Afro-Caribbean and Brazilian Rhythms for the Bass

The Collective: Ethnic Style Series-This instructional book with CD covers the rich music derived from a fusion of cultures. West Africa Europe and the indigenous Indian cultures of the Caribbean region all took part in creating this music style. Learn to playthis distinctive music style on bass guitar. The book has all the essential playing techniques and explores the special relationship of the bass to the many rhythm grooves of these drumming traditions. You'll also get historicalreferences and background useful information and explanations about the music styles notated musical examples of each approach detailed points about ?feel ? important performance tips extensive discographies andbibliographies biographies of each author and demonstration performances and play-along tracks on the accompaniment CD.

The Complete Guide with CD!-Learn how to play Latin jazz Piano based on traditional Latin music from Cuba and Brazil. Latin Jazz Piano addresses the three roles that the jazz pianist typically plays: as a member of an accompanying rhythm section as a lead instrument within an ensemble and as a solo instrument. The online audio features many examples in the book and combo tracks with which to play along.The book is divided into three sections. The first covers Afro-Cuban (Afro-Caribbean) jazz the second section deals with Brazilian influenced jazz – Bossa Nova and Samba and the third contains lead sheets of the tunes and instructions for the play-along onlineaudio.The Afro-Cuban section contains a chapter on some basic concepts of traditional Afro-Cuban music including the clave tumbao and montuno. Also there is a chapter on typical piano voicing used in Afro-Cuban music Latin jazz in general.Next is a chapter on typical comping patterns used in various Afro-Cuban styles such as Mambo Cha-cha etc. The last chapter in this section features tunes written in these various styles and arranged for lead instrument piano and bass piano lead and piano solo. The next section on Brazilian-related jazz begins with a chapter on the many varied rhythms typically used in comping for Bossa Novas and Sambas and concludes with a chapter featuring tunes arranged in the same ways as the first section.The third section contains lead sheets of all the tunes so the reader can play and improvise on them along with the accompanying online audio. The reader is encouraged to continually change the way he or she plays these tunes and apply the principles found in this book to other tunes in the Latin jazz repertoire.