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Who Would Imagine a King
$2.25
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(from The Preacher's Wife). Performed by Whitney Houston. By Mervyn Warren, Hallerin Hilton Hill. Arranged by Keith Christopher. (SATB). Choral. Size 6.75x10.5 inches. 8 pages. Published by Hal Leonard.
Compositeur/Auteur :
Whitney Houston
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Chorale SATB
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SATB
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Hal Leonard
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Who Would Imagine a King
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Who Would Imagine A King
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Hallerin Hilton Hill Mervyn Warren: Who Would Imagine a King: Mixed Choir:
29.40
Hallerin Hilton Hill Mervyn Warren: Who Would Imagine a King: Mixed Choir:
Chorale SATB
Hal Leonard
from The Preacher's Wife (ShowTrax CD)-Who Would Imagine A King is the eloquent ...
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from The Preacher's Wife (ShowTrax CD)-Who Would Imagine A King is the eloquent and emotional Christmas song performed by Whitney Houston in The Preacher's Wife. Available here is the Show Trax CD of backing tracks and full performances.
29.40 GBP - vendu par Musicroom GB
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The Gallipoli Songbook (Pvg)
39.43
The Gallipoli Songbook (Pvg)
Piano, Voix et Guitare
Amsco Wise Publications
The Gallipoli Campaign took place between April 1915 and January 1916 and marked...
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The Gallipoli Campaign took place between April 1915 and January 1916 and marked the first significant military engagement for Australia as an independent dominion. The Gallipoli Songbook commemorates this crucial event of the Great War with a collection of contemporary songs relating to the soldiers, the public at home, and the sheer poignancy of such a tragic event, all arranged for Piano, Vocal and Guitar.The diversity of songs included in this Gallipoli Songbook is testament to the spirit of optimism, consolation and humour inherent in the collective consciousness at the time of such great anxiety and fear. This is a wonderful compilation of contemporary tunes that were popular both before the War, during the various campaigns and after the War itself. Some songs included here sum up the optimistic and patriotic spirit in the years leading up to Gallipoli, such as Waltzing Matilda and God Save The King, while others like And The Band Played Waltzing Matilda, from after the event, look back on the horrors of the Anzac experience on those fateful days.Other tunes come from the wonderful British Music Hall tradition, using irony, sarcasm and humour to overcome the sadness associated with the Great War. Songs like Oh! It's A Lovely War, It's A Long Way To Tipperary and Along The Road To Gundagai were popular both at home and as marching tunes, conquering the petrifying realities of war with rousing music and song. The Gallipoli Songbook also includes wistful, sad and heartbreakingly poignant lyrics that capture the unavoidable sadness associated with the costs of total war, songs like I Wonder Who's Kissing Her Now, There's A Long, Long Trail and The Gift Of Years, all bittersweet reflections on love, loss and life's transience. Each song included here is a fantastic way to remember the victims of the Gallipoli campaign, and to understand the power that music has to allay, disguise and reflect upon fear and anxiety. The songs, arranged for Piano, Vocal and Guitar with full lyrics and chord boxes, are a fascinating insight into the period from before the War to after it, and their timelessness makes them as fun to play and sing now, as they were back then. The book also contains a smattering of brilliant images from the time, as well as an extensive foreword that explains, in detail, some of the songs and their meanings.The Gallipoli Songbook is an enjoyable, poignant and fascinating collection of tunes of, or relating to, the Great War and the Gallipoli campaign. Each song is beautiful in its own way, and would be perfect for a commemorative performance, or just an addition to your general repertoire. This songbook is perfect for a musician interested in history, or simply anyone who appreciates the golden age of emotive songs that meant more back then than we could ever imagine today. / Piano/Vocal/Guitare (PVG)
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More Songs From Glee
20.16
More Songs From Glee
Piano, Voix et Guitare
Hal Leonard
Fifteen more hits exposed to millions on this smash show: And I Am Telling You I...
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Fifteen more hits exposed to millions on this smash show: And I Am Telling You I'm Not Going - Dancing with Myself - Defying Gravity - Don't Rain on My Parade - Endless Love - I'll Stand by You - Imagine - Jump - Lean on Me - My Life Would Suck Without You - Proud Mary - Smile - Sweet Caroline - Taking Chances - True Colors. / Piano/Vocal/Guitare (PVG)
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Glee - Women'S Editon Volume 2: Vocal Solo: Album Songbook
11.50
Glee - Women'S Editon Volume 2: Vocal Solo: Album Songbook
Piano, Voix
[Partition]
-
Intermédiaire
Hal Leonard
12 more hit songs from the hit Fox TV show! The Singer's Series is ideal for voi...
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12 more hit songs from the hit Fox TV show! The Singer's Series is ideal for voice teachers looking for a fresh contemporary repertoire and for singers to use at auditions!The songs are arranged in singer-friendly key ranges and the Piano parts are true accompaniments with no melody lines in these parts.
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Ponzol Peter - Saxophone Workshop - Pocket Guide
6.40
Ponzol Peter - Saxophone Workshop - Pocket Guide
Saxophone
Jamey Aebersold Jazz
Imagine someone who has worked as an international saxophonist, an educator, a t...
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Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.
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Jan Bosveld: Odyssee: Concert Band: Score & Parts
124.99
Jan Bosveld: Odyssee: Concert Band: Score & Parts
Orchestre d'harmonie
[Conducteur et Parties séparées]
Gobelin Music Publications
The Odyssee tells the story of Odysseus the undaunted hero. In times long ago t...
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The Odyssee tells the story of Odysseus the undaunted hero. In times long ago the blind poet Homer wrote this famous epic. The 'Odyssey' follows the 'Iliad' the story of the bloody war between the Greek and the Trojans. This battle endsafter ten years thanks to the Odysseys famous trick. the Trojan Horse. The Odyssey is not a war epic but a story about perseverance loyalty adventure and the survival instinct of its ingenious hero. In The Odyssey Homer describes howOdysseus the king of Ithaca had to endure another ten years of affliction after the ten years of war in Troy before he could finally return to his home land. During those years his wife Penelope had to try and keep her many admirers away.These men not only wanted het hand but also the kingship. To prove her husbands worth she played a trick: 'As soon as I have finished weaving this shroud for my father-in-law Laertes I will choose one of you to become my husband' she promisedthem. But during the night she secretly loosened what she had woven during the day prolonging the time until Odysseus would finally return. After twenty long years when he finally stood at the door she wondered: Is this really my husband? Ishe an imposter? Cunningly she asked him to move the bed because only she and her husband know that the bed was immovable and was build around an old three trunk! Odysseus was deeply moved: this really was his wife his Penelope! Nearly threethousands years later the loyalty and strength of this character and all the dangerous adventures that Odysseus survived thanks to courage and intelligence still moves us today. Odyssee by Jan Bosveld is not just an adventure story butrather a characteristic piece in which memories of Homers story can be heard. The composition opens with a firm stirring theme describing our hero Odysseus in detail: This man is not to be taken lightly. The further development of thisshort introduction completes this character sketch: trustworthy perseverant and a genius. After that we can picture Odysseus on the lonely beach of Ogygia. Do the trumpets depict his memories of the war of Troy? Does he think of his wife as werecognise the weaving loom of Penelope in the murmuring eighth? In the solemn plaintive part that follows we can imagine Penelope feeling lonely sitting in the womens room with her servants.One of the girls plays the harp but that does notclear the sombre atmosphere. Then we can imagine seeing the sorceress Circe who changed Odysseus men into swine. After she gives a simple magic sign something follows that reminds us of the sound of pigs grunting. Then the Odysseus theme resounds:the hero comes to savi his comrades. Assisted by Hermes he forces Circe to lift the spell. The piece ends the same way as it began with an animated theme: Odysseus is still the same undefeated and not to be taken lighty!
124.99 GBP - vendu par Musicroom GB
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Jan Bosveld: Odyssee: Fanfare Band: Score & Parts
124.99
Jan Bosveld: Odyssee: Fanfare Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Gobelin Music Publications
The Odyssee tells the story of Odysseus the undaunted hero. In times long ago t...
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The Odyssee tells the story of Odysseus the undaunted hero. In times long ago the blind poet Homer wrote this famous epic. The 'Odyssey' follows the 'Iliad' the story of the bloody war between the Greek and the Trojans. This battle endsafter ten years thanks to the Odysseys famous trick. the Trojan Horse. The Odyssey is not a war epic but a story about perseverance loyalty adventure and the survival instinct of its ingenious hero. In The Odyssey Homer describes howOdysseus the king of Ithaca had to endure another ten years of affliction after the ten years of war in Troy before he could finally return to his home land. During those years his wife Penelope had to try and keep her many admirers away.These men not only wanted het hand but also the kingship. To prove her husbands worth she played a trick: 'As soon as I have finished weaving this shroud for my father-in-law Laertes I will choose one of you to become my husband' she promisedthem. But during the night she secretly loosened what she had woven during the day prolonging the time until Odysseus would finally return. After twenty long years when he finally stood at the door she wondered: Is this really my husband? Ishe an imposter? Cunningly she asked him to move the bed because only she and her husband know that the bed was immovable and was build around an old three trunk! Odysseus was deeply moved: this really was his wife his Penelope! Nearly threethousands years later the loyalty and strength of this character and all the dangerous adventures that Odysseus survived thanks to courage and intelligence still moves us today. Odyssee by Jan Bosveld is not just an adventure story butrather a characteristic piece in which memories of Homers story can be heard. The composition opens with a firm stirring theme describing our hero Odysseus in detail: This man is not to be taken lightly. The further development of thisshort introduction completes this character sketch: trustworthy perseverant and a genius. After that we can picture Odysseus on the lonely beach of Ogygia. Do the trumpets depict his memories of the war of Troy? Does he think of his wife as werecognise the weaving loom of Penelope in the murmuring eighth? In the solemn plaintive part that follows we can imagine Penelope feeling lonely sitting in the womens room with her servants.One of the girls plays the harp but that does notclear the sombre atmosphere. Then we can imagine seeing the sorceress Circe who changed Odysseus men into swine. After she gives a simple magic sign something follows that reminds us of the sound of pigs grunting. Then the Odysseus theme resounds:the hero comes to savi his comrades. Assisted by Hermes he forces Circe to lift the spell. The piece ends the same way as it began with an animated theme: Odysseus is still the same undefeated and not to be taken lighty!
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Jan Bosveld: Odyssee: Fanfare Band: Score
17.99
Jan Bosveld: Odyssee: Fanfare Band: Score
Fanfare
Gobelin Music Publications
The Odyssee tells the story of Odysseus the undaunted hero. In times long ago t...
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The Odyssee tells the story of Odysseus the undaunted hero. In times long ago the blind poet Homer wrote this famous epic. The 'Odyssey' follows the 'Iliad' the story of the bloody war between the Greek and the Trojans. This battle endsafter ten years thanks to the Odysseys famous trick. the Trojan Horse. The Odyssey is not a war epic but a story about perseverance loyalty adventure and the survival instinct of its ingenious hero. In The Odyssey Homer describes howOdysseus the king of Ithaca had to endure another ten years of affliction after the ten years of war in Troy before he could finally return to his home land. During those years his wife Penelope had to try and keep her many admirers away.These men not only wanted het hand but also the kingship. To prove her husbands worth she played a trick: 'As soon as I have finished weaving this shroud for my father-in-law Laertes I will choose one of you to become my husband' she promisedthem. But during the night she secretly loosened what she had woven during the day prolonging the time until Odysseus would finally return. After twenty long years when he finally stood at the door she wondered: Is this really my husband? Ishe an imposter? Cunningly she asked him to move the bed because only she and her husband know that the bed was immovable and was build around an old three trunk! Odysseus was deeply moved: this really was his wife his Penelope! Nearly threethousands years later the loyalty and strength of this character and all the dangerous adventures that Odysseus survived thanks to courage and intelligence still moves us today. Odyssee by Jan Bosveld is not just an adventure story butrather a characteristic piece in which memories of Homers story can be heard. The composition opens with a firm stirring theme describing our hero Odysseus in detail: This man is not to be taken lightly. The further development of thisshort introduction completes this character sketch: trustworthy perseverant and a genius. After that we can picture Odysseus on the lonely beach of Ogygia. Do the trumpets depict his memories of the war of Troy? Does he think of his wife as werecognise the weaving loom of Penelope in the murmuring eighth? In the solemn plaintive part that follows we can imagine Penelope feeling lonely sitting in the womens room with her servants.One of the girls plays the harp but that does notclear the sombre atmosphere. Then we can imagine seeing the sorceress Circe who changed Odysseus men into swine. After she gives a simple magic sign something follows that reminds us of the sound of pigs grunting. Then the Odysseus theme resounds:the hero comes to savi his comrades. Assisted by Hermes he forces Circe to lift the spell. The piece ends the same way as it began with an animated theme: Odysseus is still the same undefeated and not to be taken lighty!
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Jan Bosveld: Odyssee: Concert Band: Score
17.99
Jan Bosveld: Odyssee: Concert Band: Score
Orchestre d'harmonie
Gobelin Music Publications
The Odyssee tells the story of Odysseus the undaunted hero. In times long ago t...
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The Odyssee tells the story of Odysseus the undaunted hero. In times long ago the blind poet Homer wrote this famous epic. The 'Odyssey' follows the 'Iliad' the story of the bloody war between the Greek and the Trojans. This battle endsafter ten years thanks to the Odysseys famous trick. the Trojan Horse. The Odyssey is not a war epic but a story about perseverance loyalty adventure and the survival instinct of its ingenious hero. In The Odyssey Homer describes howOdysseus the king of Ithaca had to endure another ten years of affliction after the ten years of war in Troy before he could finally return to his home land. During those years his wife Penelope had to try and keep her many admirers away.These men not only wanted het hand but also the kingship. To prove her husbands worth she played a trick: 'As soon as I have finished weaving this shroud for my father-in-law Laertes I will choose one of you to become my husband' she promisedthem. But during the night she secretly loosened what she had woven during the day prolonging the time until Odysseus would finally return. After twenty long years when he finally stood at the door she wondered: Is this really my husband? Ishe an imposter? Cunningly she asked him to move the bed because only she and her husband know that the bed was immovable and was build around an old three trunk! Odysseus was deeply moved: this really was his wife his Penelope! Nearly threethousands years later the loyalty and strength of this character and all the dangerous adventures that Odysseus survived thanks to courage and intelligence still moves us today. Odyssee by Jan Bosveld is not just an adventure story butrather a characteristic piece in which memories of Homers story can be heard. The composition opens with a firm stirring theme describing our hero Odysseus in detail: This man is not to be taken lightly. The further development of thisshort introduction completes this character sketch: trustworthy perseverant and a genius. After that we can picture Odysseus on the lonely beach of Ogygia. Do the trumpets depict his memories of the war of Troy? Does he think of his wife as werecognise the weaving loom of Penelope in the murmuring eighth? In the solemn plaintive part that follows we can imagine Penelope feeling lonely sitting in the womens room with her servants.One of the girls plays the harp but that does notclear the sombre atmosphere. Then we can imagine seeing the sorceress Circe who changed Odysseus men into swine. After she gives a simple magic sign something follows that reminds us of the sound of pigs grunting. Then the Odysseus theme resounds:the hero comes to savi his comrades. Assisted by Hermes he forces Circe to lift the spell. The piece ends the same way as it began with an animated theme: Odysseus is still the same undefeated and not to be taken lighty!
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William Bay: Guitar Tangos: Guitar: Instrumental Work
10.99
William Bay: Guitar Tangos: Guitar: Instrumental Work
Guitare notes et tablatures
[Partition]
-
Intermédiaire
Mel Bay
The tango is the king of the Latin dances. The captivating rhythms and seductive...
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The tango is the king of the Latin dances. The captivating rhythms and seductive melodies of the tango have captured the imaginations of musicians and composers for many years. The tango has even found its place in the world ofconcert musical literature due to the fine works of composers such as Astor Piazzolla. It is hard to imagine a guitarist today without a number of tangos in his solo repertoire. These 14 tangos were composed to provide tangoliterature for the plectrum or flatpick guitarist. Of course they may also be performed on the Classic Guitar.I would like to make special note of the tango Lucia. I originally wrote Lucia as a Guitarduet. The duet is recorded on my Acoustic Guitar Portraits recording and is also in print in the companion book. I composed a new solo setting for Lucia in this book.I believe these tangos may be performed inconcert or recital for fun or even on a gig. I hope you enjoy performing them as much as I did composing them! All music in notation and tablature.
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Mark Tanner: Flute Pastilles Grades 1-3 Vol.1: Flute: Instrumental Album
12.50
Mark Tanner: Flute Pastilles Grades 1-3 Vol.1: Flute: Instrumental Album
Flûte traversière et Piano
[Partition]
Spartan Press
With Plenty To Chew On-Seven concert pieces including 'Carmina Banana' and other...
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With Plenty To Chew On-Seven concert pieces including 'Carmina Banana' and other favourites!When I began putting together a few piano pieces back in 2007 I didn't imagine they would quickly spawn a thriving eleven-volume series entitled Eye-Tunes taking players from 'easy' to grade 8 level. Nor did I imagine these might trigger a further five volumes of arrangements for flute and piano two called Creature Comforts (which predictably enough are comprised of animal-inspired pieces) or indeed the three volumes in this current series Flute Pastilles. While it goes without saying that not all pieces conceived for piano will work equally well for the combination of flute andpiano I'm a great believer that a good tune is frequently one which will transcribe easily. I like to think of these cherry-picked arrangements concise though they are as being 'proper' pieces in that they can earn their keep beyond the confines of the practice room or flute lesson. From Book 1 you will find a sprinkling of more thoughtful pieces such as Wind over Goonhilly Forget-Me-Not and Follow the North Star to offset the more jaunty pieces. These in particular call for a little extra attention to tone colour dynamics and phrase-shaping with some awareness of what the piano part is doing too. Think hard about choosing your tempo for each piece as this is a major contributor to musical character and in the faster moving music aim to articulate the rhythms as crisply as you can so that the music can really spring off the page and come to life for your audience.I must acknowledge as before the inestimable contribution to the success of these pieces made by Gillian Poznansky whose suggestions over the appearance of the scores has made such a difference to how the music is likely to be played. She also came up with a fair number of the titles to these pieces and has done them further service by performing them with me to great aplomb on innumerable occasions in far-flung corners of the globe.
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Tony Bacon: Electric Guitars Design and Invention: Reference Books: Reference
29.99
Tony Bacon: Electric Guitars Design and Invention: Reference Books: Reference
Backbeat Books
The Groundbreaking Innovations That Shaped the Modern Instrument-Innovation. Dis...
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The Groundbreaking Innovations That Shaped the Modern Instrument-Innovation. Disruption. Thought leadership. Today's hottest tech sector buzzwords would prove just as apt in describing the twentieth century crucible of Guitar development.Imagine an electric Guitar Is it a Strat? A Les Paul? Some third party variant on one of these classics? Or is it something more uniquely memorable: a Warlock a Flying V a Razorback? There's a reason that default image popped into your mind. Electric Guitars do not happen by chance. They look and sound and play the way they do by design.Tony Bacon's latest book Electric Guitars Design and Invention: The Groundbreaking Innovations That Shaped theModern Instrument the world's leading Guitar historian traces the modern axe to the iconic designs at its roots. Musicians artisans luthiers and designers alike will delight in this far-reaching exploration of the craftsman trends and technological advances that shaped an industry – and countless generations of popular music.
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100 MOST BEAUTIFUL CHRISTMAS SONGS
36.98
100 MOST BEAUTIFUL CHRISTMAS SONGS
Piano, Voix et Guitare
[Partition]
Hal Leonard
Par . Arrangements for piano, voice and guitar of 100 all-time Christmas favorit...
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Par . Arrangements for piano, voice and guitar of 100 all-time Christmas favorites, both sacred and secular in nature. / Date parution : 2022-12-01/ Répertoire / Piano/Vocal/Guitare (PVG)
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Essential Rock Guitar Techniques: Guitar Solo: Instrumental Tutor
19.99
Essential Rock Guitar Techniques: Guitar Solo: Instrumental Tutor
Guitare notes et tablatures
[Partition + CD]
-
Facile
Hal Leonard
If you want to be a serious rock guitarist and sound authentic there are some t...
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If you want to be a serious rock guitarist and sound authentic there are some things you simply must know. What would a Metallica riff be without the palm mute? Or how would a Van Halen solo sound without the tapping? Can you imagine hearing a version of Z.Z. Top's ?Tush? or Joe Walsh's ?Life's Been Good? without that signature slide guitar? Essential Rock Guitar Techniques teaches you all of these skills with carefully crafted exercises and inspiring musical examples nearly all of which are featured on the accompanying CD. If you're tired of faking through your favourite rock songs because you've always neglected to learn that one special technique you need this book. Stop skipping over the intricate details and start sounding like a seasoned professional! The accompanying CD contains 96 tracks with over 275 examples.
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Instrumental Play-along Glee + Cd - Alto Saxophone
17.99
Instrumental Play-along Glee + Cd - Alto Saxophone
Saxophone Alto
[Partition + CD]
Hal Leonard
Description Fifteen hits from the first season of this popular Fox TV show fo...
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Description Fifteen hits from the first season of this popular Fox TV show for solo instrumentalists! Each volume includes a great full-accompaniment play-along CD so you can sound just like a pro. Songlist Alone [Heart] And I Am Telling You I'm Not Going [Holliday, Jennifer] Bust Your Windows [Sullivan, Jazmine] Dancing With Myself [Idol, Billy] Don't Stop Believin' [Journey] Imagine [Lennon, John] Keep Holding On [Lavigne, Avril] Lean On Me [Withers, Bill] My Life Would Suck Without You [Clarkson, Kelly] No Air [Mason, Harvey] [Thomas, Damon] [Fauntleroy, James] [Griggs, Erik] [Russell, Steven] Sweet Caroline [Diamond, Neil] Take A Bow [Rihanna] Taking Chances [Dion, Celine] True Colours [Lauper, Cyndi]
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The Nine Glens Of Antrim - Nine Easy Pieces
14.73
The Nine Glens Of Antrim - Nine Easy Pieces
Piano seul
-
Intermédiaire
Pianissimo Publishing
The Nine Glens Of Antrim - Nine Easy Pieces For Piano is a songbook featuring ni...
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The Nine Glens Of Antrim - Nine Easy Pieces For Piano is a songbook featuring nine distinctly Irish-themed original compositions by renowned composer and teacher June Armstrong for grades two to four standard, designed to teach and reinforce technique and stylistic interpretation.Composer June Armstrong has taken the glens of County Antrim in Ireland as the inspiration for nine new Piano pieces that attempt to capture the atmosphere of the varied landscape. From the astonishing monuments of caves and valleys to calmer, more tranquil waterfalls and rivers, Armstrong has successfully composed pieces to help a student imagine and evoke the natural beauty of a landscape through the musical medium. The concept that Armstrong has tried to incorporate is that the expressiveness of the Piano as an instrument is something that students should be familiar with, and so this book will teach you how to create atmosphere while using the musical theory you are familiar with.One of the most impressive things about The Nine Glens Of Antrim is the hard work that the composer has put into creating these pieces as well as incorporating Irish music and the Irish landscape. At the beginning of the songbook Armstrong goes into great detail about what each piece symbolises, as well as a small amount of Irish history and legend. She intertwines this with detailed playing instructions, making learning entertaining and informative as well as inspiring. In the notes for the piece titled ?Layd Church?, the student is told that?A small stream runs along the side of the church, the sound of which, together with birdsong, is the only music you will hear there now. If you wish to play this successfully, you will need to listen to birds singing!?It is this personality and friendly tone that makes learning from The Nine Glens Of Antrim a joy.The songs themselves are subtle, pretty and precisely composed, perfect for a student who already has a good grasp of playing in a variety of keys, at different tempos and in alternative time signatures. Armstrong also leaves certain expressive elements up to the performer, so the flexibility would suit a student who is keen to bring some character and feeling to the piece. Each song represents a different challenge, and attempts to introduce a novel style and technique, so the use of the natural beauty of a landscape provides an anchor for students to connect the theory with the practice. To hear a recording of each track free of charge, just head to the composer's own website, where you can also view photographs symbolising each song to inspire you to begin your learning of The Nine Glens of Antrim today. / Piano
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La Muette
65.00
La Muette
Jobert
Make the silence talk'La Muette knew how to make the silence talk like no one', ...
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Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use when I'm writing my score. I was listening to La Muette, I decided to write a new piece to make the silent voice of La Muette told by Chahdortt Djavann sound through music. Choosing the extracts The text put in music is composed of short extracts from Djavann's story. I focused on this woman's portrait, who conquers her freedom through silence in which she forms a strong love relationship with her niece Fatemeh on the one hand, and the Uncle on the other hand. 'She had made her silence become her art of living, her freedom' writes Djavann. The extremely dramatic tension, the flow of the singing in Persian language, and the oppression in relation to the Iranian context are trying to underline the independent beauty of that woman who resists and exists without a voice. Story A young 15 years old Iranian girl named Fatemeh is in jail. Waiting for her death sentence, she writes the story of her aunt on a small notebook, 'so that someone remembers La Muette and myself'. The young teenager was raised by her aunt who becomes mute because she decided to stop talking on a dark day of her own childhood when she was interrogated, never to tell THE truth. An aunt whose silence makes even more fascinating, haughty, with an insolent look, cigarette at her lips, bare-footed and without any scarf on her head. 'La Muette' had made her silence become her art of living, her freedom. Around her, women start to talk, even considering her mad, for only a mad person could act this way. Fatemeh loves her mute aunt unconditionally, that is how she wants to become a woman, by being like her, fascinated by her silence and her excesses. La Muette embodies a figure of Freedom and makes us remember that in some countries, the woman who won't be submissive risks capital punishment. She will be hung. Following this beautiful text by Chahdortt Djavann, 'La Muette', a powerful text, stiff, tensed, without any lyricism nor compromises, which takes place in Iran under the Mollahs' regime. Persian: Phonological material / Compositional material Djavann's story is written in French. I asked Baharé Khadjé-Nouri to translate the text into Persian, and worked with her on pronunciation, accentuation, metric and the structure of the language, and I thank her again for that. I spent a long time having some people reading me the text in Persian and through listening I immersed myself in that sound universe. From this linguistic material, the beginning of the piece starts with the constitution of a tank of sound objects which will constitute parts of the compositional material. To compose the phonological tank, I worked on writing the pronunciation that lies at the origin of every possible vocal composition, writing the tone as well as the 'percussive - resounding' aspects of phonemes, multiple uses of fricative consonants or sibilants. Finally I used the vocal treatment of the phoneme through modes of play in relation to sprechsang: sing -inspire, or -expire, -blow, -chanting, -whispering, -spitting, -speaking. But a purely phonetic analysis of the vocal structures composing the sung part would reduce the word to its mere phonetic entity. The phonological material then constituted a compositional material by giving to the sung word its semantic entity. Form of the piece To strip the drama off every narrative element, at least of the discursive and linear character of the story, I first re-organized parts of the text extracted from the whole book in an order fitting the form I wanted to give to the piece (except for the beginning and ending which are kept in their linear forms). I imagined Fatemeh in jail, whose memories bounced between the four walls of her cell: recurring musical material, re-injected in an obsessive way, disjointed and contrasted, continuously modified each time, bouncing from one sequence to the next in another state. The piece is divided into 5 sequences, between each of them is an instrumental interlude with a voice-off, the voice of the present in the cell that contrasts with the singing voice of the sequence, evocation of memories of La Muette (sequence 1: preamble, sequence 2: portrait of La Muette, sequence 3: La Muette and Fatemeh, sequence 4: La Muette and the Uncle, sequence 5: epilogue). Electroacoustic setupFor this piece, I wrote the electroacoustic parts myself at the same time I was writing the instrumental parts. The electroacoustic setup is here considered as a whole instrument, an instrument added to the 12 others electroacoustic instruments and to Donatienne's voice. The electroacoustic sounds are divided into three types: - Samples from the singer's voice and instruments of the TM+ ensemble transformed - The narrator's voice Baharé Khadjé-Nouri in Persian, original version or transformed - Extra-musical sounds As for the synchronization between the acoustic and the electroacoustic scores, we will use for the first time an innovative application developed by Frédéric Bevilacqua and Bruno Zamborlin, not to follow the moves as we did it in StreicherKreis (my string quartet created in November 2008), but to follow the voice and orchestra. Thus, we will be using an 'audio-following', which constituted a first. This setup of recognition and following will allow the synchronization between instrumental and electroacoustic scores in a musical and precise way. Concerning the interactivity between performers and device, it will all be in real-time. Characteristics of the musicians' sound will 'interpret' what comes out of the speakers. The musicians will define the settings of the sound transformations, in terms of space, transposition, tone or length. This new piece expresses a message through the choice of subject that goes beyond strictly music. For me, it is important that both the composer and writer can invest their work into problematics which they're confronted to because they are immediate witnesses. / Soprano Et Percussions
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Thomas Augustine Arne: Thomson Rule Britannia: SATB: Vocal Score
2.25
Thomas Augustine Arne: Thomson Rule Britannia: SATB: Vocal Score
Chorale SATB
[Vocal Score]
J. Curwen and Sons
When 18th century British composer Thomas Arne included his song Rule Britannia...
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When 18th century British composer Thomas Arne included his song Rule Britannia! in a masque based on the life of Alfred the Great that was presented at Cliveden the country home of Frederick Prince of Wales he could nothave imagined that more than two hundred seventy years later his ditty would be known throughout the British Isles and beyond. Rule Britannia! is widely used in the Royal Navy and British Army and is featured each year at theLast Night of the Proms in the Royal Albert Hall as a national sing-along.At the time of writing the Dutch actually ‘ruled the waves ’ so this song was more an exhortation than a status report. The lyrics were also astatement of civil liberty. Since Cromwell’s time Britain had had a standing army which could be turned against the native population. A standing navy however existed solely to protect the nation from invaders protectinga free populace.Rule Britannia! has been quoted extensively by other composers among them Beethoven Wagner Strauss and Arthur Sullivan. Thomas Arne also penned a version of God Save The King which came to be the Britishnational anthem.This version is arranged by contemporary composer and friend Eaton Fanning who made changes to the famous semiquaver flourishes.
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Jill Gallina: United We Stand: Children's Choir: Classroom Resource
29.99
Jill Gallina: United We Stand: Children's Choir: Classroom Resource
Shawnee Press
Imagine how much more fun politics would be if politicians were required to rhym...
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Imagine how much more fun politics would be if politicians were required to rhyme their arguments and sing their votes! United We Stand brings us to Independence Hall back in the summer of 1787 where some of ourbest-known Founding Fathers are rhyming singing and dancing their way to a compromise that will ultimately bring about the ratification of the United States Constitution. This lively mini-musical stresses the importance ofworking together for the common good and is a fun and engaging cross-curricular tool to enhance students' learning of the history of the Constitution.Perfect for the teacher on a tight budget this Performance Kitincludes five reproducible unison/2-part songs reproducible activity sheets accompaniment and performance tracks and costuming staging and performance suggestions. For Grades 3-5.Songs include: The ConstitutionSong; What a State We're In; It's Wise to Compromise; United We Stand; This Is America.
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Essential Bass Guitar Techniques: Bass Guitar Solo: Instrumental Tutor
19.99
Essential Bass Guitar Techniques: Bass Guitar Solo: Instrumental Tutor
Basse electrique
[Partition + Accès audio]
Hal Leonard
21 Skills Every Serious Player Should Master-Chris Kringel's Essential Bass Guit...
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21 Skills Every Serious Player Should Master-Chris Kringel's Essential Bass Guitar Techniques uses carefully crafted exercises alongside inspiring musical examples to teach the 21 skills that every Bass player should know.If you're tired of faking your way through your favorite songs because you've always neglected to learn that one special technique you need this book. Stop skipping over the intricate details and start sounding like a seasoned professional.Would Jaco Pastorius have been so innovative without great finger style technique and the use of harmonics? Can you imagine a Red Hot Chili Peppers song without Flea's slap bass? Or how about Primus without LesClaypool's quirky slap and tap technique? With the help of the 86 included audio tracks which can be accessed online Essential Bass Guitar Techniques will teach you all of these skills and more.
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Thomas Augustine Arne: Arne Rule Britannia Unison: Unison Voices: Vocal Work
2.25
Thomas Augustine Arne: Arne Rule Britannia Unison: Unison Voices: Vocal Work
Chorale Unison
Unison
[ ]
Novello & Co Ltd.
When 18th century British composer Thomas Arne included his song Rule Britannia...
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When 18th century British composer Thomas Arne included his song Rule Britannia! in a masque based on the life of Alfred the Great that was presented at Cliveden the country home of Frederick Prince of Wales he could not have imagined that more than two hundred seventy years later his ditty would be known throughout the British Isles and beyond. Rule Britannia! is widely used in the Royal Navy and British Army and is featured each year at the Last Night of the Proms in the Royal Albert Hall as a national sing-along.At the time of writing the Dutch actually âruled the waves â so this song was more an exhortation than a status report. The lyrics were also a statement ofcivil liberty. Since Cromwellâs time Britain had had a standing army which could be turned against the native population. A standing navy however existed solely to protect the nation from invaders protecting a free populace.Rule Britannia! has been quoted extensively by other composers among them Beethoven Wagner Strauss and Arthur Sullivan. Thomas Arne also penned a version of God Save The King which came to be the British national anthem.
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Who Would Imagine a King?/O Come All Ye Faithful: SATB: Vocal Score
11.25
Who Would Imagine a King?/O Come All Ye Faithful: SATB: Vocal Score
Chorale SATB
[Vocal Score]
PraiseSong
From the motion picture The Preacher's Wife this compelling song is given a fre...
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From the motion picture The Preacher's Wife this compelling song is given a fresh new arrangement by the talented Dave Williamson. Pairing the song with O Come All Ye Faithful is inspired and the complete presentation is stunning. Powerful!
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Hallerin Hilton Hill Mervyn Warren: Who Would Imagine a King: 2-Part Choir:
13.75
Hallerin Hilton Hill Mervyn Warren: Who Would Imagine a King: 2-Part Choir:
Chorale 2 parties
2 parties, Piano
[Partition]
-
Intermédiaire
Hal Leonard
Here is the eloquent and emotional Christmas song performed by Whitney Houston i...
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Here is the eloquent and emotional Christmas song performed by Whitney Houston in the film The Preacher's Wife. Also available for: SATB SAB two-part choirs and ShowTrax CD. Performance Time: Approx. 3:30.
13.75 GBP - vendu par Musicroom GB
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Who Would Imagine a King?/O Come, All Ye Faithful
Chorale SATB
SATB
Hal Leonard
Arranged by Dave Williamson. (SATB). PraiseSong Christmas Series. 16 pages. Pub...
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Arranged by Dave Williamson. (SATB). PraiseSong Christmas Series. 16 pages. Published by Hal Leonard.
$1.70
$1.615
(- 5%)
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24 hours - In Stock
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Who Would Imagine a King
Chorale SATB
SATB
Hal Leonard
(from The Preacher's Wife). Performed by Whitney Houston. By Mervyn Warren, Hall...
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(from The Preacher's Wife). Performed by Whitney Houston. By Mervyn Warren, Hallerin Hilton Hill. Arranged by Keith Christopher. (SATB). Choral. Size 6.75x10.5 inches. 8 pages. Published by Hal Leonard.
$2.25
$2.1375
(- 5%)
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24 hours - In Stock
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Who Would Imagine a King
Chorale 2 parties
2 parties, Piano
[Octavo]
Hal Leonard
(from The Preacher's Wife). Performed by Whitney Houston. By Mervyn Warren and H...
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(from The Preacher's Wife). Performed by Whitney Houston. By Mervyn Warren and Hallerin Hilton Hill. Arranged by Keith Christopher. (2-part). Choral. Size 6.8x10.5 inches. 8 pages. Published by Hal Leonard. (8741207) 6-PACK includes six original copies of this piece.
$2.50
$2.375
(- 5%)
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24 hours - In Stock
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Who Would Imagine a King
CD Chorale
[CD d'accompagnement]
Hal Leonard
(from The Preacher's Wife). Performed by Whitney Houston. By Mervyn Warren, Hall...
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(from The Preacher's Wife). Performed by Whitney Houston. By Mervyn Warren, Hallerin Hilton Hill. Arranged by Keith Christopher. (Showtrax Cd). Choral. CD only. Size 5x5.5 inches. Published by Hal Leonard.
$26.99 - Voir plus => Acheter
Délais:
24 hours - In Stock
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Who Would Imagine a King - SAB
Chorale 3 parties
SAB
Hal Leonard
(from The Preacher's Wife). Performed by Whitney Houston. By Mervyn Warren, Hall...
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(from The Preacher's Wife). Performed by Whitney Houston. By Mervyn Warren, Hallerin Hilton Hill. Arranged by Keith Christopher. (SAB). Choral. Size 6.8x10.5 inches. 8 pages. Published by Hal Leonard.
$2.65
$2.5175
(- 5%)
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24 hours - In Stock
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Squeak Big: Practical Fundamentals for the Successful Clarinetist
Clarinette
Imagine Music
Composed by Phillip Paglialonga. For Clarinet. Method book. Published by Imagine...
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Composed by Phillip Paglialonga. For Clarinet. Method book. Published by Imagine Music
$32.00 - Voir plus => Acheter
Délais:
4 to 6 weeks
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Come Let Us Worship The King Book
Chorale SATB
Brentwood-Benson
Arranged by Russell Mauldin. Adult: Musicals: Christmas. Choral Book. Published ...
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Arranged by Russell Mauldin. Adult: Musicals: Christmas. Choral Book. Published by Brentwood-Benson Music Publishing.
(1)
$7.99 - Voir plus => Acheter
Délais:
1 to 2 weeks
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Come Let Us Worship The King Stereo List Cd
CD Chorale
Brentwood-Benson
Arranged by Russell Mauldin. Adult: Musicals: Christmas. Listening CD. Published...
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Arranged by Russell Mauldin. Adult: Musicals: Christmas. Listening CD. Published by Brentwood-Benson Music Publishing.
$16.99 - Voir plus => Acheter
Délais:
1 to 2 weeks
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Come Let Us Worship The King Conductor's Score
Brentwood-Benson
Arranged by Russell Mauldin. Adult: Musicals: Christmas. Conductor's Score. Publ...
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Arranged by Russell Mauldin. Adult: Musicals: Christmas. Conductor's Score. Published by Brentwood-Benson Music Publishing.
$85.00 - Voir plus => Acheter
Délais:
1 to 2 weeks
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Come Let Us Worship The King Orchestration
Brentwood-Benson
Arranged by Russell Mauldin. Adult: Musicals: Christmas. Orchestration (Musical)...
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Arranged by Russell Mauldin. Adult: Musicals: Christmas. Orchestration (Musical). Published by Brentwood-Benson Music Publishing.
$250.00 - Voir plus => Acheter
Délais:
1 to 2 weeks
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Come Let Us Worship The King Split Track Acc Cd
[CD d'accompagnement]
Brentwood-Benson
Arranged by Russell Mauldin. Adult: Musicals: Christmas. Accompaniment Track (Mu...
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Arranged by Russell Mauldin. Adult: Musicals: Christmas. Accompaniment Track (Musical) - CD. Published by Brentwood-Benson Music Publishing.
$98.99 - Voir plus => Acheter
Délais:
1 to 2 weeks
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Come Let Us Worship The King Posters 12 Pack
Brentwood-Benson
Arranged by Russell Mauldin. Adult: Musicals: Christmas. Posters (pack of 12) (2...
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Arranged by Russell Mauldin. Adult: Musicals: Christmas. Posters (pack of 12) (20" x 24"). Published by Brentwood-Benson Music Publishing.
$19.99 - Voir plus => Acheter
Délais:
1 to 2 weeks
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Come Let Us Worship The King Cd Preview Pack
CD Chorale
[CD]
Brentwood-Benson
Arranged by Russell Mauldin. Adult: Musicals: Christmas. Preview Pack - CD. Publ...
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Arranged by Russell Mauldin. Adult: Musicals: Christmas. Preview Pack - CD. Published by Brentwood-Benson Music Publishing.
$12.00 - Voir plus => Acheter
Délais:
1 to 2 weeks
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Ben Hur Chariot Race March
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Imagine Music
Composed by Edward Taylor Paull. Arranged by Judith Katz. Published by Imagine M...
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Composed by Edward Taylor Paull. Arranged by Judith Katz. Published by Imagine Music (IG.CMS164).
$12.00 - Voir plus => Acheter
Délais:
4 to 6 weeks
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Daniel Baldwin : Las Nubes (The Clouds)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Imagine Music
By Daniel Baldwin. For flute, oboe, clarinet, horn, bassoon. Level 5. Published ...
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By Daniel Baldwin. For flute, oboe, clarinet, horn, bassoon. Level 5. Published by Imagine Music
$25.00 - Voir plus => Acheter
Délais:
4 to 6 weeks
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Sonata for Oboe and Piano
Hautbois, Piano (duo)
Imagine Music
By Daniel Baldwin. For oboe and piano. Level 5. Published by Imagine Music
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Délais:
4 to 6 weeks
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The Ultimate Christmas Fake Book - 4th Edition
Fake Book
[Fake Book]
-
Intermédiaire
Hal Leonard
For voice. C Edition. Format: fake book. With vocal melody, lyrics and chord nam...
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For voice. C Edition. Format: fake book. With vocal melody, lyrics and chord names. Christmas and holiday. Series: Hal Leonard Fake Books. 157 pages. 9x12 inches. Published by Hal Leonard.
(16)
$24.95 - Voir plus => Acheter
Délais:
24 hours - In Stock
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The Lyric Library: Christmas
Paroles Seulement
Hal Leonard
Complete Lyrics for 200 Songs. By Various Composers. Lyric Library. Size 6x9 inc...
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Complete Lyrics for 200 Songs. By Various Composers. Lyric Library. Size 6x9 inches. 224 pages. Published by Hal Leonard.
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24 hours - In Stock
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The Ultimate Christmas Fake Book - 6th Edition
Ligne De Mélodie, Paroles et Accords
[Fake Book]
Hal Leonard
For Piano, Vocal, Guitar, Electronic Keyboard and All C Instruments. Compose...
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For Piano, Vocal, Guitar, Electronic Keyboard and All C Instruments. Composed by Various. Fake Book. Softcover. 232 pages. Published by Hal Leonard
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Big Book of Christmas Songs for Flute
Hal Leonard
By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published...
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By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published by Hal Leonard.
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Big Book of Christmas Songs for Trumpet
Trompette
Hal Leonard
By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published...
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By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published by Hal Leonard.
$17.99 - Voir plus => Acheter
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24 hours - In Stock
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Big Book of Christmas Songs for Violin
Violon
Hal Leonard
By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published...
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(4)
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Big Book of Christmas Songs for Horn
Cor
Hal Leonard
By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published...
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By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published by Hal Leonard.
$19.99 - Voir plus => Acheter
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24 hours - In Stock
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Big Book of Christmas Songs for Viola
Alto seul
Hal Leonard
By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published...
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(3)
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