Afro - Caribbean And Brazilian Rhythms For The Drums

The Collective: Ethnic Style Series-Learn about the wonderfully rich music which is derived from the fusion of the cultures of West-Africa Europe and the indigenous Indian cultures of the Caribbean region with this book/CD pack. Most of the rhythms presented herehave evolved from their original multiple percussion origins and have been applied to the drumset. For each style sample or exercise the CD contains a performance demo and then a version without the drums for you to play-along.If you want to be a well-rounded well trained musician this publication provides the information and exercises that will give you a strong musical foundation in these important genres.

The Complete Guide with CD!-Learn how to play Latin jazz Piano based on traditional Latin music from Cuba and Brazil. Latin Jazz Piano addresses the three roles that the jazz pianist typically plays: as a member of an accompanying rhythm section as a lead instrument within an ensemble and as a solo instrument. The online audio features many examples in the book and combo tracks with which to play along.The book is divided into three sections. The first covers Afro-Cuban (Afro-Caribbean) jazz the second section deals with Brazilian influenced jazz – Bossa Nova and Samba and the third contains lead sheets of the tunes and instructions for the play-along onlineaudio.The Afro-Cuban section contains a chapter on some basic concepts of traditional Afro-Cuban music including the clave tumbao and montuno. Also there is a chapter on typical piano voicing used in Afro-Cuban music Latin jazz in general.Next is a chapter on typical comping patterns used in various Afro-Cuban styles such as Mambo Cha-cha etc. The last chapter in this section features tunes written in these various styles and arranged for lead instrument piano and bass piano lead and piano solo. The next section on Brazilian-related jazz begins with a chapter on the many varied rhythms typically used in comping for Bossa Novas and Sambas and concludes with a chapter featuring tunes arranged in the same ways as the first section.The third section contains lead sheets of all the tunes so the reader can play and improvise on them along with the accompanying online audio. The reader is encouraged to continually change the way he or she plays these tunes and apply the principles found in this book to other tunes in the Latin jazz repertoire.