SKU: HL.287205
UPC: 888680902551. 5.0x5.0x0.115 inches.
A little bit cheeky, a little bit naughty, but completely refreshing, multi-faceted composer Tim Minchin gives the 2011 West End adaptation of Roald Dahl's 1988 book Matilda a quick-witted and wry look into the hopes and desires of the friendly school children surrounding the title character. Bouncy and idiosyncratic, Emerson's arrangement captures the wonder!
Voir toutes les partitions de Tim Minchin
SKU: HL.287201
UPC: 888680902513. 6.75x10.5x0.036 inches.
SKU: HL.14043360
ISBN 9781783056590. 6.75x10.0x0.152 inches.
Each themed book in the Little Voices series contains five songs that make a perfect introduction to part-singing for beginner groups.
The modern day musical theatre phenomenon Matilda is the multiple Olivier Award-winning adaptation of Roald Dahl's classic children's novel, performed by the Royal Shakespeare Company.
This book contains the songs Naughty, School Song, When I Grow Up, My House and Revolting Children.
SKU: HL.301272
ISBN 9781540064110. UPC: 888680964368. 9.0x12.0x0.337 inches.
The Strum Together series enables players of five different instruments – or any combination of them – to “strum together” on great songs. This easy-to-use format features melody, lyrics, and chord diagrams for five popular folk instruments: standard ukulele, baritone ukulele, guitar, mandolin, and banjo. This collection includes 70 all-time country favorites: Always on My Mind • Boot Scootin' Boogie • Could I Have This Dance • Deep in the Heart of Texas • Friends in Low Places • Green Green Grass of Home • Happy Trails • Hey, Good Lookin' • I Fall to Pieces • Jambalaya (On the Bayou) • King of the Road • On the Road Again • Ring of Fire • Sixteen Tons • Take Me Home, Country Roads • When Will I Be Loved • Your Cheatin' Heart • and more.
SKU: CF.BL1315
UPC: 672405011822. Key: F major.
DawnQuiet miles of golden sky,And in my heart a sudden flower.I want to clap my hands and sighFor Beauty in her secret bower. Quiet golden miles of dawn??Smiling all the East along;And in my heart nigh fully grown,A little rose-bud of a song.??From ??Last Songs? by Francis LedwidgeDawn, radiant dawn!When morning comes my fears are gone.Daylight breaks, my soul awakes!And songs of Love sing on. ??Italics: Additional text by Jacob NarverudAbout the PoetFrancis Ledwidge (1887??1917) was an Irish poet from Slane, County Meath. Ledwidge started writing at an early age and was first published in a local newspaper when he was fourteen years old. Ledwidge left the local national school shortly after and worked as a farm hand, road surface mender, and copper miner at Beaupark Mine near Slane. Ledwidge became friends with a local landowner, the writer Lord Dunsany, who gave him a workspace in the library of Dunsany Castle and introduced him to literary figures, including William Butler Yeats and Katherine Tynan. Some of Ledwidge??s manuscripts are held in the National Library of Ireland. The main surviving collection, including his early works and personal letters, are in the archives of Dunsany Castle.
SKU: CF.YPS200
ISBN 9781491152201. UPC: 680160909704. Key: D minor.
Step right up, ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange, or “Circus of the Strange.” This piece evokes a bygone era when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities. Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups and is a great way to expose students to the march form and style without sounding like your typical march.Step right up ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange. Welcome to the Cirque de L’étrange, known in English as the “Circus of the Strange.” This piece evokes a time of a bygone era, a time when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities that were sources of both delight and horror. While many of these sideshow attractions were deemed fraudulent, it did not deter the crowds from flocking to be shocked and awed. I have always held a special place in my heart for the showmanship of carnivals, because my grandfather dearly loved them. For much of his life, he worked at fairs and carnivals selling cotton candy and candy apples. A large portion of my days when growing up were spent running around fairgrounds and helping my grandfather with his stand. He imparted in me a love for the cunning, magic, and sheer joy that only carnivals and circuses can bring. In Cirque de L’étrange, I sought to capture the the mirthful, yet uncanny mood of the carnivals that I grew up exploring, thus transporting you to a different time.Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups, as it is a great way to expose students to the march form and style while not sounding like your typical march.Opening in D minor, the piece combines the playful feel of a march and a macabre tango. The second time through the First Strain (mm. 5-23), the upper woodwinds and bells add a second counter melody based in D harmonic minor, which heightens the peculiar nature of the piece. The Second Strain (mm. 24-43) by contrast, is a little more upbeat, thus evoking the magical ebullience of a circus, which is further highlighted by the xylophone part. The Second Strain ends in the key of F major and sets up the transition to the Trio in the key of G minor. The Trio (m. 44) begins with the G harmonic minor melody in the clarinets and a counter melody in the bassoon and tenor saxophone. The rest of the woodwinds and bells join in at m. 60 while the percussion adds a Gypsy-like feel with tambourine and triangle. At m. 76 the full band joins in the macabre parade with the trombones and baritones harmonizing the counter melody. The conclusion of the march has the upper woodwinds, adding a second counter melody complete with trills to bring the march to an exciting and dramatic finish.As the World’s Greatest Showman, P.T. Barnum, a man my grandfather greatly admired, once said “The noblest art is that of making others happy.” It is my hope that through this piece you will experience the thrill, delight, and fright that only carnivals can bring as you visit the Circus of the Strange!
SKU: CF.YPS200F
ISBN 9781491152881. UPC: 680160910380.
SKU: HL.294969
ISBN 9781540054715. UPC: 888680944599. 9.0x12.0x0.288 inches.
27 sentimental holiday favorites, including: All I Want for Christmas Is You * Blue Christmas * The Christmas Shoes * The Christmas Song (Chestnuts Roasting on an Open Fire) * Christmas Time Is Here * Christmases When You Were Mine * Have Yourself a Merry Little Christmas * (There's No Place Like) Home for the Holidays * I Heard the Bells on Christmas Day * I'll Be Home for Christmas * It Must Have Been the Mistletoe (Our First Christmas) * Merry Christmas, Darling * Please Come Home for Christmas * Same Old Lang Syne * Silver Bells * Somewhere in My Memory * Tennessee Christmas * Where Are You Christmas? * White Christmas * You're All I Want for Christmas * and more!
About Hal Leonard E-Z Play Today
For organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
SKU: BP.HB559
UPC: 748769305591.
For 3 to 6 octave handbell choir and optional 3 octaves of handchimes. Level 3. Jason Krug's arrangement opens with sustained chords depicting the dawning of day as the melody is introduced in the inner voices. The piece grows in energy and excitement through a verse with propulsive eight notes before a minor verse comes in on chimes. A final chordal verse gives way to the triumphant conclusion. A fantastic choice for worship or concert!