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Prudent, Jean PierreJean Pierre Prudent
France France, LEFOREST
36 sheet music
25 MP3

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string quartet


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Jean Pierre Prudent





Jean Pierre Prudent (1960 - )
France France, LEFOREST
Registered before 2010
About the artist
Associate : SACEM | IPI/CAE code : 00491 21 69 51
What about JPP: he is primarily a creator. Making music is first of all an invention. Among other influences he cites Olivier Messiaen, Bach, Debussy, or Frank Zappa, but also progressive rock, or magma and pink-floyd. Above all, his music is multifaceted and unconstrained. There are passages of classical music, modern jazz, rock, or new-age atmosphere with medieval overtones. The pipe organ rubs the electric guitar, the string orchestra and the synthesizer. The pieces sound like mysterious atmospheres, definitely avant-garde, or strictly classical. The ear travels constantly between consonance and dissonance. In short, today's music without compromise.

multifaceted Music ...
independent of words. No words, the sounds say it all. The
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Collections of jpp-osirys
Informations of Jean Pierre Prudent
Directions to play my music
Written on 2023-09-16 by jpp-osirys
Note regarding the interpretation of all of my compositions:

All of the following is indicative and may be adapted.

• The nuances, as long as we don't go from a written pianissimo to a played forte.
• The tempos as long as we do not go from a quarter note written at 60 to a quarter note played at 120.
• piano pedals
• organ registration
• instrumentation which can be modified according to the principles of variable geometry (see the description of my writing style)

The pieces can be interpreted quite freely as long as the spirit is not altered. To get an idea, you can listen to my own interpretations here or on Bandcamp.

Finally, all partitions can, if necessary, be reformatted on request (write me).

JPP-Osirys's scores
Mise en ligne des partitions de JPP-OsirysWritten on 2018-06-12 by jpp-osirys
All scores presented here do not show the same interest when interpreted.
Some are written for a solo instrument or small orchestras and played in a "conventional" approach, others are more variable and freely adaptable in orchestration or include partially improvised parts.
To understand how to interpret this music you can refer to the elements of style that are clearly outlined at the start of "simples geometries" for piano.
Some pieces are to be played with rigor, others need the player to be imaginative and "interpret" freely but by keeping the spirit of the writing which is then understood as a guide rather than as a rigorous plane.

Moreover, some of the musics presented here were recorded by Osirys, the collective in which JPP plays his music, and are available on most download or streaming platforms. You can, if you want, inspire you with these versions for your own interpretation ....

écouter sur Bandcamp - Listen on Bandcamp
My music is raw art !
Ma musique c'est de l'art brut !Written on 2018-06-11 by jpp-osirys
I don't know if I can call myself a musician, I've made music all my life like others build a palace without ever having met an architect or having learned how to do it.

My goal is to make my music live, not necessarily that I live from it. I sincerely think that being professional wouldn't have changed a note of what I wrote. For someone who wants to be a composer or creator first and foremost, being professional or not doesn't change anything. Raw Art, because that's a bit of what I'm talking about, is only practiced within an individual way of life where social status and profession do not intervene.

hence, for me, the importance of putting music, and music alone, at the center of the system.

So yes, you can call me "AMATEUR". And this term quickly evokes the good Sunday artist for the school festival. But it is also a very great strength, because the work is then free of any constraint. I can do what I want, when I want, how I want, if I want. So no pressure, total freedom of artistic choices. The future must be in raw art, not in business. The Result can then present rough edges, because it does not come out of any sanitized and standardized mold and does not seek the consent of any peer. Art brut is not necessarily as it should be, it is as I perceive it, just to humanize a universe that is otherwise devoid of meaning.

(and creation outside of this freedom is furniture, just a pretty decor. When you think about it well: artist/creator should never be thought of as a profession. For me, the painters of Lascaux did not paint by professionalism, because it was their job, even less to become rich or famous, but rather because they had the feeling of participating intimately in the magic of the world through shamanic trances. There are very good craftsmen who can even be better technicians than some artists. But here is an example that clearly marks the boundary between the two. On a chair made by a craftsman, which may be very beautiful, you will ultimately have to be able to sit down. On the artist's chair whether we can sit down or not: who cares. The bulls of Lascaux were not edible...).

Why do I speak like this to characterize my music or my texts?
Without any pretension, and especially without me finally thinking of being "above the fray". I don't take myself for a genius out of the world, far from it...
My work is only the result of an individual life, and nothing else.
I see my creations only for themselves, because I have to bring them to life and I like that.
In fact: creating is my own shamanic trance.

And of all his "principles" I am absolutely not an ayatollah. These ideas are simply the translation of a personal approach. There are many ways to create works that will have nothing in common with my music, and that's good! But for me, that's how it works.
Sheet music books (shipped from USA) (No shipping European Union)
26 scores found for "string quartet" for DOUBLE BASS

String Quintet G major op. 77
String Quintet G major op. 77
String Quintet: 2 violins, viola, cello, bass [Set of Parts] - Easy
Barenreiter
$31.95 - See more - Buy online
Pre-shipment lead time: 1 to 2 weeks
Progressive Quartets for Strings -  Bass
Progressive Quartets for Strings - Bass
4 Double Basses [Sheet music]
Carl Fischer
$16.99 - See more - Buy online
Pre-shipment lead time: 1 to 2 weeks
Missa Popularis
Missa Popularis
String Quintet: 2 violins, viola, cello, bass [Set of Parts]
Barenreiter
$26.95 - See more - Buy online
Pre-shipment lead time: 1 to 2 weeks
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Sheet music books (shipped from Europe)
6 scores found for "string quartet" en DOUBLE BASS

Movie Quartets For All/Vc (STORY MICHAEL)
Movie Quartets For All/Vc (STORY MICHAEL)
Cello, String Bass (duet) [Sheet music]
Alfred Publishing
13.30 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier
The Famous Solo'
The Famous Solo'
Double bass, Orchestra
G. Henle
20.00 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier
The Famous Solo For Double Bass And Orchestra Epuisé
The Famous Solo For Double Bass And Orchestra Epuisé

Double bass, Orchestra - Advanced
G. Henle
40.00 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time: In Stock
Nouvelle Technique De La Contrebasse - Vol.5
Nouvelle Technique De La Contrebasse - Vol.5

Double Bass
Leduc, Alphonse
30.41 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier
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