Arranged by Deborah Greenblatt. For 2 Violas. Hungarian Fiddle Tunes for Two. Level: Easy. Published by Greenblatt and Seay.

Arranged by Deborah Greenblatt. Cello Duet. For 2 cellos. Tunes for Two. Hungarian Folk. Tune book. Standard Notation. 59 pages

Arranged by Deborah Greenblatt. For 2 Mandolins. Hungarian Fiddle Tunes for Two. Level: Easy. Published by Greenblatt & Seay.

Arranged by Deborah Greenblatt. Violin Duet. For 2 violins. Tunes for Two. Hungarian Folk. Tune book. Standard Notation. 59 pages

SSA Choir

SKU: BT.MUSM570366033

By James Whittle_Paul Slid. Hymns & Chorals. Book Only. 145 pages. University of York Music Press #MUSM570366033. Published by University of York Music Press (BT.MUSM570366033).

English.

A genre-defying collection of songs for female vocal trio, Songspin Songbook is a collaboration between Juice Vocal Ensemble and UYMP, funded by an Arts Council England grant. Described as “the 21st century’s answer to the Swingles or King’s Singers” (The Times), Juice have emerged as the face of a revitalised experimental scene for vocal music. Songspin Songbook publishes songs from their debut album, Songspin. The album was released on Nonclassical in 2011 to critical acclaim, winning an international Independent Music Award for Best Contemporary Classical Album in 2012. Featuring remixes by the likes of Camille producer MaJiker and Björkcollaborator Mikhail Karikis, the album was reviewed by The Observer as “eighteen immaculately achieved tracks, spanning Elisabeth Lutyens to Gabriel Prokofiev via folk song and avant garde, enchant and enthrall”. Songspin also featured the premiere recording of Elisabeth Lutyens' Of The Snow, which The Telegraph described of a performance by Juice as an amazing sustained piece of virtuosity.  Songspin Songbook was edited by James Whittle and Paul Sild.  Artwork designed by Christopher Leedham and Martin Scheuregger.

Guitar - Grade 2

SKU: BT.MUSMS0358

Composed by Diego Portillo. Tuition. Book with CD. Composed 2017. Play Music Spain #MUSMS0358. Published by Play Music Spain (BT.MUSMS0358).

Spanish.

Apre nder las escalas, los arpegios, los clichés de los mejores músicos... es una cosa, pero crear un solo a la vez coherente, musical, interesante, vibrante y atractivo, respetando el contexto en el cual se toca,es otra cosa.

Y ésta es la meta que nuestro método quiere hacerle alcanzar. Aquí no se trata de aprender las herramientas melódicas de las que uno dispone (sobran los métodos sobre eltema), sino de la elaboración en sí de unos hermosos solos de guitarra.

La metodología que hemos adoptado es sencilla, lúdica y progresiva. El estudiante encontrará no menos de 14playbackscompletos (de 4, 8 y 12 medidas), con, para cada uno, 4 solos diferentes y de dificultad progresiva (o sea 56 solos en total). En realidad se trata siempre de la misma base que está desarrollada melódicamente,rítmicame nte y técnicamente a lo largo de la progresión.

Dicho de manera más clara, el primer solo es básico, al alcance de todos, mientras que el último es más complejo.Pero, que quede claro, el verdadero solo no es solamente el último: a cada etapa corresponde un verdadero solo digno de ese nombre.

En el disco de datos incluido en el método (audios mp3 y vídeos mp4)encontrará para los 56 solos presentados en el método, la demostración en vídeo, a velocidad normal y luego más lenta, y también los múltiples playbacks correspondientes, enversión ?larga duración?, para que le dé tiempo a expresarse en ellos.

2 guitars - Level 3

SKU: LM.27431

Composed by Annette Kruisbrink. Classical. Score. Editions Henry Lemoine #27431. Published by Editions Henry Lemoine (LM.27431).

ISBN 9790230974318.

Albo rada - Albarillo - Don Camillo - Canto - Sarao - Final.

Books and Journals

SKU: UT.QC-1

Edited by Massimiliano Sala Richard Bösel. Paperback (Soft Cover). Quaderni Clementiani. Classical. Books and Journals. Ut Orpheus #QC 1. Published by Ut Orpheus (UT.QC-1).

ISBN 9788881094509. 6.5 x 9.5 inches.

Saggi di Eva Badura-Skoda, Otto Biba, Federico Celestini, Andrea Coen, Dorothy de Val, Anselm Gerhard, Alberto Iesuè, Roberto Illiano, Leon Plantinga, David Rowland, Luca Sala, Massimiliano Sala, Rohan H. Stewart-MacDonald


L’Istituto Storico Austriaco a Roma, in collaborazione con la Sezione di Storia della Musica dell’Istituto Storico Germanico a Roma, il Comitato Scientifico degli Opera omnia di Muzio Clementi e il Da Ponte-Institut für Librettologie, Don Juan-Forschung und Sammlungsgeschichte di Vienna, ha organizzato dal 4 al 6 dicembre 2002 un symposium internazionale di studi dal titolo Muzio Clementi. Cosmopolita della musica, che ha inteso riunire nella città natale dell’autore i maggiori esperti di Clementi in occasione del 250° anniversario della nascita del compositore.
I numerosi interventi del symposium si sono articolati in complessive 4 sezioni (Muzio Clementi nel 250^o anniversario della nascita; Clementi: un romano a Londra; L’altro Clementi; Clementi e la «Wiener Klassik»), svoltesi presso la sede dell’Istituto Storico Austriaco (5 e 6 dicembre).
La manifestazione ha messo in luce soprattutto la dimensione europea degli interscambi culturali dovuti al fenomeno delle migrazioni dei musicisti, dei rapporti internazionali inerenti all’editoria, all’impresariato e al commercio degli strumenti a tastiera.