Format : Study Score / Miniature
/ Ensemble A Vent
SKU: BA.BA08809
ISBN 9790006568970. 31 x 24.3 cm inches. Key: B-flat major. Preface: Gudula Schutz.
Mozart composed his two ??Lodron Serenades? for open-air performances on the name day of Countess Antonia Lodron in June 1776 and 1777. Their bright ??al fresco? character is immediately recognisable. Alfred Einstein considered these two divertimentos to be ??among the purest, gayest, most satisfying, and most perfect that ever assumed musical form?.For both works Mozart chose an ensemble of two horns, two violins, viola and bass instruments. However, the second Lodron Serenade, the Divertimento in B-flat major K. 287, stands out from this sextet format by assigning a remarkably virtuosic solo role to the first violin, from the richly diverse opening movement to the finale with its almost ironic recitative and an exhilarating passage on the folk song ??D??Bäurin hat d??Katz verlorn?. Mozart himself played first violin in the 1777 performance. Later he wrote, ??They all opened their eyes! I played as though I were the finest fiddler in all Europe?.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA08809-75
ISBN 9790006569007. 32.5 x 25.5 cm inches. Key: B-flat major.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA08809-82
ISBN 9790006569021. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA08809-79
ISBN 9790006569014. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA08809-65
ISBN 9790006568987. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA08809-74
ISBN 9790006568994. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: PR.816600040
UPC: 680160600045. 5.5x5 inches.
This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.
About CD Sheet Music (Version 1)
CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.
SKU: HL.51487150
ISBN 9790201871509. UPC: 888680924935. 6.5x9.25x0.218 inches.
The Divertimento K. 247 in F-flat major was composed for the name day of Countess Antonia Lodron, and was first performed on 18 June 1776 in Salzburg. The little March K. 248 was presumably used to accompany the arrival and departure of the musicians on that occasion - it shares the same date of composition as the Divertimento, is in the same key, and is scored for the same instruments. Mozart later returned several times to this “First Lodron night music”, and posterity appreciated it too: the Divertimento was published just a few years after his death, and was also available in numerous 19th century copies. The only authorised sources for our Urtext edition, however, were the two autographs. Here, incidentally, the lowest part is designated “Basso,” which leaves open the question as to whether it was to be played by a cello, a double bass or both - a typical case of “as you like it” in the music of the 18th century!
