004344125. 10 x 12.5 inches.