Eric Whitacre: Light & Gold: SATB: Vocal Score

Eric Whitacre has become a musical sensation across the globe. His new chart-topping CD release Water Night comes hot on the heels of his Grammy award-winning album Light and Gold.Water Night is an inspiring collection showcasing a mixture of sacred and secular choral pieces. The album is here presented as perfectly engraved sheet music for the most discerning choral connoisseur andperformer. New works such as the beautiful Alleluia and the ethereal Oculi omnium rub shoulders with earlier Eric Whitacre classics including the epic When David Heard and theever-popular title track: Water Night in a perfect showcase of Whitacre???s powerful choral writing.

Light warm and heavyas pure gold and the angelssing softly to thenewborn babe.A poem by Edward Esch (translated into Latin by Charles Anthony Silvestri) with tight shimmering harmonies. For SATB Choir (divisi) A Cappella.As performed by Eric Whitacre's Virtual Choir

I hide myself With a lily Go lovely Rose-Written early in Whitacre's career whilst at the University of Nevada in Las Vegas. Arranged for SATB choir includes a Piano line for rehearsal purposes.I Hide MyselfJust a simple song really. All of the musical suggestions come from a careful study of the poem a quiet passionate soul occasionally speaking a little bolder than the age will allow. She loves almost to the point of distraction and this mood mustprevail in the performance: shy and sullen her passion surging to the surface only to sink back into the silence that is herself.Go Lovely RoseThe piece is structured around the cyclical lifeof a rose and is connection throughout by the opening 'rose motif' a seed that begins on the tonic and grows in all directions before it blossoms dies and grows again. Each season is represented: spring begins the piece summerappears at bar 13 autumn at bar 26 winter at bar 39 with spring returning at bar 49. The form is based on the Fibonacci sequence (the pattern found in plant and animal cell divisions) - its fifty five bars are a perfectFibonacci number. The Golden Mean appears at bar 34 as all parts are reunited to complete the flower before its final blossom and inevitable cycle of death and rebirth.Each performance should be approachedwith a child-like innocence and naivety that allows us to marvel at the return of the rose each spring. The szforzandos throughout must be light and gentle.With A Lily In Your HandWater and Fire. If the performance of this piece connects these contrasting elemental ideas its success is guaranteed. Water: At bar 30 this ostinato should be fluid and gentle only interrupted at bar 32 asthe butterflies momentarily spring out of the texture; bars 35-38 the water should slowly transform back to fire. Bar 44 should be tiny bell-tones motivating the next nine bars another patient sensuous transformation back to