Volume 26 - The Scale Syllabus

This 32 page book contains transcriptions of all the solos and examples as played by Dave Liebman on soprano from Jamey Aebersold Volume 26 Scale Syllabus.

Adapted by Corey Christiansen Spiral Book and 2 CDs! Why should horn players have all of the fun' Now, the number one selling Jazz Improvisation book in the world has a whole new look! Introducing a new version of Jamey's world famous Volume 1 - How To Play Jazz And Improvise, completely revised and specifically tailored for guitarists by jazz great Corey Christiansen! This edition is perfectly aligned with the original classic Sixth Edition that introduced tens of thousands of musicians to essential jazz fundamentals such as scale/chord relationships, articulation, note choices, etc. In this special version, however, the text has been carefully edited and rewritten to speak specifically to guitarists. Even non-reading players will benefit, because we've also included TAB and FRAMES for each of the musical examples. The piano track from the original CD has been replaced by Corey on guitar, and many of the chords and voicings are explained and notated in the book. The play-a-long/demonstration CD includes special stereo separation, allowing the guitar on each track to be eliminated so that the student can play along with bassist Rufus Reid and drummer Jonathan Higgins. A second CD includes the same play-a-long tracks as the first CD, but at slower practice tempos. This high-quality book is spiral bound, designed to lie flat for ease of use. A complete package! Includes: Scales/Chords Developing Creativity Improv Fundamentals 12 Blues Scales Bebop Scales Pentatonic Scales Time and Feel Melodic Development II/V7s Related Scales and Modes Practical Exercises Patterns and Licks Dominant 7th Tree of Scale Choices Nomenclature Chromaticism Scale Syllabus and more! NOTE FROM JAMEY When I first heard So What on the Kind of Blue record I didn't think anything was happening because I was used to hearing changes flying by and this seemed so tame by comparison. I quickly fell in love with Kind of Blue and of course we at IU started experimenting with modal tunes and trying to keep our place in those many 8 bar phrases that seemed at times to make me feel like I was in the middle of a desert and couldn't see for the life of me the beginning of the next 8 bar phrase.

Suggested Prerequisites: Volume 2 And Volume 1.Probably the most important musical sequence in modern jazz! A must for all aspiring jazz players. Book contains all the needed scales and chords to each of the recorded tracks. These are written in the staff.
Contains 120 written patterns that can be played with the various tracks on the recording, also includes three full pages of piano voicings that correspond to the tracks on the recording. Booklet contains a Scale Syllabus which allows you to find and use various substitute scales, just like professional musicians use.
If you have been working on scales and chords, this book and recording set should be what you are looking for. A new concept in learning and applying basic jazz harmony. Allows you tracks to practice major, minor, dom. 7th, diminished, whole tone, half-diminished, Lydian and dim. whole tone scales and chords. II/V7/I All Major Keys. G Minor Blues. Bebop Tune. V7 9/I All Keys. II/V7/I ln Three Keys. F Blues With An 8-Bar Bridge. Il/V7 Random Progressions. Ø/V7 9/I All Minor Keys.

18 studies written to develop familiarity with the main types of scales and arpeggios in Jazz. More enjoyable than the scales themselves James Rae has deliberately chosen keys that give a comfortable user-friendly introduction to the various tonalities. Each section describes a particular type of scale and includes studies based on it. Included are: the major scale the dorian mode the mixolydian mode the minor pentatonic scale the jazz melodic minor scale the blues scale the chromatic scale the whole tone scale and the diminished scale. Studies in each of these volumes have been set as an alternative to scales for all grades on the Jazz Flute JazzClarinet and Jazz Saxophone syllabuses of the new Trinity Guildhall Examinations 2007.

18 studies written to develop familiarity with the main types of scales and arpeggios in Jazz. More enjoyable than the scales themselves James Rae has deliberately chosen keys that give a comfortable user-friendly introduction to the various tonalities. Each section describes a particular type of scale and includes studies based on it. Included are: the major scale the dorian mode the mixolydian mode the minor pentatonic scale the jazz melodic minor scale the blues scale the chromatic scale the whole tone scale and the diminished scale. Studies in each of these volumes have been set as an alternative to scales for all grades on the Jazz Flute Jazz Clarinetand Jazz Saxophone syllabuses of the new Trinity Guildhall Examinations 2007.

Playing With Scales is a new resource designed to help motivate and encourage young musicians to practice their scales.Playing With Scales presents imaginative backing tracks in avariety of styles to transform scales and arpeggios from dry rudiments into an exciting musical experience. The accompaniments can be played by the teacher in lessons plus all of the tracks are included for studentpractice at home using the supplied Download Card.This volume contains accompaniments for scales and arpeggios required at the first level of playing and is compatible with the syllabus requirements of the majorexamination boards.Watch an introduction to Playing With Scales:

Playing With Scales is a new resource designed to help motivate and encourage young musicians to practice their scales.Playing With Scales presents imaginative backing tracks in avariety of styles to transform scales and arpeggios from dry rudiments into an exciting musical experience. The accompaniments can be played by the teacher in lessons plus all of the tracks are included for studentpractice at home using the supplied Download Card.This volume contains accompaniments for scales and arpeggios required at the first level of playing and is compatible with the syllabus requirements of the majorexamination boards.Watch an introduction to Playing With Scales:

Playing With Scales is a new resource designed to help motivate and encourage young musicians to practice their scales.Playing With Scales presents imaginative backing tracks in avariety of styles to transform scales and arpeggios from dry rudiments into an exciting musical experience. The accompaniments can be played by the teacher in lessons plus all of the tracks are included for studentpractice at home using the supplied Download Card.This volume contains accompaniments for scales and arpeggios required at the first level of playing and is compatible with the syllabus requirements of the majorexamination boards.Watch an introduction to Playing With Scales:

A unique approach to the boredom of scales and arpeggios that combines fun and games with the essential technical requirements. John Allan's I Hate Scales ...except when I Have fun is a novel and unique approach to help remove the boredom from scales and arpeggios. Innovative and imaginative this combination of fun and games with essential technical requirements this method will interest and inspire young players to practice and aid learning of one of the less attractive facets of learning an instrument. Includes a game and spinner duets for teacher and student and enjoyable pieces to play and learn. This volume is for Violinists working toward their Grade 1examinations. Board syllabuses for ABRSM Guildhall School Trinity College and LCM are all covered.Grade: 1

Par TAYLOR SUE. Blow the Oboe and Blow the Bassoon are comprehensive tutors, each published in two volumes, with separate piano accompaniment books for the teacher. They combine to give students the greatest possible pleasure from the development of their musical potential. Starting off with the very basics, Sue Taylor gradually introduces more difficult material. Each volume includes studies, playing pieces, scales, arpeggios and much more. These tutor books are set as prescribed teaching material on the current AMEB (Australian Music Examination Board) manual of syllabuses for both Oboe and Bassoon. / Date parution : 2023-10-31/ Méthode / Basson

Par TAYLOR SUE. Blow the Oboe and Blow the Bassoon are comprehensive tutors, each published in two volumes, with separate piano accompaniment books for the teacher. They combine to give students the greatest possible pleasure from the development of their musical potential. Starting off with the very basics, Sue Taylor gradually introduces more difficult material. Each volume includes studies, playing pieces, scales, arpeggios and much more. These tutor books are set as prescribed teaching material on the current AMEB (Australian Music Examination Board) manual of syllabuses for both Oboe and Bassoon. / Date parution : 2023-10-31/ Méthode / Hautbois

Par TAYLOR SUE. Blow the Oboe and Blow the Bassoon are comprehensive tutors, each published in two volumes, with separate piano accompaniment books for the teacher. They combine to give students the greatest possible pleasure from the development of their musical potential. Starting off with the very basics, Sue Taylor gradually introduces more difficult material. Each volume includes studies, playing pieces, scales, arpeggios and much more. These tutor books are set as prescribed teaching material on the current AMEB (Australian Music Examination Board) manual of syllabuses for both Oboe and Bassoon. / Date parution : 2023-10-31/ Méthode / Piano