The melody was later used in a Lutheran chorale, "O
Welt, ich muß dich lassen", and still appears in
modern English-language hymnals under the name
"Innsbruck", to a wide variety of text, of which the
most common one is "The duteous day now closeth", a
paraphrase of Paul Gerhardt's "Nun ruhen alle Wälder.
The hymn "In allen meinen Taten" by Paul Fleming
(1609–1640) was written for the same melody. Johann
Sebastian Bach used it in several cantatas, especially
in the chorale cantata In allen m...(+)
The melody was later used in a Lutheran chorale, "O
Welt, ich muß dich lassen", and still appears in
modern English-language hymnals under the name
"Innsbruck", to a wide variety of text, of which the
most common one is "The duteous day now closeth", a
paraphrase of Paul Gerhardt's "Nun ruhen alle Wälder.
The hymn "In allen meinen Taten" by Paul Fleming
(1609–1640) was written for the same melody. Johann
Sebastian Bach used it in several cantatas, especially
in the chorale cantata In allen meinen Taten, BWV 97
(1734).
PARTITION